brochure - Kean University
brochure - Kean University
brochure - Kean University
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TECHNOLOGY<br />
INNOVATION<br />
WE LOVE<br />
CREATIVITY<br />
KEAN UNIVERSITY
v<br />
W h y<br />
Study<br />
DESIGN<br />
at KEAN UNIVERSITY<br />
COLLEGE OF VISUAL & PERFORMING ARTS<br />
ROBERT BUSCH SCHOOL of DESIGN
New York City<br />
NEWARK<br />
PENN STA TION<br />
KEAN<br />
UNIVERSITY<br />
Union Train Station / Raritan Line<br />
ONE OF THE LOWEST TUITION { IN OR OUT OF STATE }<br />
Opportunity & Price<br />
ACCESS TO EXC ELLENCE : ONE OF THE LOWEST TUITIONS IN OR OUT OF STATE
[ ACCESS TO EXCELLENCE ]<br />
WELCOME to a quality, accessible, and affordable<br />
undergraduate education that is literally only forty-five<br />
minutes from one of the world’s leading design centers –<br />
NEW YORK CITY.<br />
The Robert Busch School of Design offers students programs<br />
of intense professional study created to prepare graduates<br />
both with entry-level career knowledge and skills and with the<br />
potential to achieve the highest levels of career growth.<br />
The BFA and BID are the recognized professional degrees<br />
in the studio-based programs of Advertising Design,<br />
Graphic Design, Industrial Design, and Interior Design.<br />
Studying design at <strong>Kean</strong> will provide you with a wealth of<br />
educational experiences both in and out of the classroom.<br />
There are extensive lecture, studio, and technology<br />
courses lead and taught by full-time faculty and visiting<br />
instructors who are all practicing professional designers.<br />
In addition, students of design are encouraged and<br />
guided to pursue practical experience in the field through<br />
internships and part-time employment, to participate<br />
in events sponsored by professional organizations,<br />
and to meet design professionals during seminars and<br />
other special events, such as the world-class Thinking<br />
Creatively Conference (www.thinkingcreatively.org)<br />
hosted by the Design Center at <strong>Kean</strong> (www.kean.<br />
edu/~designct).<br />
* THE ROBERT BUSCH SCHOOL OF DESIGN<br />
CAN HELP YOU REALIZE AND APPLY YOUR<br />
CREATIVITY, AND LAUNCH A CAREER THAT<br />
LEADS YOU TO A FULFILLING PROFESSIONAL<br />
LIFE. IT IS OUR COMMON PASSION FOR DESIGN<br />
THAT UNITES A DIVERSE GROUP OF STUDENTS<br />
AND EXCEPTIONALLY DEVOTED FACULTY,<br />
INSTRUCTORS, AND STAFF, WORKING<br />
TOGETHER TO HELP YOU DISCOVER THE BEST<br />
IN YOURSELF, TO REACH BEYOND YOUR<br />
GRASP, AND CONTRIBUTE TO THE GREATER<br />
GLOBAL COMMUNITY.
BFA / BID<br />
* Degrees Offered<br />
01. BFA Interactive Advertising Design<br />
02. BFA Graphic Design: Interactive, Print, & Screen<br />
03. BFA Interior Design<br />
04. BID Industrial Design<br />
< F U T U R E C o l l e g e o f B u s i n e s s + S c h o o l o f D e s i g n b u i l d i n g a t K e a n U n i v e r s i t y<br />
Architecture and design by Gruskin Architecture + Design, P.C., Springfield, NJ
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GRAPHIC DESIGN: I n t e r a c t i v e , P r i n t , S c r e e n<br />
INTERACTIVE ADVERTISING DESIGN<br />
The BFA in both advertising design and graphic design<br />
is a professional degree. Our goal is to give our students<br />
the knowledge, skills, resources and support in concept,<br />
strategy, techniques, practices, and methods to insure their<br />
successful entry into and continuing success in<br />
these exciting fields.<br />
The curriculum is designed to give graduates a competitive<br />
edge and a sound basis for professional achievement.<br />
After taking a foundation of visual arts courses in drawing,<br />
typography, art history, the fundamentals of design and<br />
technologies, students then pursue an area of specialization<br />
by taking courses in identity, branding, advertising design,<br />
web design, motion graphics, among other choices.<br />
A concentration is developed with guidance from a<br />
faculty adviser.<br />
The program includes extensive studio and computer lab<br />
experience, presentations and reviews by professional designers<br />
and practical work experience for real clients through in-house<br />
internships in print and screen-based design.<br />
In addition, students in the program are encouraged to<br />
pursue internships and part-time employment in the field, to<br />
