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TECHNOLOGY<br />

INNOVATION<br />

WE LOVE<br />

CREATIVITY<br />

KEAN UNIVERSITY


v<br />

W h y<br />

Study<br />

DESIGN<br />

at KEAN UNIVERSITY<br />

COLLEGE OF VISUAL & PERFORMING ARTS<br />

ROBERT BUSCH SCHOOL of DESIGN


New York City<br />

NEWARK<br />

PENN STA TION<br />

KEAN<br />

UNIVERSITY<br />

Union Train Station / Raritan Line<br />

ONE OF THE LOWEST TUITION { IN OR OUT OF STATE }<br />

Opportunity & Price<br />

ACCESS TO EXC ELLENCE : ONE OF THE LOWEST TUITIONS IN OR OUT OF STATE


[ ACCESS TO EXCELLENCE ]<br />

WELCOME to a quality, accessible, and affordable<br />

undergraduate education that is literally only forty-five<br />

minutes from one of the world’s leading design centers –<br />

NEW YORK CITY.<br />

The Robert Busch School of Design offers students programs<br />

of intense professional study created to prepare graduates<br />

both with entry-level career knowledge and skills and with the<br />

potential to achieve the highest levels of career growth.<br />

The BFA and BID are the recognized professional degrees<br />

in the studio-based programs of Advertising Design,<br />

Graphic Design, Industrial Design, and Interior Design.<br />

Studying design at <strong>Kean</strong> will provide you with a wealth of<br />

educational experiences both in and out of the classroom.<br />

There are extensive lecture, studio, and technology<br />

courses lead and taught by full-time faculty and visiting<br />

instructors who are all practicing professional designers.<br />

In addition, students of design are encouraged and<br />

guided to pursue practical experience in the field through<br />

internships and part-time employment, to participate<br />

in events sponsored by professional organizations,<br />

and to meet design professionals during seminars and<br />

other special events, such as the world-class Thinking<br />

Creatively Conference (www.thinkingcreatively.org)<br />

hosted by the Design Center at <strong>Kean</strong> (www.kean.<br />

edu/~designct).<br />

* THE ROBERT BUSCH SCHOOL OF DESIGN<br />

CAN HELP YOU REALIZE AND APPLY YOUR<br />

CREATIVITY, AND LAUNCH A CAREER THAT<br />

LEADS YOU TO A FULFILLING PROFESSIONAL<br />

LIFE. IT IS OUR COMMON PASSION FOR DESIGN<br />

THAT UNITES A DIVERSE GROUP OF STUDENTS<br />

AND EXCEPTIONALLY DEVOTED FACULTY,<br />

INSTRUCTORS, AND STAFF, WORKING<br />

TOGETHER TO HELP YOU DISCOVER THE BEST<br />

IN YOURSELF, TO REACH BEYOND YOUR<br />

GRASP, AND CONTRIBUTE TO THE GREATER<br />

GLOBAL COMMUNITY.


BFA / BID<br />

* Degrees Offered<br />

01. BFA Interactive Advertising Design<br />

02. BFA Graphic Design: Interactive, Print, & Screen<br />

03. BFA Interior Design<br />

04. BID Industrial Design<br />

< F U T U R E C o l l e g e o f B u s i n e s s + S c h o o l o f D e s i g n b u i l d i n g a t K e a n U n i v e r s i t y<br />

