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Satnam Ramgotra may not be a name you’ve heard<br />
before, but he’s quickly being elevated to the upper<br />
echelon of studio drummers. This may be due, in<br />
part, to his association with omnipresent, high-powered film<br />
composer, Hans Zimmer, but he has the uniqueness, style,<br />
and drumming prowess to back up his reputation. We spoke<br />
with Satnam about his move from strictly being a drummer,<br />
to also composing and engineering his own recordings. As<br />
you’ll read, he’s a drummer that’s keeping pace with today’s<br />
rapidly evolving music scene.<br />
SCOTT DONNELL: Talk a little bit about your drumming<br />
past, career highlights, notable gigs, etc.<br />
SATNAM RAMGOTRA: I’ve done some gigs where I’ve<br />
definitely had to pinch myself! One gig I was honored to do<br />
for a little more than eight years was with Nikka Costa, whom<br />
I consider a true artist’s artist. We traveled to many parts of<br />
the world and got to be on tours with the likes of Beck, Erykah<br />
Badu, Prince, and Lenny Kravitz. I also toured with Jada<br />
Pinkett Smith’s metal band called Wicked Wisdom and we<br />
opened for Britney Spears, as well. A notable gig during that<br />
time was one of Prince’s birthday parties at Paisley Park. We<br />
got a personal tour of the studio and the garage that housed<br />
all of his cars from his old videos. Pretty cool if you grew<br />
up a major fan of his like I did in the ‘middle of nowhere’<br />
Canada! He’s even jumped on stage and jammed with us!<br />
Beck had me sit in on the tabla on one of my all-time favorite<br />
songs. That song actually doesn’t even have percussion on<br />
it! That was a definite highlight. Getting to record drums<br />
with Bootsy in his home studio in Ohio was also pretty rad!<br />
Early on in my career, I got to be a guest artist on gigs for<br />
Sting, with Manu Katché on drums, and Seal, with Brian<br />
Blade on drums. These artists, and their drummers at the<br />
time, were major, huge influences on me. A long time ago, I<br />
did a gig that I’ll never forget, subbing for Abe Jr. in Germany<br />
with Mike & Teddy Landau’s group, The Raging Honkies.<br />
Every night I was pinching myself!! I sucked, but man it<br />
was fun! Nowadays, getting to be a part of Hans Zimmer’s<br />
world means we have the opportunity to collaborate with<br />
all kinds of musicians. Sometimes, we play together when<br />
we are coming up with ideas. One of the coolest times was<br />
with Dave Stewart and Pharrell Williams. It’s much different<br />
writing tunes on the spot as opposed to recording a tune<br />
that has already been started as a demo. Other times we’ve<br />
collaborated over dubs, but getting a chance to play with<br />
guys like Johnny Marr and Mel Wesson on a live, one-timeonly<br />
performance like we did for the Inception premiere is<br />
the coolest. I have to say, the first real studio ‘pinch myself’<br />
moment was when I got to record alongside my drum hero,<br />
Vinnie Colaiuta and percussion/drum hero, Alex Acuña on<br />
a Lee Ritenour album! Vinnie and I were recently part of a<br />
massive drum set ensemble, but I can’t tell you anymore than<br />
that right now.<br />
SD: How has the tabla influenced your drum set playing?<br />
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