participate in events sponsored by professional organizations,<br />
and to meet design professionals during seminars, portfolio<br />
reviews, and other special events —including the world-class<br />
Thinking Creatively Design Conference.<br />
The program concludes with a course in which students create<br />
professional portfolios enabling them to competently and<br />
confidently enter the job market.<br />
INDUSTRIAL DESIGN<br />
The Bachelor of Industrial Design (BID) is a professional<br />
degree. The goal is to give our students the best training<br />
and support possible in the techniques, practices and<br />
methods of industrial design to insure their continuing<br />
success. The curriculum is designed with strict adherence<br />
to the educational standards of the Industrial Design<br />
Society of America (IDSA). The program is intended to<br />
provide graduates with a competitive edge and a sound<br />
background for professional achievement.<br />
After a solid foundation of general design, visual arts,<br />
and art history courses, the students undertake the<br />
program in Industrial Design. Our curriculum offers<br />
extensive opportunities for hands on design studios, and<br />
computer application experiences; along with presentations<br />
and evaluations by professional designers and the support of<br />
practical experiences through the internship requirement.<br />
The program concludes with a course in which students create<br />
professional portfolios enabling them to competently and<br />
confidently enter the job market.<br />
In addition, students are encouraged to participate in programs<br />
and events sponsored by the Industrial Design Society of<br />
America along with additional local, regional and national<br />
opportunities to meet design professionals during seminars,<br />
workshops and portfolio reviews. The Thinking Creatively<br />
Design Conference, and other activities are also made available<br />
to students.<br />
INTERIOR DESIGN<br />
The BFA in Interior Design is a professional degree and<br />
is accredited by the Council for Interior Design and<br />
Accreditation (CIDA). Interior Design is a muli-faceted<br />
profession in which creative and technical solutions<br />
are applied within a structure to achieve a built interior<br />
environment. These solutions are functional, enhance<br />
the quality of life and culture of the occupants, and are<br />
aesthetically attractive. Designs are created in response to<br />
and coordinated with the building shell, and acknowledge<br />
the physical location and social context of the project.<br />
Designs must adhere to code and regulatory<br />
requirements, and encourage the principles of<br />
environmental sustainability.<br />
The interior design process follows a systematic and<br />
coordinated methodology, including research, analysis and<br />
integration of knowledge into the creative process, whereby the<br />
needs and resources of the client are satisfied to produce an<br />
interior space that fulfills the project goals.<br />
Interior design includes a scope of services performed by<br />
a professional design practitioner, qualified by means of<br />
education, experience, and examination, to protect and<br />
enhance the life, health, safety and welfare of the public.<br />
The program concludes with a course in which students create<br />
professional portfolios enabling them to competently and<br />
confidently enter the job market.
One of the most beneficial aspects of attending <strong>Kean</strong> were the<br />
relationships that developed among my fellow classmates and<br />
our professors. We became like a family — one I could look to for<br />
inspiration and honest, constructive opinions. This network of<br />
people helped me land my first creative job and have been a<br />
supportive group throughout my career.<br />
MICHAEL DELSORDI, BFA 2008<br />
The faculty in the Robert Busch School of Design at <strong>Kean</strong><br />
<strong>University</strong> help students be successful in their studies and<br />
upon graduation! The faculty bring students together not just<br />
to learn but for valuable interactions among themselves as<br />
well as interacting on a professor-to-student basis. The results<br />
are professional communication skills and lifelong personal<br />