Architecture and design by Gruskin Architecture + Design, P.C., Springfield, NJ


MENu<br />

juxtabody<br />

ABOUT<br />

juxtabody<br />

EXIT<br />

SAVE<br />

share<br />

D E S I G N C E N T E R S A N S , A Martin Holloway Typeface :<br />

ABCDEFGHIJKLMNOPQRSTUVWXY<br />

the quick brown fox<br />

jumped over the lazy<br />

dog. 0123456789


GRAPHIC DESIGN: I n t e r a c t i v e , P r i n t , S c r e e n<br />

INTERACTIVE ADVERTISING DESIGN<br />

The BFA in both advertising design and graphic design<br />

is a professional degree. Our goal is to give our students<br />

the knowledge, skills, resources and support in concept,<br />

strategy, techniques, practices, and methods to insure their<br />

successful entry into and continuing success in<br />

these exciting fields.<br />

The curriculum is designed to give graduates a competitive<br />

edge and a sound basis for professional achievement.<br />

After taking a foundation of visual arts courses in drawing,<br />

typography, art history, the fundamentals of design and<br />

technologies, students then pursue an area of specialization<br />

by taking courses in identity, branding, advertising design,<br />

web design, motion graphics, among other choices.<br />

A concentration is developed with guidance from a<br />

faculty adviser.<br />

The program includes extensive studio and computer lab<br />

experience, presentations and reviews by professional designers<br />

and practical work experience for real clients through in-house<br />

internships in print and screen-based design.<br />

In addition, students in the program are encouraged to<br />

pursue internships and part-time employment in the field, to<br />

participate in events sponsored by professional organizations,<br />

and to meet design professionals during seminars, portfolio<br />

reviews, and other special events —including the world-class<br />

Thinking Creatively Design Conference.<br />

The program concludes with a course in which students create<br />

professional portfolios enabling them to competently and<br />

confidently enter the job market.<br />

INDUSTRIAL DESIGN<br />

The Bachelor of Industrial Design (BID) is a professional<br />

degree. The goal is to give our students the best training<br />

and support possible in the techniques, practices and<br />

methods of industrial design to insure their continuing<br />

success. The curriculum is designed with strict adherence<br />

to the educational standards of the Industrial Design<br />

Society of America (IDSA). The program is intended to<br />

provide graduates with a competitive edge and a sound<br />

background for professional achievement.<br />

After a solid foundation of general design, visual arts,<br />

and art history courses, the students undertake the<br />

program in Industrial Design. Our curriculum offers<br />

extensive opportunities for hands on design studios, and<br />

computer application experiences; along with presentations<br />

and evaluations by professional designers and the support of<br />

practical experiences through the internship requirement.<br />

The program concludes with a course in which students create<br />

professional portfolios enabling them to competently and<br />

confidently enter the job market.<br />

In addition, students are encouraged to participate in programs<br />

and events sponsored by the Industrial Design Society of<br />

America along with additional local, regional and national<br />

opportunities to meet design professionals during seminars,<br />

workshops and portfolio reviews. The Thinking Creatively<br />

Design Conference, and other activities are also made available<br />

to students.<br />

INTERIOR DESIGN<br />

The BFA in Interior Design is a professional degree and<br />

is accredited by the Council for Interior Design and<br />

Accreditation (CIDA). Interior Design is a muli-faceted<br />

profession in which creative and technical solutions<br />

are applied within a structure to achieve a built interior<br />

environment. These solutions are functional, enhance<br />

the quality of life and culture of the occupants, and are<br />

aesthetically attractive. Designs are created in response to<br />

and coordinated with the building shell, and acknowledge<br />

the physical location and social context of the project.<br />

Designs must adhere to code and regulatory<br />

requirements, and encourage the principles of<br />

environmental sustainability.<br />

The interior design process follows a systematic and<br />

coordinated methodology, including research, analysis and<br />

integration of knowledge into the creative process, whereby the<br />

needs and resources of the client are satisfied to produce an<br />

interior space that fulfills the project goals.<br />

Interior design includes a scope of services performed by<br />

a professional design practitioner, qualified by means of<br />

education, experience, and examination, to protect and<br />

enhance the life, health, safety and welfare of the public.<br />

The program concludes with a course in which students create<br />

professional portfolios enabling them to competently and<br />

confidently enter the job market.


