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2011-12 Part 4 [PDF 3.0 MB] - State Library of Queensland

2011-12 Part 4 [PDF 3.0 MB] - State Library of Queensland

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Signature Spaces & Events<br />

Heritage Talks<br />

As custodians <strong>of</strong> <strong>Queensland</strong>’s<br />

documentary heritage, <strong>State</strong><br />

<strong>Library</strong> has an obligation to<br />

provide access to significant items<br />

that reveal aspects <strong>of</strong> our history<br />

and culture. <strong>State</strong> <strong>Library</strong>’s<br />

signature spaces have, over the past<br />

six years, become vital areas for<br />

clients to engage with collections<br />

and exhibitions and to become<br />

involved in programs and handson<br />

workshops – thereby enabling<br />

a high degree <strong>of</strong> access to our<br />

collections.<br />

These rooms and facilities would<br />

not have been possible without the<br />

support <strong>of</strong> key donors, and the<br />

<strong>Queensland</strong> <strong>Library</strong> Foundation would<br />

like to acknowledge the generosity<br />

<strong>of</strong> current and new donors who have<br />

supported these spaces.<br />

Dr Philip Bacon AM generously renewed his support for the Philip Bacon<br />

Heritage Gallery. The Philip Bacon Heritage Gallery exhibited three major and<br />

unique exhibitions during the year in review. Strait Home from 1 July – 23<br />

October <strong>2011</strong>, was a part <strong>of</strong> a cross-Cultural Centre first that saw <strong>State</strong> <strong>Library</strong><br />

partner with the <strong>Queensland</strong> Art Gallery/Gallery <strong>of</strong> Modern Art, <strong>Queensland</strong><br />

Museum and <strong>Queensland</strong> Performing Arts Centre in The Torres Strait Islands:<br />

A Celebration. This partnership showcased the diversity and vibrancy <strong>of</strong><br />

historical and contemporary arts and culture <strong>of</strong> Torres Strait Islander<br />

Australians. It was followed by Cane Toad Times from 5 November – 25 March<br />

20<strong>12</strong>. This exhibition exposed an alternative view <strong>of</strong> <strong>Queensland</strong> through<br />

counter-culture journalism in the late 1970s and 1980s, and was linked to the<br />

display <strong>Queensland</strong> Votes in the Talbot Family Treasures Wall. In January 20<strong>12</strong><br />

Floodlines: 19th century Brisbane was held in the Gallery featuring<br />

photographs, personal letters and other material from the historic Brisbane<br />

floods <strong>of</strong> 1890 and 1891.<br />

The Bank <strong>of</strong> <strong>Queensland</strong> Heritage Collections Learning Room continues to be<br />

a popular venue for corporate workshops and other <strong>State</strong> <strong>Library</strong> programs<br />

including events such as the 24 Hours to Massive Change Workshop with<br />

Bruce Mau, part <strong>of</strong> the Nielson Design Lecture (see page 20). Thanks to Bank<br />

<strong>of</strong> <strong>Queensland</strong> for their ongoing support.<br />

Two exhibitions were held in the Talbot Family Treasures Wall during<br />

<strong>2011</strong>–20<strong>12</strong>. In Songs from the heart: the romance <strong>of</strong> sheet music from<br />

26 March – 11 September <strong>2011</strong>, beautifully illustrated sheet music <strong>of</strong> songs<br />

<strong>of</strong> love and romance from Edwardian times to the 1950s, were on display.<br />

In a very different vein, <strong>Queensland</strong> Votes, as part <strong>of</strong> Politics & Persuasion from<br />

24 September <strong>2011</strong> – 17 June 20<strong>12</strong> showcased a collection <strong>of</strong> <strong>Queensland</strong><br />

election memorabilia from the 1920s through to the present, telling the story<br />

<strong>of</strong> our state’s political past, its players and the parties in their bid to persuade<br />

you to Vote 1.<br />

The very popular Heritage Talks<br />

series continued throughout<br />

<strong>2011</strong>–20<strong>12</strong>. Exclusive to loyal<br />

supporters <strong>of</strong> the Foundation,<br />

these talks give guests an inside<br />

and in-depth look at various<br />

aspects <strong>of</strong> <strong>State</strong> <strong>Library</strong><br />

collections and services.<br />

D e c e m b e r 2 0 1 1<br />

cOLLEction PRESERvation<br />

The work <strong>of</strong> the extremely skilled Collection Preservation team, while lesserknown<br />

than the more public areas <strong>of</strong> <strong>State</strong> <strong>Library</strong>, is nonetheless vitally<br />

important in terms <strong>of</strong> ensuring fragile and damaged items are repaired and able<br />

to be handled, as well as in digitising the collections to make these items<br />

accessible to <strong>Queensland</strong>ers, and the world.<br />

On 6 December <strong>2011</strong> Collection Preservation staff showcased the key<br />

operations involved in the conservation and preservation <strong>of</strong> our collections,<br />

image production, quarantine facility, disaster response resource and cold<br />

storage vaults.<br />

A p r i l 2 0 1 2<br />

FLOODLiNES<br />

In April annual donors were given a tour <strong>of</strong> the two-part Floodlines exhibition.<br />

Floodlines featured the use <strong>of</strong> Web 2.0 and augmented reality technologies to<br />

manipulate existing <strong>State</strong> <strong>Library</strong> collections, data and information in order to<br />

create new meaning around historic Brisbane flood events.<br />

Curator and historian Helen Gregory delved into the personal histories, events,<br />

politics and stories <strong>of</strong> recovery from the 1893 floods, as told through the exhibition<br />

Floodlines: 19th century Brisbane in the Philip Bacon Heritage Gallery.<br />

<strong>State</strong> <strong>Library</strong> Executive Manager, Learning and <strong>Part</strong>icipation, Linda Pitt guided<br />

guests through Floodlines: a living memory in the slq Gallery, a digital celebration<br />

<strong>of</strong> the power <strong>of</strong> communities, their stories and spirit arising from the summer <strong>of</strong><br />

2010–<strong>2011</strong>.<br />

In addition to hosting <strong>State</strong> <strong>Library</strong> events, the Fox Family White Gloves Room<br />

continues to be used by a wide range <strong>of</strong> individuals, special interest and school<br />

groups wishing to explore significant items from the John Oxley <strong>Library</strong>.<br />

The Tim Fairfax Newspaper Reading Room provides client access to news<br />

content through the use <strong>of</strong> databases such as NewsBank to search the<br />

Australian Newspapers collection and newspapers from across <strong>Queensland</strong><br />

and Australia. This space complements the CitizenJ project and enables<br />

<strong>Queensland</strong>ers to read, produce, publish and preserve commentary on issues<br />

<strong>of</strong> significance to society.<br />

The <strong>Queensland</strong> Terrace again played host to many events in <strong>2011</strong>–20<strong>12</strong><br />

including Brisbane Writers Festival, Brisbane International Film Festival Launch<br />

and Premier’s Design Award, in addition to significant <strong>State</strong> <strong>Library</strong> events.<br />

Thanks to all our donors who have made these beautiful spaces accessible to<br />

all <strong>Queensland</strong>ers.<br />

24 ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong><br />

ANNUAL REPORT <strong>2011</strong>– 20<strong>12</strong> 25

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