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Art 39<br />

An engaging look at how<br />

the middle classes of<br />

fin-de-siècle Vienna used<br />

innovative portraiture to<br />

define their identity<br />

Broncia Koller (1863–1934), Seated Nude (Marietta), 1907. Oil on canvas, 107.5 x 148.5 cm.<br />

© Eisenberger Collection, Vienna<br />

Gemma Blackshaw is associate<br />

professor of history of art and visual<br />

culture at Plymouth <strong>University</strong>.<br />

Exhibition<br />

The National Gallery, London,<br />

09/10/13 – 12/01/14<br />

Facing the Modern<br />

The Portrait in Vienna, 1900<br />

Gemma Blackshaw<br />

With a foreword by Edmund de Waal<br />

Contributions by Tag Gronberg, Julie Johnson, Doris Lehmann,<br />

Elana Shapira, Sabine Wieber and Mary Costello<br />

During the great flourishing of modern art in fin-de-siècle Vienna,<br />

artists of that city focused on images of individuals. Their portraits<br />

depict artists, patrons, families, friends, intellectual allies, and society<br />

celebrities from the upwardly mobile middle classes. <strong>View</strong>ed as a whole,<br />

the images allow us to reconstruct the subjects’ shifting identities as the<br />

Austro-Hungarian Empire underwent dramatic political changes, from<br />

the 1867 Ausgleich (Compromise) to the end of the First World War.<br />

This is viewed as a time when the avant-garde overthrew the academy,<br />

yet Facing the Modern tells a more complex story, through thoughtprovoking<br />

texts by leading art historians. Their writings examine<br />

paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka<br />

and Egon Schiele alongside those of their predecessors, blurring the<br />

conventionally-held distinctions between 19th-century and early-20thcentury<br />

art, and revealing surprising continuities in the production and<br />

consumption of portraits. This compelling book also features works by<br />

lesser-known female and Jewish artists, giving a more complete picture<br />

of the time.<br />

The National Gallery • London<br />

November<br />

192 pp. 279x229mm. 140 colour illus.<br />

HB ISBN 978-1-85709-561-6 £35.00*<br />

* Also from the National Gallery, London – see page 58<br />

Translation rights: The National Gallery Company, London

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