relationships. I can speak for the student population of RBSD by<br />
saying to all the professors, every adviser, each coordinator and<br />
our director — your commitment to our program and your passion<br />
for design is apparent in all the work you do. You are greatly<br />
appreciated by your students! I will always remember the Robert<br />
Busch School of Design faculty as my inspiration for my career.<br />
SAMANTHA McEVOY, Student
COURSES<br />
Design Foundation in visual form & visualizing<br />
techniques and a lecture survey of Design & visual<br />
culture. Interactive advertising design.<br />
Graphic Design : interactive, print & screen.<br />
INDUSTRIAL DESIGN<br />
01. Drafting & CAD 02. CAD & 3-D Modeling<br />
03. Furniture Making 04. History of Industrial<br />
Design 05. Production Methods I 06. Special<br />
Topics 07. Intro to Industrial Design 08. Industrial<br />
Design Fundamentals 09. Model Design 10. Design<br />
Delineation 11. Industrial Design Studio I-III 12.<br />
Portfolio 13. Design Internship 14. Understanding<br />
Images 15. Critical Perspectives in Design<br />
ADVERTISING DESIGN & GRAPHIC DESIGN<br />
01. Studio Skills 02. Typography 03. Graphic<br />
Design Fundamentals 04. Survey of Graphic<br />
Design 05. Computers in Graphic Design 06.<br />
Understanding Images 07. Concept to Print 08.<br />
History of Visual Communications 09. Editorial<br />
Design 10. Identity & Information Design, 11.<br />
Promotional Design 12. Web Design 13. Visual<br />
Storytelling 14. Motion Graphic Design, 15.<br />
Expressive Imaging 16. Advertising Design 17.<br />
Copywriting 18. Branding Strategies 19. Design for<br />
Advertising 20. Cartooning 21. Mobile Design<br />
22. Critical Perspectives in Design 23. Special<br />
Topics 24. Portfolio<br />
INTERIOR DESIGN<br />
01. Intro to Interior Design 02. CAD / REVET 03.<br />
Interior Design Studio I 04. Architectural Drawing<br />
& Rendering 05. Construction, Mat’ls & Finishes<br />
06. Interior Design Studio I-V 07. Architectural<br />
Lighting Design 08. Life Safety Codes 09. Building<br />
Construction & Methods 10. Photoshop for<br />
Interior Designers 11. Construction Documents<br />
for Designers 12. Business Practices 13. Design &<br />
The Built Environment 14. Critical Perspectives in<br />
Design 15. History of Furniture/Interiors<br />
16. History of Architecture 17. Understanding<br />
Images 18. Special Topics 19. Sustainability<br />
20. Portfolio (Studio V)
OUR MISSION<br />
The School of Design<br />
(and its collective programs) at <strong>Kean</strong> <strong>University</strong> has several related goals<br />
that are aligned with the <strong>University</strong> Mission.<br />
The School of Design faculty<br />
is dedicated to providing an exceptional educational<br />
experience while fostering the knowledge, skills, creativity,<br />
and professionalism necessary to prepare graduates for<br />
careers as professional designers. As such, we are devoted to<br />
academic rigor, curricular innovation, critical thought, and<br />
teaching excellence. The School of Design is aligned with<br />
and accredited by the philosophy and goals of two external<br />
accrediting organizations: Council for Interior Design<br />
Accreditation (CIDA) and National Schools of Art and<br />
Design (NASAD).<br />
The School of Design mission also undertakes to inform the<br />
public about the critical contribution that designers make in<br />
changing the world and to this end we are also dedicated to<br />
reaching out to the wider community through programs of<br />
public information and service.<br />
With a broad foundation in liberal arts (GE), a core<br />
foundation in the basics of design elements and principles,<br />
a thorough grounding in design concepts, artistry, craft, and<br />
technologies, followed by a concentration in selected area of<br />
design, the School of Design programs of study offer students<br />
intensive theory and practice and an integrated curriculum<br />
to provide them with the tools they need to help shape the<br />
future of human lives.<br />
The School of Design collective programs have a focus<br />
on critical and creative thinking, aesthetic awareness,<br />
effective use of technology, awareness of sustainability<br />
relative to the profession, diversity and social sensitivity,<br />
ethical professional practices, career opportunity, and<br />
global perspectives.