One of the most beneficial aspects of attending <strong>Kean</strong> were the<br />

relationships that developed among my fellow classmates and<br />

our professors. We became like a family — one I could look to for<br />

inspiration and honest, constructive opinions. This network of<br />

people helped me land my first creative job and have been a<br />

supportive group throughout my career.<br />

MICHAEL DELSORDI, BFA 2008<br />

The faculty in the Robert Busch School of Design at <strong>Kean</strong><br />

<strong>University</strong> help students be successful in their studies and<br />

upon graduation! The faculty bring students together not just<br />

to learn but for valuable interactions among themselves as<br />

well as interacting on a professor-to-student basis. The results<br />

are professional communication skills and lifelong personal<br />

relationships. I can speak for the student population of RBSD by<br />

saying to all the professors, every adviser, each coordinator and<br />

our director — your commitment to our program and your passion<br />

for design is apparent in all the work you do. You are greatly<br />

appreciated by your students! I will always remember the Robert<br />

Busch School of Design faculty as my inspiration for my career.<br />

SAMANTHA McEVOY, Student


COURSES<br />

Design Foundation in visual form & visualizing<br />

techniques and a lecture survey of Design & visual<br />

culture. Interactive advertising design.<br />

Graphic Design : interactive, print & screen.<br />

INDUSTRIAL DESIGN<br />

01. Drafting & CAD 02. CAD & 3-D Modeling<br />

03. Furniture Making 04. History of Industrial<br />

Design 05. Production Methods I 06. Special<br />

Topics 07. Intro to Industrial Design 08. Industrial<br />

Design Fundamentals 09. Model Design 10. Design<br />

Delineation 11. Industrial Design Studio I-III 12.<br />

Portfolio 13. Design Internship 14. Understanding<br />

Images 15. Critical Perspectives in Design<br />

ADVERTISING DESIGN & GRAPHIC DESIGN<br />

01. Studio Skills 02. Typography 03. Graphic<br />

Design Fundamentals 04. Survey of Graphic<br />

Design 05. Computers in Graphic Design 06.<br />

Understanding Images 07. Concept to Print 08.<br />

History of Visual Communications 09. Editorial<br />

Design 10. Identity & Information Design, 11.<br />

Promotional Design 12. Web Design 13. Visual<br />

Storytelling 14. Motion Graphic Design, 15.<br />

Expressive Imaging 16. Advertising Design 17.<br />

Copywriting 18. Branding Strategies 19. Design for<br />

Advertising 20. Cartooning 21. Mobile Design<br />

22. Critical Perspectives in Design 23. Special<br />

Topics 24. Portfolio<br />

INTERIOR DESIGN<br />

01. Intro to Interior Design 02. CAD / REVET 03.<br />

Interior Design Studio I 04. Architectural Drawing<br />

& Rendering 05. Construction, Mat’ls & Finishes<br />

06. Interior Design Studio I-V 07. Architectural<br />

Lighting Design 08. Life Safety Codes 09. Building<br />

Construction & Methods 10. Photoshop for<br />

Interior Designers 11. Construction Documents<br />

for Designers 12. Business Practices 13. Design &<br />

The Built Environment 14. Critical Perspectives in<br />

Design 15. History of Furniture/Interiors<br />

16. History of Architecture 17. Understanding<br />

Images 18. Special Topics 19. Sustainability<br />

20. Portfolio (Studio V)


OUR MISSION<br />

The School of Design<br />

(and its collective programs) at <strong>Kean</strong> <strong>University</strong> has several related goals<br />

