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THEATRE AT BARTON<br />
Join us in<br />
2013-2014<br />
Lauren Kennedy and Alan Campbell <strong>The</strong>atre<br />
Oh, What A Night III<br />
A Concert of Broadway’s Best<br />
August 28-29<br />
<strong>The</strong>atre at Barton, with <strong>The</strong>atre of Raleigh / Hot Summer<br />
Nights at the Kennedy, presents Oh, What A Night III, A<br />
Concert of Broadway’s Best.<br />
Romeo and Juliet<br />
November 7-10<br />
<strong>The</strong>atre at Barton presents Romeo and Juliet by William<br />
Shakespeare. This epic tragedy of star-crossed lovers and<br />
feuding families marks the first collaboration between<br />
<strong>The</strong>atre at Barton and <strong>The</strong> Imperial Centre in Rocky<br />
Mount.<br />
April 10-13<br />
<strong>The</strong>atre at Barton presents Two by Two<br />
(Music by Richard Rodgers, Book by Peter<br />
Stone, Lyrics by Martin Charnin.) This musical<br />
comedy is based on the play <strong>The</strong> Flowering<br />
Peach by Clifford Odets, and tells the story of Noah’s<br />
preparations for the Great Flood and its aftermath.<br />
•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••<br />
Tickets at the door or online at www.barton.edu/theatre. For additional information,<br />
contact Adam Twiss, director of <strong>The</strong>atre at Barton, at<br />
252-399-6484 or email: ajtwiss@barton.edu.
<strong>The</strong>ater of the American South is<br />
proud to announce our 2013 season.<br />
<strong>The</strong>ater of the American South is a celebration of southern culture in <strong>Wilson</strong>, North Carolina, featuring the best<br />
of southern drama, great barbecue, crafts, music, outsider art and much more! This year’s plays feature iconic<br />
southern characters. <strong>The</strong> festival runs from Thursday, May 16, through Memorial Day, Monday, May 27. <strong>The</strong>re<br />
are additional activities planned for each weekend in historic downtown <strong>Wilson</strong>, North Carolina.<br />
PORTRAIT OF PATSY CLINE<br />
May16,18, 22, 23 and 25 at 8:00 p.m. and<br />
May 25 and 27 at 2:00 p.m.<br />
A RETURN TO CONCORD, VIRGINIA<br />
May 19, 26 and 27 at 8:00 p.m.; May 18, 19 and 26 at 2:00 p.m.; and<br />
May 25 at 9:30 p.m.<br />
<strong>The</strong>ater of the American South FeSTival 2013 is dedicated to<br />
our founder and managing director emeritus, Gary Cole<br />
TICKETS<br />
<strong>The</strong>ater of the American South is presented under the auspices of the Arts Council<br />
of <strong>Wilson</strong>, a non-profit organization dedicated to providing cultural leadership<br />
and opportunities in the arts in <strong>Wilson</strong> County (www.wilsonarts.com).<br />
<strong>The</strong>ater of the American South FeSTival 2013<br />
is dedicated to our founder and managing<br />
director emeritus, Gary Cole<br />
Tickets for <strong>The</strong>ater of the American South events are available online, www.theateroftheamericansouth.org,<br />
by phone at (252) 291-4329 x10, or in person at the Arts Council of <strong>Wilson</strong><br />
box office located at 124 Nash Street SW in <strong>Wilson</strong>, NC.<br />
Ticket prices for <strong>The</strong>ater of the American South plays:<br />
Reserved Seats (Boykin only) $20.00 General Admission, $15.00<br />
Seniors (60+), Students, Military, $10.00 Group 10+ reserved seats, $15.00<br />
Late night with Peter Neofotis, $10.00<br />
www.theateroftheamericansouth.org or (252) 291-4329 x10
THEATER OF THE<br />
AMERICAN SOUTH<br />
presents<br />
PORTRAIT OF<br />
PATSY CLINE<br />
A Musical<br />
Portrait of Patsy Cline is a concert featuring the music of the<br />
late great Country Music Hall of Famer as interpreted by North<br />
Carolina jazz vocalist Laura Martier. Laura and her band, <strong>The</strong><br />
Tumbling Humble Weeds, will sweep you back in time to the heady,<br />
often rough and tumble, honky-tonk days of the early 1960s.<br />
Written and originally directed by Ted Swindley and produced with permission of Ted<br />
Swindley Productions, Inc. and APC, Inc. the production of “PORTRAIT OF PATSY CLINE”<br />
