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THEATRE AT BARTON<br />

Join us in<br />

2013-2014<br />

Lauren Kennedy and Alan Campbell <strong>The</strong>atre<br />

Oh, What A Night III<br />

A Concert of Broadway’s Best<br />

August 28-29<br />

<strong>The</strong>atre at Barton, with <strong>The</strong>atre of Raleigh / Hot Summer<br />

Nights at the Kennedy, presents Oh, What A Night III, A<br />

Concert of Broadway’s Best.<br />

Romeo and Juliet<br />

November 7-10<br />

<strong>The</strong>atre at Barton presents Romeo and Juliet by William<br />

Shakespeare. This epic tragedy of star-crossed lovers and<br />

feuding families marks the first collaboration between<br />

<strong>The</strong>atre at Barton and <strong>The</strong> Imperial Centre in Rocky<br />

Mount.<br />

April 10-13<br />

<strong>The</strong>atre at Barton presents Two by Two<br />

(Music by Richard Rodgers, Book by Peter<br />

Stone, Lyrics by Martin Charnin.) This musical<br />

comedy is based on the play <strong>The</strong> Flowering<br />

Peach by Clifford Odets, and tells the story of Noah’s<br />

preparations for the Great Flood and its aftermath.<br />

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••<br />

Tickets at the door or online at www.barton.edu/theatre. For additional information,<br />

contact Adam Twiss, director of <strong>The</strong>atre at Barton, at<br />

252-399-6484 or email: ajtwiss@barton.edu.


<strong>The</strong>ater of the American South is<br />

proud to announce our 2013 season.<br />

<strong>The</strong>ater of the American South is a celebration of southern culture in <strong>Wilson</strong>, North Carolina, featuring the best<br />

of southern drama, great barbecue, crafts, music, outsider art and much more! This year’s plays feature iconic<br />

southern characters. <strong>The</strong> festival runs from Thursday, May 16, through Memorial Day, Monday, May 27. <strong>The</strong>re<br />

are additional activities planned for each weekend in historic downtown <strong>Wilson</strong>, North Carolina.<br />

PORTRAIT OF PATSY CLINE<br />

May16,18, 22, 23 and 25 at 8:00 p.m. and<br />

May 25 and 27 at 2:00 p.m.<br />

A RETURN TO CONCORD, VIRGINIA<br />

May 19, 26 and 27 at 8:00 p.m.; May 18, 19 and 26 at 2:00 p.m.; and<br />

May 25 at 9:30 p.m.<br />

<strong>The</strong>ater of the American South FeSTival 2013 is dedicated to<br />

our founder and managing director emeritus, Gary Cole<br />

TICKETS<br />

<strong>The</strong>ater of the American South is presented under the auspices of the Arts Council<br />

of <strong>Wilson</strong>, a non-profit organization dedicated to providing cultural leadership<br />

and opportunities in the arts in <strong>Wilson</strong> County (www.wilsonarts.com).<br />

<strong>The</strong>ater of the American South FeSTival 2013<br />

is dedicated to our founder and managing<br />

director emeritus, Gary Cole<br />

Tickets for <strong>The</strong>ater of the American South events are available online, www.theateroftheamericansouth.org,<br />

by phone at (252) 291-4329 x10, or in person at the Arts Council of <strong>Wilson</strong><br />

box office located at 124 Nash Street SW in <strong>Wilson</strong>, NC.<br />

Ticket prices for <strong>The</strong>ater of the American South plays:<br />

Reserved Seats (Boykin only) $20.00 General Admission, $15.00<br />

Seniors (60+), Students, Military, $10.00 Group 10+ reserved seats, $15.00<br />

Late night with Peter Neofotis, $10.00<br />

www.theateroftheamericansouth.org or (252) 291-4329 x10


THEATER OF THE<br />

AMERICAN SOUTH<br />

presents<br />

PORTRAIT OF<br />

PATSY CLINE<br />

A Musical<br />

Portrait of Patsy Cline is a concert featuring the music of the<br />

late great Country Music Hall of Famer as interpreted by North<br />

Carolina jazz vocalist Laura Martier. Laura and her band, <strong>The</strong><br />

Tumbling Humble Weeds, will sweep you back in time to the heady,<br />

often rough and tumble, honky-tonk days of the early 1960s.<br />

Written and originally directed by Ted Swindley and produced with permission of Ted<br />

