apple-music-theory-manual

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CHAPTER 2 A LITTLE STRUCTURE 19 19 Sequence of Instruction 19 Level One 19 Level Two 20 Level Three 20 Level Four 20 Level Five 20 Level Six 20 Level Seven 21 Level Eight 21 Level Nine 22 Suggested Sequence of Programs 2 3 Evaluation 2 3 Two Sample Forms 2 3 Note Types 2 5 Wrong Note APPENDIX A SETTING UP THE SYSTEM 27 27 Equipment 2 7 Manuals 28 Putting the Pieces Together APPENDIX B BACKGROUND ON MUSIC THEORY 29 30 Aural Intervals 32 Counting 34 Enharmonics 36 Find the Half 38 Key Signatures 38 Major Keys 39 Minor Keys 41 Missing Note 43 Name the Note 44 Ledger Lines 44 Key Signatures 46 Note Types 46 Notes 46 Rests 47 Time Signature 47 Note Type iv APPLE MUSIC THEORY
49 Rhythm 52 Rhythm Play 54 Scales 54 Major Scale 55 Harmonic Minor Scale 55 Natural or Pure Minor 56 Melodic Minor 56 Dorian Mode 57 Phrygian Mode 57 Lydian Mode 58 Mixolydian Mode 60 Sevenths 63 Terms 66 Triads 69 Visual Intervals 73 Whole-Half 75 Wrong No t e APPENDIX C SAMPLE EVALUATION FORMS 77 77 Aural Intervals 78 Counting 79 Enharmonics 80 Find the Half 81 Key Signatures 82 Missing Note 83 Name the Note 84 Note Types 85 Rhythm 86 Rhythm Play 87 88 Scales Sevenths 89 Terms 90 Triads 91 Visual Intervals 92 Whole-Half 93 Wrong Note INDEX 94 TABLE OF CONTENTS v
Page 1 and 2: Apple II Apple Music Theory Music F
Page 3 and 4: Apple II Apple Music Theory Music F
Page 5: TABLE OF CONTENTS CHAPTER 1 USING T
Page 9 and 10: CHAPTER 1 USING THE PROGRAMS INTROD
Page 11 and 12: 3) If you have a Language Card, the
Page 13 and 14: For every Music Theory program, you
Page 15 and 16: After you press RETURN again, you s
Page 17 and 18: Here are two charts listing the res
Page 19 and 20: THERE ARE FI VE LEVELS OF PROBLE11
Page 21 and 22: Whether or not you ask for instruct
Page 23 and 24: RHYTHM In the category of rhythm ar
Page 25 and 26: PITCH The category of Pitch include
Page 27 and 28: CHAPTER 2 A LITTLE STRUCTURE The pu
Page 29 and 30: LEVEL EIGHT WRONG NOTE (7ths, maxim
Page 31 and 32: EVALUATION One purpose of evaluatio
Page 33 and 34: WRONG NOTE NUMBER OF PROBLEMS J_()
Page 35 and 36: APPENDIX A SETTING UP THE SYSTEM Th
Page 37 and 38: APPENDIXB BACKGROUND ON MUSIC THEOR
Page 39 and 40: 1 2 THIS PROGRAM WILL PROVIDE EAR T
Page 41 and 42: 1 2 IH THIS DRILL YOU WILL SEE INCO
Page 43 and 44: 1 2 3 THERE ARE mo SETS OF ENHARMON
Page 45 and 46: Here is a sample run for this progr
Page 47 and 48: 4. The notes are sharped and flatte
Page 49 and 50: MISSING NOTE (MUSIC MENU 11) Object
Page 51 and 52: NAME THE NOTE (MUSIC MENU I) Object
Page 53 and 54: Here is a sample run for this progr
Page 55 and 56: TIME SIGNATURE The time signature i
Page 57 and 58:
RHYTHM (MUSIC MENU II) Objectives:
Page 59 and 60:
Here is a sample run for this progr
Page 61 and 62:
Page 63 and 64:
Things to listen for: 1. The interv
Page 65 and 66:
Things to listen for: This sound mu
Page 67 and 68:
Page 69 and 70:
Examples : major minor minor major
Page 71 and 72:
TERMS (MUSIC MENU I) Objectives: Up
Page 73 and 74:
Here is a sample run for t his prog
Page 75 and 76:
Examples: ~ 1 • ~ ~ ~ • major m
Page 77 and 78:
VISUAL INTERVALS (MUSIC MENU I) Obj
Page 79 and 80:
The table below lists the intervals
Page 81 and 82:
WHOLE·HALF (MUSIC MENU 11) Objecti
Page 83 and 84:
WRONG NOTE (MUSIC MENU II) Objectiv
Page 85 and 86:
APPENDIXC SAMPLE EVALUATION FORMS A
Page 87 and 88:
EN HARMONICS NAME NUMBER OF PROBLEM
Page 89 and 90:
KEY SIGNATURES NAME NUMBER OF PROBL
Page 91 and 92:
NAME THE NOTE NAME NUMBER OF PROBLE
Page 93 and 94:
RHYTHM NAME NUMBER OF PROBLEMS MAST
Page 95 and 96:
SCALES NAME NUMBER OF PROBLEMS MAST
Page 97 and 98:
TERMS NAME NUMBER OF PROBLEMS MASTE
Page 99 and 100:
VISUAL INTERVALS NAME NUMBER OF PRO
Page 101 and 102:
WRONG NOTE NAME NUMBER OF PROBLEMS
Page 103:
s sample evaluation forms, 23-25 Sc
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