is produced by Elizabeth R and Company and directed by lebame houston.<br />
CAST<br />
Patsy CLINE<br />
Louise Seger<br />
Laura Martier, Vocal Stylist<br />
Barbara Hird<br />
Laura Martier developed her craft in Los Angeles, working<br />
as a freelance vocalist in recording studios, on various projects,<br />
commercials, and film soundtracks for Orion Pictures. Following<br />
her move to coastal North Carolina, Martier began exploring<br />
the great American song book singing jazz standards and<br />
developing her own interpretations. She achieved recognition<br />
as a versatile and talented vocalist and recording artist who<br />
travels locally, regionally, and internationally performing with<br />
some of the finest jazz musicians. Martier has released four<br />
well-received recordings, a self-titled debut with guitarist<br />
Woody Beckner, “Jazz for Hope,” a live benefit concert for Hope<br />
House Foundation, a cameo performance on the Fort Monroe<br />
Continental Army Band CD, and “Intersection,” recorded for<br />
the VSOJAZ Record label. Growing up in a musical household<br />
in rural Wisconsin, Martier draws from a rich tapestry of<br />
musical influences. Always seeking to add new experiences<br />
and material to her repertoire, she effortlessly blends these<br />
influences into every performance.<br />
Martier continues to expand her horizons—from musical<br />
ambassador for the state of Wisconsin in the touring company,<br />
“Kids from Wisconsin”; to professor of jazz voice at the College<br />
of William and Mary; to leads in regional productions of<br />
Oklahoma, <strong>The</strong> Miracle Worker, Godspell, Oliver, <strong>The</strong> Music Man<br />
and Always…Patsy Cline; to national and international concert<br />
performances—DC’s Blues Alley, Norfolk’s Wells <strong>The</strong>atre &<br />
Chrysler Hall, NYC’s St. Marks<br />
Café and Nosara, Costa<br />
Rica to name a few.<br />
Sweet<br />
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www.theateroftheamericansouth.org or (252) 291-4329 x10
4608 Ward Blvd•<strong>Wilson</strong>, NC<br />
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Walkin’ After Midnight...
Music order –<br />
PORTRAIT OF<br />
PATSY CLINE<br />
Concert<br />
ACT I<br />
Instrumental — Orange Blossom Special Ervin T. Rouse<br />
Come On In<br />
VF Pappy Steward<br />
Blue Moon of Kentucky<br />
Bill Monroe<br />
Over <strong>The</strong> Rainbow<br />
Harold Arlen/EY Harburg<br />
She’s Got You<br />
Hank Cochran<br />
Your Cheating Heart<br />
Hank Williams, Sr.<br />
Back in Baby’s Arms<br />
Bob Montgomery<br />
It Wasn’t God Who Made Honky Tonk Angels JD Miller<br />
If I Could See <strong>The</strong> World Through <strong>The</strong> Eyes of a Child<br />
Sammy Masters/Richard Pope<br />
Sweet Dreams<br />
Don Gibson<br />
Instrumental — Last Date<br />
Any Time<br />
Floyd Cramer<br />
Herbert Happy Lawson<br />
Seven Lonely Days<br />
Earl Shuman/Walden Schuman<br />
Three Cigarettes In an Ashtray Edie Miller/WS Stevenson<br />
Faded Love<br />
John Wills/Bob Wills<br />
If You’ve Got Leaving On Your Mind Wayne Walker/Webb Pierce<br />
Lovesick Blues<br />
Irving Mills/C Friend<br />
Can’t Help Lovin’ Dat Man Jerome Kern/Oscar Hammerstein<br />
Just a Closer Walk With <strong>The</strong>e<br />
Traditional<br />
He’s My Friend<br />
Meredith <strong>Wilson</strong><br />
INTERMISSION<br />
ACT II<br />
Instrumental — Steel Guitar Rag<br />
Leon MCauliffe<br />
Gotta Lotta Rhythm Barbara Ann Vaughn/WS Stevenson<br />
Stupid Cupid<br />
Neil Sedaka/Howard Greenfield<br />
True Love<br />
Cole Porter<br />
You Belong To Me<br />
King/Price/Stewart<br />
Crazy<br />
Willie Nelson<br />
Walking After Midnight<br />
Donn Hecht/Alan Block<br />
I Fall To Pieces<br />
Hank Cochran/Harlan Howard<br />
Honky Tonk Merry Go Round Frank Simon/Stan Gardner<br />
I’ll Sail My Ship Alone<br />
Hank Williams<br />
Encore<br />
San Antonio Rose<br />
Bill Bailey<br />
Bob Wills<br />
Traditional<br />
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www.theateroftheamericansouth.org or (252) 291-4329 x10
