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22 

Players’ guitars 

designed for guitar players

Contents 

4-15 Icon Series 

16-30 Electric ReIssued Series 

31-33 Semi-Acoustic Series 

34-39 Bass Series 

Front Cover: John Parr with V100MRPGM Lemon Drop 

Page 2: Colin Cartmell with V6MRTBG 

2

Players’ guitars designed for guitar players. 

The 2013 Vintage Electrics brochure is chock full of all the old 

favourites, plus a host of new models. 

Vintage instruments continue to evolve, with new models, 

finishes, features and innovation. 

Trev Wilkinson, one of the world’s foremost experts in guitar 

and guitar hardware design, is the creative maestro behind the 

blueprint and specifications of each guitar in the Vintage electric 

range. 

Your choice of new guitar or bass is the result of Trev’s 

outstanding knowledge and worldwide reputation. 

With a genuine love for guitars and everything that goes with 

them, Trev’s enthusiasm is infectious, and his knowledge of the 

guitar genre is almost boundless. 

With a lifetime of interest in why the best guitars are how they 

are, what works and what doesn’t, and what can be done about 

it, Trev’s spent decades asking direct and forthright questions of 

the people who matter. He's worked with the industry legends 

responsible for some of the best guitars and pickups ever made, 

and artists who’ve played the best guitars ever made. 

An innovator since 1981, solutions and cool design are the 

hallmarks of every Trev Wilkinson project. 

The 2013 Vintage Electric brochure demonstrates exactly how 

much effort Vintage and Trev have been putting into their 

guitar range, the result of which is a collection of fantastic 

guitars and basses, with truly incredible levels of specification, 

attention to detail and, dare we say it; value. 

With guitars and basses inspired by ‘classic’ silhouettes from our 

shared guitar history, and unique designs, Vintage instruments 

are enjoyed and endorsed by a host of leading professional 

players, who choose Vintage because they understand the 

whole ethos of the Vintage brand. 

The pros understand that Vintage performs, that it delivers 

– with gusto, which guarantees that if you’re a younger player 

following your dream you can really make your mark and you’ll 

never outgrow your Vintage. 

Many major pro players are now using Vintage guitars as their 

main instrument, in some instances even adopting a Vintage 

guitar as their signature model. Surely there can be no higher 

personal recommendation of a guitar’s abilities? 

Players like Graham Oliver, with his two Vintage Signature 

models, are a perfect example. With more than 10 million 

records sold in his role as founding member of rock gods Saxon, 

Graham's as well-known across the globe as much for his 

trademark crushing riffs as he is for his iconic double cutaway 

and classic 'V' double humbucker axes. Graham spent hours 

with Trev in the Vintage workshops recreating totally authentic 

signature guitars to pay tribute to the instruments he used to 

write classics like Wheels Of Steel and Princess Of The Night. 

Graham says: “These two guitars look good, play amazingly 

and sound fantastic! But the best thing is that, unlike other 

signature guitars, they’re totally affordable for everyone.” 

Other players in the Vintage roster include German virtuoso 

Thomas Blug, Mick Abrahams, Big Country's Tony Butler, 

founding Saxon bassist Steve Dawson, Bernie Tormé, Dave 

'Bucket' Colwell, John Parr, Midge Ure, the Quireboys' Paul 

Guerin – and many, many more. 

The Vintage ICON series of pre-distressed instruments hit the 

spot too. They so feel special to play and exude a totally cool, 

ready-aged vibe, with built-in character shining through an 

authentic aged finish. With distressed Wilkinson hardware and 

vintage tone pickups, ICON series shouts ‘this guitar’s been 

places, ground through the mill, done some stuff, paid its dues’! 

With the patina of playing in countless rehearsal sessions, 

gigging in hundreds of smoky bars and clubs, working in 

endless recording sessions and touring at home and abroad, 

Vintage ICON means you don’t have to remortgage your house 

or wait a lifetime to own a classic. 

Of course, if new and bright 'n' shiny is your thing, we do that 

too, in spades. The Vintage ReIssued range is a terrific 

collection of guitars and basses in all styles, with incredible 

specification and playability. 

ReIssued and ICON demonstrate what can be achieved when 

the satisfaction of the player is put above mere commercial 

concerns. 

How does Vintage manage to offer such incredible instruments 

at the kind of prices that literally anyone can afford? 

The magic is in using knowledge for good, and doing it right. 

Because that's the right thing to do, because guitarists, young 

and old, new and hard-bitten, deserve the best – without 

compromise! 

At Vintage, we’ve proven that with care, and a stated intent to 

prove a point, we can bring all these elements together to make 

the end result much more than just the sum of the parts. 

What really makes the difference is NOT just to build down to a 

price, but instead designing in quality, building up to and 

achieving an aspiration to excel. 

Then, with care, consistency, attention to detail, precision and 

rigorous levels of quality control, it’s possible to build great 

guitars to sell at a price that won’t break anyone’s bank. 

Whatever your guitar or bass needs, there’s a Vintage 

instrument that suits you. 

Players’ guitars designed for guitar players. It’s that simple. 

3

VintageTHOMASBLUGSignature 

V6MRTBG 

Distressed 

Vintage White 

V6MRTBG/V6MRHDX 

Body: Alder 

Neck: Hard Maple – Bolt On 

(reversed headstock on HDX) 

Fingerboard: Rosewood, 21 frets, 7 1/4” radius 

Scale: 25.5”/648mm 

Pickups: Wilkinson single coil x 3 aged ivory 

(Neck) WVSN, (Middle) WVSM reverse wound/reverse 

polarity, (Bridge) WVSB with WHCC hum-cancelling coil 

Controls: 1 x Volume, 2 x Tone (second tone control 

features Thomas Blug ‘Bu ka ’ switch (push/push 

action), 5-Way Selector 

Tuners: Wilkinson Deluxe WJ55D EZ-Lok 

Vibrato: Wilkinson WVCD 

Scratchplate: 3-ply with Aluminium shielding 

Hardware: Distressed Nickel 

Finish: Distressed Vintage White (Customised HDX) 

k 

Features 

Thomas and Trev wire in the ‘Bu ka’ switch, a selectable hum-cancelling extra coil facility. 

k 

In addition to the already high specification of the Vintage ICON V6, 

the Thomas Blug SIGNATURE Series V6 guitar and Summer Of Love 

also feature; 

Classic 21 fret neck, with 7 1/4” radius fingerboard camber, and medium 

jumbo frets for a positive, authentic vintage feel. 

