2011-12 Part 4 [PDF 3.0 MB] - State Library of Queensland
2011-12 Part 4 [PDF 3.0 MB] - State Library of Queensland
2011-12 Part 4 [PDF 3.0 MB] - State Library of Queensland
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Nielson Design Lecture<br />
James C Sourris<br />
Art ist Interview Series<br />
The series <strong>of</strong> three annual<br />
Nielson Design Lectures from<br />
2009 to <strong>2011</strong> featured<br />
internationally renowned<br />
speakers presenting innovative<br />
ideas, work and methods on the<br />
theme <strong>of</strong> ‘designing our future’.<br />
This exciting series was made<br />
possible through the generous<br />
support <strong>of</strong> Nielson Properties.<br />
The third Nielson Design Lecture was delivered on 23 November <strong>2011</strong> by<br />
leading international visionary, innovator, designer and author Mr Bruce Mau.<br />
Mau’s long design career has been one <strong>of</strong> thought-sharing and collaboration.<br />
Informed by 25 years <strong>of</strong> studio experience in design innovation and collaboration<br />
with some <strong>of</strong> the world’s leading artists, institutions and businesses, Mau has<br />
made the simple commitment to connect his life and work to education and<br />
human development. He is the co-founder <strong>of</strong> Massive Change Network, a new<br />
initiative committed to developing purposeful projects in education, health,<br />
leadership and security.<br />
The idea <strong>of</strong> designing for the future, and going head to head against the<br />
challenges that face designers and society as a whole, inspires Mau – a man<br />
who speaks with boundless energy and enthusiasm. This energy was enjoyed<br />
by participants in the <strong>2011</strong> Nielson Design Lecture as he spoke about<br />
Brisbane’s significance as world leading city.<br />
Bruce also led a workshop at <strong>State</strong> <strong>Library</strong> entitled 24 Hours to Massive<br />
Change from 24–26 November. This was the first workshop <strong>of</strong> its kind in the<br />
world. The goal was for participants to learn how to transform their businesses,<br />
organisations and institutions by thinking like designers, and tackling problems,<br />
developing solutions, and creating new ways <strong>of</strong> innovating to move forward.<br />
In addition to this inspiring presentation, for the second year in a row, the<br />
Nielson Design Lecture won the AbaF <strong>Queensland</strong> Chapter SME Award for<br />
partnerships between businesses employing fewer than 200 people (globally)<br />
and arts and cultural organisations, the Award judges stating, “This partnership<br />
creates an excellent opportunity for designers to be exposed to world class<br />
expertise. <strong>State</strong> <strong>Library</strong> <strong>of</strong> <strong>Queensland</strong> and Nielson Properties should be<br />
commended for creating a forum for dialogue on urban design and sustainability<br />
representing a significant impact on design in <strong>Queensland</strong>.” (AbaF Gold<br />
Book <strong>2011</strong>)<br />
“<br />
This partnership creates an excellent opportunity<br />
for designers to be exposed to world class expertise.”<br />
The success <strong>of</strong> the Nielson Design Lecture partnership is based on a mutual<br />
desire to foster innovation and learning. We would like to thank Nielson<br />
Properties and Mr Ross Nielson for their commitment to this program.<br />
The James C Sourris Artist<br />
Interview Series was launched in<br />
2010. The objective <strong>of</strong> the<br />
interview series is to enhance the<br />
Australian <strong>Library</strong> <strong>of</strong> Art (ALA)<br />
collection by recording the oral<br />
histories and digital stories <strong>of</strong><br />
contemporary Australian artists.<br />
Well known artists Vernon Ah Kee,<br />
Luke Roberts, Judy Watson and<br />
Richard Bell were the first group <strong>of</strong><br />
artists interviewed.<br />
Tea & Me<br />
Since May <strong>2011</strong> <strong>State</strong> <strong>Library</strong> has<br />
been asking <strong>Queensland</strong>ers to sift<br />
through their crockery, find their<br />
favourite tea cup and either share<br />
the memories it evokes or donate<br />
the cup to <strong>State</strong> <strong>Library</strong>.<br />
The response from <strong>Queensland</strong>ers<br />
was overwhelming with people<br />
contributing stories about everything<br />
from intimate family life to large<br />
community gatherings. The stories<br />
all gave a glimpse into a small but<br />
important part <strong>of</strong> people’s lives in<br />