production team<br />
Music Director Dan Martier<br />
Sound Supervisor Chris Droessler<br />
Sound Technician Hampton Short<br />
<strong>The</strong> band<br />
Charlie Austin, Fiddle<br />
skip Hancock, Piano<br />
Joe Mapp, Guitar<br />
Dan Martier, Drums<br />
Bill Rea, Bass<br />
“Muskrat” Reames, Pedal Steel<br />
Mick Vaughn, Bass<br />
Barbara Hird (Louise Seger) is a native of Yorkshire, England,<br />
where she studied and performed at the prestigious Bradford Playhouse<br />
and Film <strong>The</strong>atre. Before coming to America she toured the English<br />
Regional <strong>The</strong>atre circuit in plays ranging from Shakespeare to modern<br />
dramas and musicals. In North Carolina she has worked with numerous<br />
theatres including the NC Shakespeare Festival, Charlotte Rep and <strong>The</strong><br />
Lost Colony. Her one-woman show, Elizabeth R—performed in London,<br />
Edinburgh, regional England, New York City and in over 30 locations<br />
in the mid-Atlantic states—has brought her international acclaim and<br />
North Carolina’s Order of the Long Leaf Pine. In her 30-year career, she<br />
has portrayed a great variety of leading roles that range from English<br />
monarchs in numerous plays, to Miss Daisy in Driving Miss Daisy, to Louise<br />
in Always…Patsy Cline, and Madge Kendall in <strong>The</strong> Elephant Man. Miss<br />
Hird occasionally makes a cameo appearance in Portrait of Patsy Cline.<br />
Skip Hancock, Piano, graduated from Old Dominion University<br />
with a degree in biology; then went on the road with a show band.<br />
He’s been a full-time, professional musician ever since. He has<br />
worked in the southeastern area of Virginia for over 25 years and is<br />
at home playing everything from classical to jazz to pop. Skip’s many<br />
accomplishments include leading the jazz quartets Interlude and Skylark,<br />
being musical director and pianist for the Charles Darden Group whose<br />
many performances included a Presidential Inaugural Ball, and being<br />
both music director and leader for the Tom Netherton Show orchestra.<br />
Skip’s talents are not limited to playing the keyboard – he is also an<br />
accomplished composer, arranger, and teacher. Currently he teaches<br />
piano to USMC and USN students at the Navy School of Music.<br />
Dan Martier, Drums; based on the Outer Banks of North Carolina,<br />
Dan is a drummer, vocalist and composer, and also the Music Director for<br />
Portrait of Patsy Cline. Originally from Pittsburgh, PA, he began playing<br />
drums at the age of eight. During college at Old Dominion University he<br />
received a call to tour with the 60’s group <strong>The</strong> Spiral Staircase, best known<br />
for their 1969 single More Today than Yesterday. In the mid-eighties Dan<br />
and his wife Laura settled in St. Petersburg, Florida, where Dan formed<br />
his own band, Express, which played over 300 dates per year. Relocating<br />
to Los Angeles, Dan was the first-call drummer in several original<br />
performing and recording projects. In the early 90s Dan and Laura<br />
moved to the east coast where Dan formed the successful group <strong>The</strong><br />
B-Side featuring dynamic bassist Dexter Whitaker. In 2008 Tim Reynolds<br />
began sitting in on Dan’s local projects which included Uber Lounge and<br />
Karl Werne And Friends. Soon after Tim’s eclectic trio TR3 was reborn. TR3<br />
is currently touring the US and South America and has released two<br />
recordings—Radiance (2009) and Live from SPACE and Beyond (2011).<br />
Charlie Austin, Fiddle, began playing professionally at 18<br />
years of age. Between 1983 and 1987 he played 250 Grand Ole Opry<br />
performances including Opry Live, a nationally syndicated TV show<br />
and Hee Haw and Nashville Now. He has played and/or toured with<br />
nationally known musicians such as Jack Greene, Johnny Russell, Boxcar<br />
Willie, Larry Gatlin, Charlie Pride, Ray Stevens, Boots Randolph, Irlene<br />
Mandrell, David Allan Coe, Tommy Overstreet, Del Shannon, Bare<br />
Naked Ladies and the Saw Doctors, and also toured in Europe, Canada,<br />
