Sallyport - The Magazine of Rice University - Summer 2002
Sallyport - The Magazine of Rice University - Summer 2002
Sallyport - The Magazine of Rice University - Summer 2002
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Stratford on the Bayou - Arts<br />
Spring <strong>2002</strong><br />
VOL.58, NO.4<br />
Stratford on the Bayou<br />
<strong>The</strong> stage at Hamman Hall may have been spartan, but once the Actors<br />
From <strong>The</strong> London Stage took the floor, there was no need for elaborate<br />
costumes or sets. Masterful acting combined with the potent imagery <strong>of</strong><br />
Shakespeare’s Macbeth proved that any additional stage accessory<br />
probably would have been more a distraction than an enhancement.<br />
<strong>The</strong> reason for the simple sets and neutral costuming, explains associate<br />
director Bruce Alexander, was to allow audiences the opportunity to<br />
exercise imagination and not be confined to a designer-led perspective <strong>of</strong><br />
the play. As Homer Swander, founder <strong>of</strong> the Actors From <strong>The</strong> London<br />
Stage, puts it, “We believe in play, in the power <strong>of</strong> Shakespeare’s words in<br />
performance, and in the rich possibilities created by the imaginations <strong>of</strong> the<br />
participating audience.”<br />
<strong>The</strong> five-actor team drew packed houses April 5–7, performing in an area<br />
<strong>of</strong> about 20 square feet, the rear border delineated by 10 chairs. Slim in<br />
number but not in craftsmanship and experience, they presented the full<br />
script <strong>of</strong> Macbeth, except for three lines that are not attributed to<br />
Shakespeare.<br />
Performing the play, however, was not the only reason for the actors’ visit<br />
to <strong>Rice</strong>. On campus from April 1, Bruce Alexander, Jane Arden, Tony Bell,<br />
Sam Dastor, and Charmian Gradwell also were involved in the classroom,<br />
teaching English and theatre classes at <strong>Rice</strong> and at the <strong>University</strong> <strong>of</strong><br />
Houston.<br />
Alexander, who played the role <strong>of</strong> Macbeth, says the actors endeavor to<br />
show students how the words on the page are transformed into a play for<br />
the stage. After all, Shakespeare’s plays weren’t conceived as mere literary<br />
texts but were intended to be staged events. <strong>The</strong> actors also provided<br />
insight into the unique problem-solving challenges presented by such a<br />
production.<br />
<strong>The</strong> group’s visit to <strong>Rice</strong> was part <strong>of</strong> a seven-week touring schedule and<br />
was sponsored by the School <strong>of</strong> Humanities and co-produced by the<br />
English department, <strong>The</strong>atre Program, and the <strong>Rice</strong> Players in association<br />
with the <strong>University</strong> <strong>of</strong> Notre Dame, the company’s U.S. base.<br />
Each fall and spring semester, Actors From <strong>The</strong> London Stage selects five<br />
actors from organizations such as the Royal Shakespeare Company, the<br />
Royal National <strong>The</strong>atre <strong>of</strong> Great Britain, and the BBC Shakespeare Series<br />
to tour American college and university campuses. <strong>The</strong> organization was<br />
conceived in 1975 by <strong>University</strong> <strong>of</strong> California at Santa Barbara pr<strong>of</strong>essor<br />
Homer Swander, who had been taking students on theatre tours to England<br />
since 1967.<br />
Swander frequently went backstage after a performance to ask actors to<br />
come and address his class the following day. Few teachers had issued such<br />
invitations, and Swander found that the actors, given their experience and<br />
expertise, were unusually articulate about their work. In the 1970s, when<br />
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