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Andrea <strong>Palladio</strong>, architect<br />
1508-1580<br />
He was born in Padua to Pietro della Gondola and Marta called “la zotta”<br />
(limping Martha). At the age of 16 he went to live in <strong>Vicenza</strong>, where he<br />
took his education and became one of the greatest architects of his time,<br />
and not only his time, thanks to the style called “Palladianism”, which<br />
spread all over the world: from the White House in Washington to the<br />
Queen’s House in Britain, from the University of Virginia to numerous<br />
palaces of St. Peterborough and Puskin. Almost al portraits ascribed to<br />
<strong>Palladio</strong> show the text “architetto vicentino”, architect from <strong>Vicenza</strong>,<br />
and only in mid-twentieth century his birth town was discovered. Many<br />
other aspects of his life are uncertain: his birthplace, the family home<br />
in <strong>Vicenza</strong>, his features, the cause of his death and the place he died,<br />
and even the place he was buried. Gian Giorgio Trissino, his big mentor,<br />
was certainly right to give him the name <strong>Palladio</strong>, as though he was an<br />
angel or a mythological, or supernatural character.<br />
One thing is certain: <strong>Vicenza</strong>, as UNESCO declared, has been universally<br />
recognised as the town of <strong>Palladio</strong> and has inscribed 23 monuments<br />
of its historic town centre and 16 villas of its province onto the World<br />
Heritage List, which are all ascribed to the architecture genius.<br />
With this little guide book we would like to accompany you on the<br />
discovery of the Palladian route into imagined harmony in the historic<br />
town centre of <strong>Vicenza</strong> and invite you to discover the “route of the villas”<br />
with the help of our guide books and the websites www.palladio2008.<br />
info and www.vicenzae.org.<br />
“… Perciò conoscere <strong>Palladio</strong>, La<br />
Basilica, la Loggia del Capitanio, la<br />
Rotonda, il teatro Olimpico, il palazzo<br />
Chiericati e gli altri attraverso gli studi<br />
è una conoscenza imperfetta. Bisogna<br />
vederlo a <strong>Vicenza</strong>. Una piccola Roma,<br />
un’invenzione scenografica…”<br />
e.mail: info@vicenzae.org<br />
www.vicenzae.org – www.vicenzabooking.com<br />
www.palladio2008.info – www.cisapalladio.org<br />
(da Viaggio in Italia, Guido Piovene)<br />
trà Porta S. Croce<br />
trà C. Domini<br />
Andrea <strong>Palladio</strong>’s works at <strong>Vicenza</strong><br />
World heritage<br />
PROVINCIA<br />
DI VICENZA<br />
C.trà S. Rocco<br />
Via Pajello<br />
Via Fra Paolo Sarpi<br />
Caserma<br />
P.S.<br />
C.trà S.M. Nova<br />
ia G. Bonollo<br />
Via A. Volta<br />
C.trà della Misericordia<br />
C.trà P. Nuovo<br />
C.trà Mure Rocchetta<br />
Via Cattaneo<br />
Routes<br />
Into imagined harmony<br />
Palladian<br />
C.trà Busato<br />
VIALE MILANO<br />
C.trà S. Ambrogio<br />
C.trà Porta Nova<br />
Piazzale<br />
Giusti<br />
Corso S. Felice<br />
Via G. Pagliarino<br />
Piazza<br />
Marconi<br />
C.trà S. Bortolo<br />
Corso Antonio Fogazzaro<br />
C.trà Cantarane<br />
Chiesa S. Maria Nuova<br />
C.trà Mure P. Nova<br />
Loggia Valmarana<br />
Palazzo da Schio<br />
S. Lorenzo<br />
Piazza del<br />
Mutilato<br />
C.trà S.Francesco C.trà S.Marco C.trà Pusterla<br />
C.trà Motton<br />
GIARDINI SALVI<br />
Piazzale<br />
De Gasperi<br />
Piazza<br />
Castello<br />
VIALE ROMA<br />
CAMPO<br />
Palazzo Iseppo da Porto<br />
Piazza<br />
S. Lorenzo<br />
