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Summer 2013 - The American Viola Society

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Musical Sources<br />

<strong>The</strong> Trio was published by Ediciones Mexicanas de Música (score and parts). 4 <strong>The</strong>re are also three<br />

manuscript scores that will be referred to as MS1, MS2, and MS3. 5 MS1 and MS2 were written by<br />

Ponce in pencil and ink, respectively. MS3 is a handmade copy of MS2 signed by Pineda and<br />

includes parts. MS1 is the earlier draft (ex. 1) and MS2 a cleaner version (exs. 2–11). MS1–MS3<br />

contain two cello parts: one easy and the other more elaborated. 6 <strong>The</strong> latter is used in the printed<br />

edition.<br />

An Unusual Case<br />

<strong>The</strong> piece was born under very particular circumstances. <strong>The</strong> sixty-year-old composer wrote it for a<br />

six-year-old boy and his parents, a family of amateur musicians. <strong>The</strong> dedication in the sources<br />

varies. <strong>The</strong> printed edition reads: “For Cécile, Carlos, and Carlitos Prieto.” In MS1: “For Cécile,<br />

Carlos, and Carlitos Prieto (a six-year-old cellist).” And in MS2: “For Cécile, Carlos, and Carlitos<br />

Prieto (a six-year-old cellist) who someday will surely be able to play the non-facilitated cello part.<br />

Cordially, Manuel M. Ponce, Mexico, 4 November 1943.” 7 Indeed, Carlos Prieto Jacqué is not only<br />

among Mexico’s most distinguished musicians but also a successful author and engineer. 8<br />

<strong>The</strong> Prieto Family 9<br />

Carlos Prieto Fernández de la Llana was a lawyer, and Cécile Jacqué was a homemaker. Although<br />

Cécile’s parents were from France, both she and Carlos were born in Spain, married there, and later<br />

became Mexican citizens. <strong>The</strong>y were high-level amateur performers, each playing the violin and the<br />

viola; Carlos specialized in the former and Cécile in the latter. She studied in the Schola Cantorum<br />

of Paris.<br />

<strong>The</strong> Prietos were close friends and admirers of Ponce. <strong>The</strong>y loved both the Sonate en duo pour<br />

violon et alto (1938) 10 as well as the string trio that the artist dedicated to them and frequently<br />

performed these pieces in family gatherings. Both compositions have a Spanish flair, most likely in<br />

honor of the dedicatees.<br />

<strong>The</strong>y were a very musical family; Cécile’s father played the viola and her brother the cello.<br />

Together with Carlos and Cécile, they formed a string quartet. Later on, Carlos Jr. became the<br />

cellist of the group. His younger brother, Juan Luis, who played violin, joined the ensemble and<br />

Cécile occupied the position of violist. <strong>The</strong> quartet continued with Carlos Jr.’s son, Carlos Miguel, 11<br />

and nephew, Juan Luis, both violinists. Another distinguished member of the family was Carlos<br />

Sr.’s sister, María Teresa Prieto, 12 a composer who at some point took lessons from Ponce.<br />

A Note of History<br />

In MS1 (ex. 1) one can notice that Ponce created the piece with the easy cello part first and later<br />

appended the more elaborated one. In some cases he adds an extra staff (systems 1–3). In other<br />

instances, the advanced part is written over the simple one (systems 4–5).<br />

VOLUME 29 SUMMER <strong>2013</strong> ONLINE ISSUE<br />

27

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