Swindley Productions, Inc. and APC, Inc. the production of “PORTRAIT OF PATSY CLINE”<br />

is produced by Elizabeth R and Company and directed by lebame houston.<br />

CAST<br />

Patsy CLINE<br />

Louise Seger<br />

Laura Martier, Vocal Stylist<br />

Barbara Hird<br />

Laura Martier developed her craft in Los Angeles, working<br />

as a freelance vocalist in recording studios, on various projects,<br />

commercials, and film soundtracks for Orion Pictures. Following<br />

her move to coastal North Carolina, Martier began exploring<br />

the great American song book singing jazz standards and<br />

developing her own interpretations. She achieved recognition<br />

as a versatile and talented vocalist and recording artist who<br />

travels locally, regionally, and internationally performing with<br />

some of the finest jazz musicians. Martier has released four<br />

well-received recordings, a self-titled debut with guitarist<br />

Woody Beckner, “Jazz for Hope,” a live benefit concert for Hope<br />

House Foundation, a cameo performance on the Fort Monroe<br />

Continental Army Band CD, and “Intersection,” recorded for<br />

the VSOJAZ Record label. Growing up in a musical household<br />

in rural Wisconsin, Martier draws from a rich tapestry of<br />

musical influences. Always seeking to add new experiences<br />

and material to her repertoire, she effortlessly blends these<br />

influences into every performance.<br />

Martier continues to expand her horizons—from musical<br />

ambassador for the state of Wisconsin in the touring company,<br />

“Kids from Wisconsin”; to professor of jazz voice at the College<br />

of William and Mary; to leads in regional productions of<br />

Oklahoma, <strong>The</strong> Miracle Worker, Godspell, Oliver, <strong>The</strong> Music Man<br />

and Always…Patsy Cline; to national and international concert<br />

performances—DC’s Blues Alley, Norfolk’s Wells <strong>The</strong>atre &<br />

Chrysler Hall, NYC’s St. Marks<br />

Café and Nosara, Costa<br />

Rica to name a few.<br />

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www.theateroftheamericansouth.org or (252) 291-4329 x10


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Music order –<br />

PORTRAIT OF<br />

PATSY CLINE<br />

Concert<br />

ACT I<br />

Instrumental — Orange Blossom Special Ervin T. Rouse<br />

Come On In<br />

VF Pappy Steward<br />

Blue Moon of Kentucky<br />

Bill Monroe<br />

Over <strong>The</strong> Rainbow<br />

Harold Arlen/EY Harburg<br />

She’s Got You<br />

Hank Cochran<br />

Your Cheating Heart<br />

Hank Williams, Sr.<br />

Back in Baby’s Arms<br />

Bob Montgomery<br />

It Wasn’t God Who Made Honky Tonk Angels JD Miller<br />

If I Could See <strong>The</strong> World Through <strong>The</strong> Eyes of a Child<br />

