Download Brochure (PDF) - Carnegie Hall
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10 | <strong>Carnegie</strong>Charge 212-247-7800<br />
Orchestras | 11<br />
Thursday, November 20 at 8 PM<br />
San Francisco Symphony<br />
Michael Tilson Thomas, Music<br />
Director and Conductor<br />
Gil Shaham, Violin<br />
New York Choral Artists<br />
Joseph Flummerfelt, Chorus<br />
Director<br />
SAMUEL CARL ADAMS Drift and<br />
Providence (NY Premiere)<br />
PROKOFIEV Violin Concerto No. 2<br />
RAVEL Daphnis et Chloé (complete)<br />
Riccardo Muti<br />
Friday, January 30 at 8 PM<br />
Chicago Symphony<br />
Orchestra<br />
Riccardo Muti, Music Director<br />
and Conductor<br />
MENDELSSOHN Meeresstille und<br />
glückliche Fahrt<br />
DEBUSSY La mer<br />
SCRIABIN Symphony No. 3,<br />
“The Divine Poem”<br />
Gil Shaham<br />
Great<br />
American<br />
Orchestras<br />
I<br />
Have you heard?<br />
Debussy’s La mer (1/30/15)<br />
La mer is one of the most<br />
vivid musical seascapes.<br />
Debussy invites the listener<br />
to imagine the morning on<br />
the sea, to hear the crashing<br />
of waves, and to feel the<br />
wind and mist—but he didn’t<br />
intend for his three-movement<br />
masterpiece to be program<br />
music. Instead, Debussy<br />
paints his impressions of<br />
the sea with lush harmonies<br />
and shimmering orchestral<br />
colors. French critics were<br />
the first to label Debussy an<br />
“impressionist,” and over<br />
the years the label remained<br />
closely associated with him.<br />
Photos: Muti by Todd Rosenberg, Shaham by Arthur Ka Wai Jenkins.<br />
Friday, March 20 at 8 PM<br />
St. Louis Symphony<br />
David Robertson, Music Director<br />
and Conductor<br />
Katie Geissinger, Vocalist<br />
Theo Bleckmann, Vocalist<br />
St. Louis Symphony Chorus<br />
Amy Kaiser, Director<br />
DEBUSSY Nocturnes<br />
MEREDITH MONK Weave (NY Premiere)<br />
TCHAIKOVSKY Symphony No. 4<br />
Meredith Monk is the holder of the 2014–2015<br />
Richard and Barbara Debs Composer’s Chair at<br />
<strong>Carnegie</strong> <strong>Hall</strong>.<br />
Friday, April 17 at 8 PM<br />
Boston Symphony<br />
Orchestra<br />
Andris Nelsons, Music Director<br />
and Conductor<br />
MAHLER Symphony No. 6<br />
Have you heard?<br />
Mahler’s Symphony No. 6 (4/17/15)<br />
The original version of the finale of Mahler’s Sixth Symphony<br />
included three hammer strokes of fate that presaged tragedies<br />
in the composer’s life: the diagnosis of a heart condition that<br />
would prove fatal, the loss of his position at the Vienna State<br />
Opera, and the death of his daughter. Superstitious, Mahler<br />
eventually removed the third stroke. But he also included a<br />
magnificently melodic Adagio and a rapturous theme that<br />
represents his wife, Alma.<br />
Four concerts in Stern Auditorium / Perelman Stage.<br />
Balcony $157/$189, Dress Circle $157/$246/$340, Second Tier $246/$340, Parquet<br />
$340/$465, First Tier $514<br />
For renewing subscribers only (through March 7, 2014): Balcony $141/$173, Dress<br />
Circle $141/$230/$324, Second Tier $230/$324, Parquet $324/$449, First Tier $498