that are aligned with the <strong>University</strong> Mission.<br />

The School of Design faculty<br />

is dedicated to providing an exceptional educational<br />

experience while fostering the knowledge, skills, creativity,<br />

and professionalism necessary to prepare graduates for<br />

careers as professional designers. As such, we are devoted to<br />

academic rigor, curricular innovation, critical thought, and<br />

teaching excellence. The School of Design is aligned with<br />

and accredited by the philosophy and goals of two external<br />

accrediting organizations: Council for Interior Design<br />

Accreditation (CIDA) and National Schools of Art and<br />

Design (NASAD).<br />

The School of Design mission also undertakes to inform the<br />

public about the critical contribution that designers make in<br />

changing the world and to this end we are also dedicated to<br />

reaching out to the wider community through programs of<br />

public information and service.<br />

With a broad foundation in liberal arts (GE), a core<br />

foundation in the basics of design elements and principles,<br />

a thorough grounding in design concepts, artistry, craft, and<br />

technologies, followed by a concentration in selected area of<br />

design, the School of Design programs of study offer students<br />

intensive theory and practice and an integrated curriculum<br />

to provide them with the tools they need to help shape the<br />

future of human lives.<br />

The School of Design collective programs have a focus<br />

on critical and creative thinking, aesthetic awareness,<br />

effective use of technology, awareness of sustainability<br />

relative to the profession, diversity and social sensitivity,<br />

ethical professional practices, career opportunity, and<br />

global perspectives.


AWARD WINNING FACULTY :<br />

An architect by education, has been teaching in the field of<br />

Interior Design since 2003. His focus is on helping students<br />

become problem solvers through the use of fundamental<br />

drawing techniques and the exploration of threedimensional<br />

space. In an era where technology seemingly<br />

rules the work place, he stresses that it is the mind that<br />

ultimately creates, not keyboards or pencils.<br />

He is the author of “The 18 COMMANDments: The Version-<br />

Independent Way to Creatively Draft, Draw, and Design<br />

with AutoCAD,” which is intended to teach technical<br />

drawing (commonly perceived as sterile and less personal)<br />

in such a way that allows free expression.<br />

An educator, designer, artist, researcher and writer, Rose<br />

Gonnella is the Executive Director of The Robert Busch Director<br />

School of Design. She teaches courses in identity design,<br />

senior design portfolio, studio skills, and computer technology,<br />

inclusive of developing the school’s web design curriculum.<br />

Gonnella is currently on the executive board of the Art Directors<br />

Club of New Jersey and serves as the Director of the <strong>Kean</strong><br />

<strong>University</strong> / ADCNJ Thinking Creatively/design conference,<br />

www.thinkingcreatively.org.<br />

As a designer, Gonnella has been the Creative Director of The<br />

<strong>Kean</strong> Review and worked with both alumni and students on the<br />

award-winning design for the journal. She also directs the <strong>Kean</strong><br />

Cre8tive, a for-profit design studio in the Robert Busch School<br />

of Design.<br />

In addition to her work in design, Gonnella is also an illustrator.<br />

Her drawings have appeared recently in The Santa Fe House<br />

(Rizzoli). And, Gonnella’s work is in several private and public<br />

collections including among others: National Museum of<br />

American Art, Washington DC, Marriott Corporation, Princeton,<br />

NJ, Museum of Art and Archaeology, <strong>University</strong> of Missouri,<br />

Columbia, MO.<br />

Her co-authored books include:<br />

Nashville, TN: IEGA, 2011.<br />

Albany, NY: Cengage,<br />

2010 with Christopher Navetta.<br />

<br />

Architechtural Heritage of Nantucket Island, NY: Universe,<br />

2003, Margaret Moore Booker and Patricia Butler.<br />

Is an educator, graphic designer, calligrapher, and lettering artist.<br />

He has been deeply involved in the development and growth of<br />

professional design programs at <strong>Kean</strong> for over twenty years.<br />