and the Caribbean. In addition, Charlie spent 4 years performing in<br />
Branson, MO. Charlie is currently based in Norfolk, Virginia and can be<br />
found performing many styles of music, running his audio studio, and<br />
restoring and selling antique and vintage violins.<br />
Joe Mapp, Guitar, began his career as house guitarist in R&B clubs<br />
in Washington, D.C. when he was too young to enter otherwise. On a<br />
mission to develop his knowledge and love of jazz, he migrated north<br />
to New York City where he studied with some of the best players in the<br />
world including Mike Stern of the Miles Davis Group and Jack Wilkins of<br />
Manhattan Transfer. In addition, he rounded out his technical abilities at<br />
the renowned Berklee School of Music in Boston. A long-time member<br />
of the Outer Banks music scene, Joe is renowned for his expertise<br />
and versatility, and is a much sought-after instructor. He is noted for<br />
his smooth sound and style created by blending natural talent with<br />
consistent practice, and then applying his years of experience and<br />
academic studies with the raw expression of emotion.<br />
Bill Rea, Bass, has been playing and acting all his life and it shows in<br />
his stage presence! He is a highly skilled entertainer who is comfortable<br />
playing any number of musical instruments and theatrical roles. Bill<br />
cultivated his talent through his college career where he earned a<br />
Bachelor of Arts in Arts Management with an emphasis in music and<br />
theatre at Ferrum College. He can be seen and heard in many Outer Banks<br />
television and radio commercials, and is a featured actor in Elizabeth R<br />
and Company productions. He is also a founding member of the Outer<br />
Banks Opry—a popular folk and bluegrass showcase. Bill can be found<br />
these days performing with <strong>The</strong> Crowd (named by Knot Magazine as the<br />
number one wedding band in N.C.), the Other Brothers and Big Blue Truck.<br />
Known as the “Cracker Soul Man,” he has the voice and energy that gets<br />
‘em dancin’ every time!<br />
“Muskrat” Reames, Pedal Steel, grew up in Virginia Beach, Virginia,<br />
where he began playing the guitar in the third grade. He formed his<br />
own band in the ninth grade, and in the tenth grade he began playing<br />
the pedal steel guitar. Muskrat was voted “Best Instrumentalist” by the<br />
Virginia Country Music Association in 1992 and again in 1994. Moving<br />
to Nashville in 1994 he played with many Grand Ole Opry artists such as:<br />
Hank Locklin, Charlie Louvin, Jean Shepard, and Billy Walker. Muskrat<br />
was country music star Dierks Bentley’s first steel guitar player. Muskrat<br />
moved to the Outer Banks in Kill Devil Hills, NC in 2004 where he began<br />
playing for the Outer Banks Music Showcase. <strong>The</strong>n quickly he began<br />
playing with local bands such as Out in the Cold, Ragin’ Cajun’s, Cedar<br />
Valley Boys, and Tee Meroney. He can be found these days performing<br />
with Outer Banks Jubilee and has since returned to his country and<br />
gospel roots, playing dobro in the Drifting Sands Bluegrass Band.<br />
Mick Vaughn, Bass, spent his youth in Chicago and the Outer Banks<br />
of North Carolina. He started playing the bass at the age of 12, was a<br />
student of Bob Filler for six years where he worked at becoming a stylist<br />
playing all types of music, and also played in various ensembles during<br />
high school. While living in the Lakeview area of Chicago, Mick started<br />
working with Scott Bennett and <strong>The</strong> Obvivous, recording an album for<br />
Giant Records in 1990. During the 1990s Mick performed and recorded<br />
with Liz Phair, Dovetail Joint, Matt Walker, Jim Dinou, Peter Noone, Todd<br />
Suchermann, Grant Tye and Kathy Richardson. Mick then returned to<br />
North Carolina and began working with Dan Martier backing up many<br />
wonderful artists including Laura Martier, Joe Mapp, Karl Werne and<br />
Eddie Williams.<br />
www.theateroftheamericansouth.org or (252) 291-4329 x10
