17.05.2014 Views

Canadian Identity and Ethnic Subcultures - Pearson Canada

Canadian Identity and Ethnic Subcultures - Pearson Canada

Canadian Identity and Ethnic Subcultures - Pearson Canada

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

CHAPTER 15<br />

<strong>Canadian</strong> <strong>Identity</strong> <strong>and</strong> <strong>Ethnic</strong> <strong>Subcultures</strong><br />

483<br />

This limited offer from Club House, peppered<br />

with its playful bilingual tagline,<br />

“For La Serious Griller,” taps into icons of<br />

<strong>Canada</strong>’s summer season: steak barbecues<br />

<strong>and</strong> the Calgary Stampede.<br />

Courtesy of McCormick <strong>Canada</strong>.<br />

✧<br />

<strong>Canadian</strong><br />

Dimensions<br />

Absolut Vodka commissioned <strong>Canadian</strong> artist Justin Broadbent (to add to its cadre<br />

of 300 participating artists around the world) to create a (party) installation that<br />

appeals to young, smart, <strong>and</strong> hip consumers <strong>and</strong> that embodies the tagline, “In an<br />

Absolut world, opportunities pop up.” 172<br />

The uniquely <strong>Canadian</strong> dimension of our geography is preserved by our<br />

national parks (e.g., Kluane, Jasper, Grassl<strong>and</strong>s, Riding Mountain, Georgian Bay,<br />

Forillon, Fundy, <strong>and</strong> Cape Breton Highl<strong>and</strong>s). In fact, marketers find opportunities<br />

in the parks located in many cities, towns, <strong>and</strong> villages throughout <strong>Canada</strong>. Parks<br />

are places connected to many situational purchases—for example, wedding photos,<br />

food for picnics, <strong>and</strong> equipment for photography <strong>and</strong> wildlife enthusiasts—<strong>and</strong><br />

are a major point of interest for tourists.<br />

An interesting <strong>and</strong> potentially useful way to define <strong>Canadian</strong>s is through their<br />

value system. In his book Sex in the Snow, Michael Adams suggests that there are a<br />

dozen social value “tribes” in <strong>Canada</strong> that are defined partly by age groupings:<br />

• The Elders: Rational Traditionalists, Extroverted Traditionalists, or Cosmopolitan<br />

Modernists<br />

• The Boomers: Disengaged Darwinists, Autonomous Rebels, Anxious Communitarians,<br />

or Connected Enthusiasts<br />

• The GenXers: Aimless Dependents, Thrill-Seeking Materialists, Autonomous<br />

Postmaterialists, Social Hedonists, or New Aquarians (Security-Seeking<br />

Ascetics emerged as a new tribe in the late 1990s)<br />

Because Adams describes the motivators, values, icons, <strong>and</strong> words each group<br />

lives by, there is potential to extend the descriptions to include likely purchase<br />

behaviour. For example, because the New Aquarians seek experiences, value ecologism,<br />

<strong>and</strong> believe everything is interconnected, 173 they likely have an interest in ecotourism,<br />

vacation packages, travel, <strong>and</strong> international cuisine.<br />

A study of the influence of country of origin on consumer behaviour suggests that<br />

<strong>Canadian</strong>s appear to have trouble identifying <strong>Canadian</strong>-made products. Labelling,<br />

such as “Think <strong>Canadian</strong>” <strong>and</strong> “<strong>Canada</strong>—Buy Into It,” might be one way to serve<br />

<strong>Canadian</strong> independent music has received<br />

national <strong>and</strong> international attention in<br />

recent years. One study examined the influence<br />

of social identity on the consumption of<br />

<strong>Canadian</strong> indie music among the Net Generation.<br />

Indie consumers were classified as<br />

Strong Identifiers (SIs) <strong>and</strong> Weak Identifiers<br />

(WIs) with the music. SIs were more likely to<br />

purchase 10 or more recordings over eight<br />

months <strong>and</strong> to spend more than $50 annually<br />

on merch<strong>and</strong>ise, were much more likely<br />

to listen <strong>and</strong> shop for indie music alone <strong>and</strong><br />

with friends, <strong>and</strong> were more likely to buy<br />

indie music at music stores. Interestingly,<br />

the narratives of SIs <strong>and</strong> WIs when describing<br />

their favourite indie artist or group illustrate<br />

in an exemplary way the difference in<br />

the strength of identification found between<br />

the two groups. SIs used descriptions such<br />

as “I love their music; it’s a lot of fun to<br />

dance around to,” while WIs used descriptions<br />

such as “Cuz he’s really good.”<br />

By underst<strong>and</strong>ing the strength of identification<br />

with indie music, indie musicians<br />

<strong>and</strong> promoters can target SIs <strong>and</strong> increase<br />

their sense of belonging, for example, by<br />

increasing exposure <strong>and</strong> interaction with<br />

<strong>Canadian</strong> indie musicians. To deepen the<br />

connection with indie audiences, this interaction<br />

can be extended online through support<br />

for communication networks, such as<br />

blogs, artists’ websites, <strong>and</strong> other electronic<br />

peer-to-peer platforms, which promote<br />

tours, merch<strong>and</strong>ise, <strong>and</strong> music. 174

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!