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12 | Art | Countries Werner Fenz, Evelyn Kraus, Birgit Kulterer (Eds.) Kunst im öffentlichen Raum Steiermark. Projekte 2011 Pages Approx. 280 Ills. 350 in color Format 15,5 × 23,5 cm Binding Softcover Price Approx. € 38.9 | $ 49.99 | £ 32.99 ISBN 978-3-99043-568-7, German / English Available January 2014 Available in the US February 2014 Art isn’t only created for a museum – Art in Public Spaces in Styria Fourth and final volume in the Art in Public Spaces in Styria publication series Timeline of the development from art in construction to art in public spaces since 1930 Features around 30 contributions by Marlene Streeruwitz, Werner Fenz and Public Think Tank, among others The fourth and last volume of the series of publications of the Institute for Art in Public Spaces in Styria, 2006–2011, focuses on the perspectives for the future of art in public spaces. Experts from arts, literature and theory address the meaning and possibilities of art in public spaces in the society of today and tomorrow. International initiatives and the different approaches they employ in their support for art in pubic spaces is another central theme of the book. 24 projects that were realized as art in public space in Styria in 2011 are documented with a variety of images and text contributions. For the first time, a timeline traces the development from art in construction to art in public spaces in Styria since the 1930s to facilitate the understanding of this complex topic. Related Titles: Fenz, Kraus, Kulterer (Hrsg.): Kunst im öffentlichen Raum Steiermark / Art in Public Space Styria Projekte / Projects 2010, 978-3-99043-427-7
Art | 13 Bernadette Reinhold, Patrick Werkner (Eds.) Oskar Kokoschka – ein Künstlerleben in Lichtbildern An Artist’s Life in Photographs Pages 208 Ills. 250 Format 22 × 27 cm Binding Softcover Price Approx. € 36.35| $ 49.99 | £ 32.99 ISBN 978-3-99043-565-6, German / English Available in June 2013 Edition Angewandte Book Series of the University of Applied Arts Vienna First comprehensive photo-biography on Oskar Kokoschka Unusual insights into the creative oeuvre and life of an extraordinary artist. 104 105 Kokoschas Studienzeit in Wien Kokoschka's Studies in Vienna An annotated documentation of the 5,000 photographs in the artist’s estate. Oskar Kokoschka als Student der Wiener Kunstgewerbeschule im weißen Malerkittel, Wien 1906, Silbergelatine, verso Notiz von Reinhold Bethusy-Huc: »Originalphoto aus dem Besitz von K. Swoboda […]« 2 , in 11.255/fp Oskar Kokoschka as a student at k.k. Kunstgewerbeschule in a white painter’s smock, Vienna 1906, gelatin silver print, verso carries note by Reinhold Bethsuy-Huc: »Original photo was the property of K. Swoboda […]« 2 Contains portraits by major photographers (including: A. Madame d’Ora, René Burri, Erich Lessing). Studenten der Klasse Geyer, Kokoschka, L. Frank, Ab ca. 1890 sind leichte Hand- models and a skeleton. As Anton von Kenner, darunter Revy, Milan, / Hans Frank« kameras üblich – die Aufnahme of ca. 1890, light-weight hand Oskar Kokoschka, Wien ist vermutlich von einem cameras had become 1905/06, Silbergelatine, Die hier erstmals veröffent- studentischen Amateurfoto- common – the picture was 2 OK ist schon in jungen Jahren mit verso beschriftet: »Jahrgang lichte Aufnahme zeigt OK grafen geknipst. presumably made by a student Im Zentrum der Donaumonarchie wird 1867 die k.k. Kunstgewerbeschule, die Vor- 1867 saw the establishment of the k.k. Kunstgewerbeschule, predecessor institution of the dem Kunsthistoriker Karl Maria Swoboda (1889 –1977) befreundet, aus dessen Besitz das Foto stammt. 