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THEATER OF THE<br />
AMERICAN SOUTH<br />
presents<br />
A RETURN<br />
to CONCORD,<br />
VIRGINIA<br />
by Peter Neofotis<br />
<strong>The</strong> unforgettable characters of a small Southern town are brought to life by their creator<br />
in a memorable evening of theater. Neofotis will bring two stories of love, war, and remembrance<br />
as he returns to the <strong>The</strong>ater of the American South, in <strong>Wilson</strong>, North Carolina. In “<strong>The</strong><br />
Strangers,” Neofotis will tell a December romance story between a eccentric Gypsy woman and<br />
conservative Jewish man, both of which amazingly survived World War II and find themselves<br />
together in the small Southern town of Concord, Virginia. He will also tell “<strong>The</strong> Flag Bearer,” a<br />
tale concerning overcoming racial prejudices, and a town’s enduring respect for its soldiers.<br />
the author<br />
& CAST<br />
Peter Neofotis grew up in Lexingon, Virginia and attended<br />
college at Columbia University in New York City. He told his first<br />
story of Concord, Virginia at Cornelia Street Cafe, in Greenwich<br />
Village, NYC, and then developed his show saga at Dixon<br />
Place <strong>The</strong>ater, in downtown NYC. After the compiled scripts of<br />
his shows won the Pirate’s Alley Faulkner Society’s Award for<br />
novella, Concord, Virginia was published by St. Martin’s Press and<br />
became a finalist for the William Saroyan International Prize for<br />
Fiction. Neofotis has since told his stories at numerous theaters,<br />
and is honored to be part of the <strong>The</strong>ater of the American South<br />
again this season.<br />
<strong>The</strong> Dixon Place shows were originally directed by Richard<br />
Gottlieb. Christy Park, Leslie Strongwater, Lila Neugebaurer,<br />
Fabricio Melano, Patti Neofotis, and <strong>Wilson</strong> Kidde have also<br />
contributed input to subsequent performances.<br />
<strong>The</strong> late night performance, <strong>The</strong> Shanghailander, was directed<br />
with the help of Betty Lou and Henry Walston, <strong>Wilson</strong> Kidde,<br />
Jerilyn Jerineck, Liz Ligouri, and H.R. Foster.<br />
production team<br />
Stage Manager<br />
Franci Cireus<br />
Set pieces provided by Boone’s Antiques and Lauren<br />
Kennedy/Alan Campbell <strong>The</strong>atre, Barton College<br />
UNIQUE. ELEGANT. TIMELESS.<br />
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including tableware, wine and beer, glassware,<br />
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ACKNOWLEDGMENTS<br />
<strong>The</strong>ater of the American South is presented under the<br />
auspices of the Arts Council of <strong>Wilson</strong>, a non-profit<br />
organization dedicated to providing cultural leadership<br />
and opportunities in the arts in <strong>Wilson</strong> County (www.<br />
wilsonarts.com)<br />
<strong>The</strong>ATer of the AmeriCAn<br />
South SAlutes iTS sponsors:<br />
<strong>The</strong>ater of the American South Steering Committee<br />
Kathy Bethune<br />
Kathie Davis<br />
Dr. Lindsey de Guehery<br />
Susan Fecho<br />
Shana Hoover<br />
Susan Kellum<br />
Lara Howe<br />
Barry Page<br />
Henry Walston<br />
Managing Director of <strong>The</strong>ater of the American South: Allen Reep<br />
Graphic and Web Design: Susan Fecho<br />
Box Office Management: Chandra Bolling<br />
Special thanks to: Barton College, Lisa Batts, City of <strong>Wilson</strong>,<br />
Gary Cole, County of <strong>Wilson</strong>, Tracey & Bill Ellis, Friends of <strong>Wilson</strong> County<br />
Public Library, Pam and Brian Grawburg, Sandra Homes, Ann Jennings,<br />
Betty Ray McCain, Ed Mitchell, Preservation of <strong>Wilson</strong>, Gaynell<br />
Spaulding, Adam Twiss, Betty Lou & Henry Walston, Sarah Warden,<br />
<strong>Wilson</strong> Daily <strong>Times</strong>, <strong>Wilson</strong> Downtown Development Corporation,<br />
<strong>Wilson</strong> Family YMCA<br />
AND<br />
<strong>The</strong> staff of the Arts Council of <strong>Wilson</strong><br />
