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True Films 3.0 - Kevin Kelly

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On Any Sunday<br />

By the same guy who did The Endless Summer (p.54). What that classic<br />

documentary did for surfing, this one did for motorcycling when it was<br />

released 35 years ago. It made a somewhat fringe activity appealing to<br />

the mainstream. And like The Endless Summer, this film is almost as<br />

enjoyable now as it was in 1971 despite the many decades of technical<br />

improvement in equipment and the film’s jaunty oh-so-seventies<br />

soundtrack. It’s hard to remember that motorcycles were once esoteric,<br />

rare, and underground. This film recaptures the sudden exhilaration and<br />

freedom that regular people discovered by zooming along on two powerful<br />

wheels. On Any Sunday was the first of all motorcycle films, and may<br />

still be the best. It features some obsessive and legendary motorcyclists,<br />

as they became one with their bikes, practically living on them. They were<br />

some new kind of creature, human above, wheels below. Their relentless<br />

search for new ways to ride a cycle, and new races to join, keep this<br />

vintage film fresh and fascinating. Obsessive passion never ages, and<br />

never fails to fascinate me.<br />

By Bruce Brown<br />

1971, 96 min.<br />

Available form Amazon<br />

Rent from Netflix<br />

Mud is not reason to stop. Slat flats is a reason<br />

to go really fast (right). And metal plated and<br />

toed shoes made rounding sharp curves possible<br />

(below).<br />

133

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