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Typography and Printing

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14<br />

17 Egyptian Type Face<br />

Pleyte, W(illem). Catalogue raisonné de types égyptiens hiératiques de la Fonderie de<br />

N. Tetterode, à Amsterdam, Dessinés par W. Pleyte. Leide, E. J. Brill 1865. (4), VI, (2),<br />

40 pages with many hieroglyphs in the text <strong>and</strong> on three large folding plates (of<br />

which two letter-press printed, one lithographed). Publisher’s printed wrappers. 4to.<br />

Foot of spine slightly frayed. E 700.00<br />

Not in Bigmore-W., in St. Bride Catalogue <strong>and</strong> in the catalogue of the Börsenvereins d. dt. Buchhändler.<br />

Rijk Smitskamp, Typographia hieroglyphica 328-329 in: Quaerendo VI, 1. First edition. Fine.<br />

18 First <strong>Printing</strong> of Sanscrit-Types in Germany<br />

Schlegel, Aug(ust) Guil(laume). Specimen novae typographiae<br />

Indicae, iussu ministrorum regis Borrusiae, serenissimi principis<br />

ab Hardenberg, cancellarii status, et illustrissimi dynastae<br />

ab Altenstein, rerum ecclesiasticarum et eruditionis praesidis,<br />

publicis sumtibus concinnatae. Litterarum figuras ad elegantissimorum<br />

codicum Bibliothecae Regiae Parisiensis exemplaria<br />

delineavit, cael<strong>and</strong>as feriundas, fl<strong>and</strong>as curavit. Lutetiae<br />

Parisiorum, ex officina Georgii Crapelet 1821. 6 unnumb. leaves,<br />

2 blank leaves. Cont. red glazed boards. Spine gilt. Covers<br />

rubbed. E 4000.00<br />

Not in the St. Bride Catalogue. Bigmore-W. II, 313. Katalog d. Börsenvereins<br />

d. dt. Buchhändler 38 <strong>and</strong> 723. First edition. Quite scarce. “Einer der<br />

ersten deutschen Indologen, A. W. von Schlegel (1767–1845), hat sich<br />

als Pionier des Sanskrit-Buchdrucks hervorgetan, indem er die ältesten<br />

Devanagari-Typen in Deutschl<strong>and</strong> schuf und sein erstes damit gedrucktes<br />

Werk im Jahre 1823 sogar selbst setzte” (Siegfried Schmitt in: Exotische<br />

Typen. Katalog der Staatsbibliothek Berlin N.F. 50, 2006, p. 156). His new<br />

Devanagari-types were cut in Paris by Vibert <strong>and</strong> Lion under his supervision.<br />

Printed on thick paper, a broadmargined <strong>and</strong> fine copy.

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