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Spring 2012 - Dress and Textile Specialists

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influences, economic prosperity, global trends <strong>and</strong> the regional technical excellence in textiles <strong>and</strong><br />

clothing over a 100 year period using clothing, accessories, photographs, film archive <strong>and</strong> narratives.<br />

_______<br />

How to move a dress collection without a database, Meg Dorman, Curator, Kensington<br />

Palace<br />

I work at Kensington Palace for Historic Royal Palaces. In 2009 we were asked to move the Royal<br />

Ceremonial <strong>Dress</strong> Collection to an interim store as a building project was about to start <strong>and</strong> the<br />

current stores were to become part of the new visitor hub. We decided to make the most of the<br />

move. We had no central database that contained catalogue information <strong>and</strong> locations of objects in<br />

one place - we had several different ones that had to be used simultaneously.<br />

In 2009 the collection was spread over 6 different rooms <strong>and</strong> two floors. We found a space in the<br />

Palace that could hold the entire collection in one area which was a bonus. This meant that visits to<br />

the stores could be more easily managed <strong>and</strong> we wouldn't have to carry objects through the visitor<br />

route.<br />

The first step we took was to take inventory. We wanted to plan where every object was going to go<br />

in the new store so that the actual move could be done as smoothly as possible.<br />

In the new store (with a new layout) everything would be in a different place. To make the transition<br />

a bit simpler we took photos of every hanging object <strong>and</strong> an overall photo of every drawer. These<br />

were printed out in advance ready for the move.<br />

We wanted to change the inventory as little as possible so as we were moving from drawers into<br />

boxes we had boxes made to the same size as the drawers. Then the contents could be easily packed<br />

into the new boxes without lots of changing locations. The photos were attached to the outside of<br />

the box to make it easier to find things in the new stores. We printed new labels in advance as well<br />

<strong>and</strong> these were placed in Melinex envelopes on the outside of the boxes.<br />

The actual move went quite well. It was done with in-house staff moving boxes before we opened<br />

(the route to the new stores went through exhibition spaces) <strong>and</strong> then placing them during the day.<br />

Every object was listed on a spreadsheet showing its old location <strong>and</strong> its planned new location.<br />

We tried to make the most of the move by improving access as much as possible for ourselves <strong>and</strong><br />

the visitors to the collection. To keep the collection together we had to stack boxes on racking<br />

almost to the ceiling. This makes it difficult to run a stores visit on one's own as the boxes are large<br />

<strong>and</strong> sometimes high. Some objects we knew we accessed frequently <strong>and</strong> these were placed in rooms<br />

with spaces for tables <strong>and</strong> on lower shelves.<br />

We learned some lessons - you can't plan carefully enough! Planning where every object goes in<br />

advance was incredibly helpful. If you have the time/money make sure the boxes you use can be<br />

h<strong>and</strong>led by one person if possible. If budget permits then movers would be helpful as well - moving a<br />

collection for months on end takes a toll on your staff! The photos have been great, especially when<br />

looking for objects on high shelves.<br />

We re-used about 200 boxes <strong>and</strong> purchased 350 new ones. We moved 21 hanging racks of<br />

garments. The move took three months with six members of staff working constantly. The Royal<br />

Ceremonial <strong>Dress</strong> Collection contains approx 12,000 objects.<br />

_____<br />

30

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