Martin Holloway has spent a career engaging the challenge of<br />

how best to educate a professional designer. The acquiring of<br />

technical skills and professional knowledge is fundamental. Still<br />

more important, since designers create the images, objects and<br />

environments of everyday life, they must have a broad knowledge<br />

of human culture. And even more critical, they must be able to<br />

engage their creative instincts. A complete education for the<br />

designer balances these professional and liberal arts components.<br />

Professor Holloway was a professional graphic designer in studio<br />

and corporate settings before coming to <strong>Kean</strong>. He has continued to<br />

practice as an independent consultant, producing award-winning<br />

designs for a wide variety of business clients. He has received over<br />

twenty-five industry awards for his work. Examples of his work<br />

appear in several books on graphic design.<br />

Is an Architect, Interior Designer and educator. He has been active<br />

in the design field after receiving his BFA in Interior Design from<br />

<strong>Kean</strong> <strong>University</strong> and an M.Arch from New Jersey Institute of<br />

Technology in Architecture. He teaches upper level studio courses<br />

and Lighting. He developed the AutoCAD component in the program<br />

and also teaches AutoCAD 2D, 3D and Revit computer-aided<br />

design software.<br />

Professor LaCapra has been published in the Journal of Interior<br />

Design as co-author of the article “Designing Cognitive Stimulating<br />

Environments for Infants and Toddlers”. He has presented work at<br />

the Interior Designers Educators Council and TEANJ conferences.<br />

<strong>Kean</strong> <strong>University</strong> has awarded Professor LaCapra with the Students<br />

Partnering with Faculty grant. “Out of the Dark: Designing a Solar<br />

Powered Light to be used by the Homeless” is an interdisciplinary<br />

research project involving Interior Design and Industrial Design.<br />

The project involves interviews with social workers, industrial<br />

designers, Interior designers and related professions to better<br />

understand and help the homeless.<br />

Professor LaCapra is the faculty advisor for the Interior Design<br />

Collaborative (IDC). The IDC is a student outreach group with<br />

yearly projects that helps non-profit organizations with Interior<br />

Design issues at their facility.


Professor O’Shea is actively involved in numerous professional<br />

organizations, in which she holds leadership positions. She<br />

is a former President of the New Jersey Coalition for Interior<br />

Design Legislation and East Regional Chair of the Interior<br />

Design Educators Council (IDEC). She is currently a site<br />

visitor for the Council for Interior Design Accreditation<br />

(CIDA), and has served as the faculty advisor for the Interior<br />

Design Student Association/NJ Student Chapter of the<br />

American Society of Interior Designers student organization.<br />

She is co-author of the textbook, Design and Security in the<br />

Built Environment, published in 2009.<br />

Is included among the teachers that the Carnegie Foundation<br />

for the Advancement of Teaching calls the “great teachers of<br />

our time.” Most recently, Landa was a finalist in the Wall Street<br />

Journal’s Creative Leaders competition.<br />

Landa is the author of twelve published books about graphic<br />

design, branding, advertising, and creativity and her books<br />

have been translated into Chinese and Spanish.<br />

Author of many articles, Landa reached a #1 spot on the<br />

Amazon Shorts best-seller list.<br />

Landa has lectured across the country and has won many<br />

awards for design, writing, teaching, and creative leadership,<br />

including: National Society of Arts and Letters, The National<br />

League of Pen Women, New Jersey Authors Award, Creativity,<br />

the Rowan <strong>University</strong> Award for Contribution to Design<br />

Education, and twice has won the Presidential Excellence<br />

Award in Scholarship from <strong>Kean</strong> <strong>University</strong>. As a designer<br />

and brand strategist, Landa works with Mike Sickinger, a <strong>Kean</strong><br />

alumnus and CCO of Lava Dome Creative, as well as being the<br />

principal of her own design consultancy, robinlanda.com<br />

Since my arrival at the institution, my philosophy has been<br />

that the best way to influence the future success of the design<br />

majors is by spending as much time as possible working<br />

side-by-side with them in the studios and laboratories. I<br />

voluntarily keep open lab sessions on my professional days<br />

during the week, as well as Saturdays and/or Sundays. In<br />

addition to design majors having vital access to studios during<br />

non-class times, they also see me doing my own work, applying<br />

and practicing the same things I discuss with them in class.<br />

Some of my service to the institution has been as follows:<br />

4 terms (including currently) on the <strong>University</strong> Senate<br />

(Vice-chair); 3 terms on the General Education Committee<br />

(Co-chair); 2 terms on the <strong>University</strong> Curriculum Committee<br />

