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Art 39<br />
An engaging look at how<br />
the middle classes of<br />
fin-de-siècle Vienna used<br />
innovative portraiture to<br />
define their identity<br />
Broncia Koller (1863–1934), Seated Nude (Marietta), 1907. Oil on canvas, 107.5 x 148.5 cm.<br />
© Eisenberger Collection, Vienna<br />
Gemma Blackshaw is associate<br />
professor of history of art and visual<br />
culture at Plymouth <strong>University</strong>.<br />
Exhibition<br />
The National Gallery, London,<br />
09/10/13 – 12/01/14<br />
Facing the Modern<br />
The Portrait in Vienna, 1900<br />
Gemma Blackshaw<br />
With a foreword by Edmund de Waal<br />
Contributions by Tag Gronberg, Julie Johnson, Doris Lehmann,<br />
Elana Shapira, Sabine Wieber and Mary Costello<br />
During the great flourishing of modern art in fin-de-siècle Vienna,<br />
artists of that city focused on images of individuals. Their portraits<br />
depict artists, patrons, families, friends, intellectual allies, and society<br />
celebrities from the upwardly mobile middle classes. <strong>View</strong>ed as a whole,<br />
the images allow us to reconstruct the subjects’ shifting identities as the<br />
Austro-Hungarian Empire underwent dramatic political changes, from<br />
the 1867 Ausgleich (Compromise) to the end of the First World War.<br />
This is viewed as a time when the avant-garde overthrew the academy,<br />
yet Facing the Modern tells a more complex story, through thoughtprovoking<br />
texts by leading art historians. Their writings examine<br />
paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka<br />
and Egon Schiele alongside those of their predecessors, blurring the<br />
conventionally-held distinctions between 19th-century and early-20thcentury<br />
art, and revealing surprising continuities in the production and<br />
consumption of portraits. This compelling book also features works by<br />
lesser-known female and Jewish artists, giving a more complete picture<br />
of the time.<br />
The National Gallery • London<br />
November<br />
192 pp. 279x229mm. 140 colour illus.<br />
HB ISBN 978-1-85709-561-6 £35.00*<br />
* Also from the National Gallery, London – see page 58<br />
Translation rights: The National Gallery Company, London