Authentic 60s style aluminium shielding under scratchplate to reduce 

inducted hum and static noise. 

Reverse polarity middle position pickup plus auto bypass of dummy coil in 

positions 2 and 4. 

Thomas’ secret weapon – a ‘No treble loss’ condenser in the volume pot 

circuit. 

Switchable dummy coil for reduced hum and less glassy tone with 

overdrive sounds via the Thomas Blug ‘Bu ka’ switch, (push-push action) 

on the second tone control. 

k 

Designed in 

association with 

Trev Wilkinson 

Design Associates 

Over recent years, guitar enthusiasts have admired the virtuosic electric 

guitar style of Thomas Blug, one of Europe’s most respected players. In 

addition, Thomas’ work as a product development consultant and product 

demonstrator for Hughes & Kettner guitar amplification means he is a 

regular must-see feature at music expos and shows worldwide, alongside 

his own sought-after CD releases and tuition DVDs, as well as 

performances with the Thomas Blug Band which includes keyboardist 

This Van Leer, erstwhile mainstay of Dutch rock legends, Focus. 

Thomas has one of the most recognisable guitar sounds in the world, 

playing with a fluid, melodic and powerful style, and has over the years 

become synonymous with his much-loved and instantly recognisable 

electric guitar, a well-used faded Olympic White ‘61. 

As a player who has been the inspiration to thousands of players, Thomas 

chose Trev Wilkinson, and UK guitar brand Vintage, to prove the point 

that it is possible to create in a signature guitar an instrument which 

4

VintageTHOMASBLUGSUMMEROFLOVE 

“I wanted a guitar that looks cool – like Hendrix's, but with 

all the features of my signature Vintage Icon V6 guitar,” Thomas 

says. “And it had to play like all the guitars I 

usually play: pickups in the same position and not a 

reversed body.” True to Thomas's requests, the 

V6MRHDX features the same top quality specs 

as his treasured '61 and his original Vintage 

V6 signature, but comes with a reversed 

headstock and hand-applied graphics 

created by German artist Daniel Hahn 

especially for the Summer Of Love. 

“Classic vintage feel, 

awesome authentic tone 

and a cool vibe.” 

V6MRHDX 

Distressed Custom 

“You can take this axe in 100% stock trim and gig it to death... 

Everything feels solid and it sounds pretty bloody amazing!” 

Tim Slater, Playmusic Pickup magazine 

. 

TWDA 

. 

Tr 

faithfully recreates the unique attributes of his beloved ‘61. 

With its battle-scarred body, custom electronics and personalised 

switching all added to the already exceptionally well-specced Vintage 

ICON Series V6 guitar, players looking for an edge with this iconic design, 

and who also perhaps aspire to emulate Thomas’ spine-tingling sound, 

An Original Design Concept 

e s 

. 

TWDA 

. 

can now buy exactly the same instrument which he uses in his day-to-day 

work. 

‘Outstanding’, comments Thomas on his Vintage SIGNATURE V6 

guitar. “To achieve all this, in an instrument which literally anyone can 

afford, even a first time buyer, is an unbelievable result.” 

5

“...this Vintage V6 Icon guitar looks gloriously f ** ked. 

What we weren’t expecting was the sheer quality that 

lurked underneath 

those finishes.” 

Total Guitar magazine 

V6HMRSB 

Distressed 

3 Tone Sunburst 

V6HMR 

Body: Alder 

Neck: One Piece Hard Maple – Bolt On 

Fingerboard: Rosewood 

Scale: 25.5”/648mm Frets: 22 

Neck Inlays: Pearloid Dot 

Tuners: Wilkinson WJ55D E-Z-Lok Distressed 

Vibrato: Wilkinson WVCD Distressed 

Pickups: Wilkinson Single Coil x 2 (N) WVS (M) 

WVS 1 x Humbucker WHHB (B) 

Scratchplate: Mock Tortoiseshell 

Hardware: Distressed Nickel 

Controls: 1 x Volume/ 2 x Tone/ 5-Way Lever 

Finish: 3 Tone Sunburst, Distressed 

Mik Crone 

Lorenza Woods 

V6MRSSB 

Distressed 

Sunset 

Sunburst 

LV6MRSSB 

Left Hand 

Rob 

‘Lord Hailer’ 

Mills 

The Hailers 

V6MRWW 

Distressed 

Woodstock 

White 

Designed in 




Nothing gives off that unique, so-cool vibe like a guitar that’s 

obviously seen some serious use. Like a battle-scarred warrior 

that always gives its best, the instrument’s character shines 

through the worn finish, saying ‘this guitar has paid its dues’. 

Its sound has the heart and soul of a thousand gigs in it and 

you can feel it when you play it. It feels special to hold, and 

special to play. 

But how many people can afford the vintage instrument of their 

dreams? That special instrument which displays a unique level 

of wear from decades of playing – at home, numerous rehearsal 

sessions, smoky pubs to working mens’ clubs, gigs and tours at 

home and abroad? Or how many guitarists can wait 20 years 

before their own guitar starts to show that kind of time-related 

character? 

6

V6MR 

Body: Eastern Poplar 


(MRBK) One Piece Hard Maple with Rosewood Stripe 

Fingerboard: Rosewood, (MRBK) Maple 

Scale: 25.5”/648mm Frets: 22 


Tuners: Wilkinson WJ55 E-Z-Lok 

Vibrato: Wilkinson WVC 

Pickups: Wilkinson Single Coil x 3 (N) WVS (M) WVS (B) WVS 

Hardware: Nickel 


VintageICONV6Series 

Guitarists may very well recognise 

the heavy wear ‘n’ tear pattern 

scarring on the glossless 

Boulevard Black body, with 

the guitar’s stripped maple 

neck and fingerboard also 

emulating the ageing 

process of countless hours 

of use in rehearsals, 

recordings, in and out of 

flightcases and onstage 

on numerous 

international tours. 

“A relic guitar that plays awesome and doesn't cost 

the price of a small car! I love the fact that the 

V6MRBK feels just like the way it looks. 

Lived-in, comfortable and ready to play 

from the first time you pick it up.” 