(secretary); Chair of Distance Learning Committee, Chair of<br />

Middle States sub-committee on Student Support Services;<br />

Chair and Co-chair of major search committees; and, dozens of<br />

other elected and appointed positions at the School, College<br />

and <strong>University</strong> levels.Wall Street Journal’s Creative<br />

Leaders competition.<br />

Is an educator and design practitioner. As a Full Professor,<br />

and Coordinator of the Interior Design Program, she teaches<br />

courses in, Introduction to Interior Design, Interior Design<br />

Studio I & II and Senior Projects II/Portfolio, and Design & the<br />

Built Environemnt. As a design practitioner, she has worked<br />

in areas of corporate space planning, contract design, retail<br />

design and healthcare facilities. Her students have produced<br />

award winning work and received scholarships and monetary<br />

rewards in the regional competitions such as, the IIDA Design<br />

Competition, the NJ American Society of Interior Designers<br />

Student Design Competition, and the Illuminating Engineering<br />

Society National Student Lighting Design Competition.<br />

Teaches courses in graphic design at the Robert Busch School<br />

of Design, <strong>Kean</strong> <strong>University</strong> where he is also the founding<br />

director of The Design Center, which has won numerous<br />

awards for its exhibitions, publications, and products in the<br />

various fields of design.<br />

Professor Robbins is an award-winning writer and the author<br />

of 24 books in the areas of mystery science fiction, puzzles and<br />

humor, and visual communications. His cartoons, illustrations,<br />

graphics, and games have appeared in dozens of publications<br />

and exhibitions and his unique series of mystery jigsaw<br />

puzzles has millions of fans around the world. His work can be<br />

seen at www.alanrobbins.com


THE ROBERT BUSCH SCHOOL OF DESIGN (RBSD)<br />

is the best of design programs. The professors truly care about our<br />

success and growth and are always thinking of new ways to ignite<br />

our creativity. All of the professors are practicing professionals<br />

but take the time to be our mentors outside of the classroom as<br />

well. And, unlike other colleges where there is competition among<br />

classmates, we grow and learn from each other with helpful<br />

constructive criticism.<br />

Without RBSD, I don't believe I would have developed such<br />

keen conceptual and creative design skills. Also, I would not have<br />

been involved in the Thinking Creatively Conference that <strong>Kean</strong><br />

hosts each year with the Art Directors Club of New Jersey. In<br />

addition to the great courses, the Robert Busch School of Design<br />

has many extra-curricula activities, events, and resources to help<br />

students become the best we can be.<br />

JENNIFER MIRANDA, BFA 2011


A lot of students can't wait to get out of college and open up a new<br />

chapter in the real world; I, on the other hand, did not want to leave<br />

college. This was because of the amazing program at Robert Busch<br />

School of Design at <strong>Kean</strong> <strong>University</strong>. Not only does the design program<br />

provide you with challenges that stimulate your creative growth,<br />

interactions with real clients, and the essential "must knows" of the<br />

real design world, but you also get a nurturing experience – one-on-one<br />

attention from outstanding professors who have professional credentials.<br />

What distinguishes RBSD from other programs is the undivided<br />

attention each individual gets from their mentors/ professors. I can<br />

honestly say I felt that I was part of a team or even more of a family with<br />

my fellow students and professors. I am very pleased with my decision<br />

to attend the RBSD at <strong>Kean</strong> <strong>University</strong>. <strong>Kean</strong> <strong>University</strong> imparted the<br />

