HOT BEDS AND COOL SOFAS - Joinwell Limited
HOT BEDS AND COOL SOFAS - Joinwell Limited
HOT BEDS AND COOL SOFAS - Joinwell Limited
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now FLAIR DECEMBER 09 ISSUE 25 13<br />
Hot beds<br />
and cool sofas<br />
MICHELA SPITERI meets MARIS PACE at <strong>Joinwell</strong><br />
and talks about the furniture that redefines contemporary.
14 FLAIR DECEMBER 09 ISSUE 25 now<br />
Once upon a time, few things were cooler than a pair of<br />
RayBans and owning a sofa or a wardrobe certainly wasn’t<br />
one of them. But then Molteni & C redefined cool. You<br />
could perhaps compare these furniture-makers to a Stanley Kubrick<br />
movie for which the world is not quite ready at its moment of<br />
release.<br />
You see, that doesn’t really matter because years later, when the<br />
world is finally ready, you will find that it is still just as good as it<br />
once was. And that is the beauty of a classic whether it’s a car, a<br />
watch, a sofa, a bed, a wardrobe or a good bottle of wine.<br />
What Patek Philippe is to watches and Rolls Royce to cars,<br />
Molteni & C is to furniture. It’s all of that and a bag of chips. If you<br />
have it, you’ve made it, you’re right there with the Berlusconis, the<br />
Beckhams ... the Posh Spices of this world.<br />
It should be obvious but perhaps it’s not: it all began in northern<br />
Italy. It was the 1930s (not the most auspicious time to start a<br />
business) and Angelo Molteni began hand-building furniture on a<br />
building site behind his home in Brianza. The world war came and<br />
went, the business grew on the back of quality and truly breathtaking<br />
design, and 75 years later, Molteni & C remains in Brianza but has<br />
reached frontiers that are rather wider. Molteni furniture is sold in<br />
all the big cities of the world – and for the past year, in Malta.<br />
Landing a contract to represent Moltoni & C is no mean feat and<br />
could mean years of negotiation and fierce competition. I am sitting<br />
across from Maris Pace, <strong>Joinwell</strong>’s brand marketing manager,<br />
a position she has held for two years - ever since <strong>Joinwell</strong>’s big<br />
move to their flagship three-floor showroom in Qormi. She is still as<br />
passionate about it all as the day she started.<br />
It’s very hard for her to contain her excitement about the Molteni<br />
& C product and to disguise the obvious pride she feels about being<br />
a part of the present <strong>Joinwell</strong> team, especially since she feels she<br />
was perhaps somewhat instrumental in convincing the big boys to<br />
take on these high end brands. “It’s very important to have the right<br />
products in your shop. There is little point in investing millions in<br />
doing up a showroom if you are not going to fill it up with the right<br />
brands,” she tells me.<br />
Molteni & C is the number one furniture brand worldwide. When<br />
Molteni actually picks your company to do business with and gives<br />
your showroom the thumbs up, it is apparently the ultimate furniture<br />
deal. And even when you are up and running and have purchased<br />
Maris Pace at <strong>Joinwell</strong>
your catalogues and all the furniture you are<br />
going to display in that showroom, Molteni<br />
keeps you guessing and on your toes until<br />
the 11 th hour. “Suppliers frequently tell us this<br />
showroom has put <strong>Joinwell</strong> on the map,” she says, of<br />
the building designed by top architect Ray Demicoli and<br />
modelled on the inside by leading new name Chris Briffa.<br />
Surprise visits by suppliers are not uncommon, and they expect<br />
the showroom to be in excellent nick. This suits Maris Pace down<br />
to a tee; she actually finds comfort in the rapport. She explains that<br />
it is important to feel right at home with a brand and that there is<br />
reciprocity in this. She would have no qualms turning down the<br />
chance to do business with a top brand if she did not feel entirely<br />
comfortable with the way that brand ran its own business. “Trust is<br />
all-important,” she says. “If I can see that a showroom abroad is<br />
not run as it should be, an alarm goes off in my head because if the<br />
brand can’t take care of its own showroom, it will never be able to<br />
help us with ours.”<br />
“It’s very important to have the right<br />
products in your shop. There is little<br />
point in investing millions in doing up a<br />
showroom if you are not going to fill it<br />
up with the right brands,” maris tells me.<br />
Maris Pace tells me that the key to a successful furniture business<br />
like <strong>Joinwell</strong> is having solid brands which are in different leagues<br />
and which complement, rather than compete with, each other. The<br />
latest addition to the <strong>Joinwell</strong> portfolio is MisuraEmme, another<br />
high-end Italian brand which has been making furniture since<br />
the 1930s. Its pieces are stylish and very contemporary, but more<br />
affordable – if you wish to see it that way – than MisuraEmme. As<br />
she describes it: “If people feel they can’t afford Molteni but want<br />
the same sort of style, they’d go for a MisuraEmme and still come<br />
away feeling happy. It’s designer quality that lasts.”<br />
MisuraEmme is the ‘mother’ or main brand: its sub-brands are<br />
GAB - a range for children and teenagers, Atelier - the designer<br />
range, Sartoria Italiana Armadi – all wardrobes. >p16
16 FLAIR DECEMBER 09 ISSUE 25 now<br />
>As with everything from clothes to cars, where quality is concerned,<br />
the devil is in the detail. Furniture is no exception: the details reveal<br />
the quality, or the lack of it. Pace points out that other brands try<br />
to emulate this level of detail, but they are invariably a year too<br />
late, and cannot do it effectively while cutting cost. “It might be a<br />
perfect aesthetic match to the naked eye, but the feel is something<br />
you can never reproduce,” she says.<br />