which they shared time and <strong>of</strong>ten<br />
comfort over a ‘cuppa’. The project<br />
included hosting a number <strong>of</strong> special<br />
tea parties and functions in addition<br />
to collection events.<br />
In 20<strong>12</strong>, again through the generous contribution <strong>of</strong> James C Sourris AM,<br />
<strong>State</strong> <strong>Library</strong> <strong>of</strong> <strong>Queensland</strong> augmented this series to include interviews with<br />
contemporary artist Madonna Staunton interviewed by Pr<strong>of</strong>essor Robert<br />
Lingard from the University <strong>of</strong> <strong>Queensland</strong>, and expressionist artist Gordon<br />
Shepherdson interviewed by David Burnett from <strong>Queensland</strong> Art Gallery/<br />
Gallery <strong>of</strong> Modern Art.<br />
Staunton moved to Brisbane in 1951 with her family when she was 13 years old<br />
and continues to live and work in Brisbane. Unfortunately her formal education<br />
was cut short due to ill health, but an environment rich in the culture <strong>of</strong> literature<br />
and art has informed her artistic endeavours. She received art tuition from her<br />
mother who had studied at East Sydney Technical College. Now in her seventies,<br />
Staunton is recognised for her prodigious body <strong>of</strong> work which primarily uses<br />
everyday found objects in small and large scale assemblages. She received<br />
The National Women’s Art Award in 1988.<br />
Brisbane born, Shepherdson had little formal training as an artist. He attended<br />
night classes at the Royal <strong>Queensland</strong> Art Society (1951–1952), a term <strong>of</strong><br />
evening classes at the Central Technical College Brisbane in 1960, painting<br />
classes with Andrew Sibley and drawing classes with Jon Molvig in 1961.<br />
Now in his seventies, he is considered not only a significant <strong>Queensland</strong> artist<br />
but a significant Australian artist.<br />
Both interviews provide a wonderful insight into the lives and works <strong>of</strong> these artists<br />
and will be a valuable resource to future researchers <strong>of</strong> Australian art history.<br />
Using Facebook as a platform for communication, stories, poems, photographs,<br />
oral histories, artwork and <strong>of</strong> course, tea cups from Cairns, Hurricane, Townsville,<br />
Yeppoon, Rockhampton, Gladstone, Dalby and Toowoomba were sourced<br />
and collected for <strong>State</strong> <strong>Library</strong>’s collection. These stories can now be accessed<br />
by people all over the world through the Tea & Me website (www.slq.qld.gov.au/<br />
about-us/corporate/projects-and-partnerships/tea-and-me), whilst donated<br />
tea cups are proudly displayed within <strong>State</strong> <strong>Library</strong>’s premier venue – the<br />
<strong>Queensland</strong> Terrace.<br />
Tea & Me events were organised by Gladstone, Rockhampton and Yeppoon<br />
libraries and Cairns Regional Gallery but the star regional performer was<br />
Rockhampton <strong>Library</strong> which hosted three Tea & Me events – two Timeless Teas<br />
at branch libraries and a Tea Lives event at Rockhampton City <strong>Library</strong>.<br />
These events were very successful in directly engaging community members,<br />
and public library staff were extremely enthusiastic and supportive <strong>of</strong> the project.<br />
Community members were encouraged to contribute their personal memories<br />
and stories to the project, stories that may have otherwise been forgotten.<br />
Based on the success <strong>of</strong> the Tea & Me events, Rockhampton <strong>Library</strong> was the<br />
<strong>2011</strong> winner <strong>of</strong> the Friends <strong>of</strong> Libraries Australia (FOLA)’s Eric Flynn Services<br />
for Older Adults Award. Tea & Me was also promoted at Regional Flavours,<br />
South Bank Corporation’s signature food and lifestyle event on 22 and 23 July.<br />
Tea & Me continues to grow in popularity and the <strong>Queensland</strong> <strong>Library</strong> Foundation<br />
is proud to be associated with this project.<br />
20 ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong><br />
ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong> 21
Upcoming Projects<br />
Cultural Gift Donors<br />
citizenj<br />
The Edge is a creative space where<br />
young people aged 15–25 creatively<br />
experiment across art, science,<br />
technology and enterprise. Since<br />
its inception, The Edge has<br />
embraced journalism as a core<br />
element <strong>of</strong> programming, and has<br />
partnered with a number <strong>of</strong><br />
