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Download a PDF of the exhibition catalogue - The Scottish Gallery

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Joan was introduced to Port Glasgow by Dorothy Steel, who had a studio<br />

<strong>the</strong>re, in 1950 and she spent much time <strong>the</strong>re drawing. A few years later she<br />

completed an ambitious picture, Children, Port Glasgow, exhibited at <strong>The</strong><br />

<strong>Scottish</strong> <strong>Gallery</strong> in a group show for <strong>the</strong> International Festival; Six Young<br />

<strong>Scottish</strong> Painters in 1955 which makes a subject picture out <strong>of</strong> <strong>the</strong> same cast<br />

<strong>of</strong> kids more stylistically treated in Shipbuilder’s Street.<br />

5 Shipbuilder’s Street, c.1951<br />

oil on canvas, 94 x 34.25 cms<br />

signed lower right<br />

illustrated<br />

Joan Eardley, RSA by Cordelia Oliver, Mainstream Publishing<br />

Company (Edinburgh) Ltd, 1988, p40<br />

“<strong>The</strong> technique in which squarish slabs <strong>of</strong> pigment could be articulated<br />

and given form by forceful dark lines was developed in paintings like<br />

Shipbuilder’s Street (c.1951), a tall, narrow canvas <strong>of</strong> street kids playing<br />

against a background <strong>of</strong> shipbuilding activity. Patches <strong>of</strong> rust-red<br />

stabbed by brighter scarlet, yellow and cerulean blue stand for <strong>the</strong><br />

children playing on <strong>the</strong> pavement, with a pale grey hull, high on <strong>the</strong><br />

stocks behind <strong>the</strong>m, against a dun-coloured sky.”<br />

Joan Eardley, RSA by Cordelia Oliver, Mainstream Publishing<br />

Company (Edinburgh) Ltd, 1988, p39<br />

14

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