Roy Fulton - Southbound 

BLACK ‘N’ BLUES 

V6MRBK 

Distressed 

Black 

LV6MRBK 

Left Hand 

V6MRFR 

Distressed 

Firenza Red 

V6MRLB 

Distressed 

Laguna Blue 

Now you don’t have to wait! You don’t even have to remortgage 

the house to make the payment. Renowned guitar specialists 

Vintage, in conjunction with acknowledged guitar guru, Trev 

Wilkinson, have a specially pre-aged electric guitar range that 

ticks all the boxes – the Vintage ICON Series. 

These fantastic guitars, fully equipped with equally aged 

Wilkinson tuners, hardware and pickups look like they’ve been 

played for decades with all the marks, wear and tear to prove 

it. They’ve been through the mill but they’re cool and ready for 

the next gig. 

Get one of the Vintage ICON Series guitars and save 20 years of 

your life! Best of all, you won’t believe the price... 

7

VintageICONV52/V62Series 

V52MR/V62MR 

Body: American Alder 

Neck: Hard Maple – Bolt-On 

Fingerboard: Maple (52), Rosewood (62) 

Scale: 25.5”/648mm 

Frets: 22 Medium 

Neck Inlays: Black Dot (52), Pearloid Dot (62) 

Tuners: Wilkinson Deluxe WJ55SD 

Bridge: Wilkinson WTBD 

Pickups: Wilkinson Single Coil x 2 

(N) WVTN Alnico (B) WVOB Alnico (52) 

Wilkinson Single Coil x 2 

(N) WVTN Alnico (B) WVTB Alnico (62) 

Scratchplate: Single Ply Black (52) White (62) 


V52MRBS 

Distressed 

Butterscotch 

V62MRAB 

Distressed 

Ash Blonde 

“My main guitar on the new 

Quireboys record is my V52 

Icon. The quality and clarity of 

this guitar is astounding and 

the aged finish makes it feel 

like it’s been with me for years. 

I’ve just had the V52 out with 

me on the road and it stood up 

the the rigours of touring like a 

real trooper – no baggage 

handler managed to bust this 

little beauty!” 

Paul Guerin 

Quireboys 

8 

Designed in 




“This is one of the best 

electric guitars 

I’ve ever played... 

I can’t put it down.” 

Neil Taylor - Robbie Williams

VintageICONV7/V4Series 

“My V7 is a great sounding, well built bass that has a 

playability well beyond any other fretless in it's price range.” 

Dishan Abrahams Session Bassist 

(Kylie Minogue/Sugababes/Christophe Willem) 

V7MR 




Scale: 34”/864mm 

Frets: Fretless 


Tuners: Wilkinson WJBL200 

Bridge: Adjustable 

Pickups: Wilkinson JB x 2 

(M) WJB00, (B) WJB800 


Controls: 1 x Volume/ 1 x Tone 

V4MRSSB 

Distressed 

Sunset 

Sunburst 

V4MR 





Frets: 20 




Pickups: Wilkinson PB x 1 (M) WPB 



V74MRJP 

Fretless 

Distressed 

Sunset 

Sunburst 

LV74MRJP 

Left Hand 

“The V7’s well made 

and I Iove the look but the 

tone is out of this world!” 

Jamie Mallender - Raven Lords 

“The V4 remains 

good value 

for money.” 

Stuart Clayton, 

Bass Guitar magazine 

9

Bobby Tench 

Humble Pie, Jeff Beck 

Paul Guerin 

Quireboys 

The reverse-fitted neck humbucker and 

out-of-phase centre position wiring created 

one of the most recognisable guitar 

sounds of the genre – real ‘Black Magic’. 

Differential bell type control knobs, 

battle scars and sealed gear replacement 

tuners all add to the mojo.... 

Still got the blues? 

Paul Raymond 

UFO 

Jim Cregan 

Steve Harley, 

Rod Stewart, 

Katie Melua 

Gary Sanford 

Joe Jackson, 

Aztec Camera 

“A cracking guitar.. 

one that could have its price tag doubled 

and still be good value for money.” 


Rozey 

Falling Red 

Don Kelley 

Don Kelley Band 

. 

TWDA 

. 

Tr 


e s 

. 

TWDA 

. 

10

Haydn Conway 

Oliver/Dawson Saxon 

VintageICONV100LEMONDROP 

V100MRPGM 

Body: Mahogany 

Top: Maple Cap w/Flamed Maple Veneer 

Neck: Mahogany – Set Neck 


Scale: 24.75”/ 628mm 

Frets: 22 

Neck Inlays: Pearloid Crown 

Tuners: Wilkinson WJ01 

Bridge: Tune-O-Matic 

Pickups: Wilkinson Solid Nickel Covered Alnico V 

Humbucker x 2 (N) WVC (B) WVC 


Controls: 2 x Volume/ 2 x Tone/ 3-Way Toggle 

Dave ‘Bucket’ Colwell 

Bucket & Co. / Bad Company 

Midge Ure 

John Parr 

Goeff Whitehorn 

Procol Harum 

V100MRPGM 

Lemon Drop 

LV100MRPGM 

Left Hand 

Alex Kraft 

Dezperadoz 

Trev's V100 Lemon Drop 

is a real tribute. 

"When I was young and in a band, 

we supported the original Fleetwood 

Mac to play at a gig we'd organised. 

Fleetwood Mac let us use their PA, 

and Peter Green even let me use 

his amp! 

He wouldn’t let me use his guitar 

but he was always my favourite 

guitarist.” 

The guitar player’s favourite 

11

V100MRJBM 

Distressed 

Gold Top 

V100MRJBM 




Scale: 24.75”/ 628mm 

Frets: 22 


Tuners: Wilkinson WJ303 (JBM) 


Pickups: Wilkinson Solid Nickel Covered Alnico V 

Humbucker x 2 (N) WVC (B) WVC (JBM) 



“I've taken this guitar into 

numerous recording sessions 

and people are amazed – 

they think it's a really expensive 

custom shop job! 

Never judge a book by its cover: 

a great guitar is a great guitar!” 

Wayne Plummer – Session Player 

Kelly Rowland/Gloria Gaynor/Craig David/ 

Jamelia/Ne-Yo 

Designed in 




12

VintageICONV100Series 

V100’s 


Top: Flamed Maple Veneer 



Scale: 24.75”/ 628mm 

Frets: 22 


Tuners: Wilkinson Deluxe WJ44 


Pickups: Wilkinson Nickel Plated Humbucker x 2 (N) 

MWVC (B) MWVC 



“The bridge pickup 

barks and growls 

and the neck unit 

is blues rock heaven.” 