leading organisations to deliver<br />
journalism and factual content<br />
programming.<br />
With the very generous support <strong>of</strong> Mr Tim Fairfax AM, a community centric<br />
journalism program entitled CitizenJ will be based at The Edge. The new project<br />
is designed to make citizen journalism a viable way to record <strong>Queensland</strong>’s<br />
contemporary history through the eyes <strong>of</strong> the local community. CitizenJ will be<br />
a twelve month program trialling a new model for sourcing, developing and<br />
publishing community news.<br />
The project has four main components. The Newsroom will provide production<br />
facilities for existing community news journalists, training facilities for interested<br />
citizen journalists and a custom publishing platform for multi-media content.<br />
The second component is the CitizenJ Experiments Competition. This is an<br />
opportunity for journalists, developers, entrepreneurs and innovators around<br />
the country to apply for up to $10,000 to create new platforms or content for<br />
the media industry. The third component is a public program that includes a<br />
training framework that will cover basic journalistic skills, through to specialisation<br />
in video, audio or interactive content production. Four casual Newsroom<br />
Facilitator roles will be <strong>of</strong>fered as a further pr<strong>of</strong>essional development opportunity<br />
for young and emerging journalists. A fourth component is the Walkley Talks<br />
monthly lecture series sponsored by the Walkley Foundation.<br />
Our thanks to Mr Tim Fairfax AM for his ongoing support for the CitizenJ project<br />
at The Edge.<br />
<strong>State</strong> <strong>Library</strong>’s John Oxley <strong>Library</strong><br />
collection was greatly enhanced<br />
this year with a landmark donation<br />
by distinguished <strong>Queensland</strong><br />
collectors Sue and Michael Brown.<br />
The gift is 20 works <strong>of</strong> art by some<br />
<strong>of</strong> <strong>Queensland</strong>’s most important<br />
19th and 20th century artists.<br />
The collection, assembled over many years, consists <strong>of</strong> eight topographical<br />
watercolours and pencil sketches by colonial artist Conrad Martens (1801–1878),<br />
along with works by Isaac Walter Jenner (1837–1902), Oscar Fristrom (1856–1918),<br />
John Salvana (1873–1956) and Robert Emerson Curtis (1898–1996). The works<br />
will be known as the Sue and Michael Brown Gift.<br />
Another major addition to the John Oxley <strong>Library</strong> collection was a unique and<br />
extensive archive <strong>of</strong> black and white and colour photographic negatives<br />
produced by Brisbane-based commercial photographer Ian Poole, covering<br />
the period 1972–1993. The collection, donated by its talented creator, consists<br />
<strong>of</strong> many hundreds <strong>of</strong> negatives as well as photographic prints, copies <strong>of</strong><br />
invoices, job cards, memorabilia and guard books.<br />
Ian Poole worked on commission for a wide variety <strong>of</strong> clients and the collection<br />
covers over two decades <strong>of</strong> <strong>Queensland</strong> life and activities, all <strong>of</strong> which until now<br />
have been under-represented in the John Oxley <strong>Library</strong> collection. Subjects<br />
include the Ballet Theatre <strong>of</strong> <strong>Queensland</strong>, the architecture <strong>of</strong> Conrad & Gargett,<br />
displays at the Brisbane Motor Show, new housing developments at Hooker<br />
Centenary Estates, interior design by Peter Baker-Finch and iconic businesses<br />
such as the Bobo Boutique in Brisbane.<br />
The collection is especially valuable for its strong advertising component,<br />
providing an archival record <strong>of</strong> popular culture and taste <strong>of</strong> the time.<br />
<strong>State</strong> LibRARy RegiONAL TOURing ExhibitiONS<br />
We would like to acknowledge all those who have donated significant gifts <strong>of</strong><br />
cultural material to <strong>State</strong> <strong>Library</strong>. A list <strong>of</strong> cultural gift donors is on page 26.<br />
<strong>State</strong> <strong>Library</strong>’s mission is to<br />
creatively engage people with<br />
information, knowledge and<br />
community and one <strong>of</strong> the<br />
major ways it does this is<br />
through extending its regional<br />
reach by touring exhibitions<br />
to regional areas.<br />
In the 20<strong>12</strong>–2013 financial year a new project will be launched that will facilitate<br />
