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Andrea <strong>Palladio</strong>, architect<br />

1508-1580<br />

He was born in Padua to Pietro della Gondola and Marta called “la zotta”<br />

(limping Martha). At the age of 16 he went to live in <strong>Vicenza</strong>, where he<br />

took his education and became one of the greatest architects of his time,<br />

and not only his time, thanks to the style called “Palladianism”, which<br />

spread all over the world: from the White House in Washington to the<br />

Queen’s House in Britain, from the University of Virginia to numerous<br />

palaces of St. Peterborough and Puskin. Almost al portraits ascribed to<br />

<strong>Palladio</strong> show the text “architetto vicentino”, architect from <strong>Vicenza</strong>,<br />

and only in mid-twentieth century his birth town was discovered. Many<br />

other aspects of his life are uncertain: his birthplace, the family home<br />

in <strong>Vicenza</strong>, his features, the cause of his death and the place he died,<br />

and even the place he was buried. Gian Giorgio Trissino, his big mentor,<br />

was certainly right to give him the name <strong>Palladio</strong>, as though he was an<br />

angel or a mythological, or supernatural character.<br />

One thing is certain: <strong>Vicenza</strong>, as UNESCO declared, has been universally<br />

recognised as the town of <strong>Palladio</strong> and has inscribed 23 monuments<br />

of its historic town centre and 16 villas of its province onto the World<br />

Heritage List, which are all ascribed to the architecture genius.<br />

With this little guide book we would like to accompany you on the<br />

discovery of the Palladian route into imagined harmony in the historic<br />

town centre of <strong>Vicenza</strong> and invite you to discover the “route of the villas”<br />