knowledge, experience and confidence to attain my goal of becoming a<br />

professional designer.<br />

I LOVE RBSD and all of the talented individuals that<br />

are a part of it!<br />

OLGA DEMESHCHIK, BFA 2011


EXCITING<br />

OPPORTUNITIES<br />

& E X T R AOR DI N A RY<br />

EVENTS<br />

Across the curriculum<br />

01 .CO OPE R AT I V E<br />

EDUCATION CREDITS 02. CROSS-D I S C I P L I N E<br />

STUDIO COURSES 03. M U LT I - L E V E L & C R O S S D I S C I P L I N E<br />

CHARRETTES 04. I N T E R N S H I P S I N A L L D I S C I P L I N E S<br />

05. A LU M N I I N T E R N S H I P N E T WO R K<br />

<br />

0 6 . E X P E R I M E N TA L S T U DIO<br />

SPACE 07. ALUMNI STUDIO SPACE 08. D E S I G N C E N T E R<br />

09. INTERIOR DESIGN CONSORTIUM 10. T H E D E S I G N<br />

STUDIO 1 1 .T H I N K I N G C R E AT I V E LY<br />

CONFERENCE ++++++


The Thinking Creatively Conference<br />

is a two-day event created to provide access to<br />

excellence. The conference brings together the best<br />

and brightest designers and all sorts of experimental,<br />

innovative thinkers — for the purpose of providing an<br />

enriching, exceptional (the presenters are world-class)<br />

and accessible (it’s affordable and local!) experience<br />

that includes: presentations, small group discussions,<br />

exhibits, workshops, networking, inter-disciplinary pro/<br />

student charrette, and various and sundry goodies.<br />

thinkingcreatively.org<br />

The Design Center at <strong>Kean</strong> <strong>University</strong><br />

created in 1998 to educate + inform students, educators,<br />

professional designers, and the public about the key role<br />

of design in society and the ways in which design makes a<br />

difference in our lives.<br />

The center is dedicated to design in the broadest sense<br />

— as the process by which we manifest our creativity in<br />

the world through communication, shelter, promotion,<br />

products, and information.<br />

Each year the design center undertakes a series of<br />

exhibitions, publications, products, services, and programs<br />

to fulfill this mission and we are continually expanding our<br />

scope and vision. kean.edu/~designct<br />

The Design Studio at <strong>Kean</strong> <strong>University</strong><br />

is both an advanced service learning course taken for credit<br />

by students in the BFA Graphic Design major and an active<br />

design studio providing communication design services to<br />

the <strong>University</strong> and to the non-profit community at large. The<br />

Design Studio has been in continuous operation since 1975.<br />

In that time it has produced hundreds of projects for regional<br />

non-profit organizations and institutions, particularly those<br />

offering social, medical, educational and cultural services.<br />

The quality of graphic design provided by the studio, as a<br />

service of the professional BFA degree program, would be<br />

prohibitively costly for the non-profit clients of the studio.<br />

For the students this on-the-job experience is unique<br />

and invaluable. kean.edu/~destudio<br />

Campus School West /CSW/<br />

facility is a 1500 square foot building that houses the RBSD<br />

experimental studio space, Design Center, Design Studio<br />

(and lab), Thinking Creatively Conference charrette space,<br />

and alumni studio space.<br />

<br />

ROSE GONNELLA<br />

EXECUTIVE DIRECTOR<br />

908.737.4432 | RGONNELL@KEAN.EDU<br />

PROFESSOR LINDA O’SHEA<br />

COORDINATOR, INTERIOR DESIGN<br />

908.737.4434 | LOSHEA@KEAN.EDU<br />

DR. TIMOTHY RIEGLE<br />

COORDINATOR, INDUSTRIAL DESIGN<br />

908.737.4450 | TRIEGLE@KEAN.EDU<br />

PROFESSOR ALAN ROBBINS<br />

COORDINATOR, ADVERTISING DESIGN &<br />

GRAPHIC DESIGN<br />

908.737.4439 | AROBBINS@KEAN.EDU


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DESIGN<br />

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1000 MORRIS AVENUE, UNION, NEW JERSEY 07083

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