an annual tour <strong>of</strong> two <strong>State</strong> <strong>Library</strong> exhibitions throughout regional <strong>Queensland</strong>.<br />
Its goal is to tour 10 key exhibitions to approximately 200 regional <strong>Queensland</strong><br />
centres over the next five years.<br />
Commencing with the popular Floodlines exhibition, the regional touring project<br />
began on 8 August 20<strong>12</strong>. It is expected to travel until 2014 across 60 venues<br />
throughout <strong>Queensland</strong>.<br />
Our thanks to Dr Philip Bacon AM for his support for this project.<br />
22 ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong><br />
ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong> 23
Signature Spaces & Events<br />
Heritage Talks<br />
As custodians <strong>of</strong> <strong>Queensland</strong>’s<br />
documentary heritage, <strong>State</strong><br />
<strong>Library</strong> has an obligation to<br />
provide access to significant items<br />
that reveal aspects <strong>of</strong> our history<br />
and culture. <strong>State</strong> <strong>Library</strong>’s<br />
signature spaces have, over the past<br />
six years, become vital areas for<br />
clients to engage with collections<br />
and exhibitions and to become<br />
involved in programs and handson<br />
workshops – thereby enabling<br />
a high degree <strong>of</strong> access to our<br />
collections.<br />
These rooms and facilities would<br />
not have been possible without the<br />
support <strong>of</strong> key donors, and the<br />
<strong>Queensland</strong> <strong>Library</strong> Foundation would<br />
like to acknowledge the generosity<br />
<strong>of</strong> current and new donors who have<br />
supported these spaces.<br />
Dr Philip Bacon AM generously renewed his support for the Philip Bacon<br />
Heritage Gallery. The Philip Bacon Heritage Gallery exhibited three major and<br />
unique exhibitions during the year in review. Strait Home from 1 July – 23<br />
October <strong>2011</strong>, was a part <strong>of</strong> a cross-Cultural Centre first that saw <strong>State</strong> <strong>Library</strong><br />
partner with the <strong>Queensland</strong> Art Gallery/Gallery <strong>of</strong> Modern Art, <strong>Queensland</strong><br />
Museum and <strong>Queensland</strong> Performing Arts Centre in The Torres Strait Islands:<br />
A Celebration. This partnership showcased the diversity and vibrancy <strong>of</strong><br />
historical and contemporary arts and culture <strong>of</strong> Torres Strait Islander<br />
Australians. It was followed by Cane Toad Times from 5 November – 25 March<br />
20<strong>12</strong>. This exhibition exposed an alternative view <strong>of</strong> <strong>Queensland</strong> through<br />
counter-culture journalism in the late 1970s and 1980s, and was linked to the<br />
display <strong>Queensland</strong> Votes in the Talbot Family Treasures Wall. In January 20<strong>12</strong><br />
Floodlines: 19th century Brisbane was held in the Gallery featuring<br />
photographs, personal letters and other material from the historic Brisbane<br />
floods <strong>of</strong> 1890 and 1891.<br />
The Bank <strong>of</strong> <strong>Queensland</strong> Heritage Collections Learning Room continues to be<br />
a popular venue for corporate workshops and other <strong>State</strong> <strong>Library</strong> programs<br />
including events such as the 24 Hours to Massive Change Workshop with<br />
Bruce Mau, part <strong>of</strong> the Nielson Design Lecture (see page 20). Thanks to Bank<br />
<strong>of</strong> <strong>Queensland</strong> for their ongoing support.<br />
Two exhibitions were held in the Talbot Family Treasures Wall during<br />
<strong>2011</strong>–20<strong>12</strong>. In Songs from the heart: the romance <strong>of</strong> sheet music from<br />
26 March – 11 September <strong>2011</strong>, beautifully illustrated sheet music <strong>of</strong> songs<br />
<strong>of</strong> love and romance from Edwardian times to the 1950s, were on display.<br />
In a very different vein, <strong>Queensland</strong> Votes, as part <strong>of</strong> Politics & Persuasion from<br />
24 September <strong>2011</strong> – 17 June 20<strong>12</strong> showcased a collection <strong>of</strong> <strong>Queensland</strong><br />
election memorabilia from the 1920s through to the present, telling the story<br />
<strong>of</strong> our state’s political past, its players and the parties in their bid to persuade<br />
you to Vote 1.<br />
The very popular Heritage Talks<br />
series continued throughout<br />
<strong>2011</strong>–20<strong>12</strong>. Exclusive to loyal<br />
supporters <strong>of</strong> the Foundation,<br />