Sammy Masters/Richard Pope<br />

Sweet Dreams<br />

Don Gibson<br />

Instrumental — Last Date<br />

Any Time<br />

Floyd Cramer<br />

Herbert Happy Lawson<br />

Seven Lonely Days<br />

Earl Shuman/Walden Schuman<br />

Three Cigarettes In an Ashtray Edie Miller/WS Stevenson<br />

Faded Love<br />

John Wills/Bob Wills<br />

If You’ve Got Leaving On Your Mind Wayne Walker/Webb Pierce<br />

Lovesick Blues<br />

Irving Mills/C Friend<br />

Can’t Help Lovin’ Dat Man Jerome Kern/Oscar Hammerstein<br />

Just a Closer Walk With <strong>The</strong>e<br />

Traditional<br />

He’s My Friend<br />

Meredith <strong>Wilson</strong><br />

INTERMISSION<br />

ACT II<br />

Instrumental — Steel Guitar Rag<br />

Leon MCauliffe<br />

Gotta Lotta Rhythm Barbara Ann Vaughn/WS Stevenson<br />

Stupid Cupid<br />

Neil Sedaka/Howard Greenfield<br />

True Love<br />

Cole Porter<br />

You Belong To Me<br />

King/Price/Stewart<br />

Crazy<br />

Willie Nelson<br />

Walking After Midnight<br />

Donn Hecht/Alan Block<br />

I Fall To Pieces<br />

Hank Cochran/Harlan Howard<br />

Honky Tonk Merry Go Round Frank Simon/Stan Gardner<br />

I’ll Sail My Ship Alone<br />

Hank Williams<br />

Encore<br />

San Antonio Rose<br />

Bill Bailey<br />

Bob Wills<br />

Traditional<br />

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production team<br />

Music Director Dan Martier<br />

Sound Supervisor Chris Droessler<br />

Sound Technician Hampton Short<br />

<strong>The</strong> band<br />

Charlie Austin, Fiddle<br />

skip Hancock, Piano<br />

Joe Mapp, Guitar<br />

Dan Martier, Drums<br />

Bill Rea, Bass<br />

“Muskrat” Reames, Pedal Steel<br />

Mick Vaughn, Bass<br />

Barbara Hird (Louise Seger) is a native of Yorkshire, England,<br />

where she studied and performed at the prestigious Bradford Playhouse<br />

and Film <strong>The</strong>atre. Before coming to America she toured the English<br />

Regional <strong>The</strong>atre circuit in plays ranging from Shakespeare to modern<br />

dramas and musicals. In North Carolina she has worked with numerous<br />

theatres including the NC Shakespeare Festival, Charlotte Rep and <strong>The</strong><br />

Lost Colony. Her one-woman show, Elizabeth R—performed in London,<br />

Edinburgh, regional England, New York City and in over 30 locations<br />

in the mid-Atlantic states—has brought her international acclaim and<br />

North Carolina’s Order of the Long Leaf Pine. In her 30-year career, she<br />

has portrayed a great variety of leading roles that range from English<br />

monarchs in numerous plays, to Miss Daisy in Driving Miss Daisy, to Louise<br />

in Always…Patsy Cline, and Madge Kendall in <strong>The</strong> Elephant Man. Miss<br />

Hird occasionally makes a cameo appearance in Portrait of Patsy Cline.<br />

Skip Hancock, Piano, graduated from Old Dominion University<br />

with a degree in biology; then went on the road with a show band.<br />

He’s been a full-time, professional musician ever since. He has<br />

worked in the southeastern area of Virginia for over 25 years and is<br />

at home playing everything from classical to jazz to pop. Skip’s many<br />

accomplishments include leading the jazz quartets Interlude and Skylark,<br />

being musical director and pianist for the Charles Darden Group whose<br />

many performances included a Presidential Inaugural Ball, and being<br />

both music director and leader for the Tom Netherton Show orchestra.<br />

Skip’s talents are not limited to playing the keyboard – he is also an<br />

accomplished composer, arranger, and teacher. Currently he teaches<br />

piano to USMC and USN students at the Navy School of Music.<br />

Dan Martier, Drums; based on the Outer Banks of North Carolina,<br />

Dan is a drummer, vocalist and composer, and also the Music Director for<br />

Portrait of Patsy Cline. Originally from Pittsburgh, PA, he began playing<br />

drums at the age of eight. During college at Old Dominion University he<br />

received a call to tour with the 60’s group <strong>The</strong> Spiral Staircase, best known<br />

for their 1969 single More Today than Yesterday. In the mid-eighties Dan<br />

and his wife Laura settled in St. Petersburg, Florida, where Dan formed<br />

his own band, Express, which played over 300 dates per year. Relocating<br />

to Los Angeles, Dan was the first-call drummer in several original<br />

performing and recording projects. In the early 90s Dan and Laura<br />

moved to the east coast where Dan formed the successful group <strong>The</strong><br />