AWARD WINNING FACULTY :<br />
An architect by education, has been teaching in the field of<br />
Interior Design since 2003. His focus is on helping students<br />
become problem solvers through the use of fundamental<br />
drawing techniques and the exploration of threedimensional<br />
space. In an era where technology seemingly<br />
rules the work place, he stresses that it is the mind that<br />
ultimately creates, not keyboards or pencils.<br />
He is the author of “The 18 COMMANDments: The Version-<br />
Independent Way to Creatively Draft, Draw, and Design<br />
with AutoCAD,” which is intended to teach technical<br />
drawing (commonly perceived as sterile and less personal)<br />
in such a way that allows free expression.<br />
An educator, designer, artist, researcher and writer, Rose<br />
Gonnella is the Executive Director of The Robert Busch Director<br />
School of Design. She teaches courses in identity design,<br />
senior design portfolio, studio skills, and computer technology,<br />
inclusive of developing the school’s web design curriculum.<br />
Gonnella is currently on the executive board of the Art Directors<br />
Club of New Jersey and serves as the Director of the <strong>Kean</strong><br />
<strong>University</strong> / ADCNJ Thinking Creatively/design conference,<br />
www.thinkingcreatively.org.<br />
As a designer, Gonnella has been the Creative Director of The<br />
<strong>Kean</strong> Review and worked with both alumni and students on the<br />
award-winning design for the journal. She also directs the <strong>Kean</strong><br />
Cre8tive, a for-profit design studio in the Robert Busch School<br />
of Design.<br />
In addition to her work in design, Gonnella is also an illustrator.<br />
Her drawings have appeared recently in The Santa Fe House<br />
(Rizzoli). And, Gonnella’s work is in several private and public<br />
collections including among others: National Museum of<br />
American Art, Washington DC, Marriott Corporation, Princeton,<br />
NJ, Museum of Art and Archaeology, <strong>University</strong> of Missouri,<br />
Columbia, MO.<br />
Her co-authored books include:<br />
Nashville, TN: IEGA, 2011.<br />
Albany, NY: Cengage,<br />
2010 with Christopher Navetta.<br />
<br />
Architechtural Heritage of Nantucket Island, NY: Universe,<br />
2003, Margaret Moore Booker and Patricia Butler.<br />
Is an educator, graphic designer, calligrapher, and lettering artist.<br />
He has been deeply involved in the development and growth of<br />
professional design programs at <strong>Kean</strong> for over twenty years.<br />
Martin Holloway has spent a career engaging the challenge of<br />
how best to educate a professional designer. The acquiring of<br />
technical skills and professional knowledge is fundamental. Still<br />
more important, since designers create the images, objects and<br />
environments of everyday life, they must have a broad knowledge<br />
of human culture. And even more critical, they must be able to<br />
engage their creative instincts. A complete education for the<br />
designer balances these professional and liberal arts components.<br />
Professor Holloway was a professional graphic designer in studio<br />
and corporate settings before coming to <strong>Kean</strong>. He has continued to<br />
practice as an independent consultant, producing award-winning<br />
designs for a wide variety of business clients. He has received over<br />
twenty-five industry awards for his work. Examples of his work<br />
appear in several books on graphic design.<br />
Is an Architect, Interior Designer and educator. He has been active<br />
in the design field after receiving his BFA in Interior Design from<br />
<strong>Kean</strong> <strong>University</strong> and an M.Arch from New Jersey Institute of<br />
Technology in Architecture. He teaches upper level studio courses<br />
and Lighting. He developed the AutoCAD component in the program<br />
and also teaches AutoCAD 2D, 3D and Revit computer-aided<br />
design software.<br />
Professor LaCapra has been published in the Journal of Interior<br />
Design as co-author of the article “Designing Cognitive Stimulating<br />
Environments for Infants and Toddlers”. He has presented work at<br />
the Interior Designers Educators Council and TEANJ conferences.<br />
<strong>Kean</strong> <strong>University</strong> has awarded Professor LaCapra with the Students<br />
Partnering with Faculty grant. “Out of the Dark: Designing a Solar<br />
Powered Light to be used by the Homeless” is an interdisciplinary<br />
research project involving Interior Design and Industrial Design.<br />
The project involves interviews with social workers, industrial<br />
designers, Interior designers and related professions to better<br />
understand and help the homeless.<br />
Professor LaCapra is the faculty advisor for the Interior Design<br />
Collaborative (IDC). The IDC is a student outreach group with<br />
yearly projects that helps non-profit organizations with Interior<br />
Design issues at their facility.