these talks give guests an inside<br />
and in-depth look at various<br />
aspects <strong>of</strong> <strong>State</strong> <strong>Library</strong><br />
collections and services.<br />
D e c e m b e r 2 0 1 1<br />
cOLLEction PRESERvation<br />
The work <strong>of</strong> the extremely skilled Collection Preservation team, while lesserknown<br />
than the more public areas <strong>of</strong> <strong>State</strong> <strong>Library</strong>, is nonetheless vitally<br />
important in terms <strong>of</strong> ensuring fragile and damaged items are repaired and able<br />
to be handled, as well as in digitising the collections to make these items<br />
accessible to <strong>Queensland</strong>ers, and the world.<br />
On 6 December <strong>2011</strong> Collection Preservation staff showcased the key<br />
operations involved in the conservation and preservation <strong>of</strong> our collections,<br />
image production, quarantine facility, disaster response resource and cold<br />
storage vaults.<br />
A p r i l 2 0 1 2<br />
FLOODLiNES<br />
In April annual donors were given a tour <strong>of</strong> the two-part Floodlines exhibition.<br />
Floodlines featured the use <strong>of</strong> Web 2.0 and augmented reality technologies to<br />
manipulate existing <strong>State</strong> <strong>Library</strong> collections, data and information in order to<br />
create new meaning around historic Brisbane flood events.<br />
Curator and historian Helen Gregory delved into the personal histories, events,<br />
politics and stories <strong>of</strong> recovery from the 1893 floods, as told through the exhibition<br />
Floodlines: 19th century Brisbane in the Philip Bacon Heritage Gallery.<br />
<strong>State</strong> <strong>Library</strong> Executive Manager, Learning and <strong>Part</strong>icipation, Linda Pitt guided<br />
guests through Floodlines: a living memory in the slq Gallery, a digital celebration<br />
<strong>of</strong> the power <strong>of</strong> communities, their stories and spirit arising from the summer <strong>of</strong><br />
2010–<strong>2011</strong>.<br />
In addition to hosting <strong>State</strong> <strong>Library</strong> events, the Fox Family White Gloves Room<br />
continues to be used by a wide range <strong>of</strong> individuals, special interest and school<br />
groups wishing to explore significant items from the John Oxley <strong>Library</strong>.<br />
The Tim Fairfax Newspaper Reading Room provides client access to news<br />
content through the use <strong>of</strong> databases such as NewsBank to search the<br />
Australian Newspapers collection and newspapers from across <strong>Queensland</strong><br />
and Australia. This space complements the CitizenJ project and enables<br />
<strong>Queensland</strong>ers to read, produce, publish and preserve commentary on issues<br />
<strong>of</strong> significance to society.<br />
The <strong>Queensland</strong> Terrace again played host to many events in <strong>2011</strong>–20<strong>12</strong><br />
including Brisbane Writers Festival, Brisbane International Film Festival Launch<br />
and Premier’s Design Award, in addition to significant <strong>State</strong> <strong>Library</strong> events.<br />
Thanks to all our donors who have made these beautiful spaces accessible to<br />
all <strong>Queensland</strong>ers.<br />
24 ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong><br />
ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong> 25
Acknowledgements <strong>2011</strong>-20<strong>12</strong><br />
The Foundation wishes<br />
to thank the following<br />
financial donors, whose<br />
generous support <strong>of</strong><br />
<strong>State</strong> <strong>Library</strong> is sincerely<br />
appreciated.<br />
Platinum<br />
- Anonymous<br />
- Mr Pat Corrigan AM<br />
- Mr Tim Fairfax AM and<br />
Mrs Gina Fairfax<br />
- Mr John B Reid AO<br />
Diamond<br />
- talbot Family Foundation<br />
Emerald<br />
- dr Philip Bacon AM<br />
- bank <strong>of</strong> <strong>Queensland</strong> Ltd<br />
- channel Seven Brisbane Pty Ltd<br />
- Commonwealth Bank <strong>of</strong> Australia<br />
- Mr Lindsay Fox ac<br />
- john T Reid Charitable Trusts<br />
- Nielson Properties<br />
- sir John Pidgeon<br />
- QUT Faculty <strong>of</strong> Science<br />
and Technology<br />
- Mr J J W Siganto AM and<br />
Dr M G Siganto AM*<br />
- Mr James C Sourris AM*<br />
Sapphire<br />
- copyright Agency Limited<br />
- Ms Cheryl C Macnaught<br />
- dr Cathryn Mittelheuser AM*<br />
- Miss Margaret Mittelheuser AM*<br />
- Mr David and<br />
Mrs Elisabeth Stanton<br />
- Mr Bert Thiess (dec’d) and<br />
Mrs Vera Thiess<br />
Ruby<br />
- Anonymous<br />