Guitar & Bass magazine 

V100MRTSB 

Distressed 

Tobacco Sunburst 

V100MRHB 

Distressed 

Honeyburst 

V100MRCS 

Distressed 

Cherry Sunburst 

13

VintageMICKABRAHAMSSignature 

VS6MRMA 

Distressed 

Cherry Red 

VS6MRMA 




Scale: 24.75”/628mm 

Frets: 22 



Bridge: Wilkinson Wrapover, Distressed 

Pickups: Wilkinson (N) W90SKN (B) W90SKB 

Hardware: Nickel, Distressed 

Controls: 2 x Volume/ 2 x Tone/ 3-Way 

Toggle 

“My Vintage Signature 

is the meanest VS6 

I have ever laid hands on. 

It just sings, and like me, 

it's the real deal! 

I would defy anyone 

to find a better 

working axe.” 

One of the founding 

fathers of the 60s 

British blues movement, 

pioneering guitarist 

and songwriter Mick 

Abrahams enjoyed 

major acclaim with 

legendary folk blues 

outfit Jethro Tull 

prior to forming 

his own band, 

Blodwyn Pig, and 

has since recorded 

and released 

several successful 

solo albums. 

Designed in 




14

VintageICONVS6Series 

VS6MRP 




Scale: 24.75”/628mm 

Frets: 22 


Tuners: Wilkinson WJ15 w/mini oval buttons 

Bridge: Wilkinson Wrapover, Distressed 

Pickups: Wilkinson (B) W90SKB 


Controls: 1 x Volume, 1 x Tone 

VS6MRPCR 

Distressed 

Cherry Red 

VS6MR 


Neck: Mahogany, Set Neck 


Scale: 24.75”/ 628mm 

Frets: 22 medium jumbo 

Inlays: Pearloid Crown 

Tuners: Wilkinson Deluxe WJ44D 3+3 

Bridge: Tune-O-Matic w/stop bar tailpiece 

Pickups: Wilkinson Humbucker x 2 

(N) MWVC (B) MWVC 

Scratchplate: Black 3-ply 


Controls: 2 x Volume/ 2 x Tone/ 3-way toggle 

VS6MRCR 

Distressed 

Cherry Red 

15

VintageGRAHAMOLIVERSignatures 

VS6GO 

Oliver 

White 

“I'm so privileged to have 

not one but TWO Vintage 

Signature guitars! 

The VS6GO has all the 

looks, hardware and 

versatility for all sorts 

of styles. I made 

a career out of my original, 

so get your hands on one 

now! 

The world's your stage...” 

Designed in 




16

The first thing Kirk Hammett said to me the last time I saw 

him was: "Have you still got the white guitars I saw you play 

in San Francisco in '81? They were so cool!" 

Over the last 30-odd years they've also been admired by guys 

like Randy Rhoads, Michael and Rudolf Schenker, K.K. 

Downing and Dimebag Darrell, to name but a few. 

They not only have to play good, but look good too, and 

when my Vintage signatures came and I played 'em I couldn't 

believe I was not playing my originals! 

My Vintage signature guitars not only look good, they play 

amazing and sound fantastic! But the best thing is that 

they're unlike other signature guitars and in a price range 

that makes 'em totally affordable for everyone. 

VS6GO 



Fingerboard: Bound Rosewood 

Scale: 24.75”/ 628mm 

Frets: 22 


Tuners: Wilkinson Deluxe WJ44, 

Bridge : Tune-O-Matic 

Vibrato: Graham Oliver Special Vibrato 

Pickups: Wilkinson Humbucker WHHB (N), 

Open Humbucker Blade (B) 

Hardware: Chrome 

Scratchplate: 4-Ply b/w/b/w 

Controls: 2 x Volume/2 x Tone/3-Way 

V60GO 

Oliver White 

V60GO 

Body: Mahogany with lower comfort contour 



Scale: 24.75”/ 628mm 

Frets: 22 

Neck Inlays: Pearloid Blocks 

Tuners: Wilkinson Deluxe WJN01 

Bridge: Tune-O-Matic with Stop Bar Tailpiece 

Pickups: Wilkinson Chrome Covered 

Humbucker x 2 WHHBC (N) WHBBC (B) 


Scratchplate: 3-Ply w/b/w 

Controls: 2 x Volume/1 x Tone/3-Way 

“My Signature V60 model just blows me away! How 

do you improve perfection, playability, 

looks and performance? 

This does it in spades, and as soon as you 

strap it on it makes you strike a pose and feel 

ARMED AND READY!” 

17

The Wilkinson WVC vibrato bridge featured on the 

Vintage V6 is a masterpiece of detail. 

Positive location, 6 screw design provides return to pitch 

accuracy; perpendicular bend, high grade steel saddles 

enhance tonality and ‘snap’. Ground base plate corner 

provides authentic looks. 

Stagger drilled cast block 

significantly enhances 

return to pitch accuracy 

and classic vintage tone. 

VintageV6ReIssuedSeries 

“Wilkinson re-designed every component to his exhausting specs... 

it was a stunning success.” 

Australian Guitar magazine 

Balanced set of Wilkinson WVS vintage-voiced 

Alnico V pickups, with staggered, chamfered 

edge pole pieces, for authentic tone and 

contemporary power. Reverse wound, reverse 

polarity centre pickup provides hum cancelling 

in switch position 2 and 4. 

V6SSB 

Sunset Sunburst 

Medium profile frets add to 

comfort, accuracy and overall 

positive feel of the Vintage V6. 

American alder body provides resonance, 

tone and ‘correct weight’ comfort, 

enhanced with correctly radiused 

contoured body. 

Push-in delrin-bushed arm 

with variable tension provides 

the arm feel that suits your style. 

Vintage V6 tone layout also provides 

extra versatility with bridge and 

neck controls. 

Designed in 




LV6SSB Left Hand 


“It’s rare for a guitar to feel truly effortless 

The Vintage V6 Series offers an extraordinarily high level of 

specification, with many built-in custom shop level features. 

These include the revered Wilkinson WVC original specification 

vibrato featuring authentic bent steel saddles fro that classic 

sparkle and tone; precision machined pivot points for total 

‘return to pitch’ accuracy and a stagger-drilled sustain block to 

prevent string hang-up. An adjustable, ‘vintage bend’ push-in 

arm completes this definitive vibrato system. 