Professor O’Shea is actively involved in numerous professional<br />
organizations, in which she holds leadership positions. She<br />
is a former President of the New Jersey Coalition for Interior<br />
Design Legislation and East Regional Chair of the Interior<br />
Design Educators Council (IDEC). She is currently a site<br />
visitor for the Council for Interior Design Accreditation<br />
(CIDA), and has served as the faculty advisor for the Interior<br />
Design Student Association/NJ Student Chapter of the<br />
American Society of Interior Designers student organization.<br />
She is co-author of the textbook, Design and Security in the<br />
Built Environment, published in 2009.<br />
Is included among the teachers that the Carnegie Foundation<br />
for the Advancement of Teaching calls the “great teachers of<br />
our time.” Most recently, Landa was a finalist in the Wall Street<br />
Journal’s Creative Leaders competition.<br />
Landa is the author of twelve published books about graphic<br />
design, branding, advertising, and creativity and her books<br />
have been translated into Chinese and Spanish.<br />
Author of many articles, Landa reached a #1 spot on the<br />
Amazon Shorts best-seller list.<br />
Landa has lectured across the country and has won many<br />
awards for design, writing, teaching, and creative leadership,<br />
including: National Society of Arts and Letters, The National<br />
League of Pen Women, New Jersey Authors Award, Creativity,<br />
the Rowan <strong>University</strong> Award for Contribution to Design<br />
Education, and twice has won the Presidential Excellence<br />
Award in Scholarship from <strong>Kean</strong> <strong>University</strong>. As a designer<br />
and brand strategist, Landa works with Mike Sickinger, a <strong>Kean</strong><br />
alumnus and CCO of Lava Dome Creative, as well as being the<br />
principal of her own design consultancy, robinlanda.com<br />
Since my arrival at the institution, my philosophy has been<br />
that the best way to influence the future success of the design<br />
majors is by spending as much time as possible working<br />
side-by-side with them in the studios and laboratories. I<br />
voluntarily keep open lab sessions on my professional days<br />
during the week, as well as Saturdays and/or Sundays. In<br />
addition to design majors having vital access to studios during<br />
non-class times, they also see me doing my own work, applying<br />
and practicing the same things I discuss with them in class.<br />
Some of my service to the institution has been as follows:<br />
4 terms (including currently) on the <strong>University</strong> Senate<br />
(Vice-chair); 3 terms on the General Education Committee<br />
(Co-chair); 2 terms on the <strong>University</strong> Curriculum Committee<br />
(secretary); Chair of Distance Learning Committee, Chair of<br />
Middle States sub-committee on Student Support Services;<br />
Chair and Co-chair of major search committees; and, dozens of<br />
other elected and appointed positions at the School, College<br />
and <strong>University</strong> levels.Wall Street Journal’s Creative<br />
Leaders competition.<br />
Is an educator and design practitioner. As a Full Professor,<br />
and Coordinator of the Interior Design Program, she teaches<br />
courses in, Introduction to Interior Design, Interior Design<br />
Studio I & II and Senior Projects II/Portfolio, and Design & the<br />
Built Environemnt. As a design practitioner, she has worked<br />
in areas of corporate space planning, contract design, retail<br />
design and healthcare facilities. Her students have produced<br />
award winning work and received scholarships and monetary<br />
rewards in the regional competitions such as, the IIDA Design<br />
Competition, the NJ American Society of Interior Designers<br />
Student Design Competition, and the Illuminating Engineering<br />
Society National Student Lighting Design Competition.<br />
Teaches courses in graphic design at the Robert Busch School<br />
of Design, <strong>Kean</strong> <strong>University</strong> where he is also the founding<br />
director of The Design Center, which has won numerous<br />
awards for its exhibitions, publications, and products in the<br />
various fields of design.<br />
Professor Robbins is an award-winning writer and the author<br />
of 24 books in the areas of mystery science fiction, puzzles and<br />
humor, and visual communications. His cartoons, illustrations,<br />
graphics, and games have appeared in dozens of publications<br />
and exhibitions and his unique series of mystery jigsaw<br />
puzzles has millions of fans around the world. His work can be<br />
seen at www.alanrobbins.com
THE ROBERT BUSCH SCHOOL OF DESIGN (RBSD)<br />
is the best of design programs. The professors truly care about our<br />
success and growth and are always thinking of new ways to ignite<br />
our creativity. All of the professors are practicing professionals<br />
but take the time to be our mentors outside of the classroom as<br />
well. And, unlike other colleges where there is competition among<br />
classmates, we grow and learn from each other with helpful<br />
constructive criticism.<br />
Without RBSD, I don't believe I would have developed such<br />