Palazzo Thiene<br />
Bonin Longare<br />
Palazzo Capra<br />
Via Gorizia<br />
C.so A. Fogazzaro<br />
C.trà Cordenons<br />
Str. Filippini<br />
Cornoleo<br />
CORSO A. PALLADIO<br />
MARZO<br />
Stazione<br />
FF.SS.<br />
Contrà Riale<br />
PARCO QUERINI<br />
Palazzo<br />
Barbaran da Porto<br />
C.trà Lampertico<br />
VIALE DALMAZIA<br />
Viale Rumor<br />
Cappella Valmarana<br />
Palazzo Da Monte Migliorini<br />
C.trà S.Gaetano<br />
Palazzo Valmarana<br />
Braga Rosa<br />
Palazzo Pojana<br />
Palazzo Thiene<br />
Piazza<br />
Duomo<br />
C.trà Cavour<br />
Cupola e Porta<br />
della Cattedrale<br />
C.trà Proti<br />
C.tra Pasini<br />
Palazzo Porto Breganze<br />
C.trà S.Corona<br />
C.trà del Monte<br />
Piazza dei<br />
VIALE VENEZIA<br />
C.trà Manin<br />
Signori<br />
C.trà Pigafetta<br />
Palazzo Civena Trissino<br />
C.tra Carpagnon<br />
Viale Rodolfi<br />
Viale Eretenio<br />
Piazza<br />
Biade<br />
Ponte S. Paolo<br />
Piazza<br />
Araceli<br />
Casa Cogollo<br />
CORSO PALLADIO<br />
C.trà Gazzolle<br />
Piazza<br />
delle Erbe<br />
Loggia del Capitaniato<br />
SS. Apostoli<br />
Ponte Furo<br />
Ponte S. Libera<br />
Contrà dei Torretti<br />
C.trà S. Faustino<br />
Piazzetta<br />
S. Giuseppe<br />
Piazza<br />
Matteotti<br />
C.trà S. Michele<br />
Porton<br />
Luzzo<br />
Via Ceccarini<br />
C.trà Porta S. Lucia<br />
Piazza<br />
Gualdi<br />
Borgo S. Lucia<br />
Piazza<br />
Ponte XX Settembre<br />
degli Angeli<br />
C.trà Piancoli<br />
Basilica Palladiana<br />
Teatro Olimpico<br />
Palazzo Chiericati<br />
Ponte<br />
S. Michele<br />
Contrà delle Barche<br />
C.trà S. Chiara<br />
Via R. Pasi<br />
S. LUCIA<br />
Via IV Novembre<br />
Contrà S. Pietro<br />
Corso Padova<br />
C.trà S.Tomaso<br />
Borgo Scroffa<br />
S. PIETRO<br />
Casa Garzadori Bortolan<br />
• Piazza dei Signori, 8<br />
Tel. +39 0444 544122<br />
10.00-14.00/14.30-18.30<br />
• Piazza Matteotti, 12<br />
(next to the Olympic Theatre.<br />
Start of route)<br />
Tel. +39 0444 320854<br />
09.00-13.00/14.00-18.00<br />
Information offices<br />
in the historic town centre of <strong>Vicenza</strong><br />
Viale A. Giuriolo<br />
VIALE RISORGIMENTO<br />
Viale Dante<br />
Via Muttoni<br />
Via Legione Gallieno<br />
VIALE MARGHERITA<br />
C.trà S. Caterina<br />
Arco delle Scalette<br />
Via Fogolino<br />
Via dello Stadio<br />
Corso Padova<br />
Andrea <strong>Palladio</strong>’s works in the<br />
historic town centre of <strong>Vicenza</strong><br />
Pedestrian area<br />
Teatro Olimpico / Olympic Theatre<br />
Palazzo Chiericati / Palazzo Chiericati<br />
Casa Cogollo / Casa Cogollo<br />
Palazzo da Monte Migliorini /<br />
Palazzo da Monte Migliorini<br />
Cappella Valmarana / Valmarana Chapel<br />
Palazzo Iseppo da Porto /<br />
Palazzo Iseppo da Porto<br />
Palazzo Barbaran da Porto /<br />
Palazzo Barbaran da Porto<br />
Palazzo Thiene / Palazzo Thiene<br />
Basilica Palladiana / Palladian Basilica<br />
Loggia del Capitaniato / Loggia del Capitaniato<br />
Palazzo Pojana / Palazzo Pojana<br />
Palazzo Valmarana Braga Rosa /<br />
Palazzo Valmarana Braga Rosa<br />
Cupola e Porta della Cattedrale /<br />
Dome and Portal of the Cathedral<br />
Palazzo Porto Breganze /<br />
Palazzo Porto Breganze<br />
Palazzo Capra / Palazzo Capra<br />
Palazzo Thiene Bonin Longare /<br />
Palazzo Thiene Bonin Longare<br />
Loggia Valmarana / Loggia Valmarana<br />
Outside the pedestrian area<br />
Casa Garzadori Bortolan /<br />
Casa Garzadori Bortolan<br />
Palazzo Civena Trissino / Palazzo Civena Trissino<br />
Arco delle Scalette / Arco delle Scalette<br />
