«Merge Record #»«Title» - Schulz-Falster Rare Books
«Merge Record #»«Title» - Schulz-Falster Rare Books
«Merge Record #»«Title» - Schulz-Falster Rare Books
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8vo, engraved frontispiece, pp. viii, 319, with 8 unsigned engraved<br />
plates in the text, one an engraved title, title printed in red and black,<br />
with attractive title vignette; slight dampstain to fore-margin, and ink<br />
stains to final pages; contemporary full red cushed morocco, spine<br />
decoratively gilt, gilt-lettered spine label; sides with triple fillets, a.e.g.<br />
discreet repair to upper board; an attractive copy, with early<br />
bibliographical note to front free endpaper.<br />
First edition of this unusual and attractively illustrated work on Paris street peddlers,<br />
hawkers and distributors of pamphlets and books, allegedly published under the<br />
auspices of the Paris Guild of <strong>Books</strong>ellers and Printers. Caylus (1692-1765) was an<br />
amateur engraver, antiquarian and writer from a well-off aristocratic family which<br />
allowed him to follow his lifelong interest in the arts and antiquities. He played a<br />
prominent role in the Société du Bout du Banc, an informal group of writers and<br />
aristocrats who met at the home of the actress Quinault. They published a whole<br />
series of oeuvres badins, licentious and playful stories, mostly published under<br />
Caylus' name and in fact mostly written by him.This appears to be in the same vein,<br />
a collection of histories and sketches relating to the exploits and experiences of book<br />
peddlers and hawkers. Each anecdote is illustrated with an appealing and competent<br />
engraving, executed possibly by Caylus himself. The particularly attractive engraved<br />
title, showing a billposter putting up a poster or placard with the title, and partly<br />
obscuring it in the process, is according to Cohen possibly by Ch. N. Cochin.<br />
The work is also interesting in that the section beginning on p. 188 Le Malebosse<br />
describes and illustrates a scheming poet, i.e. Voltaire who is duped by a fake book<br />
peddlar. This is in fact one of the first anti-Voltaire caricatures (Apgar).<br />
Cioranescu XVIII 16265; Cohen, c 210; see Apgar, Trois siècles d'iconographie<br />
voltairienne.<br />
The First Telegraph Engineer<br />
11.<br />
[CHAPPE, Claude.] Il Telegrafo ossia Descrizione della Macchina<br />
nuovament retrovata in Parigi per Trasmettere in Brevissimo Tempo<br />
a Grandi Distanze qualunque Notizia. Con Figure. Estratta<br />
dall'Edizione Tedesca di Vienna presso Baumeister 1794. £ 650<br />
8vo, pp. xiii, [3] blank, 4 engraved plates bound at the end, decorative<br />
head-piece and initial; some spotting throughout, partly uncut in<br />
contemporary blue wrappers.<br />
First edition in Italian of Claude Chappe's 'optical' telegraph, which depended on<br />
visual signals and preceded the modern telegraph. His device consisted of an upright<br />
post, on the top of which was fastened a transverse bar, while at the ends of the latter<br />
two smaller arms moved on pivots. The position of these bars represented words or