B-Side featuring dynamic bassist Dexter Whitaker. In 2008 Tim Reynolds<br />

began sitting in on Dan’s local projects which included Uber Lounge and<br />

Karl Werne And Friends. Soon after Tim’s eclectic trio TR3 was reborn. TR3<br />

is currently touring the US and South America and has released two<br />

recordings—Radiance (2009) and Live from SPACE and Beyond (2011).<br />

Charlie Austin, Fiddle, began playing professionally at 18<br />

years of age. Between 1983 and 1987 he played 250 Grand Ole Opry<br />

performances including Opry Live, a nationally syndicated TV show<br />

and Hee Haw and Nashville Now. He has played and/or toured with<br />

nationally known musicians such as Jack Greene, Johnny Russell, Boxcar<br />

Willie, Larry Gatlin, Charlie Pride, Ray Stevens, Boots Randolph, Irlene<br />

Mandrell, David Allan Coe, Tommy Overstreet, Del Shannon, Bare<br />

Naked Ladies and the Saw Doctors, and also toured in Europe, Canada,<br />

and the Caribbean. In addition, Charlie spent 4 years performing in<br />

Branson, MO. Charlie is currently based in Norfolk, Virginia and can be<br />

found performing many styles of music, running his audio studio, and<br />

restoring and selling antique and vintage violins.<br />

Joe Mapp, Guitar, began his career as house guitarist in R&B clubs<br />

in Washington, D.C. when he was too young to enter otherwise. On a<br />

mission to develop his knowledge and love of jazz, he migrated north<br />

to New York City where he studied with some of the best players in the<br />

world including Mike Stern of the Miles Davis Group and Jack Wilkins of<br />

Manhattan Transfer. In addition, he rounded out his technical abilities at<br />

the renowned Berklee School of Music in Boston. A long-time member<br />

of the Outer Banks music scene, Joe is renowned for his expertise<br />

and versatility, and is a much sought-after instructor. He is noted for<br />

his smooth sound and style created by blending natural talent with<br />

consistent practice, and then applying his years of experience and<br />

academic studies with the raw expression of emotion.<br />

Bill Rea, Bass, has been playing and acting all his life and it shows in<br />

his stage presence! He is a highly skilled entertainer who is comfortable<br />

playing any number of musical instruments and theatrical roles. Bill<br />

cultivated his talent through his college career where he earned a<br />

Bachelor of Arts in Arts Management with an emphasis in music and<br />

theatre at Ferrum College. He can be seen and heard in many Outer Banks<br />

television and radio commercials, and is a featured actor in Elizabeth R<br />

and Company productions. He is also a founding member of the Outer<br />

Banks Opry—a popular folk and bluegrass showcase. Bill can be found<br />

these days performing with <strong>The</strong> Crowd (named by Knot Magazine as the<br />

number one wedding band in N.C.), the Other Brothers and Big Blue Truck.<br />

Known as the “Cracker Soul Man,” he has the voice and energy that gets<br />

‘em dancin’ every time!<br />

“Muskrat” Reames, Pedal Steel, grew up in Virginia Beach, Virginia,<br />

where he began playing the guitar in the third grade. He formed his<br />

own band in the ninth grade, and in the tenth grade he began playing<br />

the pedal steel guitar. Muskrat was voted “Best Instrumentalist” by the<br />

Virginia Country Music Association in 1992 and again in 1994. Moving<br />

to Nashville in 1994 he played with many Grand Ole Opry artists such as:<br />

Hank Locklin, Charlie Louvin, Jean Shepard, and Billy Walker. Muskrat<br />

was country music star Dierks Bentley’s first steel guitar player. Muskrat<br />

moved to the Outer Banks in Kill Devil Hills, NC in 2004 where he began<br />

playing for the Outer Banks Music Showcase. <strong>The</strong>n quickly he began<br />

playing with local bands such as Out in the Cold, Ragin’ Cajun’s, Cedar<br />

Valley Boys, and Tee Meroney. He can be found these days performing<br />

with Outer Banks Jubilee and has since returned to his country and<br />

gospel roots, playing dobro in the Drifting Sands Bluegrass Band.<br />

Mick Vaughn, Bass, spent his youth in Chicago and the Outer Banks<br />

of North Carolina. He started playing the bass at the age of 12, was a<br />

student of Bob Filler for six years where he worked at becoming a stylist<br />

playing all types of music, and also played in various ensembles during<br />

high school. While living in the Lakeview area of Chicago, Mick started<br />

working with Scott Bennett and <strong>The</strong> Obvivous, recording an album for<br />

Giant Records in 1990. During the 1990s Mick performed and recorded<br />

with Liz Phair, Dovetail Joint, Matt Walker, Jim Dinou, Peter Noone, Todd<br />

Suchermann, Grant Tye and Kathy Richardson. Mick then returned to<br />

North Carolina and began working with Dan Martier backing up many<br />

wonderful artists including Laura Martier, Joe Mapp, Karl Werne and<br />

Eddie Williams.<br />

www.theateroftheamericansouth.org or (252) 291-4329 x10


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THEATER OF THE<br />

AMERICAN SOUTH<br />

presents<br />

A RETURN<br />

to CONCORD,<br />

VIRGINIA<br />

by Peter Neofotis<br />

<strong>The</strong> unforgettable characters of a small Southern town are brought to life by their creator<br />

in a memorable evening of theater. Neofotis will bring two stories of love, war, and remembrance<br />

as he returns to the <strong>The</strong>ater of the American South, in <strong>Wilson</strong>, North Carolina. In “<strong>The</strong><br />