The innovative Crossing Wall Unit for instance, is a MisuraEmme<br />
product with a television screen built into the glass sliding panels in a<br />
way that leaves no trace of the television when it is switched off.<br />
Then there is Jean Noveul’s brilliant Molteni & C wall structure,<br />
called ‘Graduate, which seems to float in air because of its invisible<br />
support mechanisms. The Less table, another of Noveul’s creations,<br />
is wafer-thin but with an inner strength hidden by the play of corners<br />
and folds.<br />
Both Molteni & C and MisuraEmme are famous for exploiting<br />
the use of space to the full. Molteni designer Ferruccio Laviani has<br />
rewritten the rules on open storage furniture – with homes getting<br />
smaller, furniture has had to shrink to fit but at the same time, style<br />
and design are even more important, because the fewer pieces<br />
people own, the better they want them to be. Many of these pieces<br />
are able to store a lot inside and still remain compact. A wardrobe<br />
doubles up as the sort of furniture you can place in a hallway, and is<br />
not restricted to the bedroom. Inspired by the screens in Japanese<br />
homes, sliding partitions separate or unite spaces, depending on<br />
how they are needed.<br />
Pace explains that Molteni & C is like having your own personal<br />
Milanese carpenter: anything Molteni can be customised to suit<br />
your space and taste. Pieces are not kept in stock and orders are<br />
always bespoke, produced to order.<br />
The risk to a company like <strong>Joinwell</strong> of taking on high-end brands<br />
lies in the possibility that there will not be enough demand for them -<br />
but this does not seem to worry Maris Pace. She is quick to point out<br />
that the least popular brand in the showroom is, ironically, the most<br />
affordable one. “<strong>Joinwell</strong> has been defined from the beginning by
now FLAIR DECEMBER 09 ISSUE 25 17<br />
Molteni designer Ferruccio Laviani has rewritten the rules<br />
on open storage furniture – with homes getting smaller,<br />
furniture has had to shrink to fit but at the same time,<br />
style and design are even more important, because the<br />
fewer pieces people own, the better they want them to be.<br />
quality brands and especially by service, both<br />
during and after sales,” she says. In a fastmoving<br />
world, where much shopping takes place<br />
online and people are accustomed to assembling<br />
products themselves, this kind of after sales service is<br />
now almost a luxury. It costs <strong>Joinwell</strong> a great deal, but<br />
the company is willing to go the extra mile.<br />
“Customers appreciate service and are ready to<br />
pay that little bit more because they are guaranteed<br />
a professional approach,” Pace says. “People in Malta<br />
like to spend money on their homes. The prevailing<br />
mentality is still about spending a fortune on the actual<br />
plot of land or construction, and setting aside only a small<br />
percentage to do it up in style and comfort - but this is changing<br />
slowly.” <strong>Joinwell</strong>’s clients base for Molteni & C and MisuraEmme<br />
is largely made up of people who are guided by architects and<br />
interior designers, she says. >p18
18 FLAIR DECEMBER 09 ISSUE 25 now<br />
>With standards set ever higher, couples are spending more<br />
and more money on their homes, and entertaining has become<br />
fashionable again. Having proper cutlery and a good dinner service is<br />
in again. Having a top of the range sofa is almost de rigueur. It’s not<br />
uncommon for people to sacrifice whole bedrooms to accommodate<br />
walk-in Sex-and-The-City style wardrobes. Pace tells me that<br />
wardrobes are “big”: “There’s a huge demand for them. People who<br />
spend money on clothes want to be able to store them properly and<br />
above all, see them well.” Molteni & C designer Rodolfo Dordoni<br />
has created Stack, a versatile walk-in wardrobe which, together<br />
with his system of mobile partitions, Glide, creates the perfect<br />
storage solution - elegant, practical, simple and luxurious.<br />
The curious blessing with Molteni & C is that you aren’t limited<br />
to just the one designer, carpenter or architect. You can have your<br />
pick of Patricia Urquiola headboards, Hannes Wettstein beds, Luca<br />
Meda chests-of-drawers, Rodolfo Dordoni wardrobes, Arik Levy<br />
armchairs and an Armani/Dada kitchen. Bridge is a new Molteni &<br />
C kitchen design which marks the beginning of a new partnership<br />
between Armani and the Molteni Group. Fashion icons, architects<br />
and designers, the likes of Vivienne Westwood, Jean Noveul, Aldo<br />
Rossi, Pinuccio Borgonovo and even Renzo Piano, have collaborated<br />
with Molteni & C in some way or form to create high quality design<br />
furnishings for the office and the home.<br />
If you pick up any of the Molteni & C and MisuraEmme catalogues,<br />
the colours are more or less the same – it’s what is in now: shades<br />
of grey, black, charcoal, different whites, browns, pearl, and natural<br />
wood finishes like mutenye, oak and walnut. There are clean lines<br />
and lacquers, a mix of matt and glossy surfaces. There are marble<br />
tops, upholstered headboards, leather sofas, and iconic fabrics are<br />
all the rage.<br />
Today, at dinner parties conversation also steers<br />
toward furniture; it has become the new politics.<br />
Perhaps Maris Pace’s only preoccupation is that here in Malta we<br />
are usually a year behind the times. “When wenge wood was<br />
really in, nobody wanted it here,” she says. “Now that it’s starting<br />
to fade in the rest of Europe, it is in great demand in Malta.” Still,<br />
she believes that furnishings are the new boats, cars, watches and<br />
handbags. Today, at dinner parties conversation also steers toward<br />
furniture; it has become the new politics. I’m not surprised. This<br />
was one fun interview.<br />
Molteni & C and MisuraEmme are at <strong>Joinwell</strong>, Mill Street, Qormi.