True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
True Films 3.0 - Kevin Kelly
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Touch the Sound<br />
Evelyn Glennie, from Scotland, is a virtuoso percussionist. Her musical<br />
performances are stunning and original. She also happens to be profoundly<br />
deaf. While we all can hear low vibrations with our body, Glennie<br />
has learned to hear high sound vibrations (and music) with her body instead<br />
of her ears. She literally “touches” sound, and what a touch! In constant<br />
motion and with infinitive child-like curiosity, she plays with sounds<br />
everywhere she goes, even though she has to lip-read to hear people talk.<br />
This unexpectedly visual film explores the soundscape. You begin to hear<br />
things you’ve not heard before, and then see things not seen before. The<br />
cinematography is so in tune with the sonic explorations, that you even<br />
begin to see the sounds as well; in fact, to hear sounds as bodily things<br />
as Glennie does. This is an art film in the most accurate use of the term:<br />
it is a work art about artists. Two artists: Glennie and her incredible music,<br />
and the filmmaker, who has made the invisible visible and beautiful.<br />
As the film progresses, Glennie emerges as original visionary and worldclass<br />
inspirational hero. I hear the world differently now because of her<br />
and this great documentary.<br />
By Thomas Riedelsheimer<br />
2004, 99 min.<br />
Available from Amazon<br />
Rent from Netflix<br />
Rake. Rock. Sandal. Wind. Listening to the<br />
musical silence of a Zen garden (above).<br />
Evelyn drums on the back of a collaborator<br />
(below), as they set up a studio in an<br />
abandoned sugar factory.<br />
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