Unit 1 Lesson 5 - Mask of Red Death.pdf
Unit 1 Lesson 5 - Mask of Red Death.pdf
Unit 1 Lesson 5 - Mask of Red Death.pdf
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The <strong>Red</strong> <strong>Death</strong>” had long devastated<br />
the cuuittrv. No pestilence had ever been so<br />
fatal, or so hideous. Blood was its Avatar<br />
and it aal the redness and the horror <strong>of</strong><br />
blood. There were sharp paills. and sudden<br />
dizzifle-, and then pr<strong>of</strong>use bleeding at the<br />
pores with dissolution. The scarlet stains<br />
upon the body and especially upon the face<br />
<strong>of</strong> the victim, were the pest ban which shut<br />
him out from the aid and from the sympathy<br />
<strong>of</strong> his fellow men. And the whole seizure,<br />
progress and teimination <strong>of</strong> the disease,<br />
were the tncidents <strong>of</strong> half an hour.<br />
But the Prince Prospero was happy and<br />
dauntless and sagacious. When his domin<br />
ions were half depopulated, he summoned<br />
to his presence a thousand hale and light<br />
hearted fri ends from among the knights and<br />
dames <strong>of</strong> his court, and with these retired to<br />
the deep seclusion <strong>of</strong> one <strong>of</strong> his castellated<br />
abbeys. Thi.s was an extensive and magnifi<br />
cent structure, the creation <strong>of</strong> the princes<br />
own eccentric yet august taste. A strong and<br />
l<strong>of</strong>ty wall girdled it in. This wall had gates <strong>of</strong><br />
iron. The courtiers, having entered, brought<br />
furnaces and massy<br />
The Masque<br />
<strong>of</strong> the <strong>Red</strong> <strong>Death</strong><br />
3 hammers and welded<br />
Edgar Allan Poe<br />
the bolts. They resolved to leave irleatis tici<br />
tiler <strong>of</strong> ingress or egress to the sudden<br />
impulses <strong>of</strong> despair or <strong>of</strong> frenzy from within.<br />
[he abbey was amply proisioited. With<br />
such piecautions the courtiers might bid<br />
defiance to contagion. Phe external world<br />
could take care <strong>of</strong> itself, In the meantime it<br />
was folly to grieve, or to think. The prince<br />
had provided all the appliances <strong>of</strong> pleasure.<br />
There were buffoons, there were improv<br />
isatori,<br />
were musicians, there was Beauty, there<br />
was wine. All these and security were with<br />
in. Without was the “<strong>Red</strong> <strong>Death</strong>.”<br />
It was toward the close <strong>of</strong> the fifth or<br />
sixth month <strong>of</strong> his seclusion, and while the<br />
pestilence raged most furiously abroad, that<br />
the Prince Prospero entertained his thou<br />
sand friends at a masked ball <strong>of</strong> the most<br />
unusual magnificence.<br />
It was a voluptuous scene, that mas<br />
querade. But first let me tell <strong>of</strong> the rooms in<br />
which it was held. There were seven—an<br />
imperial suite. In many palaces, however,<br />
such suites ldrm a long and straight vista,<br />
while the folding doors slide back nearly to<br />
the walls on either hand, so that the view <strong>of</strong><br />
5 there were ballet dancers, there<br />
f<br />
P<br />
‘ii<br />
r<br />
d<br />
I<br />
I<br />
1. Avatar t’ tar’) ri. A smbo1 or manifestation <strong>of</strong><br />
an uns .,<br />
2. Ctejj4t4 kas t Ia tid) abbeys 1db eu<br />
i erits itfl La,tle like t0 (IS.<br />
3. massy .‘ is’ el oc).. Massie or large.<br />
4. ingress rn’ iies) or egress te’ gles) Enteuiu ,)i<br />
lea nig<br />
5. improvsatur1 till pi to tot 0 [‘0(1, .slIu<br />
itOprol sr. r eate erses ‘a ithout prr 1005 tiluliClil<br />
I<br />
Iho .“!asqLw vi the Krci Dr 1im iv /