True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
New York Doll<br />
Not many documentaries make me cry, but this one did. It recounts the<br />
unlikely rise, the predictable fall, and the final resurrection of a littleknown<br />
rock musician. The Dolls were an early glam punk band partly<br />
responsible for reviving rock’n’roll in the 1970s by being outrageous and<br />
raucous. During their short-lived fame they inspired the Sex Pistols, the<br />
Stooges, and all the rest. But three of the six band members drugged<br />
themselves to death, and the fourth, bass player Arthur Kane, nearly<br />
drank to death. While Kane sank into alcoholic destitution, the other two<br />
survivors went on to rewarding musical careers, embittering Kane further.<br />
At a low point Kane saw an ad for a Bible and converted to Mormonism,<br />
eventually working as a white-shirt-and-tie clerk in a genealogical library<br />
of a Mormon temple. In his new-found spiritualism he had one prayer<br />
he refused to stop believing – that the Dolls would reunite. Thirty years<br />
later, somewhat miraculously, the band did reunite (with substitute<br />
new members) for a gala performance in London. This documentary<br />
follows Kane’s improbable come-back. We start with his humble job as a<br />
meek, almost angelic clerk. He’s so broke he can’t buy his own pawned<br />
guitar back. As his prayer comes true, he is suddenly catapulted onto<br />
the London stage in his place in the rock band that invented punk. To<br />
Arthur this was a divine appointment to make amends with the surviving<br />
members. The concert was a smash hit, and the guys were reconciled.<br />
Then in a cosmic ending, Arthur died within days of the show from<br />
undetected leukemia. Above all else, this is a film about how every now<br />
and then someone does the impossible; they change.<br />
By Greg Whiteley<br />
2005, 78 min.<br />
Available from Amazon<br />
Rentable from Netflix<br />
His face showing his mixed emotions, Kane hugs the guy he<br />
blames for the band’s breakup (above). At his peak with the<br />
required punk haircut (top right). Two sweet Mormon ladies<br />
who are now his colleagues. On stage after the great reunion<br />
in London, still not sure of himself.<br />
129