Chiesa di S. Maria Nova /<br />
Church Santa Maria Nova<br />
Palazzo da Schio / Palazzo da Schio
ente Leno di Terragnolo<br />
N<br />
sso<br />
SUBIO<br />
Rif. Papa<br />
an delle<br />
ze m. 1162<br />
IMA<br />
GROSSO<br />
1502<br />
Guardia di<br />
pogrosso<br />
CAMPO<br />
VANTI<br />
1689<br />
go<br />
Illasi<br />
Ossario del<br />
Pasubio<br />
M. PERGO<br />
m. 945<br />
M. BELLOCCA<br />
m. 830<br />
Torrente Tramigna<br />
Rif. Valbona<br />
Rif. Rumor<br />
M. TORARO<br />
m. 1899<br />
Teatro Olimpico (1580)<br />
Tonezza<br />
del Cimone<br />
MONTE<br />
(interior - exterior)<br />
TORMENO<br />
MONTE MAGGIO<br />
m. 1292<br />
m. 1853The Olympic Academy can start the works for the<br />
theatre designed CIMONE by <strong>Palladio</strong> LA TOROSELLA only in 1580, the year in<br />
COSTON DEI LAGHI<br />
DEI LAGHI m. 1280<br />
m. 1873 which he dies. m. Thus, 1480 he will not be able to see the end<br />
of the works, which will be supervised by his son Silla<br />
P. with the participation of Vincenzo Scamozzi, for the<br />
so della Borcola<br />
m. 1206<br />
scenery and the famous seven streets of Thebes. Ossario<br />
Laghi<br />
di Tonezza<br />
MONTI<br />
FORNI ALTI<br />
m. 2023<br />
Crespadoro<br />
Colognola<br />
ai Colli<br />
P. so Xon<br />
m. 668<br />
Recoaro Mille<br />
CIMA<br />
MARANA<br />
m. 1552<br />
Palazzo MONTE MAIO Chiericati (1550)<br />
(interior - exterior)<br />
This design is new for <strong>Palladio</strong>’s vision: a town<br />
palace and a suburban villa at the same time. It<br />
Posina<br />
has been completed in mid-seventeenth century<br />
upon the former river harbour of the town.<br />
MONTE PRIAFORÀ<br />
Since 1855 it has been seat of the <strong>Vicenza</strong> m. Town 1659<br />
Museum.<br />
Casa Cogollo<br />
Rif.<br />
(detta “del <strong>Palladio</strong>”, Novegno<br />
Malga<br />
1559)<br />
(exterior)<br />
S. Antonio<br />
This house has been believed to be <strong>Palladio</strong>’s residence<br />
for its modest dimensions as opposed to the monumental<br />
town palaces. Actually, the famous architect<br />
was entrusted with the huge renovation of the façade<br />
of the house Valli belonging to a notary named Cogollo.<br />
del Pasubio<br />
Staro Palazzo da Monte Migliorini (1550-1554)<br />
Valmarana Chapel (1576 c.)<br />
It may have been designed by <strong>Palladio</strong> in 1576, following<br />
the death of Antonio Valmarana, inside the<br />
crypt of Santa Corona, one of the most interesting<br />
churches from the artistic point of view, where he<br />
himself was buried before his mortal remains (or<br />
what was regarded as his mortal remains) were<br />
transported to the of the temple of fame at the main<br />
cemetery.<br />
Palazzo Iseppo da Porto (1544 c.)<br />
(exterior)<br />
<strong>Palladio</strong> designed both the town palace and the<br />
villa in P. Molina so S. Caterinat Malo for his friend Iseppo, but<br />
m. 796<br />
neither was finished. The palace had better luck:<br />
Altissimo<br />
<strong>Palladio</strong> had designed two different entrances<br />
and residences, of which remains the imposing<br />
façade, divided into three parts.<br />
Palazzo Barbaran da Porto (1569-70)<br />
(interior - exterior) S.Pietro<br />
Mussolino<br />
This palace was commissioned MONTE by FALDO the count Montano<br />
Vestenanuova<br />
m. 807<br />
Barbarano. Since 1997 and has been the seat of the International<br />
Centre for <strong>Architect</strong>ure studies (C.I.S.A.),<br />
dedicated to Andrea <strong>Palladio</strong>, who, of course, designed<br />
