Spring 2012 - Dress and Textile Specialists
Spring 2012 - Dress and Textile Specialists
Spring 2012 - Dress and Textile Specialists
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Literary <strong>and</strong> Scientific Institution (BRSLI) lecture programmes. BRSLI is the best venue in Bath for<br />
lectures <strong>and</strong> building on the existing relationship, we are next year co-convening a series of lectures<br />
on Fashion <strong>and</strong> Sport, which will coincide with our display of the same name opening in February<br />
<strong>2012</strong>.<br />
We tweet at least once a day about our day-to-day activities; keeping people up to date on new<br />
donations, objects viewed at the Study Facilities, progress on new exhibitions <strong>and</strong> store moves as<br />
well as other general fashion-related news <strong>and</strong> events that we are talking about in the office. We<br />
have deliberately kept the style <strong>and</strong> tone of our tweets fairly informal in order to give a more<br />
personal <strong>and</strong> less corporate voice to the Fashion Museum. We feel this helps to foster accessibility<br />
<strong>and</strong> encourages interested users to find out more about the collections.<br />
Using Twitter is helping us to reach people all around the world. Tweets are publicly visible by<br />
default <strong>and</strong> in September 2011, Twitter announced that it has 100 million active users logging in at<br />
least once a month <strong>and</strong> 50 million active users every day. We now have almost 900 followers<br />
including fashion enthusiasts, local residents, museums, designers, bloggers <strong>and</strong> journalists, all keen<br />
to hear about what’s happening at the Fashion Museum.<br />
Images<br />
The Fashion Museum’s access strategies are all about getting people to see the real thing. We<br />
capitalise on the fact that Bath is a city that people either visit, or would be pleased to visit, <strong>and</strong><br />
direct our scant resources to firstly devising <strong>and</strong> then running different types of access schemes. We<br />
also place emphasis on being open <strong>and</strong> available so that people can tell us what they need in terms<br />
of access.<br />
Of course, not everybody will come to Bath, so we also concentrate on getting images of objects in<br />
the collection into the public domain. Vivien Hynes, the Fashion Museum Administrator h<strong>and</strong>les all<br />
enquiries about images of our objects, working closely with Bridgeman Art Library. In this way, while<br />
we do not have an on-line catalogue of the collection, we can offer a professional service to<br />
enquirers, <strong>and</strong> also publish images of our objects on a well-resourced accessible website. Over the<br />
past two years we have also worked with Workman Publishing to publish images of h<strong>and</strong>bags <strong>and</strong><br />
shoes in the Fashion Museum collection in their calendar range. Today’s h<strong>and</strong>bag is an 18 th century<br />
pear-shaped, canvas work, purse with large ribbon closure. The <strong>2012</strong> shoe calendar featuring over<br />
100 of our shoes is on sale worldwide right now – surely the perfect Christmas present!<br />
Dem<strong>and</strong> for photographic images is an increasing global phenomenon. Everybody wants pictures,<br />
whether this is a 10 year old working on his school topic, or a journalist working to his two-hour<br />
deadline. By working in partnership with different types of professionals in this area (such as the<br />
Bridgeman Art Library or Workman Publishing), we can increase both access to <strong>and</strong> levels of<br />
engagement with objects in the collection at the Fashion Museum. And that surely is what the<br />
collecting strategies, the display strategies <strong>and</strong> the access strategies are all about, enabling as many<br />
people as possible to engage with objects in the museum collection for their own learning,<br />
inspiration <strong>and</strong> enjoyment.<br />
____<br />
‘Talking <strong>Textile</strong>s’: A Monument Fellowship, York Castle Museum 2010-2011<br />
Mary M Brooks<br />
Introduction<br />
This paper explores the aims, processes <strong>and</strong> outcomes of the ‘Talking <strong>Textile</strong>’ Monument Fellowship<br />
which I undertook at York Castle Museum (YCM) in 2010-2011. The ‘Talking <strong>Textile</strong>s’ Fellowship<br />
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