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Unit 1 Lesson 5 - Mask of Red Death.pdf

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The <strong>Red</strong> <strong>Death</strong>” had long devastated<br />

the cuuittrv. No pestilence had ever been so<br />

fatal, or so hideous. Blood was its Avatar<br />

and it aal the redness and the horror <strong>of</strong><br />

blood. There were sharp paills. and sudden<br />

dizzifle-, and then pr<strong>of</strong>use bleeding at the<br />

pores with dissolution. The scarlet stains<br />

upon the body and especially upon the face<br />

<strong>of</strong> the victim, were the pest ban which shut<br />

him out from the aid and from the sympathy<br />

<strong>of</strong> his fellow men. And the whole seizure,<br />

progress and teimination <strong>of</strong> the disease,<br />

were the tncidents <strong>of</strong> half an hour.<br />

But the Prince Prospero was happy and<br />

dauntless and sagacious. When his domin<br />

ions were half depopulated, he summoned<br />

to his presence a thousand hale and light<br />

hearted fri ends from among the knights and<br />

dames <strong>of</strong> his court, and with these retired to<br />

the deep seclusion <strong>of</strong> one <strong>of</strong> his castellated<br />

abbeys. Thi.s was an extensive and magnifi<br />

cent structure, the creation <strong>of</strong> the princes<br />

own eccentric yet august taste. A strong and<br />

l<strong>of</strong>ty wall girdled it in. This wall had gates <strong>of</strong><br />

iron. The courtiers, having entered, brought<br />

furnaces and massy<br />

The Masque<br />

<strong>of</strong> the <strong>Red</strong> <strong>Death</strong><br />

3 hammers and welded<br />

Edgar Allan Poe<br />

the bolts. They resolved to leave irleatis tici<br />

tiler <strong>of</strong> ingress or egress to the sudden<br />

impulses <strong>of</strong> despair or <strong>of</strong> frenzy from within.<br />

[he abbey was amply proisioited. With<br />

such piecautions the courtiers might bid<br />

defiance to contagion. Phe external world<br />

could take care <strong>of</strong> itself, In the meantime it<br />

was folly to grieve, or to think. The prince<br />

had provided all the appliances <strong>of</strong> pleasure.<br />

There were buffoons, there were improv<br />

isatori,<br />

were musicians, there was Beauty, there<br />

was wine. All these and security were with<br />

in. Without was the “<strong>Red</strong> <strong>Death</strong>.”<br />

It was toward the close <strong>of</strong> the fifth or<br />

sixth month <strong>of</strong> his seclusion, and while the<br />

pestilence raged most furiously abroad, that<br />

the Prince Prospero entertained his thou<br />

sand friends at a masked ball <strong>of</strong> the most<br />

unusual magnificence.<br />

It was a voluptuous scene, that mas<br />

querade. But first let me tell <strong>of</strong> the rooms in<br />

which it was held. There were seven—an<br />

imperial suite. In many palaces, however,<br />

such suites ldrm a long and straight vista,<br />

while the folding doors slide back nearly to<br />

the walls on either hand, so that the view <strong>of</strong><br />

5 there were ballet dancers, there<br />

f<br />

P<br />

‘ii<br />

r<br />

d<br />

I<br />

I<br />

1. Avatar t’ tar’) ri. A smbo1 or manifestation <strong>of</strong><br />

an uns .,<br />

2. Ctejj4t4 kas t Ia tid) abbeys 1db eu<br />

i erits itfl La,tle like t0 (IS.<br />

3. massy .‘ is’ el oc).. Massie or large.<br />

4. ingress rn’ iies) or egress te’ gles) Enteuiu ,)i<br />

lea nig<br />

5. improvsatur1 till pi to tot 0 [‘0(1, .slIu<br />

itOprol sr. r eate erses ‘a ithout prr 1005 tiluliClil<br />

I<br />

Iho .“!asqLw vi the Krci Dr 1im iv /

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