YOUR AUDITION - Royal Welsh College of Music & Drama
YOUR AUDITION - Royal Welsh College of Music & Drama
YOUR AUDITION - Royal Welsh College of Music & Drama
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<strong>YOUR</strong><br />
<strong>AUDITION</strong>
Welcome<br />
To enable you to demonstrate your full potential at<br />
your audition, we will do our best to make you feel as<br />
comfortable as possible from the moment you arrive at<br />
the college.<br />
Whatever the outcome <strong>of</strong> your audition, our aim is to<br />
make it a valuable experience for you.<br />
The Admissions Team will be available on the day to<br />
answer any questions and you will also be able to talk to<br />
current students about their experiences at the<br />
<strong>Royal</strong> <strong>Welsh</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong> & <strong>Drama</strong>.<br />
To help you prepare for your audition, please read the<br />
following guidance notes carefully.
Your Audition<br />
The time on CUKAS Track will be the time <strong>of</strong> your<br />
audition; you will have access to an individual practice<br />
room in which to warm up for 30 minutes before your<br />
audition starts.<br />
If you wish, we can provide an accompanist at your<br />
audition. There is no additional cost for this.<br />
Normally there are at least two members <strong>of</strong> staff on an<br />
audition panel. Auditions vary in length, but usually last<br />
between 15 and 30 minutes.<br />
You should take care to select pieces which will allow you<br />
to demonstrate the full extent <strong>of</strong> your ability in a range<br />
<strong>of</strong> styles. The panel may also take the opportunity in the<br />
audition to work with you on selected sections from the<br />
works you have performed.<br />
As part <strong>of</strong> your audition, you may also be asked to<br />
complete a short piece <strong>of</strong> sight-reading.<br />
Once you have finished your audition you are free to<br />
leave.<br />
In advance <strong>of</strong> your audition you are required to submit a<br />
30-minute recital programme, indicating one piece you<br />
would like to perform. The panel will then select a further<br />
piece from the list and you will be advised which one<br />
they have selected before you begin your warm-up.<br />
Please see additional guidance on the following page<br />
for variations on this.
Your Audition<br />
ADDITIONAL GUIDANCE<br />
Harp<br />
Auditions are unaccompanied.<br />
<strong>College</strong> harps are available to use.<br />
Piano<br />
Performance from memory is advised.<br />
Voice<br />
Audition programmes should include at least one piece<br />
in Italian.<br />
Guitar<br />
Auditions are unaccompanied.<br />
Piano Accompaniment<br />
(PGDip and MA <strong>Music</strong> Performance only)<br />
You will need to prepare one substantial solo piece to<br />
perform from memory.<br />
In addition, you must perform three <strong>of</strong> the following<br />
pieces in their original key, for which we will provide a<br />
singer for you to accompany during the audition. You will<br />
be given time with the singer during your warm-up to<br />
practice the chosen pieces.<br />
You must perform either Haydn – With Verdure Clad –<br />
and/or Mozart – Exsultate Jubilate.<br />
And one or two <strong>of</strong> the following:<br />
Schubert – Lied der mignon (nur wer die zehnsucht<br />
kennt...)<br />
Faure – Les berceaux<br />
Britten – Wagtail and Baby<br />
Please inform us which pieces you have chosen at least<br />
one week in advance <strong>of</strong> your audition.
Your Audition<br />
ADDITIONAL GUIDANCE<br />
Woodwind<br />
Orchestral Performance applicants should include in their<br />
audition programmes the first movement from a Mozart<br />
concerto for their instrument. In addition, they will need<br />
to prepare the following orchestral extracts:<br />
Flute<br />
Beethoven: Leonore No 3<br />
Debussy: Prelude, a l’apres-midi d’un faune<br />
Mendelssohn: Midsummer Night’s Dream (Scherzo)<br />
Oboe<br />
Rossini: La Scala di Seta<br />
R. Strauss: Don Juan<br />
Tchaikovsky: 4th Symphony (2nd movement)<br />
Clarinet<br />
Beethoven: Symphony 6 (1st movement)<br />
Kodaly: Galanta Dances<br />
Tchaikovsky: Symphony 6 (1st movement)<br />
Bassoon<br />
Brahms: Violin Concerto (2nd mvt, 2nd bsn part)<br />
Mozart: Marriage <strong>of</strong> Figaro (Overture)<br />
Tchaikovsky: Symphony 5 (3rd movement)<br />
Brass<br />
Orchestral Performance applicants should also prepare<br />
the following orchestral extracts:<br />
French Horn<br />
Shostakovich: Symphony No 5<br />
Dvorak: Symphony No 9 (4th mvt)<br />
Rossini: Overture Barber <strong>of</strong> Seville<br />
Trumpet<br />
Mahler: Symphony No 5 (1st movement)<br />
Stravinsky: Petrouchka (1911)<br />
Tchaikovsky: Swan Lake ‘Dance Napolitaine’<br />
Trombone<br />
Mahler: Symphony No 3 (1st mvt)<br />
Ravel: Bolero<br />
Saint Saens: Symphony No 3<br />
Tuba<br />
Berlioz: Symphonie Fantastique (both parts)<br />
Mahler: Symphony No 1<br />
Mendelssohn: Midsummer Night’s Dream (Overture)
Your Audition<br />
ADDITIONAL GUIDANCE<br />
Percussion<br />
As a minimum requirement, the audition programme<br />
should include unaccompanied items on timpani, snare<br />
drum and xylophone. We will provide instruments for you<br />
to use at your audition, but you will be asked to bring<br />
your own sticks/beaters/mallets.<br />
All MA Applicants<br />
Should submit a piece <strong>of</strong> recent written work, such as<br />
a 1000-word programme note on a piece <strong>of</strong> repertoire<br />
relating to their principal study discipline.<br />
All MMus Applicants<br />
Should submit a piece <strong>of</strong> recent written work, such as a<br />
3000-word essay which compares and contrasts three<br />
recordings <strong>of</strong> a major work <strong>of</strong> core repertoire.<br />
Written work needs to be submitted at least one week<br />
before your audition. Please note, if written work is not<br />
submitted, any decision about your application may be<br />
delayed while we wait for you to send it.<br />
Your performance programme and any written work can<br />
be submitted:<br />
By email to<br />
admissions@rwcmd.ac.uk<br />
Or by post to<br />
<strong>Music</strong> Admissions<br />
<strong>Royal</strong> <strong>Welsh</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong> & <strong>Drama</strong><br />
Castle Grounds<br />
Cathays Park<br />
Cardiff<br />
CF10 3ER
What Happens Next?<br />
We will let you know the outcome <strong>of</strong> your audition by<br />
email by Friday 9 December.<br />
If you have any further questions or concerns about<br />
the interview and selection process, please contact our<br />
Admissions Team, who will be glad to help you.<br />
T: +44 (0)29 2039 1361<br />
E: music.auditions@rwcmd.ac.uk
How to Find Us<br />
Unfortunately there is no parking at the college<br />
itself except for disabled parking. However,<br />
there are pay and display car parks either side<br />
<strong>of</strong> the campus on North Road, and opposite<br />
in the Civic Centre. Please ensure you allow<br />
enough time to park. Alternatively, the college<br />
is located only a 15 minute walk away from<br />
Cardiff Central Train Station. National Express<br />
and Mega Bus both stop outside Cardiff<br />
University’s Student Union, which is a 5 minute<br />
walk away from the college.<br />
www.rwcmd.ac.uk/howt<strong>of</strong>indus