with the help of our guide books and the websites www.palladio2008.<br />

info and www.vicenzae.org.<br />

“… Perciò conoscere <strong>Palladio</strong>, La<br />

Basilica, la Loggia del Capitanio, la<br />

Rotonda, il teatro Olimpico, il palazzo<br />

Chiericati e gli altri attraverso gli studi<br />

è una conoscenza imperfetta. Bisogna<br />

vederlo a <strong>Vicenza</strong>. Una piccola Roma,<br />

un’invenzione scenografica…”<br />

e.mail: info@vicenzae.org<br />

www.vicenzae.org – www.vicenzabooking.com<br />

www.palladio2008.info – www.cisapalladio.org<br />

(da Viaggio in Italia, Guido Piovene)<br />

trà Porta S. Croce<br />

trà C. Domini<br />

Andrea <strong>Palladio</strong>’s works at <strong>Vicenza</strong><br />

World heritage<br />

PROVINCIA<br />

DI VICENZA<br />

C.trà S. Rocco<br />

Via Pajello<br />

Via Fra Paolo Sarpi<br />

Caserma<br />

P.S.<br />

C.trà S.M. Nova<br />

ia G. Bonollo<br />

Via A. Volta<br />

C.trà della Misericordia<br />

C.trà P. Nuovo<br />

C.trà Mure Rocchetta<br />

Via Cattaneo<br />

Routes<br />

Into imagined harmony<br />

Palladian<br />

C.trà Busato<br />

VIALE MILANO<br />

C.trà S. Ambrogio<br />

C.trà Porta Nova<br />

Piazzale<br />

Giusti<br />

Corso S. Felice<br />

Via G. Pagliarino<br />

Piazza<br />

Marconi<br />

C.trà S. Bortolo<br />

Corso Antonio Fogazzaro<br />

C.trà Cantarane<br />

Chiesa S. Maria Nuova<br />

C.trà Mure P. Nova<br />

Loggia Valmarana<br />

Palazzo da Schio<br />

S. Lorenzo<br />

Piazza del<br />

Mutilato<br />

C.trà S.Francesco C.trà S.Marco C.trà Pusterla<br />

C.trà Motton<br />

GIARDINI SALVI<br />

Piazzale<br />

De Gasperi<br />

Piazza<br />

Castello<br />

VIALE ROMA<br />

CAMPO<br />

Palazzo Iseppo da Porto<br />

Piazza<br />

S. Lorenzo<br />

Palazzo Thiene<br />

Bonin Longare<br />

Palazzo Capra<br />

Via Gorizia<br />

C.so A. Fogazzaro<br />

C.trà Cordenons<br />

Str. Filippini<br />

Cornoleo<br />

CORSO A. PALLADIO<br />

MARZO<br />

Stazione<br />

FF.SS.<br />

Contrà Riale<br />

PARCO QUERINI<br />

Palazzo<br />

Barbaran da Porto<br />

C.trà Lampertico<br />

VIALE DALMAZIA<br />

Viale Rumor<br />

Cappella Valmarana<br />

Palazzo Da Monte Migliorini<br />

C.trà S.Gaetano<br />

Palazzo Valmarana<br />

Braga Rosa<br />

Palazzo Pojana<br />

Palazzo Thiene<br />

Piazza<br />

Duomo<br />

C.trà Cavour<br />

Cupola e Porta<br />

della Cattedrale<br />

C.trà Proti<br />

C.tra Pasini<br />

Palazzo Porto Breganze<br />

C.trà S.Corona<br />

C.trà del Monte<br />

Piazza dei<br />

VIALE VENEZIA<br />

C.trà Manin<br />

Signori<br />

C.trà Pigafetta<br />

Palazzo Civena Trissino<br />

C.tra Carpagnon<br />

Viale Rodolfi<br />

Viale Eretenio<br />

Piazza<br />

Biade<br />

Ponte S. Paolo<br />

Piazza<br />

Araceli<br />

Casa Cogollo<br />

CORSO PALLADIO<br />

C.trà Gazzolle<br />

Piazza<br />

delle Erbe<br />

Loggia del Capitaniato<br />

SS. Apostoli<br />

Ponte Furo<br />

Ponte S. Libera<br />

Contrà dei Torretti<br />

C.trà S. Faustino<br />

Piazzetta<br />

S. Giuseppe<br />

Piazza<br />

Matteotti<br />

C.trà S. Michele<br />

Porton<br />

Luzzo<br />

Via Ceccarini<br />

