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1. Monographs • Englische Romantik. Eine Einführung. Berlin: E ...

1. Monographs • Englische Romantik. Eine Einführung. Berlin: E ...

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Publications of Christoph Reinfandt<br />

New Perspectives in Literature, Film and the Arts. IFAVL – Internationale<br />

Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft.<br />

Amsterdam and New York: Rodopi, 2008.<br />

<strong>•</strong> (with Lars Eckstein) The Cultural Validity of Music in Contemporary Fiction.<br />

Themenheft Zeitschrift für Anglistik und Amerikanistik 54.1 (2006). Table of contents<br />

and full articles: www.zaa.uni-tuebingen.de<br />

<strong>•</strong> (with Silvia Mergenthal) "Section IV: Literature and Music." Lilo Moessner, Christa<br />

M. Schmidt, eds. Anglistentag 2004 Aachen: Proceedings. Trier: WVT, 2005: 193-<br />

282.<br />

<strong>•</strong> Systems Theory and Literature. Thematic Issue of EJES – European Journal of<br />

English Studies 5.3 (2001).<br />

3. Journal Articles<br />

<strong>•</strong> “Voices Shaping Perception: On the Emergence of Modern Indian Poetry in<br />

English.” Zeitschrift für Anglistik und Amerikanistik 6<strong>1.</strong>1 (2013): 33-45.<br />

<strong>•</strong> (with Ellen Dengel-Janic) “Voice and Perception in Transcultural Realities: The<br />

Case of India.” Zeitschrift für Anglistik und Amerikanistik 6<strong>1.</strong>1 (2013): 1-4. Cf.<br />

www.zaa.uni-tuebingen.de<br />

<strong>•</strong> “Fractured Surveillance: PJ Harvey’s Shaken England in Sound and Image.” Hard<br />

Times 91 (2012): 68-73.<br />

<strong>•</strong> “Greetings from Forest Gate: The Meteoric Rise of Ben Drew aka Plan B.” Hard<br />

Times 89 (2011): 37-42.<br />

<strong>•</strong> “The Sounds They Are A-Changing...: British Sea Power Provide a ‘Post-Rock’<br />

Soundtrack to Robert Flaherty’s Man of Aran.” Hard Times 87 (2010): 61-65.<br />

<strong>•</strong> “The Pitfalls of a Postcolonial Poetics: J.M. Coetzee’s Foe and the New Literatures<br />

in English.” Symbolism 7 (2007): 299-315.<br />

<strong>•</strong> “White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s<br />

Twelve Bar Blues.” Zeitschrift für Anglistik und Amerikanistik 54.1 (2006): 33-49. Cf.<br />

www.zaa.uni-tuebingen.de<br />

<strong>•</strong> (with Lars Eckstein) “On Dancing About Architecture: Words and Music between<br />

Cultural Practice and Transcendence.“ Zeitschrift für Anglistik und Amerikanistik<br />

54.1 (2006): 1-8. Cf. www.zaa.uni-tuebingen.de<br />

<strong>•</strong> “Dissertationspreis 2005: Laudatio auf Dr. Sebastian Hoffmann, Zürich und Dr. Kai<br />

Merten, Hamburg.“ Anglistik 17.1 (2006): 23-26.<br />

<strong>•</strong> "Power, Poetics and the Popular: American Reactions to 9/11 and the Discourse of<br />

Redemptionism.” Anglia 122.3 (2004): 457-479.<br />

<strong>•</strong> "'Putting Things Up Against Each Other’: Media History and Modernization in Adam<br />

Thorpe’s Ulverton.” Zeitschrift für Anglistik und Amerikanistik 52.3 (2004): 273-286.<br />

Cf. www.zaa.uni-tuebingen.de<br />

<strong>•</strong> (with Lars Eckstein) “The Parody of ‘Parody as Cultural Memory in Richard Powers’<br />

Galatea 2.2’: A Reply to Anca Rosu.” Connotations: A Journal of Critical Debate<br />

13.1-2 (2003/2004): 93-102.<br />

<strong>•</strong> "The Cultural Mutiny of 'Translated Man' and the Ground Beneath Our Feet: Salman<br />

Rushdie and the New Literatures in English.” Literatur in Wissenschaft und<br />

Unterricht 36.4 (2003): 319-330.<br />

2/11

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