Attention to authentic tone continues with the use of a matched 

and calibrated set of Wilkinson Alnico V single coil pickups, 

using a reverse wound/reverse polarity middle pickup for clarity 

and dynamics and featuring true vintage-style chamfered edge 

polepieces. With one volume and two tone controls, the second 

neatly wired to work on both middle and bridge pickups, the 5-way 

lever switch and control circuitry are configured for maximum 

tone, evenness of response and output for supreme versatility. 

18

Wilkinson WJ55 patented E-Z-Lok tuners. Simple, 

effective locking action for increased tuning 

stability. Staggered string post heights provide 

correct string rake angle for smooth vibrato 

action and correct playing 

tension. 

Classic headstock design 

for balance and visual appeal. 

Traditional 10" radius 

fingerboard provides positive 

feel, definition and superior 

tone! 

Classic Vintage ‘soft C’ 

profile hard rock maple 

neck: instant comfort, 

speed, accuracy and 

great feel. 

Graphite top nut, 

smooth and friction free. 

V6 



Fingerboard: Rosewood. One Piece Maple (MFR/MSSB) 

Scale: 25.5”/648mm 

Frets: 22 

Neck Inlays: Pearloid Dot. Black dot (MFR/MSSB) 

Tuners: Wilkinson WJ55 E-Z-LOK 

Vibrato: Wilkinson WVC 


(N) WVS (M) WVS (B) WVS 



As if the cool ‘left hand neck on 

a right hand body’ wasn’t enough 

of a vibe, the unique inverted 

Wilkinson single coil staggered 

pickup polepiece layout and 

reversed bridge pickup on the 

Vintage FILLMORE V6JMH is also 

designed to give you a truly 

authentic taste of that special 

‘right hand guitar flipped over’ 

tone of Jimi’s masterly 

left-handed genius. 

V6JMH 

Olympia White 

‘FILLMORE’ 

Lachlan Horne 

V6BB 

Boulevard Black 

V6LB 

Laguna Blue 

V6MFR 

Firenza Red 

V6MSSB 

3 Tone Sunburst 

(especially when you pick it up for the first time) but the V6 is a joy to play.” Total Guitar magazine 

Plus, if you’re looking for a different kind of guitar vibe, the 

V6JMH definitely has more ‘guitar mojo’ going for it than most... 

Check that left hand neck on a right hand body, for starters... 

Not only that, even though it’s a right hand body, closer inspection 

reveals that the full-toned, matched and calibrated set of Wilkinson 

staggered pole, alnico-powered single coil pickups are a left 

hand set, meaning that the polepiece sequence is also inverted, 

providing a unique tonality redolent of one of the most legendary 

guitarists ever... Especially as the bridge pickup position is also 

inverted meaning that the pickup bass side sits nearest the 

bridge with the treble side angled forward from the bridge! 

Otherwise, the cool-looking, unique-sounding V6JMH offers all 

the other impressive build quality and features found in V6 range, 

a comfortable, accurately-sculpted body; smooth, easy-to-play, 

mid-depth C-section neck, and a full complement of Wilkinson 

hardware designed for premium guitar performance. 

19

VintageV52/V62Series 

V52 


Neck: One Piece Hard Maple, Bolt-On 

Fingerboard: Maple 

Scale: 25.5”/ 648mm 


Neck Inlays: Black Dot 

Tuners: Wilkinson Deluxe WJ55S 

Bridge: Wilkinson WTB 

Pickups: Wilkinson Single Coil x 2 (N) 

WVTN Alnico (B) WVOB Alnico 

Scratchplate: Black Single Ply 


V52BS 

Butterscotch 

V62 


Neck: Hard Maple, Bolt-On 


Scale: 25.5”/ 648mm 





Pickups: Wilkinson Single Coil x 2 (N) 

WVTN Alnico (B) WVTB Alnico 

Scratchplate: White Single Ply 


V62AB 

Ash Blonde 

Designed in 




20

VintageV2Series 

V2 



Fingerboard: Rosewood (BLD) Maple (BK) 

Scale: 25.5”/ 648mm 

Frets: 22 

Neck Inlays: Pearloid Dot (BLD) Black Dot (BK) 




(N) MWTN (B) MWTB 



V2BK 

Black 

“My V2 has all the twang 

and bite you would expect 

from a much more expensive 

instrument and performs 

brilliantly night after night.” 

Luke Thomas - Country Legends 

V2BLD 

Blonde 

Wilkinson WTB Bridge 

This classic 3-saddle design has been around for over 50 years 

and is still regarded as the ultimate tone machine. Staggered 

brass saddles offer individual string intonation never before 

available in a design of this type, still widely regarded as the tone 

machine. The baseplate itself is a faithful reproduction of the 

original, made from steel, very important in a bridge of this style 

due to the tonal effect it has on the magnetic field of the pickup 

mounted in it. 

21

“I have been blown away 

by the quality of these 

instruments (and I am 

one fussy guitar guy!)” 

Pat McManus – V100AFD 

V100 


Top: Solid Carved Mahogany (GT/ TSB/ WR/ BB/ 

Flamed Maple Veneer (HB/ CS/ IT) 

Carved Flame Maple Cap (AFD) 


Fingerboard: Rosewood Scale: 24.75”/ 628mm 

Frets: 22 Neck Inlays: Pearloid Crown 



Pickups: 

V100TSB/BB/CS/IT/HB/AW Wilkinson Humbucker 

V100GT Wilkinson Stacked Ceramic x 2 

V100WR Wilkinson Mini Humbucker x 2 

V100AFD Wilkinson WVHZ Humbuckers x 2 

Hardware: Chrome (GT/CS/IT/HB/AFD) 

Gold (TSB/BB/WR/AW) 


“This is the best value for money instrument 

iGuitar has yet seen. It's simply stunning!” 

Jamie Humphries, iGuitar (V100AFD Paradise) 

V100BB 

Gloss Black 

Designed in 




22 

In terms of looks and attitude, few guitars can match the out 

and out appeal of the Vintage V100. 

From the rocking zebra humbuckers and pure swagger of the 

V100AFD Paradise through to the ICON Lemon Drop's 

battle-scarred body and wonderfully out of phase tones, there's 

something here for every taste and style of musician. 

