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BOOK ARTS NEWSLETTER - Book Arts - University of the West of ...

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<strong>of</strong> <strong>the</strong> whole, as <strong>the</strong> future spirals vaguely towards us from<br />

one direction and <strong>the</strong> past disappears into obscurity in <strong>the</strong><br />

o<strong>the</strong>r? Printed on transparent paper with hardcover,<br />

22 cm W x 31 cm H, handmade, limited-edition book.<br />

Ideo(t) Grammatica<br />

To demonstrate that a sentence could be grammatically<br />

correct but meaningless, Noam Chomsky proposed <strong>the</strong><br />

sentence “Colorless green ideas sleep furiously.” But <strong>of</strong> what,<br />

we might wonder, do <strong>the</strong>y dream? This book traces this<br />

language dreaming where normal grammar takes a rest.<br />

But what awakens in its place? What idiocy lies that way?<br />

Archival digital prints, 18 cm W x 26 cm H, handmade,<br />

hardcover, section-sewn, limited-edition book.<br />

37PEACES — <strong>the</strong> Puzzle <strong>of</strong> an Epiphany<br />

The pages <strong>of</strong> this book map fragments <strong>of</strong> <strong>the</strong> landscape<br />

<strong>of</strong> an image. Like reading a street directory, <strong>the</strong> reader can<br />

connect o<strong>the</strong>r, larger ongoing features across this image,<br />

navigating to <strong>the</strong> point where all <strong>the</strong> pieces might finally<br />

make sense. Archival digital prints, 19 cm W x 29 cm H,<br />

handmade, hardcover, section-sewn, limited-edition book.<br />

www.lynashby.com<br />

Heat and Dust, New work from Ambeck Design<br />

Danish <strong>Book</strong> artist and designer, Mette-S<strong>of</strong>ie D. Ambeck<br />

would like to announce <strong>the</strong> upcoming release <strong>of</strong> a new lasercut<br />

edition, extending <strong>the</strong> fruitful collaboration with artist<br />

Tom Sowden which began with her 2010 UWE residency.<br />

Page 39 www.bookarts.uwe.ac.uk<br />

Image by Ambeck used in <strong>the</strong> book<br />

Entitled ‘Dust To Dust’ <strong>the</strong> piece continues Ambeck’s<br />

combination <strong>of</strong> photographic imagery and laser-engraving<br />

facilitated by Sowden - as first seen in ‘Day Return’(2010).<br />

After <strong>the</strong> abstraction <strong>of</strong> <strong>the</strong> earlier piece, however, this<br />

new work draws from a long-term archive <strong>of</strong> Ambeck’s<br />

photography created amongst <strong>the</strong> curious, shadowed<br />

pathways and tombs <strong>of</strong> Abney Park Cemetery in Stoke<br />

Newington, North London.<br />

Traditional crafts <strong>of</strong> stone carving and masonry meet <strong>the</strong><br />

futuristic possibilities <strong>of</strong> computer-programmed laser<br />

technology to memorable effect in this intriguing piece,<br />

produced with Ambeck’s typical attention to detail and keen<br />

observational skills. The book looks both to <strong>the</strong> past and <strong>the</strong><br />

future.<br />

The book will be produced in a limited edition <strong>of</strong> ten and<br />

comes in a sturdy hand-made box, signed by <strong>the</strong> artist and<br />

carrying additional text information on <strong>the</strong> circumstances<br />

and provenance <strong>of</strong> <strong>the</strong> piece.<br />

Ambeck will be in attendance with this - and o<strong>the</strong>r new<br />

work - at <strong>the</strong> 2012 Whitechapel Gallery London Art <strong>Book</strong><br />

Fair and Small Publishers Fair, London this autumn (see<br />

Internet or BAN for details).<br />

See also http://www.ambeckdesign.blogspot.com<br />

Doverodde<br />

Twenty short prose pieces, illustrated with photographs.<br />

Nancy Campbell, Bird Editions, Oxford, 2012<br />

Doverodde shelters in an oxbow on <strong>the</strong> Limfjord, a glacial<br />

channel separating North Jutland from mainland Denmark.<br />

Nancy Campbell was writer in residence in Doverodde<br />

during <strong>the</strong> month leading up to <strong>the</strong> Doverodde <strong>Book</strong> <strong>Arts</strong><br />

Festival in May 2012. The location lay behind <strong>the</strong> choice<br />

<strong>of</strong> <strong>the</strong>me for <strong>the</strong> Festival: On The Margins (or ‘Udkant’<br />

in Danish).

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