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ALTERNATIVE TABLE OF CONTENTS:<br />
METHODS OF DEVELOPMENT AND RHETORICAL AIMS<br />
Description<br />
Didion, Joan. “Why I Write” 7<br />
Doidge, Norman. “The Suit” 67<br />
Hoffman, Eva. “Life <strong>in</strong> a New Language” 18<br />
Lau, Evelyn. “An Insatiable Empt<strong>in</strong>ess” 157<br />
Laurence, Margaret. “Down East” 163<br />
Menzies, Heather. “When Roots Grow Back <strong>in</strong><strong>to</strong> the Earth” 115<br />
Ondaatje, Michael. “Aunts” 258<br />
Welbourn, Kathryn. “Outports and Outlaws” 195<br />
Narration<br />
Corbeil, Carole. “The Advertised Infant: Ivan’s Adventures <strong>in</strong> Babyland” 146<br />
Dillard, Annie. “Liv<strong>in</strong>g like Weasels” 63<br />
Doidge, Norman. “The Suit” 67<br />
Hoffman, Eva. “Life <strong>in</strong> a New Language” 18<br />
K<strong>in</strong>g, Thomas. “How I Spent My Summer Vacation: His<strong>to</strong>ry, S<strong>to</strong>ry, and the<br />
Cant of Authenticity” 244<br />
Lau, Evelyn. “An Insatiable Empt<strong>in</strong>ess” 157<br />
Maracle, Lee. “Native Myths: Trickster Alive and Crow<strong>in</strong>g” 315<br />
Menzies, Heather. “When Roots Grow Back <strong>in</strong><strong>to</strong> the Earth” 115<br />
Mukherjee, Bharati. “An Invisible Woman” 321<br />
Ondaatje, Michael. “Aunts” 258<br />
Schafer, R. Murray. “The Glazed Soundscape” 185<br />
Ward, Jacob. “Crime Seen” 270<br />
Welbourn, Kathryn. “Outports and Outlaws” 195<br />
Process Analysis<br />
Elbow, Peter. “Freewrit<strong>in</strong>g” 12<br />
Murray, Donald M. “The Maker’s Eye: Revis<strong>in</strong>g Your Own Manuscript” 120<br />
Ward, Jacob. “Crime Seen” 270<br />
Z<strong>in</strong>sser, William. “Simplicity” 45<br />
Def<strong>in</strong>ition<br />
Alexander, Brian. “The Remastered Race” 57<br />
Aris<strong>to</strong>tle. From Rhe<strong>to</strong>ric 277<br />
Atwood, Margaret. “The Female Body” 211