Barry Page - Executive Director<br />
Chandra Bolling - Office & Box Office Manager<br />
Debbie Williams - <strong>The</strong>ater Coordinator<br />
Martha Hale - Performing Arts Director<br />
Sharon Pierce - Finance Administrator<br />
Sherry Myers - Marketing<br />
Amy Hughes - Visual Arts Coordinator<br />
Carolyn Melton - Receptionist<br />
Lamont Murchinson - Maintenance<br />
Bob Owens - Maintenance<br />
If you haven’t visited us,<br />
what are you waiting for?<br />
LUNCH<br />
Wednesday-Friday 11:30 AM until 1:30 PM<br />
DINNER<br />
Wednesday-Thursday 5:00 PM until 9:00 PM<br />
Friday & Saturday 5:00 PM until 10:00 PM<br />
3689 E. <strong>Wilson</strong> Street, Farmville, NC<br />
252-753-3535<br />
www.plankroadsteakhouse.com<br />
www.theateroftheamericansouth.org or (252) 291-4329 x10
2013 EVENT SCHEDULE<br />
WEEKEND # 1<br />
MAY 16 (THURSDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
MAY 18 (SATURDAY) “A SALUTE TO WILSON”<br />
All day A Celebration of Quilts, Art Walk. And Crafts (Historic Downtown <strong>Wilson</strong>)<br />
10:00 a.m. Speaker: <strong>The</strong> Importance of Patsy Cline in American Music (Boykin Center)<br />
11:00 a.m. - 2:00 pm Lunch: Parker’s and Bill’s BBQ (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>)<br />
Noon: Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American<br />
Music trail pioneer Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas<br />
Hooks and Charles Jones.)<br />
2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
2:00-4:00 p.m. Cooking Demonstration Executive Chef Peter Spear of City Market Cafe. (Historic Downtown<br />
<strong>Wilson</strong>, City Market Cafe & Catering, 126 Tarboro Street)<br />
3:00 p.m. Live Music Historic Downtown <strong>Wilson</strong><br />
5:00 p.m. - 7:00 p.m. Dinner: Parker’s & Bill’s BBQ (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>);<br />
Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American Music trail pioneer<br />
Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas Hooks and Charles Jones.)<br />
8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
MAY 19 (SUNDAY)<br />
2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
WEEKEND # 2<br />
MAY 22 (WEDNESDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
MAY 23 (THURSDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
MAY 24 (FRIDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
MAY 25 (SATURDAY): MEMORIAL DAY WEEKEND “<strong>Wilson</strong> Welcomes the World”<br />
10:00 a.m. A talk with playwright/performer Peter Neofotis (<strong>Wilson</strong> Arts Center, Arts Council of <strong>Wilson</strong>)<br />
11:00 a.m. - 2:00 pm Lunch: Provided BY BILL’S BBQ, (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>)<br />
Noon: Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American<br />
Music trail pioneer Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas<br />
Hooks and Charles Jones.)<br />
2:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
3:00 p.m. Live Music Historic Downtown <strong>Wilson</strong><br />
5:00 p.m. - 7:00 p.m. Dinner: BBQ Bash featuring Ed Mitchell’s “Carolina Throwdown Ribs.” BBQ PROVIDED BY<br />
BILL’S BBQ, WILSON (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>); Live Music Historic<br />
Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American Music trail pioneer Faye<br />
Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas Hooks and Charles Jones.)<br />
8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
9:30 p.m. <strong>The</strong> Shanghailander (Barton College) (mature subject matter)<br />
MAY 26 (SUNDAY)<br />
2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
MAY 27 (MONDAY) MEMORIAL DAY Morning Memorial Day Ceremony<br />
(WIlson County Courthouse Plaza, Historic Downtown <strong>Wilson</strong>)<br />
2:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />
8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />
www.theateroftheamericansouth.org or (252) 291-4329 x10
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Alan B. Winstead<br />
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