- Mrs G W N Bassingthwaighte<br />
- Mr Bill and Mrs Boo Brett*<br />
- Mr Bob Bryan* AM<br />
- Mrs Margaret O’Dowling (dec’d)<br />
- Mr Alec and Mrs Mary Peden<br />
- Miss F V M Pidgeon AM*<br />
- <strong>Queensland</strong> Community Foundation<br />
- Mr Neil and Mrs Margot Roberts*<br />
- Mr John L Robertson<br />
- Mrs M A Shevill<br />
- Mr Howard Stack*<br />
- Mr and Mrs Earl Taylor<br />
- Mr Graham Thomas<br />
- Mr Noel Whittaker AM and<br />
Mrs Geraldine Whittaker*<br />
Amethyst<br />
- dr Graham I Alexander AO<br />
- Mr John G Allpass*<br />
- Mr Bruce and Mrs Margaret<br />
Blocksidge*<br />
- Mr Tim and Mrs Elaine Crommelin<br />
- Mr A Efstathis cbe, OAM (dec’d)<br />
and Mrs L Efstathis (dec’d)<br />
- Mr Ian and Mrs Cass George*<br />
- Mr Robin Gibson AO<br />
- Mrs Paulette M Goodell and<br />
Dr John S Goodell<br />
- Mr David and Mrs Andrea Graham*<br />
- Mr Phil Hennessy*<br />
- Mr Jack Hutchinson AM<br />
- dr Ian and Mrs Sue Le Fevre*<br />
- Mr David and Mrs Marlene Little*<br />
- Mr Stephen Lonie*<br />
- Mr Antony and Mrs Margot Love*<br />
- Pr<strong>of</strong>essor Sam Mellick cbe*<br />
- Mr Bruce and Mrs Nikki Phillips*<br />
- dr William Robinson AO<br />
- rowland (and Mr Ge<strong>of</strong>f and<br />
Dr Catherine Rodgers)*<br />
- Mr John and Mrs Georgina Story*<br />
26 ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong><br />
- Mr Neil and Mrs Jenny Summerson*<br />
- Mr Barry Thornton AM and Mrs<br />
Heather Thornton<br />
- dr John Trace OAM<br />
- Mr Mike and Mrs Pam Tyquin*<br />
- Mr Ashby Utting<br />
- sir Bruce Watson ac (dec’d) and<br />
Lady Watson<br />
Topaz<br />
- Anonymous<br />
- Mr Peter J Allen<br />
- Mrs Kay L Bedford<br />
- Mr Bill Brett, Snr*<br />
- Mr Michael J Brown<br />
- Mr Andrew Buchanan<br />
- dr Eileen Burkett<br />
- Mrs Betty Byrne-Henderson AM<br />
- sir Walter Campbell (dec’d) and<br />
Lady Campbell<br />
- the Hon Justice Richard N<br />
Chesterman AO, rfd*<br />
- Mr Richard and Mrs Anne Clarke*<br />
- dr Vivienne Cowlishaw<br />
- Hon Justice John Dowsett AM*<br />
- Mr Lew and Mrs Janet Draper*<br />
- Mr David Dunn<br />
- Mr John Dwyer<br />
- Mr Alex C Freeleagus AO, cbe, AM<br />
(Mil) rfd (dec’d)<br />
- Mrs Ann M Garms OAM*<br />
- Mrs Denise E Garnsey (dec’d)<br />
- Mr Patrick V Gay AM<br />
- Mr Peter Ger<strong>of</strong>f*<br />
- Mr Andrew and Mrs Helen Griffiths*<br />
- Dr Maurice M Heiner<br />
- Mr John W Heussler (dec’d)<br />
- Sir Leo Hielscher ac<br />
- Mr Martin D E Kriewaldt<br />
- Mr Edwin L Lee (dec’d)<br />
- Mr Ken MacDonald and<br />
Ms Marian Gibney*<br />
- Mrs Angela Maguire<br />
- Mrs Loraine McLaren<br />
- Mr and Mrs Noel Mealey<br />
- sir Frank Moore AO<br />
- Mrs Anne Munro<br />
- Miss Margaret E North (dec’d)<br />
- Ms Elizabeth A Nosworthy AO<br />
- Mr Ben and Mrs Beata O’Dwyer<br />
- Mr Terry and Mrs Pauline O’Dwyer<br />
- Mr Ross Petfield AM and<br />
Mrs Elaine Petfield*<br />
- Mr Blayne and Dr Helen Pitts*<br />
- Mr and Mrs H A Scott-Mackenzie*<br />
- Mrs Lee Virginia Spencer<br />
- Ms Marie Spinos<br />
- Mr John and Mrs Libby Tibbits*<br />
- Mr John Tormey<br />
- emeritus Pr<strong>of</strong>essor Roy Webb AO<br />
- Mr Des Whybird<br />
- Mr Leo G Williams AO, rfd (dec’d)<br />
Opal<br />
- Anonymous<br />
- Mr Martin C Albrecht ac<br />
- dr Gary J Bacon<br />
- Mr Mark D Benson<br />
- Mr Jonathan G Blocksidge<br />
- judge Hugh Botting<br />
- Mr Francis Bowling<br />
- Ms Judy Brinsmead<br />
- Ms Helen Brodie faicd<br />
- Mr Allan Brown<br />
- Mrs Moira Brown<br />
- Mr David Brownsey<br />
- Mr Kenneth S Brunner<br />
- Ms Lesley Bryant<br />
- dr I H Bunce OAM<br />
- Ms Marie Byrne<br />
- Mrs Mary Cameron<br />
- Mr Anthony J Clarey<br />
- Mr Ian W N Clarke<br />
- Mr Vince Corbin OAM and<br />
Mrs Karen Corbin<br />
- dr M H Court<br />
- cox Rayner Architects<br />
- Mrs Betty Crouchley (dec’d)<br />
- Mrs Patricia Crowley<br />
- Mrs Patricia D Dawson<br />
- Mr Rodney N Deacon<br />
- Mr John Deshon AM<br />
- dr Mary Dickenson<br />
- Mr and Mrs A B Douglas<br />
(The Douglas Family)*<br />
- Mrs Elva Emmerson in memory <strong>of</strong><br />
Pr<strong>of</strong>essor Bryan Emmerson AO<br />
- Mr Paul Evans<br />
- Mr Peter D Evans*<br />
- Mrs Margaret-Anne Fahey<br />
- Miss Coleen Firmin<br />
- Mr Rob Francis<br />
- rev Fr John F Grace<br />
- dr Suzanne Gray<br />
- dr V Patricia Gunn<br />
- Mr G R Hadwen<br />
- dr Trevor J Harris<br />
- dr Keith Hirschfeld<br />
- Ms Helene Hughes<br />
- Mr Edward F Huybers<br />
- Mr Jeff and Mrs Pam Kaus<br />
- Mrs Liz Kennedy<br />
- Mr Bede and Mrs Helen King*<br />
- Mrs Brenda Koster<br />
- Miss Rachel V Leung<br />
