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Trends in U.S. Cultural Exchange and International Programming

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Historically, the U.S. Department of State has been the major player <strong>in</strong> the<br />

fields of cultural diplomacy <strong>and</strong> <strong>in</strong>ternational cultural exchange, spend<strong>in</strong>g<br />

countless millions dur<strong>in</strong>g the cold war to project a positive image of the<br />

United States abroad. In the fifteen years follow<strong>in</strong>g the fall of the Berl<strong>in</strong> Wall<br />

<strong>and</strong> the demise of the Soviet Union, U.S. government expenditures for<br />

cultural exchange <strong>and</strong> diplomacy contracted, leav<strong>in</strong>g few public diplomacy<br />

programs <strong>in</strong> place to serve as a support system. After the terrorist attacks of<br />

9-11, an outpour<strong>in</strong>g of <strong>in</strong>ternational sympathy was quickly eroded follow<strong>in</strong>g<br />

the Bush Adm<strong>in</strong>istration’s <strong>in</strong>vasion of Iraq. And <strong>in</strong> the wake of the war, world<br />

op<strong>in</strong>ion toward the U.S. began a rapid downward spiral.<br />

In late summer of 2007, with America’s image abroad cont<strong>in</strong>u<strong>in</strong>g to decl<strong>in</strong>e,<br />

the Robert Sterl<strong>in</strong>g Clark Foundation began to commission research on U.S.-<br />

based cultural diplomacy <strong>and</strong> cultural exchange aimed at mak<strong>in</strong>g the case for<br />

public <strong>and</strong> private re<strong>in</strong>vestment <strong>in</strong> the field. We believed that such work<br />

would be of value to a new adm<strong>in</strong>istration <strong>in</strong> help<strong>in</strong>g to reverse negative<br />

attitudes toward the U.S. <strong>and</strong> that it would spur private philanthropic<br />

support. Our research br<strong>in</strong>gs together data on public <strong>and</strong> private fund<strong>in</strong>g for<br />

arts exchange, as well as research on the challenges, successes, smart<br />

practices <strong>and</strong> trends of engagement. The research will result <strong>in</strong> a series of<br />

reports on cultural engagement that will be published over the next several<br />

months. The first of these, The Art of <strong>Cultural</strong> Engagement: <strong>Trends</strong> <strong>in</strong> U.S.<br />

<strong>Cultural</strong> <strong>Exchange</strong> <strong>and</strong> <strong>International</strong> Programm<strong>in</strong>g, was produced by Aimee R.<br />

Fullman who designed the onl<strong>in</strong>e survey, analyzed the data, <strong>and</strong> produced<br />

the charts <strong>and</strong> graphs of f<strong>in</strong>d<strong>in</strong>gs presented here<strong>in</strong>.<br />

Margaret C. Ayers, President<br />

Robert Sterl<strong>in</strong>g Clark Foundation<br />

October, 2009<br />

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