it. The solemn façade was built in both the Ionic and the<br />
Nogarole<br />
Corinthian order. The inner rooms and Vicentino the salon are embellished<br />
with important stuccoes.<br />
M. CORPEGANI<br />
m. 639<br />
Chiampo<br />
T. Alpone<br />
S. Giovanni<br />
Ilarione<br />
m. 1499<br />
P. so XOMO<br />
m. 1058<br />
S. Quirico<br />
Palazzo Thiene (1542)<br />
(interior - exterior)<br />
What we can admire today is probably only a<br />
part of the imposing renovation strongly advocated<br />
by the counts Marcantonio and Adriano<br />
Tiene of their 15th-century palace. It seems also<br />
Giulio Romano worked on the design entrusted<br />
to <strong>Palladio</strong>.<br />
Palladian Basilica (1546 – 1549)<br />
DI VERONA<br />
<strong>Palladio</strong>’s design of the imposing superstructure made of<br />
a superstructure with a double order of loggias on an already<br />
existing palace won the competition among great<br />
Montecchia<br />
di Crosara<br />
architects such as Serlio, Sanmicheli Roncà and Giulio Romano,<br />
and placed him among the great artists. Goethe wrote<br />
Cazzano about this non-religious building: “It is not possible to Zermeghedo<br />
di Tramigna<br />
describe the impression <strong>Palladio</strong>’s Basilica leaves.” Gambellara<br />
Loggia del Capitaniato (1565)<br />
(exterior)<br />
This building once was the official building of the<br />
“Capitanio”, a military office for the Venetian Republic,<br />
and is today seat of the town council. <strong>Palladio</strong><br />
was entrusted with the renovation of the<br />
already existing medieval Monteforte building 20 years after<br />
d'Alpone<br />
the design for the loggias of the Basilica.<br />
Soave<br />
M. COGOLO<br />
m. 1670<br />
Enna<br />
T. Leogra<br />
Torrente Chiampo<br />
M. NOVEGNO<br />
m. 1552<br />
M. CIMONE<br />
m. 1226<br />
(exterior) CIMA<br />
LA LOCCHETTA<br />
This Fonti residence di<br />
Recoaro Terme<br />
m. 807 of the Da Monte Torrebelvicino family in front<br />
Pievebelvicino<br />
of the Dominican monastery Santa Corona has<br />
been ascribed to <strong>Palladio</strong> and UNESCO decided Magrè<br />
to put it on the World Heritage List, as well as the<br />
architect’s other works.<br />
M. SPITZ<br />
m. 1108<br />
Rif.<br />
Valdagno<br />
PROVINCIA<br />
MONTE CROCE<br />
DI BOSCO<br />
m. 851<br />
M. CALVARINA<br />
m. 683<br />
P. so Zovo<br />
MONTE<br />
FAEDO<br />
m. 781<br />
Monte di Malo<br />
Cornedo<br />
Vicentino<br />
Brogliano<br />
Montorso<br />
Vicentino<br />
Torrente Astico<br />
COLETTO DI VELO<br />
m. 885<br />
Trissino<br />
Santorso<br />
Montebello<br />
Vicentino<br />
Rotzo<br />
Palazzo Pojana (1561-1566)<br />
Church Santa Maria Nova (1578)<br />
A L T O P I A N O D I A S I A G O<br />
(exterior)<br />
This palace at n. 90/94 was built to join, with an<br />
arch that is still visible, two houses of the client<br />
Vicenzo Pojana. The signed design is preserved<br />
at the London Tresché R.I.B.A. (Royal Institut of British<br />
<strong>Architect</strong>s).<br />
Dome and Portal of The Cathedral<br />
The<br />
MONTE<br />
dome had been designed by <strong>Palladio</strong> around<br />
SUMMANO Piovene<br />
1565,<br />
m. 1296<br />
almost Rocchette twenty years after the Chiuppano works on<br />
the apsis, whereas the portal at the northern<br />
side, which replaced a Gothic one, Carrè was opened<br />
in 1575, upon request by Paolo Americo, who<br />
commissioned the Villa La Rotonda.<br />
Zanè<br />
Palazzo Porto Breganze (1571)<br />