Offering an extraordinarily high level of specification, the build 

quality and constructional detail of the Vintage V100 includes a 

solid mahogany body and neck mated in true ‘set neck’ fashion 

for maximum tone-enhancing rigidity. An accurately-carved, 

gently arched body top adds to the V100’s distinctive look. The 

mahogany and maple tonewoods are the ideal recipe for the 

kind of sounds that this style of guitar is renowned for – smoky, 

sultry, sweet-toned bluesy licks with a warm jazzy feel from the 

neck pickup help soothe the soul with an emotional calm. 

Charging to the other extreme with a flick of the 3-way selector 

switch allows the back pickup to rage and rampage through 

high gain amplification like no other.

AW) 

x 2 

V100AFD 

Flamed Amber Paradise 


“The most amazing tone, the 

amount of push and pull I can 

get from these guitars, is 

unbelievable. They honestly 

play and feel like the best 

guitars in the world.” 

Al the Yeti Bones 

V100BLK 

Gloss Black 

V100GT 

Gold Top 

V100WR 

Wine Red 

V100HB 

Flamed 

Honey Burst 

V100CS 

Flame Maple Cherry Sunburst 

LV100CS Left Hand 

V100IT 

Flamed Ice Tea 

V100TSB 


LV100TSB Left Hand 

V100AW 

Artic White 

The Vintage V100 is a perfect example of Trev Wilkinson’s 

fascination with tone. While working in California, Trev’s 

development work in the guitar industry led him to a meeting 

with the father of the humbucking pickup, Seth Lover. 

Recognising a kindred enquiring and inventive guitar spirit, Seth 

Lover imparted to Trev the exact specification of the legendary 

pickup units he designed, and that same authentic vintage 

voiced recipe is what Trev uses in the V100’s humbuckers to 

ensure you can get that elusive, iconic tone. 

The V100’s rock solid chassis allows for positive string anchoring 

and location with the precision-manufactured Tune-O-Matic 

bridge and stop bar tailpiece. On the elegantly-shaped 

headstock, a set of three-a-side Wilkinson WJ44 tuners offers 

both the precise tuning feel and accuracy you’d expect from 

this type of guitar and – of course – the correct look. 

Check out the range of classic finishes available on the V100 

and we’re sure you’ll agree that this is an irresistible package 

of attitude, power and tone! 

23


V99CS 


LV99CS 


Left Hand 

V99 


Neck: Maple – Bolt On 


Scale: 24.75”/ 628mm 

Frets: 22 




Pickups: Wilkinson Humbucker x 2 (N) MWVC (B) 

MWVC 



V99B 

Black 

“Surprisingly convincing, helped 

by a really high quality finish. 

Wilkinson pickups are the icing 

on these tasty instruments; 

plenty of poke on tap.” 

Gear magazine 

Designed in 




24

VintageVR100Series 

VR100CR 

Cherry Red 

VR100 




Scale: 24.75”/ 628mm 

Frets: 22 



Bridge: Wrap Over Bridge Tailpiece 

Pickups: Wilkinson Stacked Ceramic x 1 

(B) W90SKB 



VR100W 

Gloss White 

“With Vintage you aren't 

paying for an inflated brand 

name, you're paying for a 

quality instrument.” 

Jamie Wilcox – Merciless Precision 

“Mahogany body, wrap-over 

bridge and alnico soapbar 

pickup will get you close to the 

‘tude of New York Dolls legend 

Johnny Thunders!” 

Total Guitar magazine - V100CR 

25

James Bell, 

Guitarist magazine’s 

‘Young Guitarist Of The Year 2011’ 

plays Vintage guitars. 

LVS6VW 

Vintage White 

Left Hand 

26 

Designed in 




“...winding the wick down a tad 

and flicking to the neck pickup 

gets you a classy throaty blues 

sound that’s creamier than 

Unigate.” 

Total Guitar magazine

VintageVS6Series 

VS6VW 

Vintage White 

VS6 




Scale: 24.75”/628mm 

Frets: 22 





(N) MWVC (B) MWVC 

Hardware: Chrome (VS6/ VS6B/ LVS6), 

Gold (VS6VW/ VS6CG) 


VS6 

Cherry Red 

VS6B 

Gloss Black 

VS6CG 

Cherry Red 

LVS6 

Cherry Red 

Left Hand 

27

V60TA 

Trans Amber 

VintageRockSeries 

“...this thing just oozes tone.” 

Play Music magazine 

V60 


Neck: Maple – Set Neck 

V60BK 

Gloss Black 


Scale: 24.75”/ 628mm 

Frets: 22 


Tuners: Wilkinson Deluxe WJ44, 


Tailpiece: V-style, through-body stringing 

Pickups: Wilkinson Gold Plated Covered 

Humbucker x 2 (N) WHHBN (B) WHHBB 

Hardware: Gold Plated 

Scratchplate: 3-Ply w/b/w 

Controls: 2 x Volume/1 x Tone/3-Way Toggle 

VP6 


Neck: Maple – Set in 


Scale: 24.75”/ 628mm 


Neck Inlays: Pearloid 




(N) WHHB (B) WHHB 

Scratchplate: 3-ply White/Black/White 

Hardware: Gold 

Controls: 2 x Volume/ 1 x Tone/ 3-Way Switch 

VP6BK 

Gloss Black 




28

VR4001CMO 

Camouflage 

VR4001BK 

Black 

VR4001 RAZER 




Scale: 25.5”/648mm 

Frets: 24 

Neck Inlays: Pearloid Dot/ XX 12th 


Bridge: Tune-O-Matic with Stop Bar 

Tailpiece 


(N) WHHB-N (B) WHHB-B 

Hardware: Matt Black 

Controls: 1 x Volume/ 1 x Tone/ Coil Tap/ 

3-Way Toggle 

? 

VWR1001HBF 

Helms Black Flame 

VWR1001 WRAITH 


Top: Quilted Maple (BRQ) Flame Maple (HBF) 



Scale: 25.5”/648mm 

Frets: 24 

Neck Inlays: Pearloid Dot/ XX 12th Fret Inlay 


Vibrato: Floyd Rose ® Double Locking 


(N) WMSH (B) WMSH 

Hardware: Satin Black (BRQ), 

Satin Chrome (HBF) 

Controls: 1 x Volume/ 1 x Tone/ 

Super 5-Way Lever 

Accessories: Hex Key Headstock Holder 

“When it comes to inexpensive 

but fine guitars, Vintage is really 

trying to push the boundaries... 

behind its hardcore looks, the 

Razer's coil tap option on the 

twin humbuckers makes it a 

more versatile instrument than 

you'd think.” 

