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Sallyport - The Magazine of Rice University - Summer 2002

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Stratford on the Bayou - Arts<br />

Spring <strong>2002</strong><br />

VOL.58, NO.4<br />

Stratford on the Bayou<br />

<strong>The</strong> stage at Hamman Hall may have been spartan, but once the Actors<br />

From <strong>The</strong> London Stage took the floor, there was no need for elaborate<br />

costumes or sets. Masterful acting combined with the potent imagery <strong>of</strong><br />

Shakespeare’s Macbeth proved that any additional stage accessory<br />

probably would have been more a distraction than an enhancement.<br />

<strong>The</strong> reason for the simple sets and neutral costuming, explains associate<br />

director Bruce Alexander, was to allow audiences the opportunity to<br />

exercise imagination and not be confined to a designer-led perspective <strong>of</strong><br />

the play. As Homer Swander, founder <strong>of</strong> the Actors From <strong>The</strong> London<br />

Stage, puts it, “We believe in play, in the power <strong>of</strong> Shakespeare’s words in<br />

performance, and in the rich possibilities created by the imaginations <strong>of</strong> the<br />

participating audience.”<br />

<strong>The</strong> five-actor team drew packed houses April 5–7, performing in an area<br />

<strong>of</strong> about 20 square feet, the rear border delineated by 10 chairs. Slim in<br />

number but not in craftsmanship and experience, they presented the full<br />

script <strong>of</strong> Macbeth, except for three lines that are not attributed to<br />

Shakespeare.<br />

Performing the play, however, was not the only reason for the actors’ visit<br />

to <strong>Rice</strong>. On campus from April 1, Bruce Alexander, Jane Arden, Tony Bell,<br />

Sam Dastor, and Charmian Gradwell also were involved in the classroom,<br />

teaching English and theatre classes at <strong>Rice</strong> and at the <strong>University</strong> <strong>of</strong><br />

Houston.<br />

Alexander, who played the role <strong>of</strong> Macbeth, says the actors endeavor to<br />

show students how the words on the page are transformed into a play for<br />

the stage. After all, Shakespeare’s plays weren’t conceived as mere literary<br />

texts but were intended to be staged events. <strong>The</strong> actors also provided<br />

insight into the unique problem-solving challenges presented by such a<br />

production.<br />

<strong>The</strong> group’s visit to <strong>Rice</strong> was part <strong>of</strong> a seven-week touring schedule and<br />

was sponsored by the School <strong>of</strong> Humanities and co-produced by the<br />

English department, <strong>The</strong>atre Program, and the <strong>Rice</strong> Players in association<br />

with the <strong>University</strong> <strong>of</strong> Notre Dame, the company’s U.S. base.<br />

Each fall and spring semester, Actors From <strong>The</strong> London Stage selects five<br />

actors from organizations such as the Royal Shakespeare Company, the<br />

Royal National <strong>The</strong>atre <strong>of</strong> Great Britain, and the BBC Shakespeare Series<br />

to tour American college and university campuses. <strong>The</strong> organization was<br />

conceived in 1975 by <strong>University</strong> <strong>of</strong> California at Santa Barbara pr<strong>of</strong>essor<br />

Homer Swander, who had been taking students on theatre tours to England<br />

since 1967.<br />

Swander frequently went backstage after a performance to ask actors to<br />

come and address his class the following day. Few teachers had issued such<br />

invitations, and Swander found that the actors, given their experience and<br />

expertise, were unusually articulate about their work. In the 1970s, when<br />

http://www.rice.edu/sallyport/<strong>2002</strong>/summer/arts/stratfordonthebayou.html (1 <strong>of</strong> 2) [10/30/2009 10:50:07 AM]

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