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AN INTRODUCTION TO KANT'S AESTHETICS

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INDEX 173<br />

in mathematics, 133–9, 140<br />

as symbol of morality, see beautiful,<br />

the<br />

see also beautiful, the<br />

Beckett, Samuel, 113<br />

Berkeley, 82<br />

Bildungsroman, 146<br />

Bosch, Hieronymus, 131<br />

Brandt, Reinhard, 12, 18, 126, 132<br />

Budd, Malcolm, 52, 112, 119<br />

Burke, Edmund, 3, 22, 112, 141<br />

Burnham, Douglas, 112<br />

capacity for communication<br />

(Mitteilungsfähigkeit), 48<br />

categories, 8, 17, 18, 36–7, 54, 67–8, 78,<br />

116, 150<br />

as guide, 8–12<br />

table of, 10, 12, 17<br />

causality, 54<br />

efficient (causa efficiens), 13, 54–7, 150<br />

final (causa finalis), 54–6, 150<br />

of freedom, 58<br />

inner, 56<br />

Caygill, Howard, 7<br />

charm and emotion (Reiz und Rührung)<br />

versus beauty, 60–1, 63, 71–2,<br />

143–4<br />

Cicero, 82<br />

cognition (Erkenntnis), 9, 36, 89, 150<br />

and aesthetics before Kant, 4–7<br />

in general (Erkenntnis überhaupt),<br />

49–51, 53, 56, 62, 68, 88–9, 92, 119,<br />

130–2, 150<br />

and harmony, 51, 72, 92, 130–1<br />

and pleasure, 5, 40, 51<br />

relation to, 9, 10, 49, 91–2<br />

cognitive faculties (Erkenntnisvermögen),<br />

21, 39, 85<br />

see also faculty; free play;<br />

imagination; understanding<br />

Cohen, Marshall, 22<br />

Cohen, Ted, 39, 119<br />

Coleman, Francis X. J., 93, 112<br />

color and tone<br />

beauty of, 60–1, 63<br />

and Euler, 3, 60–1, 63<br />

as secondary quality, 63–4<br />

common sense, 80–4, 86, 154<br />

see also sensus communis<br />

commonplaces (Gemeinsprüche) about<br />

taste, 121–2<br />

communicability (Mitteilbarkeit), 47–9,<br />

51, 79, 86, 130<br />

in art, 97<br />

and disharmony, 130–1<br />

of feeling, 47–8, 52–3, 82, 84–5<br />

and form, 61, 63<br />

of primary qualities, 63<br />

of state of mind, 47–9, 84, 131<br />

composition<br />

and design, 61–2, 64<br />

in general, 108–9<br />

in music, 70, 97<br />

concepts (Begriffe), 150<br />

and aesthetic ideas, 102–3<br />

and antinomy of taste, 121, 149<br />

application of, 37, 42–3, 88, 90<br />

in art, 72, 94–5, 102<br />

and dependent beauty, 42<br />

determinate versus indeterminate,<br />

25, 40–1, 43, 68, 122<br />

and ends or purposes, 24, 55<br />

and the good, 25<br />

interchangeable (Wechselbegriffe), 32,<br />

38<br />

and intuitions, 42, 103, 116, 122, 152<br />

judgment of taste not based on,<br />

27–8, 40, 44, 70, 72, 90, 121<br />

in mathematics, 133<br />

and philosophy of mind, 91<br />

range of possibilities of, 40–2, 90<br />

of reason, 73, 116–17, 122–3, 145<br />

and rules, 16, 33–4, 44, 90, 95, 116,<br />

133, 154<br />

of subject or predicate, 41–2, 44<br />

of understanding, 92, 116, 122, 156<br />

conceptualization, 41, 90

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