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Summer 2013 - The American Viola Society

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y Tom Tatton<br />

With <strong>Viola</strong> in Hand<br />

A Gentleman and a Scholar:<br />

An Interview with Tom Hall, Part I<br />

Tom Hall, at left, coaches two of his students at Chapman College on Bach’s Brandenburg<br />

Concerto No. 6 in 1979<br />

Background/Education<br />

It is my pleasure to visit with Dr. Thomas Hall,<br />

Professor Emeritus of viola, music history, and<br />

theory at Chapman University in Orange,<br />

California. Dr. Hall is a reserved, rather tall<br />

gentleman with rosy cheeks, a broad smile, and<br />

a wonderfully keen sense of humor.<br />

It is said that an artist is a person who does<br />

something extremely well with imagination,<br />

taste, style, and feeling. Tom fits the essence of<br />

this definition in at least four broad categories—<br />

viola performance, pedagogy, writing, and<br />

administration. His performances of Harold in<br />

Italy and Flos Campi, as well as his place in the<br />

Chapman Chamber Players, are legendary in<br />

Southern California. His teaching acumen, in<br />

both the studio and the classroom, is well<br />

known on the West Coast. His writing sparkles<br />

with wit and common sense, and in leadership,<br />

as Chair of the Department of Music, he was<br />

enormously successful!<br />

TT: Tom, let me begin this interview by<br />

asking how you came to the viola. Many<br />

violists have an interesting story; please tell<br />

us yours.<br />

VOLUME 29 SUMMER <strong>2013</strong> ONLINE ISSUE<br />

64

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