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production team<br />
Music Director Dan Martier<br />
Sound Supervisor Chris Droessler<br />
Sound Technician Hampton Short<br />
<strong>The</strong> band<br />
Charlie Austin, Fiddle<br />
skip Hancock, Piano<br />
Joe Mapp, Guitar<br />
Dan Martier, Drums<br />
Bill Rea, Bass<br />
“Muskrat” Reames, Pedal Steel<br />
Mick Vaughn, Bass<br />
Barbara Hird (Louise Seger) is a native of Yorkshire, England,<br />
where she studied and performed at the prestigious Bradford Playhouse<br />
and Film <strong>The</strong>atre. Before coming to America she toured the English<br />
Regional <strong>The</strong>atre circuit in plays ranging from Shakespeare to modern<br />
dramas and musicals. In North Carolina she has worked with numerous<br />
theatres including the NC Shakespeare Festival, Charlotte Rep and <strong>The</strong><br />
Lost Colony. Her one-woman show, Elizabeth R—performed in London,<br />
Edinburgh, regional England, New York City and in over 30 locations<br />
in the mid-Atlantic states—has brought her international acclaim and<br />
North Carolina’s Order of the Long Leaf Pine. In her 30-year career, she<br />
has portrayed a great variety of leading roles that range from English<br />
monarchs in numerous plays, to Miss Daisy in Driving Miss Daisy, to Louise<br />
in Always…Patsy Cline, and Madge Kendall in <strong>The</strong> Elephant Man. Miss<br />
Hird occasionally makes a cameo appearance in Portrait of Patsy Cline.<br />
Skip Hancock, Piano, graduated from Old Dominion University<br />
with a degree in biology; then went on the road with a show band.<br />
He’s been a full-time, professional musician ever since. He has<br />
worked in the southeastern area of Virginia for over 25 years and is<br />
at home playing everything from classical to jazz to pop. Skip’s many<br />
accomplishments include leading the jazz quartets Interlude and Skylark,<br />
being musical director and pianist for the Charles Darden Group whose<br />
many performances included a Presidential Inaugural Ball, and being<br />
both music director and leader for the Tom Netherton Show orchestra.<br />
Skip’s talents are not limited to playing the keyboard – he is also an<br />
accomplished composer, arranger, and teacher. Currently he teaches<br />
piano to USMC and USN students at the Navy School of Music.<br />
Dan Martier, Drums; based on the Outer Banks of North Carolina,<br />
Dan is a drummer, vocalist and composer, and also the Music Director for<br />
Portrait of Patsy Cline. Originally from Pittsburgh, PA, he began playing<br />
drums at the age of eight. During college at Old Dominion University he<br />
received a call to tour with the 60’s group <strong>The</strong> Spiral Staircase, best known<br />
for their 1969 single More Today than Yesterday. In the mid-eighties Dan<br />
and his wife Laura settled in St. Petersburg, Florida, where Dan formed<br />
his own band, Express, which played over 300 dates per year. Relocating<br />
to Los Angeles, Dan was the first-call drummer in several original<br />
performing and recording projects. In the early 90s Dan and Laura<br />
moved to the east coast where Dan formed the successful group <strong>The</strong><br />
B-Side featuring dynamic bassist Dexter Whitaker. In 2008 Tim Reynolds<br />
began sitting in on Dan’s local projects which included Uber Lounge and<br />
Karl Werne And Friends. Soon after Tim’s eclectic trio TR3 was reborn. TR3<br />
is currently touring the US and South America and has released two<br />
recordings—Radiance (2009) and Live from SPACE and Beyond (2011).<br />
Charlie Austin, Fiddle, began playing professionally at 18<br />
years of age. Between 1983 and 1987 he played 250 Grand Ole Opry<br />
performances including Opry Live, a nationally syndicated TV show<br />
and Hee Haw and Nashville Now. He has played and/or toured with<br />
nationally known musicians such as Jack Greene, Johnny Russell, Boxcar<br />
Willie, Larry Gatlin, Charlie Pride, Ray Stevens, Boots Randolph, Irlene<br />
Mandrell, David Allan Coe, Tommy Overstreet, Del Shannon, Bare<br />
