Braun, V. and Clarke, V. - UWE Research Repository - University of ...
Braun, V. and Clarke, V. - UWE Research Repository - University of ...
Braun, V. and Clarke, V. - UWE Research Repository - University of ...
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argue that a lot <strong>of</strong> analysis is essentially thematic - but is either claimed as something else (such as<br />
discourse analysis, or even content analysis (e.g., Meehan, Vermeer, & Windsor, 2000)) or not<br />
identified as any particular method at all – for example, data were “subjected to qualitative<br />
analysis for commonly recurring themes” (<strong>Braun</strong> & Wilkinson, 2003: 30). If we do not know how<br />
people went about analysing their data, or what assumptions informed their analysis, it is difficult<br />
to evaluate their research, <strong>and</strong> to compare <strong>and</strong>/or synthesise it with other studies on that topic,<br />
<strong>and</strong> it can impede other researchers carrying out related projects in the future (Attride-Stirling,<br />
2001). For these reasons alone, clarity around process <strong>and</strong> practice <strong>of</strong> method is vital. We hope that<br />
this paper will lead to more clarity around thematic analysis.<br />
Relatedly, insufficient detail is <strong>of</strong>ten given to reporting the process <strong>and</strong> detail <strong>of</strong> analysis (Attride-<br />
Stirling, 2001). It is not uncommon to read <strong>of</strong> themes „emerging‟ from the data (although this issue<br />
is not limited to thematic analysis). For example, Singer <strong>and</strong> Hunter‟s (1999: 67) thematic discourse<br />
analysis <strong>of</strong> women‟s experiences <strong>of</strong> early menopause identified that “several themes emerged”<br />
during the analysis. Rubin <strong>and</strong> Rubin (1995: 226) claim that analysis is exciting because “you<br />
discover themes <strong>and</strong> concepts embedded throughout your interviews”. An account <strong>of</strong> themes<br />
„emerging‟ or being „discovered‟ is a passive account <strong>of</strong> the process <strong>of</strong> analysis, <strong>and</strong> it denies the<br />
active role the researcher always plays in identifying patterns/themes, selecting which are <strong>of</strong><br />
interest, <strong>and</strong> reporting them to the readers (Taylor & Ussher, 2001). 4 The language <strong>of</strong> „themes<br />
emerging‟:<br />
Can be misinterpreted to mean that themes „reside‟ in the data, <strong>and</strong> if we just look hard<br />
enough they will „emerge‟ like Venus on the half shell. If themes „reside‟ anywhere, they<br />
reside in our heads from our thinking about our data <strong>and</strong> creating links as we underst<strong>and</strong><br />
them. (Ely, Vinz, Downing, & Anzul, 1997: 205-6)<br />
It is important at this point for us to acknowledge our own theoretical positions <strong>and</strong> values in<br />
relation to qualitative research. We do not subscribe to a naïve realist view <strong>of</strong> qualitative research<br />
where the researcher can simply „give voice‟ (see Fine, 2002) to their participants. As Fine (2002:<br />
218) argues, even a „giving voice‟ approach “involves carving out unacknowledged pieces <strong>of</strong><br />
narrative evidence that we select, edit, <strong>and</strong> deploy to border our arguments”. However, nor do we<br />
think there is one ideal theoretical framework for conducting qualitative research, or indeed one<br />
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