RACING FOR CHANGE ANNUAL REVIEW 2011 INTRODUCTION
RACING FOR CHANGE ANNUAL REVIEW 2011 INTRODUCTION
RACING FOR CHANGE ANNUAL REVIEW 2011 INTRODUCTION
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<strong>RACING</strong> <strong>FOR</strong> <strong>CHANGE</strong> <strong>ANNUAL</strong> <strong>REVIEW</strong> <strong>2011</strong><br />
PROMOTING THE SPORT<br />
Nick Attenborough, Director of Consumer PR<br />
The sport’s PR activities are delivering a growing volume of positive<br />
publicity, much of it appearing beyond the racing pages. This editorial<br />
endorsement is helping to raise levels of awareness about racing among<br />
new audiences, and to engage them.<br />
JANUARY <strong>2011</strong><br />
The first week of the year saw<br />
national media publicity for<br />
‘The Jockey Diet’, a collection<br />
of low-calorie recipes based on<br />
a PJA nutrition booklet. Other<br />
activities included the launch of<br />
the Cheltenham Festival tipping<br />
competition on Lovetheraces.<br />
com, pre-publicity for the<br />
delayed King George VI Chase<br />
at Kempton Park and a Sun<br />
newspaper promotion to ‘Bring<br />
a Mate Racing for Free’<br />
throughout January.<br />
FEBRUARY<br />
The tabloids and other<br />
mainstream media gave<br />
widespread publicity to RfC<br />
research that listed the rudest<br />
racehorse names ever<br />
registered. TalkSport, which<br />
had dropped Horseracing, was<br />
persuaded to introduce a daily<br />
breakfast bulletin based around<br />
racing guests organised by RfC.<br />
The month also saw the first of<br />
several media training sessions<br />
for Horsemen. While on<br />
Lovetheraces.com, new content<br />
was added in the form of<br />
cartoon strips called ‘Spot<br />
the Winner’.<br />
MARCH<br />
The main focus was the<br />
Cheltenham Festival, with the<br />
placement of national media<br />
interviews, a partnership with<br />
Guinness and a survey in<br />
conjunction with Ladbrokes.<br />
The latter, who proved that the<br />
‘Luck of the Irish’ was a myth,<br />
received widespread publicity.<br />
The promotion of racing<br />
to students was also at its<br />
height with the launch of a<br />
free ownership club involving<br />
subsequent winner, Tae Kwon<br />
Do. The month’s activities also<br />
included the placement of<br />
major features to promote the<br />
‘Start of the Flat’.<br />
APRIL<br />
MAY<br />
JUNE<br />
Ant and Dec at British Champions Day<br />
April saw the launch of the<br />
first-ever Free Racing Month,<br />
involving 26 courses which,<br />
together, attracted 63,000<br />
additional racegoers through<br />
the gates. Publicity work was<br />
also focused on the Grand<br />
National, including a promotion<br />
with Debenhams and the<br />
distribution of sweepstake kits<br />
via Lovetheraces.com. Further<br />
media training sessions were<br />
implemented, publicity was<br />
achieved for Royal Wedding’s<br />
victory on the Royal Wedding<br />
day, and a new guide to the<br />
racehorse was launched called<br />
All About the Horse.<br />
A search to find Britain’s firstever<br />
female commentator<br />
proved very effective at<br />
achieving positive publicity for<br />
racing. The judging of designs<br />
for racing silks by students at<br />
Central Saint Martins gained<br />
the sport further attention in<br />
the wider media. The celebrity<br />
gossip website, popbitch.<br />
com, joined forces with RfC to<br />
promote an ownership club,<br />
leasing Superinjunction. At<br />
the same time, a racehorse<br />
leased to Sky TV’s Soccer AM<br />
show made a special studio<br />
appearance to promote this<br />
ownership venture.<br />
In late May, RfC took over<br />
responsibility for British<br />
Champions Series PR and<br />
quickly ramped up publicity for<br />
the Derby and, in particular, the<br />
Queen’s runner, Carlton House,<br />
with the placement of media<br />
interviews. The focus quickly<br />
switched to Royal Ascot and<br />
further in-depth features were<br />
placed. Short-listed female<br />
commentators were given their<br />
first chance to star in front<br />
of the paying public, and<br />
the world’s first racehorse<br />
for the Twitter community,<br />
Tweet Lady, was introduced<br />
at www.thepeopleshorse.co.uk.<br />
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