C.trà Porta S. Lucia<br />

Piazza<br />

Gualdi<br />

Borgo S. Lucia<br />

Piazza<br />

Ponte XX Settembre<br />

degli Angeli<br />

C.trà Piancoli<br />

Basilica Palladiana<br />

Teatro Olimpico<br />

Palazzo Chiericati<br />

Ponte<br />

S. Michele<br />

Contrà delle Barche<br />

C.trà S. Chiara<br />

Via R. Pasi<br />

S. LUCIA<br />

Via IV Novembre<br />

Contrà S. Pietro<br />

Corso Padova<br />

C.trà S.Tomaso<br />

Borgo Scroffa<br />

S. PIETRO<br />

Casa Garzadori Bortolan<br />

• Piazza dei Signori, 8<br />

Tel. +39 0444 544122<br />

10.00-14.00/14.30-18.30<br />

• Piazza Matteotti, 12<br />

(next to the Olympic Theatre.<br />

Start of route)<br />

Tel. +39 0444 320854<br />

09.00-13.00/14.00-18.00<br />

Information offices<br />

in the historic town centre of <strong>Vicenza</strong><br />

Viale A. Giuriolo<br />

VIALE RISORGIMENTO<br />

Viale Dante<br />

Via Muttoni<br />

Via Legione Gallieno<br />

VIALE MARGHERITA<br />

C.trà S. Caterina<br />

Arco delle Scalette<br />

Via Fogolino<br />

Via dello Stadio<br />

Corso Padova<br />

Andrea <strong>Palladio</strong>’s works in the<br />

historic town centre of <strong>Vicenza</strong><br />

Pedestrian area<br />

Teatro Olimpico / Olympic Theatre<br />

Palazzo Chiericati / Palazzo Chiericati<br />

Casa Cogollo / Casa Cogollo<br />

Palazzo da Monte Migliorini /<br />

Palazzo da Monte Migliorini<br />

Cappella Valmarana / Valmarana Chapel<br />

Palazzo Iseppo da Porto /<br />

Palazzo Iseppo da Porto<br />

Palazzo Barbaran da Porto /<br />

Palazzo Barbaran da Porto<br />

Palazzo Thiene / Palazzo Thiene<br />

Basilica Palladiana / Palladian Basilica<br />

Loggia del Capitaniato / Loggia del Capitaniato<br />

Palazzo Pojana / Palazzo Pojana<br />

Palazzo Valmarana Braga Rosa /<br />

Palazzo Valmarana Braga Rosa<br />

Cupola e Porta della Cattedrale /<br />

Dome and Portal of the Cathedral<br />

Palazzo Porto Breganze /<br />

Palazzo Porto Breganze<br />

Palazzo Capra / Palazzo Capra<br />

Palazzo Thiene Bonin Longare /<br />

Palazzo Thiene Bonin Longare<br />

Loggia Valmarana / Loggia Valmarana<br />

Outside the pedestrian area<br />

Casa Garzadori Bortolan /<br />

Casa Garzadori Bortolan<br />

Palazzo Civena Trissino / Palazzo Civena Trissino<br />

Arco delle Scalette / Arco delle Scalette<br />

Chiesa di S. Maria Nova /<br />

Church Santa Maria Nova<br />

Palazzo da Schio / Palazzo da Schio


ente Leno di Terragnolo<br />

N<br />

sso<br />

SUBIO<br />

Rif. Papa<br />

an delle<br />

ze m. 1162<br />

IMA<br />

GROSSO<br />

1502<br />

Guardia di<br />

pogrosso<br />

CAMPO<br />

VANTI<br />

1689<br />

go<br />

Illasi<br />

Ossario del<br />

Pasubio<br />

M. PERGO<br />

m. 945<br />

M. BELLOCCA<br />

m. 830<br />

Torrente Tramigna<br />

Rif. Valbona<br />

Rif. Rumor<br />

M. TORARO<br />

m. 1899<br />

Teatro Olimpico (1580)<br />

Tonezza<br />

del Cimone<br />

MONTE<br />

(interior - exterior)<br />

TORMENO<br />

MONTE MAGGIO<br />

m. 1292<br />

m. 1853The Olympic Academy can start the works for the<br />

theatre designed CIMONE by <strong>Palladio</strong> LA TOROSELLA only in 1580, the year in<br />