(exterior)<br />
The works under <strong>Palladio</strong>’s supervision evidently<br />
came to an end before the completion of the<br />
project. The façade is made of three giant half<br />
columns of the Corinthian order and of two intercolumns<br />
of seven that had been planned.<br />
S. Vito<br />
di Leguzzano<br />
Palazzo Capra<br />
(exterior)<br />
Of this palace, which is today incorporated in a commercial<br />
building, an arch can be seen which is overlooked by<br />
Molina<br />
a pediment on four pilaster strips. It was commissioned<br />
to <strong>Palladio</strong> by G.A. Capra between 1510 and 1545 and was<br />
heavily altered during the 17th century with the erection<br />
of the Palazzo Piovini, which destroyed the original plant.<br />
Vicentina<br />
Palazzo Thiene Bonin Longare (1572 c.)<br />
(exterior)<br />
This palace was completed by Vicenzo Scamozzi<br />
around 1593, following the design of Andrea<br />
<strong>Palladio</strong>, whose authorship has been acknowledged<br />
M.<br />
unanimously<br />
RATTI<br />
by the experts. Today it<br />
m. 392<br />
hosts, among other things, the industrials association<br />
of <strong>Vicenza</strong>.<br />
Loggia Castelgomberto Valmarana (Giardino Salvi)<br />
This loggia with 6 columns Gambugliano of the Costabissara Doric order,<br />
topped by a triangular pediment, inside the Giardini<br />
Salvi (Salvi gardens), was built following a<br />
design which is very close to <strong>Palladio</strong>’s style, if<br />
not made by the architect himself. UNESCO decided<br />
to ascribe it to <strong>Palladio</strong> anyway in 1994.<br />
Casa Garzadori Bortolan<br />
(exterior)<br />
The palace was commissioned to <strong>Palladio</strong> Creazzo by Giambattista<br />
Garzadori, whose death in 1567 cancelled<br />
the contract. Its ascription Sovizzo to <strong>Palladio</strong>, acknowledged<br />
also by UNESCO, is upheld by testimonies from<br />
1564, when at least one part had been erected.<br />
Palazzo Civena Trissino (1540)<br />
(exterior)<br />
The palace erected by <strong>Palladio</strong> has become part<br />
of the Eretenia hospital after huge extension<br />
works in 1801. The palace was rebuilt after the<br />
Second World War, after having been heavily<br />
Torrente Guà<br />
bombed.<br />
Torrente Astico<br />
Torrente Assa<br />
Conca<br />
Marano<br />
Vicentino<br />
T. Onte<br />
Isola<br />
Caltrano<br />
Arco delle Scalette (1595)<br />
This arch has been built 15 years after <strong>Palladio</strong>’s<br />
death by the Venetian captain Giacomo Bragadino.<br />
<strong>Palladio</strong> probably had conceived it as access<br />
point to the Monte Meledo Berico sanctuary, before the<br />
di Sarego<br />
porticoes were built in mid-eighteenth century<br />
by Muttoni.<br />
Monticello<br />
di Fara<br />
MONTE<br />
BELMONTE<br />
m. 1207<br />
S. Tomio<br />
Torrente Valdiezza<br />
T. Rostone<br />
Grancona<br />
Canove<br />
di Roana<br />
T. Leogretta<br />
Monteviale<br />
Altavilla<br />
Vicentina<br />
Brendola<br />
MONTE<br />
KABERLABA<br />
m. 1221<br />
M. TORLE<br />
m. 1251<br />
Rif. Monte<br />
Cengio<br />
M. CERAMELLA M. LINTICHE<br />
MONTE<br />
m. 1342 m. 1379<br />
CENGIO Palazzo Valmarana Braga Rosa (1565)<br />
m. 1354<br />
(interior Rif. - exterior) al Granatiere<br />
CIMA DI FONTE<br />
M. PAÙ Rif. Alpino<br />
m. 1516<br />
m. 1420<br />
Giovanni Alvise Valmarana was, together with<br />
Trissino and Chiericati, one of <strong>Palladio</strong>’s<br />
MONTE<br />
biggest<br />
FORAORO<br />