- dr Laurel Macintosh<br />
- dr W K R Mackenzie (dec’d)<br />
and Mrs M Mackenzie<br />
- Mrs Lynette Malcolm<br />
- Mr Cal C Malouf<br />
- Mrs Sheila Marshall<br />
- Miss M R McCarthy<br />
- dr Stephen McCready<br />
- Ms F McFadzen<br />
- Hon Justice Margaret A<br />
McMurdo ac<br />
- Mr John M Michelmore<br />
- in memory <strong>of</strong> Jenny Milligan<br />
- dr Desmond B Misso<br />
- Mrs Robyn Mitchell<br />
- Mr Roger B Moody<br />
- Mrs Adelaide M Moore<br />
- dr B K Moore<br />
- dr Christopher B Muir<br />
- Mrs Elizabeth A Neale<br />
- Mrs Geraldine O’Brien<br />
- dr Patricia O’Connor<br />
- Mrs Beryl Olive<br />
- Mr Lester Padman OBE (dec’d)<br />
- Mrs Mary Panizza<br />
- Mr W A Park cbe, AM<br />
- Mr Jeff and Mrs Deb Parker<br />
- dr Neil Paulsen<br />
- dr John Pawsey<br />
- dr Peter and Mrs Pauline Pohlner<br />
- Mr Stephen C Porter<br />
- Mrs Ruth Reed<br />
- dr Edward Reye<br />
- Mr Jack Rutherford<br />
- Mrs Patricia V Ryan<br />
- Ms Sandra Sampson<br />
- Mr Josef Schmider (dec’d)<br />
- dr C R and Mrs J A Schull<br />
- judge Pat Shanahan AO, rfd, ed<br />
(dec’d)<br />
- Dr John Sharwood<br />
- Mrs J R Siemon<br />
- dr dale spender AM<br />
- Mrs Cecily Stevenson<br />
- Ms Valerie Stoddart<br />
- Mrs Glynn Strange<br />
- Ms Kylie Strudwick<br />
- Mr and Mrs Sandy Thompson*<br />
- Mr Ian Tristram<br />
- Hon Justice Peter F Underhill OBE<br />
- Mrs Elizabeth Vandeleur OAM<br />
- Mr Bruce Wallis<br />
- Mr Radley West<br />
- Mr George Whitlam<br />
- dr and Mrs Ian Wilkey<br />
- dr Lesley M Williams AM<br />
Cultural gIft and<br />
collection Donors<br />
- Mrs Joy Atkins<br />
- Mrs A G Bell (dec’d)<br />
- Miss Pamela Bell (dec’d)<br />
- Mr John Bencke<br />
- Mrs Violet Bennett (dec’d)<br />
- Mr James P Birrell<br />
- Mr Bruce & Mrs Margaret<br />
Blocksidge*<br />
- Mr and Mrs Michael Brown<br />
- dr Neville Buch<br />
- dr John M Campbell<br />
- Ms Rosamund Campbell and<br />
Miss Phillipa Harvie<br />
- Mrs Jean Carney<br />
- Mr W Clapperton (dec’d)<br />
- dr Mervyn D Cobcr<strong>of</strong>t, OAM, rfd<br />
- Mrs Fae Collins<br />
- Mr Hugh Cornish AM<br />
- Mr Pat Corrigan AM<br />
- Ms Jeanette Covacevich<br />
- dr Ivor Cribb AM (dec’d)<br />
- Mr and Mrs Ray Crooke<br />
- Mrs Len Davenport (dec’d)<br />
- Ms Janet Delpratt, Mrs Barbara<br />
Johnson and Mrs Catherine<br />
Hambling<br />
- dr Marion Diamond<br />
- Mr and Mrs A B Douglas<br />
(The Douglas Family)<br />
- Mrs Alison Drake (dec’d)<br />
- Mr Denis Drouyn<br />
- Mr William Durack<br />
- Mr Tony Fitzgerald ac QC<br />
- Miss Aura L Forster (dec’d)<br />
- Mr Ron & Mrs Ngaire Gale<br />
- Mr Robert Good<br />
- Ms Rhyl Haig<br />
- Mrs Katherine Haley<br />
- Mr P J Hanlon<br />
- Mrs Ann Henning<br />
- Mrs Joyce Hewitt<br />
- sir Leo Hielscher ac<br />
- Mr John Hitch<br />
- Mr Percy Hockings<br />
- Pr<strong>of</strong>essor Alan F Isles AM<br />
- Mr Graham D Isles<br />
- Mr David J Isles<br />
- dr W Ross Johnston<br />
- Mr & Mrs Brian Johnstone (dec’d)<br />
- dr Anthony Alder Kelly and Mrs<br />
Rhondda Kelly Ullman<br />
- Mr Paul Knobel<br />
- Miss Shirley Lahey (dec’d)<br />
- Mrs Margaret Lawrie (dec’d)<br />
- Mr Antony James Love*<br />
- dr Robert MacPherson in memory<br />
<strong>of</strong> Mrs Elenor MacPherson – Senior<br />
- Mr Stewart McCrae (dec’d)<br />
- dr Robyn McGregor<br />
- Mr Richard Mills<br />
- Mr Alan Moir<br />
- Mr Bernard Moroney<br />
- Mr James L Mort<br />
- Mr Michael Mort<br />
- Mr Edgar S Murray-Prior (dec’d)<br />
- sir Matthew Nathan (dec’d)<br />
- Mr Derek Palmer (dec’d)<br />
- Mrs Anne Pollitt<br />
- Mr Ian Poole<br />
- Mr John B Reid AO<br />
- Pastor Ivan Roennfeldt<br />
- Miss P Rosenstengel (dec’d)<br />
- Mrs Christina Ryan (dec’d)<br />
- Mr Leonard Shillam AM (dec’d)<br />
- Pr<strong>of</strong>essor Robert Stable<br />
- Mrs Paula Stafford<br />
- Mrs Anne Wienholt Takashige<br />
- Hon Justice Peter F Underhill OBE<br />
- Mr Donald P Vernon (dec’d) and<br />
Mrs Mavis Vernon (dec’d)<br />
- Mrs Anthea Wieneke<br />
- Lady Williams<br />
- brisbane Light Opera Company<br />
- the Chairman and Board <strong>of</strong> the<br />
Brisbane Racing Club<br />
*Denotes <strong>Part</strong>ners<br />
Establishment Functions<br />
& Ways to Give<br />
establishmENT FUNctiONS<br />
The <strong>Queensland</strong> <strong>Library</strong><br />
Foundation supports <strong>State</strong> <strong>Library</strong><br />
<strong>of</strong> <strong>Queensland</strong>’s fundraising<br />
endeavours, specifically in the<br />
philanthropic and corporate<br />
sectors. Established by the <strong>Library</strong><br />
Board <strong>of</strong> <strong>Queensland</strong> under the<br />
