Canadian Identity and Ethnic Subcultures - Pearson Canada
Canadian Identity and Ethnic Subcultures - Pearson Canada
Canadian Identity and Ethnic Subcultures - Pearson Canada
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CHAPTER 15<br />
<strong>Canadian</strong> <strong>Identity</strong> <strong>and</strong> <strong>Ethnic</strong> <strong>Subcultures</strong><br />
483<br />
This limited offer from Club House, peppered<br />
with its playful bilingual tagline,<br />
“For La Serious Griller,” taps into icons of<br />
<strong>Canada</strong>’s summer season: steak barbecues<br />
<strong>and</strong> the Calgary Stampede.<br />
Courtesy of McCormick <strong>Canada</strong>.<br />
✧<br />
<strong>Canadian</strong><br />
Dimensions<br />
Absolut Vodka commissioned <strong>Canadian</strong> artist Justin Broadbent (to add to its cadre<br />
of 300 participating artists around the world) to create a (party) installation that<br />
appeals to young, smart, <strong>and</strong> hip consumers <strong>and</strong> that embodies the tagline, “In an<br />
Absolut world, opportunities pop up.” 172<br />
The uniquely <strong>Canadian</strong> dimension of our geography is preserved by our<br />
national parks (e.g., Kluane, Jasper, Grassl<strong>and</strong>s, Riding Mountain, Georgian Bay,<br />
Forillon, Fundy, <strong>and</strong> Cape Breton Highl<strong>and</strong>s). In fact, marketers find opportunities<br />
in the parks located in many cities, towns, <strong>and</strong> villages throughout <strong>Canada</strong>. Parks<br />
are places connected to many situational purchases—for example, wedding photos,<br />
food for picnics, <strong>and</strong> equipment for photography <strong>and</strong> wildlife enthusiasts—<strong>and</strong><br />
are a major point of interest for tourists.<br />
An interesting <strong>and</strong> potentially useful way to define <strong>Canadian</strong>s is through their<br />
value system. In his book Sex in the Snow, Michael Adams suggests that there are a<br />
dozen social value “tribes” in <strong>Canada</strong> that are defined partly by age groupings:<br />
• The Elders: Rational Traditionalists, Extroverted Traditionalists, or Cosmopolitan<br />
Modernists<br />
• The Boomers: Disengaged Darwinists, Autonomous Rebels, Anxious Communitarians,<br />
or Connected Enthusiasts<br />
• The GenXers: Aimless Dependents, Thrill-Seeking Materialists, Autonomous<br />
Postmaterialists, Social Hedonists, or New Aquarians (Security-Seeking<br />
Ascetics emerged as a new tribe in the late 1990s)<br />
Because Adams describes the motivators, values, icons, <strong>and</strong> words each group<br />
lives by, there is potential to extend the descriptions to include likely purchase<br />
behaviour. For example, because the New Aquarians seek experiences, value ecologism,<br />
<strong>and</strong> believe everything is interconnected, 173 they likely have an interest in ecotourism,<br />
vacation packages, travel, <strong>and</strong> international cuisine.<br />
A study of the influence of country of origin on consumer behaviour suggests that<br />
<strong>Canadian</strong>s appear to have trouble identifying <strong>Canadian</strong>-made products. Labelling,<br />
such as “Think <strong>Canadian</strong>” <strong>and</strong> “<strong>Canada</strong>—Buy Into It,” might be one way to serve<br />
<strong>Canadian</strong> independent music has received<br />
national <strong>and</strong> international attention in<br />
recent years. One study examined the influence<br />
of social identity on the consumption of<br />
<strong>Canadian</strong> indie music among the Net Generation.<br />
Indie consumers were classified as<br />
Strong Identifiers (SIs) <strong>and</strong> Weak Identifiers<br />
(WIs) with the music. SIs were more likely to<br />
purchase 10 or more recordings over eight<br />
months <strong>and</strong> to spend more than $50 annually<br />
on merch<strong>and</strong>ise, were much more likely<br />
to listen <strong>and</strong> shop for indie music alone <strong>and</strong><br />
with friends, <strong>and</strong> were more likely to buy<br />
indie music at music stores. Interestingly,<br />
the narratives of SIs <strong>and</strong> WIs when describing<br />
their favourite indie artist or group illustrate<br />
in an exemplary way the difference in<br />
the strength of identification found between<br />
the two groups. SIs used descriptions such<br />
as “I love their music; it’s a lot of fun to<br />
dance around to,” while WIs used descriptions<br />
such as “Cuz he’s really good.”<br />
By underst<strong>and</strong>ing the strength of identification<br />
with indie music, indie musicians<br />
<strong>and</strong> promoters can target SIs <strong>and</strong> increase<br />
their sense of belonging, for example, by<br />
increasing exposure <strong>and</strong> interaction with<br />
<strong>Canadian</strong> indie musicians. To deepen the<br />
connection with indie audiences, this interaction<br />
can be extended online through support<br />
for communication networks, such as<br />
blogs, artists’ websites, <strong>and</strong> other electronic<br />
peer-to-peer platforms, which promote<br />
tours, merch<strong>and</strong>ise, <strong>and</strong> music. 174