True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
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On Any Sunday<br />
By the same guy who did The Endless Summer (p.54). What that classic<br />
documentary did for surfing, this one did for motorcycling when it was<br />
released 35 years ago. It made a somewhat fringe activity appealing to<br />
the mainstream. And like The Endless Summer, this film is almost as<br />
enjoyable now as it was in 1971 despite the many decades of technical<br />
improvement in equipment and the film’s jaunty oh-so-seventies<br />
soundtrack. It’s hard to remember that motorcycles were once esoteric,<br />
rare, and underground. This film recaptures the sudden exhilaration and<br />
freedom that regular people discovered by zooming along on two powerful<br />
wheels. On Any Sunday was the first of all motorcycle films, and may<br />
still be the best. It features some obsessive and legendary motorcyclists,<br />
as they became one with their bikes, practically living on them. They were<br />
some new kind of creature, human above, wheels below. Their relentless<br />
search for new ways to ride a cycle, and new races to join, keep this<br />
vintage film fresh and fascinating. Obsessive passion never ages, and<br />
never fails to fascinate me.<br />
By Bruce Brown<br />
1971, 96 min.<br />
Available form Amazon<br />
Rent from Netflix<br />
Mud is not reason to stop. Slat flats is a reason<br />
to go really fast (right). And metal plated and<br />
toed shoes made rounding sharp curves possible<br />
(below).<br />
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