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22 Boy with a Fawn Jacket, c.1955-58 pastel, 19 x 21 cms signed lower left and signed & titled on label verso illustrated Joan Eardley by Christopher Andreae, Lund Humphries (London), 2013, p44 “Both she and [Chaim] Soutine painted children without flattery or prettiness yet with a kind <strong>of</strong> brutal but sympa<strong>the</strong>tic integrity.” Joan Eardley by Christopher Andreae, Lund Humphries (London), 2013, p43 53
Page 3: JOAN EARDLEY edinburgh london 3 - 2
Page 6 and 7: Shipbuilder’s Street, c.1951 oil
Page 8 and 9: During her Travelling Scholarship f
Page 10 and 11: Balloch on Loch Lomond is a short j
Page 12 and 13: This energetic, heavily worked draw
Page 14: 4 French Fisherman, 1951 pastel, 12
Page 18: 6 Stonehaven Harbour, c.1952 Pen, i
Page 22: catterline Our friendship with Joan
Page 26 and 27: Todhead Point is at the south of th
Page 28 and 29: Joan painting in a field, Catterlin
Page 30 and 31: Nets at Catterline with pulley at t
Page 32 and 33: Catterline’s stone pier was finis
Page 34 and 35: 32 This double-sided picture will b
Page 36 and 37: “Had breakfast and am sitting on
Page 38: Townhead “Traditionally, painting
Page 42 and 43: 16 Tenement, c.1950 chalk on paper
Page 45 and 46: Children in Joan’s studio. Photog
Page 48 and 49: Drawn, quite typically, on three ov
Page 50 and 51: Child portraiture has always engage
Page 52 and 53: 50 Young girl on street biting her
Page 56 and 57: 23 Pink Jumper, c.1959 pastel, 27.5
Page 58 and 59: The Jumper, stiff with dust, is not
Page 60 and 61: Three children seated in a doorway.
Page 62 and 63: “Photographs of babies were commo
Page 64 and 65: 62 Joan working in her studio. Phot
Page 66: Girl seated on wooden bench holding
Page 69 and 70: 29 The Pedlar’s Stand, c.1959 mix
Page 71 and 72: 30 Children and Chalked Wall, c.196
Page 73 and 74: 31 Glasgow Children Drawing with Ch
Page 75 and 76: 1958 Two-person show with William G
Page 78: Published by The Scottish Gallery a

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