1. Monographs • Englische Romantik. Eine Einführung. Berlin: E ...
1. Monographs • Englische Romantik. Eine Einführung. Berlin: E ...
1. Monographs • Englische Romantik. Eine Einführung. Berlin: E ...
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Publications of Christoph Reinfandt<br />
New Perspectives in Literature, Film and the Arts. IFAVL – Internationale<br />
Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft.<br />
Amsterdam and New York: Rodopi, 2008.<br />
<strong>•</strong> (with Lars Eckstein) The Cultural Validity of Music in Contemporary Fiction.<br />
Themenheft Zeitschrift für Anglistik und Amerikanistik 54.1 (2006). Table of contents<br />
and full articles: www.zaa.uni-tuebingen.de<br />
<strong>•</strong> (with Silvia Mergenthal) "Section IV: Literature and Music." Lilo Moessner, Christa<br />
M. Schmidt, eds. Anglistentag 2004 Aachen: Proceedings. Trier: WVT, 2005: 193-<br />
282.<br />
<strong>•</strong> Systems Theory and Literature. Thematic Issue of EJES – European Journal of<br />
English Studies 5.3 (2001).<br />
3. Journal Articles<br />
<strong>•</strong> “Voices Shaping Perception: On the Emergence of Modern Indian Poetry in<br />
English.” Zeitschrift für Anglistik und Amerikanistik 6<strong>1.</strong>1 (2013): 33-45.<br />
<strong>•</strong> (with Ellen Dengel-Janic) “Voice and Perception in Transcultural Realities: The<br />
Case of India.” Zeitschrift für Anglistik und Amerikanistik 6<strong>1.</strong>1 (2013): 1-4. Cf.<br />
www.zaa.uni-tuebingen.de<br />
<strong>•</strong> “Fractured Surveillance: PJ Harvey’s Shaken England in Sound and Image.” Hard<br />
Times 91 (2012): 68-73.<br />
<strong>•</strong> “Greetings from Forest Gate: The Meteoric Rise of Ben Drew aka Plan B.” Hard<br />
Times 89 (2011): 37-42.<br />
<strong>•</strong> “The Sounds They Are A-Changing...: British Sea Power Provide a ‘Post-Rock’<br />
Soundtrack to Robert Flaherty’s Man of Aran.” Hard Times 87 (2010): 61-65.<br />
<strong>•</strong> “The Pitfalls of a Postcolonial Poetics: J.M. Coetzee’s Foe and the New Literatures<br />
in English.” Symbolism 7 (2007): 299-315.<br />
<strong>•</strong> “White Man Tells the Blues: The Power of Music and Narrative in Patrick Neate’s<br />
Twelve Bar Blues.” Zeitschrift für Anglistik und Amerikanistik 54.1 (2006): 33-49. Cf.<br />
www.zaa.uni-tuebingen.de<br />
<strong>•</strong> (with Lars Eckstein) “On Dancing About Architecture: Words and Music between<br />
Cultural Practice and Transcendence.“ Zeitschrift für Anglistik und Amerikanistik<br />
54.1 (2006): 1-8. Cf. www.zaa.uni-tuebingen.de<br />
<strong>•</strong> “Dissertationspreis 2005: Laudatio auf Dr. Sebastian Hoffmann, Zürich und Dr. Kai<br />
Merten, Hamburg.“ Anglistik 17.1 (2006): 23-26.<br />
<strong>•</strong> "Power, Poetics and the Popular: American Reactions to 9/11 and the Discourse of<br />
Redemptionism.” Anglia 122.3 (2004): 457-479.<br />
<strong>•</strong> "'Putting Things Up Against Each Other’: Media History and Modernization in Adam<br />
Thorpe’s Ulverton.” Zeitschrift für Anglistik und Amerikanistik 52.3 (2004): 273-286.<br />
Cf. www.zaa.uni-tuebingen.de<br />
<strong>•</strong> (with Lars Eckstein) “The Parody of ‘Parody as Cultural Memory in Richard Powers’<br />
Galatea 2.2’: A Reply to Anca Rosu.” Connotations: A Journal of Critical Debate<br />
13.1-2 (2003/2004): 93-102.<br />
<strong>•</strong> "The Cultural Mutiny of 'Translated Man' and the Ground Beneath Our Feet: Salman<br />
Rushdie and the New Literatures in English.” Literatur in Wissenschaft und<br />
Unterricht 36.4 (2003): 319-330.<br />
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