1920 entsteht der Lithografie-Zyklus Das Konzert, der Swobodas Frau Camilla beim musikalisch-seelischen 1905/06 (unvollständig) / (stehend, halb verdeckt, 3. v. v. li. n. re. Fischer, Strauss, rechts) im Kreis von Studienkollegen aus der Klasse von Braidotti, Degner / Tyzckowski, Geyer, Kokoschka, L. Frank, Anton von Kenner (Kurs für Revy, Milan, / Hans Frank«, Lehramtskandidaten für das Published for the first time, this photo shows OK (standing, partly concealed, 3 rd from right) among fellow students from amateur photographer. gängerinstitution der Universität für angewandte Kunst, University of Applied Arts, in the capital of the Austro- Erlebnis eines Hausmusikabends in Wien zeigt. in 14.278/1/fp Freihandzeichnen an Mittelschulen). In alter studentischer Anton von Kenner’s class (class for teacher candidates for gegründet. Um 1900, also während OKs Studienzeit, ist die Kunstgewerbeschule mit Hungarian monarchy. Around 1900, during OK’s years of study, the Kunstgewerbeschule Already as a young man, OK was a friend of the art historian Karl Maria Swoboda (1889 –1977), who Students of Anton von Kenner’s class, among them Oskar Kokoschka, Vienna 1905/06, Tradition nimmt man das Studium, konkret das künstlerische Anatomiestudium, free-hand drawing at secondary schools). In good old student tradition, they made namhaften Lehrern, u. a. Kolo Moser und Josef Hoffmann, ein internationaler Hot spot der frühen Moderne. boasted prominent teachers, including Kolo Moser and Josef Hoffmann, and had become an international hotspot of early Modernism. owned this photograph. In 1920, OK made the series of lithographs Das Konzert, which portrays the musical and emotional experience of Swoboda’s wife Camilla during an evening of music-making at home. gelatin silver print, inscription on verso: »class of 1905/06 (incomplete) / from left to right: Fischer, Strauss, Braidotti, Degner / Tyzckowski, humorvoll auf die Schaufel: Studenten dozieren aus Lehrbüchern vor lebenden und (scheinbar) toten (Akt-) Modellen sowie einem Skelett. fun of their studies, more precisely of anatomy for artists: the students are reading from textbooks in front of living and (ostensibly) dead (nude) The photographic estate of Oskar and Olda Kokoschka comprises approximately 5,000 photographs. It contains portraits by renowned photographers, including Madame d’Ora (Dora Kallmus), Hugo Erfurth, Brassaï, George Platt Lynes, René Burri, Trude Fleisch mann or Erich Lessing. Apart from artistically composed images, the estate also features numerous press photographs and astonishing snapshots. With its extensive commentary, this first photo-biography of Kokoschka provides an insight into the artist’s many-faceted work and eventful life. The publication offers a vivid record of the evolution of photography and a historico-cultural journey through the 20th century as reflected by the mirror of this extraordinary artist. Exhibitions: KOKOSCHKA – in photos, Kokoschka Haus, Pöchlarn, Lower Austria, from 4. 5 to 27. 10. 2013 and Oskar Kokoschka – The Sensitive Titan. An artist’s life in paintings and photographs with images from the Kokoschka Estate Collection of the Vienna University of Applied Arts, Leopold Museum Vienna, 4. 10. 2013–27. 1. 2014 Related Titles: Kern, Reinhold, Werkner: Grafikdesign von der Wiener Moderne bis heute. 978-3-99043-296-9 Bast, Husslein-Arco, Krejci, Werkner: Wiener Kinetismus/ Viennese Kineticism. 978-3-99043-295-2
Page 1 and 2: Architecture, Art & Culture Autumn
Page 3 and 4: Editorial | 3 Dear Readers and Coll
Page 5 and 6: Architecture | Monograph | 5 Domini
Page 7 and 8: Architecture | Construction | 7 And
Page 9 and 10: Architecture | Theory | 9 Ludger Ho
Page 11: Design | 11 Karl Stocker The Power
Page 15 and 16: Cultural Studies | 15 René Stettle
Page 17 and 18: Backlist | Highlights | 17 Rudolf F
Page 19 and 20: Backlist | Highlights | 19 Klaus Bo
Page 21 and 22: Backlist | 21 Bau[t]en für die Kü
Page 23 and 24: Backlist | 23 Printed Physics Metal

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