COSTON DEI LAGHI<br />

DEI LAGHI m. 1280<br />

m. 1873 which he dies. m. Thus, 1480 he will not be able to see the end<br />

of the works, which will be supervised by his son Silla<br />

P. with the participation of Vincenzo Scamozzi, for the<br />

so della Borcola<br />

m. 1206<br />

scenery and the famous seven streets of Thebes. Ossario<br />

Laghi<br />

di Tonezza<br />

MONTI<br />

FORNI ALTI<br />

m. 2023<br />

Crespadoro<br />

Colognola<br />

ai Colli<br />

P. so Xon<br />

m. 668<br />

Recoaro Mille<br />

CIMA<br />

MARANA<br />

m. 1552<br />

Palazzo MONTE MAIO Chiericati (1550)<br />

(interior - exterior)<br />

This design is new for <strong>Palladio</strong>’s vision: a town<br />

palace and a suburban villa at the same time. It<br />

Posina<br />

has been completed in mid-seventeenth century<br />

upon the former river harbour of the town.<br />

MONTE PRIAFORÀ<br />

Since 1855 it has been seat of the <strong>Vicenza</strong> m. Town 1659<br />

Museum.<br />

Casa Cogollo<br />

Rif.<br />

(detta “del <strong>Palladio</strong>”, Novegno<br />

Malga<br />

1559)<br />

(exterior)<br />

S. Antonio<br />

This house has been believed to be <strong>Palladio</strong>’s residence<br />

for its modest dimensions as opposed to the monumental<br />

town palaces. Actually, the famous architect<br />

was entrusted with the huge renovation of the façade<br />

of the house Valli belonging to a notary named Cogollo.<br />

del Pasubio<br />

Staro Palazzo da Monte Migliorini (1550-1554)<br />

Valmarana Chapel (1576 c.)<br />

It may have been designed by <strong>Palladio</strong> in 1576, following<br />

the death of Antonio Valmarana, inside the<br />

crypt of Santa Corona, one of the most interesting<br />

churches from the artistic point of view, where he<br />

himself was buried before his mortal remains (or<br />

what was regarded as his mortal remains) were<br />

transported to the of the temple of fame at the main<br />

cemetery.<br />

Palazzo Iseppo da Porto (1544 c.)<br />

(exterior)<br />

<strong>Palladio</strong> designed both the town palace and the<br />

villa in P. Molina so S. Caterinat Malo for his friend Iseppo, but<br />

m. 796<br />

neither was finished. The palace had better luck:<br />

Altissimo<br />

<strong>Palladio</strong> had designed two different entrances<br />

and residences, of which remains the imposing<br />

façade, divided into three parts.<br />

Palazzo Barbaran da Porto (1569-70)<br />

(interior - exterior) S.Pietro<br />

Mussolino<br />

This palace was commissioned MONTE by FALDO the count Montano<br />

Vestenanuova<br />

m. 807<br />

Barbarano. Since 1997 and has been the seat of the International<br />

Centre for <strong>Architect</strong>ure studies (C.I.S.A.),<br />

dedicated to Andrea <strong>Palladio</strong>, who, of course, designed<br />

it. The solemn façade was built in both the Ionic and the<br />

Nogarole<br />

Corinthian order. The inner rooms and Vicentino the salon are embellished<br />

with important stuccoes.<br />

M. CORPEGANI<br />

m. 639<br />

Chiampo<br />

T. Alpone<br />

S. Giovanni<br />

Ilarione<br />

m. 1499<br />

P. so XOMO<br />

m. 1058<br />

S. Quirico<br />

Palazzo Thiene (1542)<br />

(interior - exterior)<br />

What we can admire today is probably only a<br />

part of the imposing renovation strongly advocated<br />

by the counts Marcantonio and Adriano<br />

Tiene of their 15th-century palace. It seems also<br />

Giulio Romano worked on the design entrusted<br />

to <strong>Palladio</strong>.<br />

Palladian Basilica (1546 – 1549)<br />

DI VERONA<br />

<strong>Palladio</strong>’s design of the imposing superstructure made of<br />

a superstructure with a double order of loggias on an already<br />

existing palace won the competition among great<br />

Montecchia<br />

di Crosara<br />

architects such as Serlio, Sanmicheli Roncà and Giulio Romano,<br />

and placed him among the great artists. Goethe wrote<br />

Cazzano about this non-religious building: “It is not possible to Zermeghedo<br />

di Tramigna<br />

describe the impression <strong>Palladio</strong>’s Basilica leaves.” Gambellara<br />