What Guitar magazine 

“The Wilkinson pickups are 

dark and moody, producing 

brooding power chords and 

thick single notes.” 

“...the Wraith stays in tune 

admirably, even when you’re 

totally abusing the bar...” 


29

VRS100C 

Gloss Black 

“The exclusive ‘wave’ knife-edge 

design works like a dream and looks 

just as good. 

...you’ll be mightily impressed 

with this cool guitar. Get out 

there and give it a blast.” 


VRS100AW 

Arctic White 


VRS100 / VRS110 


Top: Flame Maple Veneer (TGN) 

Binding: Body, Neck & Headstock (C) 


Fingerboard: Rosewood Scale: 24.75”/628mm 

Frets: 24 Neck Inlays: Abalone Dot/ Vintage 12th 

Tuners: Wilkinson WJ807 E-Z-LOK 

Vibrato: Wilkinson WVP (VRS100s) 

Bridge: Wilkinson WTB Wrapover (VRS110) 

Pickups: Wilkinson Humbucker x 2 (N) MWVC 

(B) MWVC 



“Wilkinson has put a lot 

of time and skill into 

hardware that looks 

conventional but works 

that little bit better. 

VRS100TGN 

Flame 

Maple Green 

But the sustain - wow! 

Even at low volume levels, 

and with a moderate amount 

of gain, these beauties sing, 

and sing... and sing.” 

Play Music Pickup magazine 

VRS110C 

Gloss Black 

Designed in 


“A truly awesome guitar!” 

Mark Thirkhill – Road To Horizon 

“It looks the part, it plays 

the part and it sounds the 

part! This guitar is 

of the highest quality. 

HELL YEAH!” 

Dave Kerr – Silverjet 



30

VintageVSA850Series 

“For my money anyone out there 

looking for an original ‘vintage sound’ 

would be very hard pressed to get more 

sound, playability, looks and finish from 

a guitar that has poved to be a real 

workhorse in the real workplace!” 

Peter Lyth 

VSA850WH 

White 

VSA850OR 

Orange 

VSA850 

Body: Maple 

Top: Maple 

Neck: Maple Set-Neck 


Scale: 25.5”/648mm 

Frets: 20 

Neck Inlays: Pearloid Block 

Tuners: Wilkinson Individual Kidney Button 

Bridge: Tune-O-Matic/Floating Rosewood Base 

Vibrato: Bigsby ® Lever Arm System 

Pickups: Wilkinson Humbucker x 2 WHHB 

Hardware: Chrome (OR) Gold (WH) 


Scratchplate: Clear Acrylic 

31

VintageVSA555/535Series 

VSA535CR 

Cherry Red 

VSA535 

Tobacco 

Sunburst 

VSA555/535 

Body: Maple 

Top: Maple Laminate (555), Maple (535) 

Neck: Maple (555) Mahogany (535) – Set-Neck 


Scale: 24.75”/ 628mm 

Frets: 22 

Neck Inlays: Abalone/ Pearloid Block (555) 

Pearloid Block (535) 

Tuners: Wilkinson Deluxe WJ44, WJ55 (12-string) 


Pickups: Wilkinson MWVC (N) MWVC (B) 

Hardware: Gold (555), Chrome (535) 

Controls: 2 Volume/ 2 x Tone/ 3-Way Toggle 

VSA535-12 

12 String 

Tobacco 

Sunburst 

Paul Weller 

“Plugged in, 

the VSA555 has 

a full, woody sound 

with a natural snap... 

The neck is fat and 

plummy, the bridge 

has plenty of bark 

and the middle 

position opens up 

sweetly to combine 

the best of both.” 


VSA555 

Ebony 

Designed in 




32

VintageVSA575/590Series 

VSA590 

Tobacco 

Sunburst 

VSA590 includes case 

Body: Maple 



Neck Inlays: Abalone Block 

Scale: 24.75”/ 628mm 

Frets: 22 

Bridge: Tune-O-Matic w/Trapeze Tailpiece 

Pickups: Wilkinson x 2 WC90 (B) 

WC90 (N) w/Nickel Plated Covers 

Machines: Grover Kidney Button 


Controls: 2 x Volume/ 2 x Tone/ 

3-Way Toggle 

Case: Included 

“The VSA575 is simply brilliant! 

Its playability and tone 

inspire me every day.” 

Ronan McCullagh 

VSA575 


VSA575 

Body: Maple 

Top: Maple 



Scale: 24.75”/ 628mm 

Frets: 20 

Neck Inlays: Abalone/ Pearloid Block 

Tuners: Wilkinson Individual Gold Tulip Button 

Bridge: Tune-O-Matic/Floating Rosewood Base 

Tailpiece: Trapeze 

Pickups: Wilkinson Humbucker x 2 MWVC 



33

VintageTONYBUTLERSignature 

Former Big Country bassist Tony Butler is known for 

rock solid grooves and a penchant for awesome and 

memorable basslines, and now his streamlined bass 

specs can be yours, thanks to the new Tony Butler 

Vintage Signature V4 Bass. 

Joining the hugely successful Vintage V4 stable, the 

V4MTB features a gloss black body and matching 

scratchplate, with an eye-catching one-piece maple 

neck and fingerboard. Chrome Wilkinson hardware 

completes the look, and the awesome split-coil 

Wilkinson pickup adds the thunderous, powerful 

sounds that give more low-end rumble than a 

mountain lion in a pickup truck. 

“100% authentic tones... 

at this price you'd be 

hard pressed to find a 

justifiable reason not to 

give this fine bass a go!” 

Tim Slater, Playmusic Pickup 

Tony says: “When I was first invited to try a Vintage 

V4, I was taken by its expensive look and feel. To 

discover its extremely reasonable price was a bonus. 

For a new bass player to own a quality instrument 

from the word go is inspiring. After trying it out during 

a rehearsal for the last Big Country tour, I quickly 

decided it would tour with me. To have a signature 

model to my live bass spec is an honour!” 

V4MTB 

Gloss Black 

“I love this bass... It works brilliantly, and 

sounds exactly like a rock bass should.” 