Strangers,” Neofotis will tell a December romance story between a eccentric Gypsy woman and<br />

conservative Jewish man, both of which amazingly survived World War II and find themselves<br />

together in the small Southern town of Concord, Virginia. He will also tell “<strong>The</strong> Flag Bearer,” a<br />

tale concerning overcoming racial prejudices, and a town’s enduring respect for its soldiers.<br />

the author<br />

& CAST<br />

Peter Neofotis grew up in Lexingon, Virginia and attended<br />

college at Columbia University in New York City. He told his first<br />

story of Concord, Virginia at Cornelia Street Cafe, in Greenwich<br />

Village, NYC, and then developed his show saga at Dixon<br />

Place <strong>The</strong>ater, in downtown NYC. After the compiled scripts of<br />

his shows won the Pirate’s Alley Faulkner Society’s Award for<br />

novella, Concord, Virginia was published by St. Martin’s Press and<br />

became a finalist for the William Saroyan International Prize for<br />

Fiction. Neofotis has since told his stories at numerous theaters,<br />

and is honored to be part of the <strong>The</strong>ater of the American South<br />

again this season.<br />

<strong>The</strong> Dixon Place shows were originally directed by Richard<br />

Gottlieb. Christy Park, Leslie Strongwater, Lila Neugebaurer,<br />

Fabricio Melano, Patti Neofotis, and <strong>Wilson</strong> Kidde have also<br />

contributed input to subsequent performances.<br />

<strong>The</strong> late night performance, <strong>The</strong> Shanghailander, was directed<br />

with the help of Betty Lou and Henry Walston, <strong>Wilson</strong> Kidde,<br />

Jerilyn Jerineck, Liz Ligouri, and H.R. Foster.<br />

production team<br />

Stage Manager<br />

Franci Cireus<br />

Set pieces provided by Boone’s Antiques and Lauren<br />

Kennedy/Alan Campbell <strong>The</strong>atre, Barton College<br />

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ACKNOWLEDGMENTS<br />

<strong>The</strong>ater of the American South is presented under the<br />

auspices of the Arts Council of <strong>Wilson</strong>, a non-profit<br />

organization dedicated to providing cultural leadership<br />

and opportunities in the arts in <strong>Wilson</strong> County (www.<br />

wilsonarts.com)<br />

<strong>The</strong>ATer of the AmeriCAn<br />

South SAlutes iTS sponsors:<br />

<strong>The</strong>ater of the American South Steering Committee<br />

Kathy Bethune<br />

Kathie Davis<br />

Dr. Lindsey de Guehery<br />

Susan Fecho<br />

Shana Hoover<br />

Susan Kellum<br />

Lara Howe<br />

Barry Page<br />

Henry Walston<br />

Managing Director of <strong>The</strong>ater of the American South: Allen Reep<br />

Graphic and Web Design: Susan Fecho<br />

Box Office Management: Chandra Bolling<br />

Special thanks to: Barton College, Lisa Batts, City of <strong>Wilson</strong>,<br />

Gary Cole, County of <strong>Wilson</strong>, Tracey & Bill Ellis, Friends of <strong>Wilson</strong> County<br />

Public Library, Pam and Brian Grawburg, Sandra Homes, Ann Jennings,<br />

Betty Ray McCain, Ed Mitchell, Preservation of <strong>Wilson</strong>, Gaynell<br />

Spaulding, Adam Twiss, Betty Lou & Henry Walston, Sarah Warden,<br />

<strong>Wilson</strong> Daily <strong>Times</strong>, <strong>Wilson</strong> Downtown Development Corporation,<br />