Loggia del Capitaniato (1565)<br />

(exterior)<br />

This building once was the official building of the<br />

“Capitanio”, a military office for the Venetian Republic,<br />

and is today seat of the town council. <strong>Palladio</strong><br />

was entrusted with the renovation of the<br />

already existing medieval Monteforte building 20 years after<br />

d'Alpone<br />

the design for the loggias of the Basilica.<br />

Soave<br />

M. COGOLO<br />

m. 1670<br />

Enna<br />

T. Leogra<br />

Torrente Chiampo<br />

M. NOVEGNO<br />

m. 1552<br />

M. CIMONE<br />

m. 1226<br />

(exterior) CIMA<br />

LA LOCCHETTA<br />

This Fonti residence di<br />

Recoaro Terme<br />

m. 807 of the Da Monte Torrebelvicino family in front<br />

Pievebelvicino<br />

of the Dominican monastery Santa Corona has<br />

been ascribed to <strong>Palladio</strong> and UNESCO decided Magrè<br />

to put it on the World Heritage List, as well as the<br />

architect’s other works.<br />

M. SPITZ<br />

m. 1108<br />

Rif.<br />

Valdagno<br />

PROVINCIA<br />

MONTE CROCE<br />

DI BOSCO<br />

m. 851<br />

M. CALVARINA<br />

m. 683<br />

P. so Zovo<br />

MONTE<br />

FAEDO<br />

m. 781<br />

Monte di Malo<br />

Cornedo<br />

Vicentino<br />

Brogliano<br />

Montorso<br />

Vicentino<br />

Torrente Astico<br />

COLETTO DI VELO<br />

m. 885<br />

Trissino<br />

Santorso<br />

Montebello<br />

Vicentino<br />

Rotzo<br />

Palazzo Pojana (1561-1566)<br />

Church Santa Maria Nova (1578)<br />

A L T O P I A N O D I A S I A G O<br />

(exterior)<br />

This palace at n. 90/94 was built to join, with an<br />

arch that is still visible, two houses of the client<br />

Vicenzo Pojana. The signed design is preserved<br />

at the London Tresché R.I.B.A. (Royal Institut of British<br />

<strong>Architect</strong>s).<br />

Dome and Portal of The Cathedral<br />

The<br />

MONTE<br />

dome had been designed by <strong>Palladio</strong> around<br />

SUMMANO Piovene<br />

1565,<br />

m. 1296<br />

almost Rocchette twenty years after the Chiuppano works on<br />

the apsis, whereas the portal at the northern<br />

side, which replaced a Gothic one, Carrè was opened<br />

in 1575, upon request by Paolo Americo, who<br />

commissioned the Villa La Rotonda.<br />

Zanè<br />

Palazzo Porto Breganze (1571)<br />

(exterior)<br />

The works under <strong>Palladio</strong>’s supervision evidently<br />

came to an end before the completion of the<br />

project. The façade is made of three giant half<br />

columns of the Corinthian order and of two intercolumns<br />

of seven that had been planned.<br />

S. Vito<br />

di Leguzzano<br />

Palazzo Capra<br />

(exterior)<br />

Of this palace, which is today incorporated in a commercial<br />

building, an arch can be seen which is overlooked by<br />

Molina<br />

a pediment on four pilaster strips. It was commissioned<br />

to <strong>Palladio</strong> by G.A. Capra between 1510 and 1545 and was<br />

heavily altered during the 17th century with the erection<br />

of the Palazzo Piovini, which destroyed the original plant.<br />

Vicentina<br />

Palazzo Thiene Bonin Longare (1572 c.)<br />

(exterior)<br />

This palace was completed by Vicenzo Scamozzi<br />

around 1593, following the design of Andrea<br />

<strong>Palladio</strong>, whose authorship has been acknowledged<br />

M.<br />

unanimously<br />

RATTI<br />

by the experts. Today it<br />

m. 392<br />

hosts, among other things, the industrials association<br />

of <strong>Vicenza</strong>.<br />

Loggia Castelgomberto Valmarana (Giardino Salvi)<br />

This loggia with 6 columns Gambugliano of the Costabissara Doric order,<br />

topped by a triangular pediment, inside the Giardini<br />

Salvi (Salvi gardens), was built following a<br />

design which is very close to <strong>Palladio</strong>’s style, if<br />

not made by the architect himself. UNESCO decided<br />

to ascribe it to <strong>Palladio</strong> anyway in 1994.<br />

Casa Garzadori Bortolan<br />

(exterior)<br />

The palace was commissioned to <strong>Palladio</strong> Creazzo by Giambattista<br />

Garzadori, whose death in 1567 cancelled<br />

the contract. Its ascription Sovizzo to <strong>Palladio</strong>, acknowledged<br />