Kevin Sanders, Bass magazine 

34 

Designed in 




V4MTB 


Neck: One-piece Maple – Bolt on 


Scale: 34”/ 864mm 

Frets: 20 



Bridge: Wilkinson WBBCCR 

Pickups: Wilkinson WPB Pickup 

Scratchplate: 3-ply White/Black/White 


Controls: 1 x Volume/ 1 x Tone

VintageV4ReIssuedSeries 

V4MVW 

Vintage White 

V4 



Fingerboard: Rosewood. Maple (MVW) 


Frets: 20 

Neck Inlays: Pearloid Dot. Black (MVW) 



Pickups: Wilkinson WBP Alnico V 



“Good work Vintage! 

This bass both looks and sounds great, 

and for the nominal price tag this is a 

highly recommended instrument...” 

Jack Stevens, Bass magazine (V4MVW bass) 

V4BK 


Dave Daniel – Session Player 

Pixie Lott/Tinie Tempah/Daniel 

Bedingfield/Beverley Knight/ 

Sugababes 

V4SB 


V4VW 

Vintage White 

V4SB 

Sunset 

Sunburst 

LV4BB 


Left Hand 

V4 Bridge 

The heart of a good bass sound 

lies with the string anchoring, 

and the V4s bridge makes sure 

that’s the way it stays. 

Face mounted and fully 

adjustable, the rear loaded 

strings pass over the V4s 

chunky brass bridge saddles for 

maximum bottom end tone. 

35

VintageVJ7Series 

“Solid as a rock, grunts like a trucker. 

The neck is something quite special, being so slender 

it just seems to dissolve under the hand. 

...be prepared for some serious grunt.” 

What Guitar magazine 

VJ7 





Frets: 20 




Pickups: Wilkinson PB x 2 

(M) WJB00, (B) WJB800 



VJ7 

Wilkinson bass tuners are impressively 

engineered for maximum performance, 

smooth action and complete accuracy. 

Chunky, open geared elephant ear style 

tuners allow a lifetime of quick and easy 

no-fuss bass tuning. 

VJ74BLK 

Gloss 

Black 

VJ74SSB 


Designed in 


36 



“My style is very dynamic, sometimes very 

soft and melodic, occasionally I get into 

some very aggressive funky slapping stuff. 

The VJ7 really responds to everything and 

handles the extremes effortlessly.” 

Jennifer Maidman – Session player 

Boy George, Murray Head Band

VintageVIOLINBass 

VVB4SB 

Sunburst 

VVB4 

Body: Hollow 

Top: Spruce 

Back & Sides: Flame Maple 

Neck: Hard Maple – Set neck 



Frets: 22 


Tuners: Open Geared w/Pearloid Button 

Bridge: Adjustable Rosewood w/Trapeze Tailpiece 

Pickups: Wilkinson WDB x 2 


Controls: 1 x Volume/ 1 x Tone, Rhythm/Solo, 

Bass Pickup and Treble Pickup Selector Switches 

Accessories: Hard Shell Case 

37

VintageV96ActiveSeries 

“This baby plays like a dream 

and sounds like a monster. 

Fast neck with a full 

bodied sound. 

Phat with a capital V!” 

Trevor Nichols – Lorenza Woods 

V965TSB 

5-String 

Flamed 


V96 


Top: Flame Maple (AF) 

Neck: Maple – Bolt On 



Frets: 21 





(B) WSM4 – 4 string 

(B) WSM5 – 5 string 


Controls: 3-Band Active EQ 

Bass 12dB ± 100Hz 

Middle 12dB ± 2kHz 

Treble 12dB ± 5kHz 

1 x Volume 

V964BLK 

Gloss Black 

V964SSB 


LV96SSB 

Left Hand 


V964NAT 

Natural 

V96 Active 

The combination of a chunky Wilkinson 

humbucker bass pickup and powerful 3-band 

onboard EQ, 

controlled by active bass, mid and treble rotaries, 

takes the sound of the Vintage EST96 active 

basses from smooth and mellow traditional bass 

guitar tones all the way to super-funky 

contemporary grooves. 

“The V96 is certainly one of the 

most comfortable bass guitars 

I’ve ever played. 

...a very capable performer.” 

Gear magazine 

Designed in 




38

VintageBUBINGASeries 

V10004B 

Active – Natural 

V10004/V10005 – Active 


Top: Bubinga, Maple Veneer 

Neck: 5-Piece Thru Laminate 

Nato/Maple/Nato/Maple/Nato 


Scale: 864mm 

Frets: 24 

Neck Inlays: Pearloid 'V' 

Tuners: Wilkinson WJB650 

Bridge: Wilkinson BB404 

Pickups: 2 x Wilkinson WJH4 

(V10004B) 

WJH5 (V10005B) 


Controls: 1x Volume, 

1x Balance Vol, 3-Band EQ 

Finish: Natural Satin 

V9004 – Active 


Top: Bubinga 

Back: Bubinga 

Neck: 5-Piece Laminate 

Maple/Nato/Maple/Nato/Maple 


Scale: 864mm 

Frets: 24 

Neck Inlays: Dot 


Bridge: Wilkinson WBBC 

Pickups: Wilkinson WPB (M), 

Wilkinson WBJ-B (B) 


Controls: 1x Volume, 1x 

Balance Vol, 3-Band EQ 


V10005B 


V9004B 


V8004B 

Passive – Natural 

V8004 – Passive 


Top: Bubinga (6mm) 

Back: Eastern Poplar 

Neck: Hard Maple 


Scale: 864mm 

Frets: 24 

Neck Inlays: Dot Markers 


Bridge: Wilkinson WBBC 

Pickups: Wilkinson WPB (M), 

Wilkinson WBJ-B (B) 

Hardware: Black 

Controls: 2x Vol, 2x Tone 


39

“Our snobbery led us to assume 

that we’d be forced to lay into these guitars. 

We were wrong, 

and you should ensure you don’t make 

the same mistake.” 

Simon Bradley 

THE GUITAR PLAYER’S BIBLE 

A John Hornby Skewes Product 

www.jhs.co.uk 

facebook.com/gearmagazine 

WORLDWIDE TRADE DISTRIBUTORS: 

JOHN HORNBY SKEWES & CO. LTD., SALEM HOUSE, PARKINSON APPROACH, GARFORTH, LEEDS LS25 2HR, UK. 

©2012 JHS & Co. Ltd. Specifications and colours are subject to change without prior notice. Vintage is a registered trademark of John Hornby Skewes & Co. Ltd. 

Wilkinson is a registered trademark. Icon, ReIssued, Bukka and E-Z-Lok are trademarks. 

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