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Download Brochure (PDF) - Carnegie Hall

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10 | <strong>Carnegie</strong>Charge 212-247-7800<br />

Orchestras | 11<br />

Thursday, November 20 at 8 PM<br />

San Francisco Symphony<br />

Michael Tilson Thomas, Music<br />

Director and Conductor<br />

Gil Shaham, Violin<br />

New York Choral Artists<br />

Joseph Flummerfelt, Chorus<br />

Director<br />

SAMUEL CARL ADAMS Drift and<br />

Providence (NY Premiere)<br />

PROKOFIEV Violin Concerto No. 2<br />

RAVEL Daphnis et Chloé (complete)<br />

Riccardo Muti<br />

Friday, January 30 at 8 PM<br />

Chicago Symphony<br />

Orchestra<br />

Riccardo Muti, Music Director<br />

and Conductor<br />

MENDELSSOHN Meeresstille und<br />

glückliche Fahrt<br />

DEBUSSY La mer<br />

SCRIABIN Symphony No. 3,<br />

“The Divine Poem”<br />

Gil Shaham<br />

Great<br />

American<br />

Orchestras<br />

I<br />

Have you heard?<br />

Debussy’s La mer (1/30/15)<br />

La mer is one of the most<br />

vivid musical seascapes.<br />

Debussy invites the listener<br />

to imagine the morning on<br />

the sea, to hear the crashing<br />

of waves, and to feel the<br />

wind and mist—but he didn’t<br />

intend for his three-movement<br />

masterpiece to be program<br />

music. Instead, Debussy<br />

paints his impressions of<br />

the sea with lush harmonies<br />

and shimmering orchestral<br />

colors. French critics were<br />

the first to label Debussy an<br />

“impressionist,” and over<br />

the years the label remained<br />

closely associated with him.<br />

Photos: Muti by Todd Rosenberg, Shaham by Arthur Ka Wai Jenkins.<br />

Friday, March 20 at 8 PM<br />

St. Louis Symphony<br />

David Robertson, Music Director<br />

and Conductor<br />

Katie Geissinger, Vocalist<br />

Theo Bleckmann, Vocalist<br />

St. Louis Symphony Chorus<br />

Amy Kaiser, Director<br />

DEBUSSY Nocturnes<br />

MEREDITH MONK Weave (NY Premiere)<br />

TCHAIKOVSKY Symphony No. 4<br />

Meredith Monk is the holder of the 2014–2015<br />

Richard and Barbara Debs Composer’s Chair at<br />

<strong>Carnegie</strong> <strong>Hall</strong>.<br />

Friday, April 17 at 8 PM<br />

Boston Symphony<br />

Orchestra<br />

Andris Nelsons, Music Director<br />

and Conductor<br />

MAHLER Symphony No. 6<br />

Have you heard?<br />

Mahler’s Symphony No. 6 (4/17/15)<br />

The original version of the finale of Mahler’s Sixth Symphony<br />

included three hammer strokes of fate that presaged tragedies<br />

in the composer’s life: the diagnosis of a heart condition that<br />

would prove fatal, the loss of his position at the Vienna State<br />

Opera, and the death of his daughter. Superstitious, Mahler<br />

eventually removed the third stroke. But he also included a<br />

magnificently melodic Adagio and a rapturous theme that<br />

represents his wife, Alma.<br />

Four concerts in Stern Auditorium / Perelman Stage.<br />

Balcony $157/$189, Dress Circle $157/$246/$340, Second Tier $246/$340, Parquet<br />

$340/$465, First Tier $514<br />

For renewing subscribers only (through March 7, 2014): Balcony $141/$173, Dress<br />

Circle $141/$230/$324, Second Tier $230/$324, Parquet $324/$449, First Tier $498

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