supporters. For him, the architect designed<br />
m. 1508<br />
this<br />
Velo d'Asticoextraordinary façade where the Giant order encloses<br />
the whole height Cogollof the palace.<br />
del Cengio<br />
M. FAEO<br />
Calvene<br />
Sarcedo<br />
Palazzo da Schio (1560)<br />
(exterior)<br />
<strong>Palladio</strong> designed the façade of this palace for<br />
Bernardo da Schio, but Conco was often absent from<br />
the supervision of the works, since he was busy<br />
with other building sites in Venice. The stonecutter,<br />
who had no Lusiana instructions, even interrupted<br />
the works which were finished in 1574-75.<br />
Salcedo<br />
Lugo<br />
di <strong>Vicenza</strong><br />
Molvena<br />
Fara<br />
Zugliano <strong>Palladio</strong>’s Villas in town<br />
Vicentino<br />
Pianezze<br />
Villaverla<br />
Zovencedo<br />
M. RAITERTAL<br />
m. 1403<br />
Rif. Granezza<br />
Rif. Verdefonte<br />
T. Timonchio<br />
Torrente Igna<br />
Caldogno<br />
Arcugnano<br />
M. MOTTOLONE<br />
m. 400<br />
MONTE<br />
SPRUNCH<br />
m. 1300<br />
MONTE<br />
CIMONE<br />
m. 1378<br />
Rif. Monte Corno<br />
Dueville<br />
Villa Gazzotti Grimani Curti (1542)<br />
(exterior)<br />
The design was entrusted to <strong>Palladio</strong> by Taddeo<br />
Gazzotti who, however, had to sell it during its<br />
construction to the Venetian patrician Girolamo<br />
Grimani for financial reasons.<br />
The façade is made of eight Ionic pilasters with<br />
three central intercolumns which are topped by<br />
Montecchio<br />
Precalcino<br />
Vivaro<br />
a triangular pediment.<br />
Mason<br />
Vicentino<br />
Valstagna<br />
(exterior)<br />
M. ECHAR<br />
There is m.1366 no expertise as <strong>Palladio</strong>’s authorship of this<br />
church is concerned, but it is still universally ascribed<br />
to him. The church has a single room, where presently<br />
bequests from the library Biblioteca GNA NUOVA<br />
Rif. Fontanella<br />
M.<br />
m. 1327 Bertoliana are<br />
preserved, and which was built upon request by Lodovico<br />
MONTE<br />
MONTE<br />
Trento for MONTE the monastery of the Augustinian nuns.<br />
GUSELLA<br />
MALCREBA<br />
BERTIAGA<br />
m. 1388<br />
m. 1280<br />
m. 1356<br />
Bressanvi<br />
Villa Trissino Trettenero (1534)<br />
(exterior)<br />
This villa was not designed by <strong>Palladio</strong>, but everyone<br />
considers it the place where his legend<br />
was born, and this is sufficient for UNESCO to<br />
add it to the World Heritage List. Tradition has<br />
Vigardolo<br />
it that <strong>Palladio</strong> worked here as a simple Bolzano stonecutter,<br />
but he was still appreciated by its owner,<br />
Vicentino<br />
the noble man of letters Gian Giorgio Trissino.<br />
Lago di Fimon<br />
T. Astico<br />
Mossano<br />
m. 1314<br />
Villa la Rotonda (1566)<br />
(interior - exterior)<br />
<strong>Palladio</strong> put this building into the section dedicated<br />
to town palaces in his work “Four Books of<br />
<strong>Architect</strong>ure”, but everyone considers it a temple-villa,<br />
with its perfectly identical 4 façades. It<br />
is the universal icon of Palladian villas and can<br />
boast many imitations around the world, also in<br />
this century.<br />
Villa Trissino Trettenero<br />
M. ALTO<br />
m. 444<br />
Villa Almerico Capra<br />
Valmarana "La Rotonda"<br />
Anconetta<br />
Castegnero<br />
Nanto<br />
Bertesina<br />
Longare<br />
Lisiera<br />
Villa Gazzotti<br />
Marcello Curti<br />
Torri<br />
di Quartesolo<br />
Ancignano<br />
Quinto<br />
Vicentino<br />
Van<br />
Fiume Bac<br />
Mo