also by UNESCO, is upheld by testimonies from<br />

1564, when at least one part had been erected.<br />

Palazzo Civena Trissino (1540)<br />

(exterior)<br />

The palace erected by <strong>Palladio</strong> has become part<br />

of the Eretenia hospital after huge extension<br />

works in 1801. The palace was rebuilt after the<br />

Second World War, after having been heavily<br />

Torrente Guà<br />

bombed.<br />

Torrente Astico<br />

Torrente Assa<br />

Conca<br />

Marano<br />

Vicentino<br />

T. Onte<br />

Isola<br />

Caltrano<br />

Arco delle Scalette (1595)<br />

This arch has been built 15 years after <strong>Palladio</strong>’s<br />

death by the Venetian captain Giacomo Bragadino.<br />

<strong>Palladio</strong> probably had conceived it as access<br />

point to the Monte Meledo Berico sanctuary, before the<br />

di Sarego<br />

porticoes were built in mid-eighteenth century<br />

by Muttoni.<br />

Monticello<br />

di Fara<br />

MONTE<br />

BELMONTE<br />

m. 1207<br />

S. Tomio<br />

Torrente Valdiezza<br />

T. Rostone<br />

Grancona<br />

Canove<br />

di Roana<br />

T. Leogretta<br />

Monteviale<br />

Altavilla<br />

Vicentina<br />

Brendola<br />

MONTE<br />

KABERLABA<br />

m. 1221<br />

M. TORLE<br />

m. 1251<br />

Rif. Monte<br />

Cengio<br />

M. CERAMELLA M. LINTICHE<br />

MONTE<br />

m. 1342 m. 1379<br />

CENGIO Palazzo Valmarana Braga Rosa (1565)<br />

m. 1354<br />

(interior Rif. - exterior) al Granatiere<br />

CIMA DI FONTE<br />

M. PAÙ Rif. Alpino<br />

m. 1516<br />

m. 1420<br />

Giovanni Alvise Valmarana was, together with<br />

Trissino and Chiericati, one of <strong>Palladio</strong>’s<br />

MONTE<br />

biggest<br />

FORAORO<br />

supporters. For him, the architect designed<br />

m. 1508<br />

this<br />

Velo d'Asticoextraordinary façade where the Giant order encloses<br />

the whole height Cogollof the palace.<br />

del Cengio<br />

M. FAEO<br />

Calvene<br />

Sarcedo<br />

Palazzo da Schio (1560)<br />

(exterior)<br />

<strong>Palladio</strong> designed the façade of this palace for<br />

Bernardo da Schio, but Conco was often absent from<br />

the supervision of the works, since he was busy<br />

with other building sites in Venice. The stonecutter,<br />

who had no Lusiana instructions, even interrupted<br />

the works which were finished in 1574-75.<br />

Salcedo<br />

Lugo<br />

di <strong>Vicenza</strong><br />

Molvena<br />

Fara<br />

Zugliano <strong>Palladio</strong>’s Villas in town<br />

Vicentino<br />

Pianezze<br />

Villaverla<br />

Zovencedo<br />

M. RAITERTAL<br />

m. 1403<br />

Rif. Granezza<br />

Rif. Verdefonte<br />

T. Timonchio<br />

Torrente Igna<br />

Caldogno<br />

Arcugnano<br />

M. MOTTOLONE<br />

m. 400<br />

MONTE<br />

SPRUNCH<br />

m. 1300<br />

MONTE<br />

CIMONE<br />

m. 1378<br />

Rif. Monte Corno<br />

Dueville<br />

Villa Gazzotti Grimani Curti (1542)<br />

(exterior)<br />

The design was entrusted to <strong>Palladio</strong> by Taddeo<br />

Gazzotti who, however, had to sell it during its<br />

construction to the Venetian patrician Girolamo<br />

Grimani for financial reasons.<br />

The façade is made of eight Ionic pilasters with<br />

three central intercolumns which are topped by<br />

Montecchio<br />

Precalcino<br />

Vivaro<br />

a triangular pediment.<br />

Mason<br />

Vicentino<br />

Valstagna<br />

(exterior)<br />

M. ECHAR<br />

There is m.1366 no expertise as <strong>Palladio</strong>’s authorship of this<br />

church is concerned, but it is still universally ascribed<br />

to him. The church has a single room, where presently<br />

bequests from the library Biblioteca GNA NUOVA<br />

Rif. Fontanella<br />

M.<br />

m. 1327 Bertoliana are<br />

preserved, and which was built upon request by Lodovico<br />

MONTE<br />

MONTE<br />

Trento for MONTE the monastery of the Augustinian nuns.<br />

GUSELLA<br />

MALCREBA<br />

BERTIAGA<br />

m. 1388<br />

m. 1280<br />

m. 1356<br />

Bressanvi<br />

Villa Trissino Trettenero (1534)<br />

(exterior)<br />

This villa was not designed by <strong>Palladio</strong>, but everyone<br />

considers it the place where his legend<br />

was born, and this is sufficient for UNESCO to<br />

add it to the World Heritage List. Tradition has<br />

Vigardolo<br />

it that <strong>Palladio</strong> worked here as a simple Bolzano stonecutter,<br />

but he was still appreciated by its owner,<br />

Vicentino<br />

the noble man of letters Gian Giorgio Trissino.<br />

Lago di Fimon<br />

T. Astico<br />

Mossano<br />

m. 1314<br />

Villa la Rotonda (1566)<br />

(interior - exterior)<br />

<strong>Palladio</strong> put this building into the section dedicated<br />

to town palaces in his work “Four Books of<br />

<strong>Architect</strong>ure”, but everyone considers it a temple-villa,<br />

with its perfectly identical 4 façades. It<br />

is the universal icon of Palladian villas and can<br />

boast many imitations around the world, also in<br />

this century.<br />

Villa Trissino Trettenero<br />

M. ALTO<br />

m. 444<br />

Villa Almerico Capra<br />

Valmarana "La Rotonda"<br />

Anconetta<br />

Castegnero<br />

Nanto<br />

Bertesina<br />

Longare<br />

Lisiera<br />

Villa Gazzotti<br />

Marcello Curti<br />

Torri<br />

di Quartesolo<br />

Ancignano<br />

Quinto<br />

Vicentino<br />

Van<br />

Fiume Bac<br />

Mo

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