keen conceptual and creative design skills. Also, I would not have<br />
been involved in the Thinking Creatively Conference that <strong>Kean</strong><br />
hosts each year with the Art Directors Club of New Jersey. In<br />
addition to the great courses, the Robert Busch School of Design<br />
has many extra-curricula activities, events, and resources to help<br />
students become the best we can be.<br />
JENNIFER MIRANDA, BFA 2011
A lot of students can't wait to get out of college and open up a new<br />
chapter in the real world; I, on the other hand, did not want to leave<br />
college. This was because of the amazing program at Robert Busch<br />
School of Design at <strong>Kean</strong> <strong>University</strong>. Not only does the design program<br />
provide you with challenges that stimulate your creative growth,<br />
interactions with real clients, and the essential "must knows" of the<br />
real design world, but you also get a nurturing experience – one-on-one<br />
attention from outstanding professors who have professional credentials.<br />
What distinguishes RBSD from other programs is the undivided<br />
attention each individual gets from their mentors/ professors. I can<br />
honestly say I felt that I was part of a team or even more of a family with<br />
my fellow students and professors. I am very pleased with my decision<br />
to attend the RBSD at <strong>Kean</strong> <strong>University</strong>. <strong>Kean</strong> <strong>University</strong> imparted the<br />
knowledge, experience and confidence to attain my goal of becoming a<br />
professional designer.<br />
I LOVE RBSD and all of the talented individuals that<br />
are a part of it!<br />
OLGA DEMESHCHIK, BFA 2011
EXCITING<br />
OPPORTUNITIES<br />
& E X T R AOR DI N A RY<br />
EVENTS<br />
Across the curriculum<br />
01 .CO OPE R AT I V E<br />
EDUCATION CREDITS 02. CROSS-D I S C I P L I N E<br />
STUDIO COURSES 03. M U LT I - L E V E L & C R O S S D I S C I P L I N E<br />
CHARRETTES 04. I N T E R N S H I P S I N A L L D I S C I P L I N E S<br />
05. A LU M N I I N T E R N S H I P N E T WO R K<br />
<br />
0 6 . E X P E R I M E N TA L S T U DIO<br />
SPACE 07. ALUMNI STUDIO SPACE 08. D E S I G N C E N T E R<br />
09. INTERIOR DESIGN CONSORTIUM 10. T H E D E S I G N<br />
STUDIO 1 1 .T H I N K I N G C R E AT I V E LY<br />
CONFERENCE ++++++
The Thinking Creatively Conference<br />
is a two-day event created to provide access to<br />
excellence. The conference brings together the best<br />
and brightest designers and all sorts of experimental,<br />
innovative thinkers — for the purpose of providing an<br />
enriching, exceptional (the presenters are world-class)<br />
and accessible (it’s affordable and local!) experience<br />
that includes: presentations, small group discussions,<br />
exhibits, workshops, networking, inter-disciplinary pro/<br />
student charrette, and various and sundry goodies.<br />
thinkingcreatively.org<br />
The Design Center at <strong>Kean</strong> <strong>University</strong><br />
created in 1998 to educate + inform students, educators,<br />
professional designers, and the public about the key role<br />
of design in society and the ways in which design makes a<br />
difference in our lives.<br />
The center is dedicated to design in the broadest sense<br />
— as the process by which we manifest our creativity in<br />
the world through communication, shelter, promotion,<br />
products, and information.<br />
Each year the design center undertakes a series of<br />
exhibitions, publications, products, services, and programs<br />
to fulfill this mission and we are continually expanding our<br />
scope and vision. kean.edu/~designct<br />
The Design Studio at <strong>Kean</strong> <strong>University</strong><br />
is both an advanced service learning course taken for credit<br />
by students in the BFA Graphic Design major and an active<br />
design studio providing communication design services to<br />
the <strong>University</strong> and to the non-profit community at large. The<br />
Design Studio has been in continuous operation since 1975.<br />
In that time it has produced hundreds of projects for regional<br />
non-profit organizations and institutions, particularly those<br />
offering social, medical, educational and cultural services.<br />
The quality of graphic design provided by the studio, as a<br />
service of the professional BFA degree program, would be<br />
prohibitively costly for the non-profit clients of the studio.<br />
For the students this on-the-job experience is unique<br />
and invaluable. kean.edu/~destudio<br />
Campus School West /CSW/<br />
facility is a 1500 square foot building that houses the RBSD<br />
experimental studio space, Design Center, Design Studio<br />
(and lab), Thinking Creatively Conference charrette space,<br />
and alumni studio space.<br />
<br />
ROSE GONNELLA<br />
EXECUTIVE DIRECTOR<br />
908.737.4432 | RGONNELL@KEAN.EDU<br />
PROFESSOR LINDA O’SHEA<br />
COORDINATOR, INTERIOR DESIGN<br />
908.737.4434 | LOSHEA@KEAN.EDU<br />
DR. TIMOTHY RIEGLE<br />
COORDINATOR, INDUSTRIAL DESIGN<br />
908.737.4450 | TRIEGLE@KEAN.EDU<br />
PROFESSOR ALAN ROBBINS<br />
COORDINATOR, ADVERTISING DESIGN &<br />
GRAPHIC DESIGN<br />
908.737.4439 | AROBBINS@KEAN.EDU
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