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Summer 2013 - The American Viola Society

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History<br />

Yu Iida was a luthier from Kiso-Fukushima, Japan. Iida constructed this viola specifically for<br />

Primrose, who played on this instrument while in Japan in the mid-1970s. He continued to play on<br />

this viola until the end of his life. Primrose loved everything Japanese and spoke very highly of Iida,<br />

recommending Iida’s instruments to other musicians, including legendary violinists Yehudi<br />

Menuhin and Oscar Shumsky. 2 Primrose recorded Bach’s Cello Suites on the Iida at age seventyfive.<br />

At the time, he was living in Provo and working with David Dalton on the book Playing the<br />

<strong>Viola</strong>. Dalton noticed Primrose playing Bach and noted the lighter and faster performance style.<br />

Primrose agreed to record the cello suites under the condition that it be a two-CD set, the first being<br />

a collection of his vintage recordings made in his prime. <strong>The</strong> viola was gifted to PIVA by<br />

Primrose’s wife, Hiroko.<br />

Physical Features<br />

<strong>The</strong> Iida viola has the following dimensions:<br />

String Length: 14 ⅞ in.<br />

Body Length: 16 in.<br />

Upper Bout: 7 ¼ in.<br />

Middle Bout: 4 ⅞ in.<br />

Lower Bout: 9 in.<br />

This instrument is an exact copy of the Lord Harrington Guarneri that Primrose played. 3 <strong>The</strong><br />

broadly cut f-holes are relatively straight, and the delicate scroll follows a shapely pattern. Medium<br />

dark-red varnish has been applied, which is fairly translucent on the top, revealing a more visible<br />

grain. <strong>The</strong> two-piece back displays light flaming. Marks of wear and use along the top rim indicate<br />

that the viola was played frequently. Despite these marks, the viola is in excellent condition.<br />

Side view of the Iida viola’s body<br />

VOLUME 29 SUMMER <strong>2013</strong> ONLINE ISSUE<br />

47

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