powers as defined by the Libraries<br />
Act 1988 (Qld), the Foundation<br />
operates as a company limited by<br />
guarantee and is subject to audit<br />
by the <strong>Queensland</strong> Audit Office.<br />
See page 30 for Principle Activities.<br />
WAYS To give<br />
<strong>State</strong> <strong>Library</strong> <strong>of</strong> <strong>Queensland</strong><br />
belongs to the people <strong>of</strong> <strong>Queensland</strong>,<br />
and is one <strong>of</strong> the state’s most<br />
important cultural assets.<br />
The <strong>Queensland</strong> <strong>Library</strong> Foundation<br />
is committed to preserving<br />
<strong>Queensland</strong>’s cultural heritage, and<br />
supporting the range <strong>of</strong> special<br />
projects featured in this Annual Report.<br />
It does this through the generous<br />
support <strong>of</strong> community members.<br />
There are many ways to support<br />
<strong>State</strong> <strong>Library</strong>.<br />
Individual giving<br />
Donations by individuals have<br />
enabled the Foundation to support<br />
many <strong>of</strong> <strong>State</strong> <strong>Library</strong>’s activities, and<br />
ensure that <strong>Queensland</strong> cultural<br />
history is made available to future<br />
generations.<br />
Investment <strong>of</strong> Funds<br />
Since 2002–2003, the Foundation’s financial statements have been consolidated<br />
into those <strong>of</strong> the parent entity, the <strong>Library</strong> Board <strong>of</strong> <strong>Queensland</strong>, consistent with<br />
<strong>Queensland</strong> Audit Office advice and in accordance with Australian Accounting<br />
Standards and interpretations.<br />
During <strong>2011</strong>–20<strong>12</strong> the <strong>Queensland</strong> <strong>Library</strong> Foundation continued to invest its<br />
funds in the <strong>Queensland</strong> Treasury Corporation’s Capital Guaranteed Cash<br />
Fund. The fund also includes a daily drawdown facility which allows returns to<br />
be maximised through daily monitoring <strong>of</strong> account balances and transferring<br />
between investment and operating accounts.<br />
amendment to queensland library foundation<br />
constitution in 20<strong>12</strong><br />
In May 20<strong>12</strong> the <strong>Library</strong> Board <strong>of</strong> <strong>Queensland</strong> approved an amendment to the<br />
<strong>Queensland</strong> <strong>Library</strong> Foundation Constitution and the Composition Policy under<br />
the constitution with regards to the appointment and terms <strong>of</strong> Councilors. The<br />
amendments made explicit that Councilors can only be appointed by the <strong>Library</strong><br />
Board <strong>of</strong> <strong>Queensland</strong> and provides for progressive renewal <strong>of</strong> membership.<br />
Donations can be made over the phone by contacting the Foundation <strong>of</strong>fice on<br />
07 3840 7767 or by going to the website http://www.slq.qld.gov.au/about-us/<br />
queensland-library-foundation and donating online.<br />
The Foundation has an active regular giving program that includes exclusive<br />
donor functions <strong>of</strong>fering unique ‘behind-the-scenes’ glimpses into <strong>State</strong> <strong>Library</strong><br />
acquisitions, exhibitions and activities. If you would like more information on<br />
the regular giving program please contact the Foundation <strong>of</strong>fice on the<br />
number above. All donations over $2.00 are tax deductible.<br />
Corporate giving<br />
<strong>State</strong> <strong>Library</strong> has a wide variety <strong>of</strong> benefits available to meet corporate and<br />
social investment goals. These include naming rights, brand exposure, and<br />
employee participation.<br />
We invite you to contact the <strong>Queensland</strong> <strong>Library</strong> Foundation to discuss your<br />
organisation’s individual requirements.<br />
Bequests<br />
Bequests support <strong>State</strong> <strong>Library</strong>’s primary functions such as education, access<br />
initiatives, conservation, digitisation, multimedia, outreach programs, and<br />
Indigenous projects. They help build the corpus <strong>of</strong> the <strong>Queensland</strong> <strong>Library</strong><br />
Foundation, benefiting the entire <strong>Queensland</strong> community.<br />
Bequests are a very personal decision, and we invite you to make a personal<br />
appointment if you are interested in discussing this option. Please contact<br />
Kylie Strudwick on 07 3840 7865.<br />
ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong> 27