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Faith, reason, and the educated Christian Creationism - College and ...

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a global, multicultural body such as <strong>the</strong><br />

Adventist Church, wherever we worship,<br />

<strong>the</strong> same principles must guide our<br />

underst<strong>and</strong>ing of what worship is. Derived<br />

from <strong>the</strong> Word of God, <strong>the</strong>y are<br />

unchangeable <strong>and</strong> eternal, independent<br />

of time or place. Where we diverge is in<br />

our expressions of worship, in how we<br />

worship. We need to determine what attitudes,<br />

shaped by our culture, will best<br />

express reverence. Here, <strong>the</strong> real question<br />

is: “Will this particular mode of expression<br />

within a given culture truly be understood<br />

as expressing reverence to<br />

God?”<br />

The same is true for joyfulness. There<br />

are different ways of being joyful. Some<br />

jump <strong>and</strong> shout, o<strong>the</strong>rs are quietly joyful.<br />

Whatever culture we live in, we<br />

need to discover <strong>the</strong> most truthful way<br />

to express <strong>the</strong> joy that comes from biblical<br />

worship. What kind of joy should we<br />

expect to experience in worship? Is<br />

<strong>the</strong>re a difference between <strong>the</strong> kind of<br />

joy we experience in worship <strong>and</strong> <strong>the</strong><br />

celebration we experience at a football<br />

game or music event? The joy that<br />

comes from worship is very special <strong>and</strong><br />

not common. It is in some way similar<br />

to our human joys, but it is also very different.<br />

Nehemiah’s account of <strong>the</strong> dedication<br />

of <strong>the</strong> walls of Jerusalem after Israel’s<br />

return from <strong>the</strong> exile says that<br />

<strong>the</strong>y were “rejoicing because God had<br />

given <strong>the</strong>m great joy” (Nehemiah 12:43,<br />

NIV). Thus joyfulness in worship is a<br />

God-given joy, <strong>the</strong> result of our encounter<br />

with Him <strong>and</strong> of what He has done<br />

for us. Our quest for this God-given joy<br />

is very important because it will shape<br />

our expressions of worship: <strong>the</strong> way we<br />

behave during worship, <strong>the</strong> music we<br />

do, <strong>and</strong> how we do that music.<br />

Form <strong>and</strong> content go h<strong>and</strong> in h<strong>and</strong>,<br />

in worship as well as in every art form.<br />

Just as in art, so in worship: If <strong>the</strong> message<br />

transmitted by <strong>the</strong> form is not <strong>the</strong><br />

same as that carried by <strong>the</strong> content, we<br />

will end up in false art or false worship.<br />

The image of pipe <strong>and</strong> water illustrates<br />

<strong>the</strong> issue of cultural expression. While<br />

pipes may be of different materials—<br />

metal, plastic, cement—<strong>the</strong>y all can<br />

convey water. Similarly, different cultural<br />

expressions can convey a particular<br />

truth. One thing, however, is important:<br />

We must ensure that when <strong>the</strong> water<br />

comes down to us <strong>and</strong> when we drink of<br />

it, it is still <strong>the</strong> pure, unadulterated water,<br />

<strong>the</strong> truth. If this water changes in its<br />

chemical composition, it can become a<br />

poison. Certain channels or pipes can<br />

change <strong>the</strong> nature of <strong>the</strong> water. If I use a<br />

lead pipe to transport my water, <strong>the</strong> water<br />

will ultimately pick up enough lead<br />

to make me sick. The essential of life can<br />

become a cause of sickness. If our form<br />

of worship in some way adulterates <strong>the</strong><br />

message we want to convey, it is not an<br />

appropriate form of worship <strong>and</strong> we<br />

need to change it. On <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, if<br />

it conveys truthfully <strong>the</strong> message of<br />

worship, even if it is not <strong>the</strong> traditional<br />

form, <strong>the</strong>n it is an appropriate form for<br />

worship.<br />

One of <strong>the</strong> difficult realities of worship<br />

is that it comes with a tension, as<br />

we have noted: between <strong>the</strong> human<br />

partner <strong>and</strong> <strong>the</strong> divine partner in worship;<br />

between expressions of joy <strong>and</strong><br />

reverence; <strong>and</strong> between appropriateness<br />

<strong>and</strong> relevance. It is a healthy tension<br />

because it constantly challenges us in<br />

our worship. This tension requires that<br />

we spare no effort to find a sound balance<br />

between <strong>the</strong> two elements. This<br />

task cannot be done by one person<br />

alone; it takes <strong>the</strong> entire congregation to<br />

ensure that our worship is pleasing to<br />

God.<br />

In <strong>the</strong> perspective of this tension,<br />

any discussion about forms <strong>and</strong> formats<br />

of worship takes on a new direction.<br />

The issue is no longer to choose between<br />

styles—which would mean that <strong>the</strong>re<br />

are some styles better than o<strong>the</strong>rs—but<br />

to make choices within a given style. A<br />

multiplicity of styles is available for<br />

proper worship, <strong>and</strong> within each style<br />

we must choose those elements that appropriately<br />

convey true worship values.<br />

The questions are not: Is it O.K. to<br />

clap in worship? Is this style of music<br />

acceptable? Should we use drama in<br />

worship? Should we kneel or st<strong>and</strong> for<br />

prayer? Forms <strong>and</strong> formats of worship<br />

are not <strong>the</strong> goal or purpose of worship.<br />

They are now results <strong>and</strong> consequences<br />

of our reflection on worship. At this<br />

point, new questions will arise <strong>and</strong> govern<br />

our quest for true worship:<br />

• How can we capture a sense of holiness<br />

in worship?<br />

• How can we shape <strong>the</strong> worship<br />

service so that <strong>the</strong> worshiper is led<br />

to focus on God ra<strong>the</strong>r than on<br />

<strong>the</strong> music or <strong>the</strong> preaching?<br />

• How can we express joy <strong>and</strong> reverence<br />

in worship <strong>and</strong> maintain a<br />

balance between <strong>the</strong> two?<br />

• What worship expressions can<br />

help <strong>the</strong> congregation to become<br />

better practitioners of <strong>the</strong>ir faith,<br />

i.e., practice mercy <strong>and</strong> justice, <strong>the</strong><br />

signs of true worship?<br />

• How can our worship service communicate<br />

our message to <strong>the</strong><br />

world?<br />

We need to relearn how to worship.<br />

The secret to achieve this is to relearn<br />

how to connect with God on a personal<br />

level. Corporate worship starts on <strong>the</strong><br />

level of personal worship. As we learn to<br />

know Him better, <strong>and</strong> how to come<br />

closer to Him, as we learn how to address<br />

ourselves to Him <strong>and</strong> how to relate<br />

to our fellow worshipers, we will discover<br />

how to make our worship services<br />

more meaningful.<br />

Lilianne Doukhan (Ph.D., Michigan<br />

State University) teaches musicology <strong>and</strong><br />

Music <strong>and</strong> Worship at Andrews University,<br />

in Berrien Springs, Michigan. She is currently<br />

working on a book on worship <strong>and</strong> music.<br />

Her e-mail: ldoukhan@<strong>and</strong>rews.edu.<br />

Dialogue 15:3 2003<br />

19

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