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YOUR AUDITION - Royal Welsh College of Music & Drama

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<strong>YOUR</strong><br />

<strong>AUDITION</strong>


Welcome<br />

To enable you to demonstrate your full potential at<br />

your audition, we will do our best to make you feel as<br />

comfortable as possible from the moment you arrive at<br />

the college.<br />

Whatever the outcome <strong>of</strong> your audition, our aim is to<br />

make it a valuable experience for you.<br />

The Admissions Team will be available on the day to<br />

answer any questions and you will also be able to talk to<br />

current students about their experiences at the<br />

<strong>Royal</strong> <strong>Welsh</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong> & <strong>Drama</strong>.<br />

To help you prepare for your audition, please read the<br />

following guidance notes carefully.


Your Audition<br />

The time on CUKAS Track will be the time <strong>of</strong> your<br />

audition; you will have access to an individual practice<br />

room in which to warm up for 30 minutes before your<br />

audition starts.<br />

If you wish, we can provide an accompanist at your<br />

audition. There is no additional cost for this.<br />

Normally there are at least two members <strong>of</strong> staff on an<br />

audition panel. Auditions vary in length, but usually last<br />

between 15 and 30 minutes.<br />

You should take care to select pieces which will allow you<br />

to demonstrate the full extent <strong>of</strong> your ability in a range<br />

<strong>of</strong> styles. The panel may also take the opportunity in the<br />

audition to work with you on selected sections from the<br />

works you have performed.<br />

As part <strong>of</strong> your audition, you may also be asked to<br />

complete a short piece <strong>of</strong> sight-reading.<br />

Once you have finished your audition you are free to<br />

leave.<br />

In advance <strong>of</strong> your audition you are required to submit a<br />

30-minute recital programme, indicating one piece you<br />

would like to perform. The panel will then select a further<br />

piece from the list and you will be advised which one<br />

they have selected before you begin your warm-up.<br />

Please see additional guidance on the following page<br />

for variations on this.


Your Audition<br />

ADDITIONAL GUIDANCE<br />

Harp<br />

Auditions are unaccompanied.<br />

<strong>College</strong> harps are available to use.<br />

Piano<br />

Performance from memory is advised.<br />

Voice<br />

Audition programmes should include at least one piece<br />

in Italian.<br />

Guitar<br />

Auditions are unaccompanied.<br />

Piano Accompaniment<br />

(PGDip and MA <strong>Music</strong> Performance only)<br />

You will need to prepare one substantial solo piece to<br />

perform from memory.<br />

In addition, you must perform three <strong>of</strong> the following<br />

pieces in their original key, for which we will provide a<br />

singer for you to accompany during the audition. You will<br />

be given time with the singer during your warm-up to<br />

practice the chosen pieces.<br />

You must perform either Haydn – With Verdure Clad –<br />

and/or Mozart – Exsultate Jubilate.<br />

And one or two <strong>of</strong> the following:<br />

Schubert – Lied der mignon (nur wer die zehnsucht<br />

kennt...)<br />

Faure – Les berceaux<br />

Britten – Wagtail and Baby<br />

Please inform us which pieces you have chosen at least<br />

one week in advance <strong>of</strong> your audition.


Your Audition<br />

ADDITIONAL GUIDANCE<br />

Woodwind<br />

Orchestral Performance applicants should include in their<br />

audition programmes the first movement from a Mozart<br />

concerto for their instrument. In addition, they will need<br />

to prepare the following orchestral extracts:<br />

Flute<br />

Beethoven: Leonore No 3<br />

Debussy: Prelude, a l’apres-midi d’un faune<br />

Mendelssohn: Midsummer Night’s Dream (Scherzo)<br />

Oboe<br />

Rossini: La Scala di Seta<br />

R. Strauss: Don Juan<br />

Tchaikovsky: 4th Symphony (2nd movement)<br />

Clarinet<br />

Beethoven: Symphony 6 (1st movement)<br />

Kodaly: Galanta Dances<br />

Tchaikovsky: Symphony 6 (1st movement)<br />

Bassoon<br />

Brahms: Violin Concerto (2nd mvt, 2nd bsn part)<br />

Mozart: Marriage <strong>of</strong> Figaro (Overture)<br />

Tchaikovsky: Symphony 5 (3rd movement)<br />

Brass<br />

Orchestral Performance applicants should also prepare<br />

the following orchestral extracts:<br />

French Horn<br />

Shostakovich: Symphony No 5<br />

Dvorak: Symphony No 9 (4th mvt)<br />

Rossini: Overture Barber <strong>of</strong> Seville<br />

Trumpet<br />

Mahler: Symphony No 5 (1st movement)<br />

Stravinsky: Petrouchka (1911)<br />

Tchaikovsky: Swan Lake ‘Dance Napolitaine’<br />

Trombone<br />

Mahler: Symphony No 3 (1st mvt)<br />

Ravel: Bolero<br />

Saint Saens: Symphony No 3<br />

Tuba<br />

Berlioz: Symphonie Fantastique (both parts)<br />

Mahler: Symphony No 1<br />

Mendelssohn: Midsummer Night’s Dream (Overture)


Your Audition<br />

ADDITIONAL GUIDANCE<br />

Percussion<br />

As a minimum requirement, the audition programme<br />

should include unaccompanied items on timpani, snare<br />

drum and xylophone. We will provide instruments for you<br />

to use at your audition, but you will be asked to bring<br />

your own sticks/beaters/mallets.<br />

All MA Applicants<br />

Should submit a piece <strong>of</strong> recent written work, such as<br />

a 1000-word programme note on a piece <strong>of</strong> repertoire<br />

relating to their principal study discipline.<br />

All MMus Applicants<br />

Should submit a piece <strong>of</strong> recent written work, such as a<br />

3000-word essay which compares and contrasts three<br />

recordings <strong>of</strong> a major work <strong>of</strong> core repertoire.<br />

Written work needs to be submitted at least one week<br />

before your audition. Please note, if written work is not<br />

submitted, any decision about your application may be<br />

delayed while we wait for you to send it.<br />

Your performance programme and any written work can<br />

be submitted:<br />

By email to<br />

admissions@rwcmd.ac.uk<br />

Or by post to<br />

<strong>Music</strong> Admissions<br />

<strong>Royal</strong> <strong>Welsh</strong> <strong>College</strong> <strong>of</strong> <strong>Music</strong> & <strong>Drama</strong><br />

Castle Grounds<br />

Cathays Park<br />

Cardiff<br />

CF10 3ER


What Happens Next?<br />

We will let you know the outcome <strong>of</strong> your audition by<br />

email by Friday 9 December.<br />

If you have any further questions or concerns about<br />

the interview and selection process, please contact our<br />

Admissions Team, who will be glad to help you.<br />

T: +44 (0)29 2039 1361<br />

E: music.auditions@rwcmd.ac.uk


How to Find Us<br />

Unfortunately there is no parking at the college<br />

itself except for disabled parking. However,<br />

there are pay and display car parks either side<br />

<strong>of</strong> the campus on North Road, and opposite<br />

in the Civic Centre. Please ensure you allow<br />

enough time to park. Alternatively, the college<br />

is located only a 15 minute walk away from<br />

Cardiff Central Train Station. National Express<br />

and Mega Bus both stop outside Cardiff<br />

University’s Student Union, which is a 5 minute<br />

walk away from the college.<br />

www.rwcmd.ac.uk/howt<strong>of</strong>indus

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