<strong>Wilson</strong> Family YMCA<br />

AND<br />

<strong>The</strong> staff of the Arts Council of <strong>Wilson</strong><br />

Barry Page - Executive Director<br />

Chandra Bolling - Office & Box Office Manager<br />

Debbie Williams - <strong>The</strong>ater Coordinator<br />

Martha Hale - Performing Arts Director<br />

Sharon Pierce - Finance Administrator<br />

Sherry Myers - Marketing<br />

Amy Hughes - Visual Arts Coordinator<br />

Carolyn Melton - Receptionist<br />

Lamont Murchinson - Maintenance<br />

Bob Owens - Maintenance<br />

If you haven’t visited us,<br />

what are you waiting for?<br />

LUNCH<br />

Wednesday-Friday 11:30 AM until 1:30 PM<br />

DINNER<br />

Wednesday-Thursday 5:00 PM until 9:00 PM<br />

Friday & Saturday 5:00 PM until 10:00 PM<br />

3689 E. <strong>Wilson</strong> Street, Farmville, NC<br />

252-753-3535<br />

www.plankroadsteakhouse.com<br />

www.theateroftheamericansouth.org or (252) 291-4329 x10


2013 EVENT SCHEDULE<br />

WEEKEND # 1<br />

MAY 16 (THURSDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

MAY 18 (SATURDAY) “A SALUTE TO WILSON”<br />

All day A Celebration of Quilts, Art Walk. And Crafts (Historic Downtown <strong>Wilson</strong>)<br />

10:00 a.m. Speaker: <strong>The</strong> Importance of Patsy Cline in American Music (Boykin Center)<br />

11:00 a.m. - 2:00 pm Lunch: Parker’s and Bill’s BBQ (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>)<br />

Noon: Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American<br />

Music trail pioneer Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas<br />

Hooks and Charles Jones.)<br />

2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

2:00-4:00 p.m. Cooking Demonstration Executive Chef Peter Spear of City Market Cafe. (Historic Downtown<br />

<strong>Wilson</strong>, City Market Cafe & Catering, 126 Tarboro Street)<br />

3:00 p.m. Live Music Historic Downtown <strong>Wilson</strong><br />

5:00 p.m. - 7:00 p.m. Dinner: Parker’s & Bill’s BBQ (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>);<br />

Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American Music trail pioneer<br />

Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas Hooks and Charles Jones.)<br />

8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

MAY 19 (SUNDAY)<br />

2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

WEEKEND # 2<br />

MAY 22 (WEDNESDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

MAY 23 (THURSDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

MAY 24 (FRIDAY) 8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

MAY 25 (SATURDAY): MEMORIAL DAY WEEKEND “<strong>Wilson</strong> Welcomes the World”<br />

10:00 a.m. A talk with playwright/performer Peter Neofotis (<strong>Wilson</strong> Arts Center, Arts Council of <strong>Wilson</strong>)<br />

11:00 a.m. - 2:00 pm Lunch: Provided BY BILL’S BBQ, (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>)<br />

Noon: Live Music Historic Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American<br />

Music trail pioneer Faye Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas<br />

Hooks and Charles Jones.)<br />

2:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

3:00 p.m. Live Music Historic Downtown <strong>Wilson</strong><br />

5:00 p.m. - 7:00 p.m. Dinner: BBQ Bash featuring Ed Mitchell’s “Carolina Throwdown Ribs.” BBQ PROVIDED BY<br />

BILL’S BBQ, WILSON (FARRIS & FARRIS Parking Lot, Historic Downtown <strong>Wilson</strong>); Live Music Historic<br />

Downtown <strong>Wilson</strong> (<strong>The</strong> Friends of the Barn featuring African American Music trail pioneer Faye<br />

Williams, Pat Smith-Jones, Eddie Atkins, Derrick Carter, Terry Bonner, Jonas Hooks and Charles Jones.)<br />

8:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

9:30 p.m. <strong>The</strong> Shanghailander (Barton College) (mature subject matter)<br />

MAY 26 (SUNDAY)<br />

2:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

MAY 27 (MONDAY) MEMORIAL DAY Morning Memorial Day Ceremony<br />

(WIlson County Courthouse Plaza, Historic Downtown <strong>Wilson</strong>)<br />

2:00 p.m. PORTRAIT OF PATSY CLINE (Boykin Center)<br />

8:00 p.m. A RETURN TO CONCORD, VIRGINIA (Barton College)<br />

www.theateroftheamericansouth.org or (252) 291-4329 x10


Experience the fastest internet<br />

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<strong>Wilson</strong><br />

North Carolina’s<br />

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www.greenlightnc.com/gigabit<br />

252-296-3374


Alan B. Winstead<br />

LUTCF<br />

Agent<br />

alan.winstead@ncfbins.com<br />

252-230-1704<br />

www.ncfbins.com

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