Naked Ladies and the Saw Doctors, and also toured in Europe, Canada,<br />
and the Caribbean. In addition, Charlie spent 4 years performing in<br />
Branson, MO. Charlie is currently based in Norfolk, Virginia and can be<br />
found performing many styles of music, running his audio studio, and<br />
restoring and selling antique and vintage violins.<br />
Joe Mapp, Guitar, began his career as house guitarist in R&B clubs<br />
in Washington, D.C. when he was too young to enter otherwise. On a<br />
mission to develop his knowledge and love of jazz, he migrated north<br />
to New York City where he studied with some of the best players in the<br />
world including Mike Stern of the Miles Davis Group and Jack Wilkins of<br />
Manhattan Transfer. In addition, he rounded out his technical abilities at<br />
the renowned Berklee School of Music in Boston. A long-time member<br />
of the Outer Banks music scene, Joe is renowned for his expertise<br />
and versatility, and is a much sought-after instructor. He is noted for<br />
his smooth sound and style created by blending natural talent with<br />
consistent practice, and then applying his years of experience and<br />
academic studies with the raw expression of emotion.<br />
Bill Rea, Bass, has been playing and acting all his life and it shows in<br />
his stage presence! He is a highly skilled entertainer who is comfortable<br />
playing any number of musical instruments and theatrical roles. Bill<br />
cultivated his talent through his college career where he earned a<br />
Bachelor of Arts in Arts Management with an emphasis in music and<br />
theatre at Ferrum College. He can be seen and heard in many Outer Banks<br />
television and radio commercials, and is a featured actor in Elizabeth R<br />
and Company productions. He is also a founding member of the Outer<br />
Banks Opry—a popular folk and bluegrass showcase. Bill can be found<br />
these days performing with <strong>The</strong> Crowd (named by Knot Magazine as the<br />
number one wedding band in N.C.), the Other Brothers and Big Blue Truck.<br />
Known as the “Cracker Soul Man,” he has the voice and energy that gets<br />
‘em dancin’ every time!<br />
“Muskrat” Reames, Pedal Steel, grew up in Virginia Beach, Virginia,<br />
where he began playing the guitar in the third grade. He formed his<br />
own band in the ninth grade, and in the tenth grade he began playing<br />
the pedal steel guitar. Muskrat was voted “Best Instrumentalist” by the<br />
Virginia Country Music Association in 1992 and again in 1994. Moving<br />
to Nashville in 1994 he played with many Grand Ole Opry artists such as:<br />
Hank Locklin, Charlie Louvin, Jean Shepard, and Billy Walker. Muskrat<br />
was country music star Dierks Bentley’s first steel guitar player. Muskrat<br />
moved to the Outer Banks in Kill Devil Hills, NC in 2004 where he began<br />
playing for the Outer Banks Music Showcase. <strong>The</strong>n quickly he began<br />
playing with local bands such as Out in the Cold, Ragin’ Cajun’s, Cedar<br />
Valley Boys, and Tee Meroney. He can be found these days performing<br />
with Outer Banks Jubilee and has since returned to his country and<br />
gospel roots, playing dobro in the Drifting Sands Bluegrass Band.<br />
Mick Vaughn, Bass, spent his youth in Chicago and the Outer Banks<br />
of North Carolina. He started playing the bass at the age of 12, was a<br />
student of Bob Filler for six years where he worked at becoming a stylist<br />
playing all types of music, and also played in various ensembles during<br />
high school. While living in the Lakeview area of Chicago, Mick started<br />
working with Scott Bennett and <strong>The</strong> Obvivous, recording an album for<br />
Giant Records in 1990. During the 1990s Mick performed and recorded<br />
with Liz Phair, Dovetail Joint, Matt Walker, Jim Dinou, Peter Noone, Todd<br />
Suchermann, Grant Tye and Kathy Richardson. Mick then returned to<br />
North Carolina and began working with Dan Martier backing up many<br />
wonderful artists including Laura Martier, Joe Mapp, Karl Werne and<br />
Eddie Williams.<br />
www.theateroftheamericansouth.org or (252) 291-4329 x10