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CLASS B DESCRIPTION COEFFICIENT Double Mapes 5.5 Double Toe Walley 5.5 Double Salchow 5.5 Double Flip 6.0 Double Euler 6.0 Double Lutz 7.0 Double Loop 7.0 Double Bockle 8.0 Double Axel Paulsen 8.0 CLASS C DESCRIPTION COEFFICIENT Flip 2.5 Euler 2.5 Lutz 3.5 Wilson 3.5 Lutz without toe 3.5 1 ½ Flip, 1 ½ Lutz 3.5 Split Flip/Lutz 3.5 Loop 3.5 Loop (IF – OF) 3.5 Collridge 4.5 Boeckle 4.5 Axel Paulsen 4.5 CLASS D DESCRIPTION COEFFICIENT Waltz Jump 1.5 Mapes 2.0 Toe Walley 2.0 Salchow 2.0 Split Mapes/Toe Walley 2.5 CLASS E Description Factor Half Lutz 1.0 CIPA RULE BOOK 2013 48
Half Flip 1.0 Half Mapes 1.0 Stag Leap 0.5 Split 0.5 Bunny Hop 0.5 Mazurka 0.5 Flying turns (3’s), Brackets, Rockers, Counters, Mohawk, Choctaw are not to be considered as recognized jumps. CLASS E jumps can be used in the choreography of short programmes. Each rotation in the air must be complete. In case of under rotation (by more than a quarter) the jump will be considered of lower degree (double instead of triple, single instead of double). An under-rotated single Axel will not receive credit at all. The score inside each class (single, double, triple) will depend on the quality of the jump. To be considered: momentum, height, travel, take-off and landing edges, body position, sureness and control. 6.10.03 TOE-LOOP (MAPES) The GOOD execution of the element: A Toe Loop (Mapes) performed with a turn of the toe stop of no more than one-quarter of a rotation or less, whilst the employed foot is on the floor and the body position is a maximum of one-quarter turned without opening the left arm/shoulder. This will be given full value and be considered a good execution. The FAIR execution of the element: A Toe Loop(Mapes) performed with a turn of the toe stop of more than one-quarter of a rotation whilst the employed foot is on the floor, and the body position is a maximum of one-quarter turned without opening the left arm/shoulder. This will be given half value of No.1. above. The BAD execution of the element (Open Toe Loop) A Toe Loop(Mapes) performed with a turn of the toe stop of more than one-quarter of a rotation whilst the employed foot is on the floor and the body position is turned more than one-quarter and the left arm/shoulder is open. FR 6.11 Footwork 6.11.01 There are three classifications of footwork sequences in freeskating. ADVANCED movements are constructed of steps involving one-foot turns and also include Loops. SECONDARY movements involve step sequences consisting of two-foot turns. PRIMARY movements, the most basic kind of free skating footwork, involve step sequences, which do not involve any kind of turn. FR 6.12 Spins 6.12.01 A centered spin is a series of continuous rotations around a stationary axis, which passes through a portion of the body. A spin must be more than one rotation (which would actually be a loop) with the standard definition being three or more rotations in the specified position and edge. The spin must be spotted and spin around its point of origin. The most important factor in the execution of any spin is body control. An analysis of a spin reveals three key components: the entrance, the spin CIPA RULE BOOK 2013 49
Page 2 and 3: FORWARD This publication represents
Page 4 and 5: Cooperating with CIPA: Richard Guss
Page 6 and 7: SR 3.07 FALL ...................
Page 8 and 9: DS 8.18 ITALIAN FOXTROT (96) .
Page 10 and 11: 1. BASIC REGULATIONS BR 1.00 Title
Page 12 and 13: 1.06.13 Acting on other matters as
Page 14 and 15: BR 1.16 National Federation Reports
Page 16 and 17: TR 2.03 Organization of Events 2.03
Page 18 and 19: 2.06.08 No application will be acce
Page 20 and 21: delegates, club or member. The orga
Page 22 and 23: 2.14.05 The size of the awards shal
Page 24 and 25: SR 3.06 Interruption of Skating 3.0
Page 26 and 27: 3.10.05 If a team fails to complete
Page 28 and 29: SR 3.14 Costume Requirements (Show)
Page 30 and 31: Artistic Championship or a Continen
Page 32 and 33: 4.05.13 Under exceptional climatic
Page 34 and 35: 4.08.06 The CIPA Executive Committe
Page 36 and 37: FS 5.02 Figure Diagrams and Descrip
Page 38 and 39: FS 5.08 Starts 5.08.01 Starts shall
Page 40 and 41: 5.15.04 The turns shall be executed
Page 42 and 43: 6.02.04 General: • The single ele
Page 44 and 45: intricate variety of footwork, Arti
Page 46 and 47: projection of ease, accomplishment,
Page 50 and 51: FR 6.13 itself, and the exit. These
Page 52 and 53: FR 6.18 Spin Jump Change Spin 6.18.
Page 54 and 55: PS 7.00 General 7. PAIRS SKATING 7.
Page 56 and 57: 3. The couple MUST INCLUDE one spir
Page 58 and 59: 7.11.04 The lift should exhibit smo
Page 60 and 61: DS 8.00 General 8. DANCE SKATING 8.
Page 62 and 63: DS 8.06 Order of Skating the Free D
Page 64 and 65: After the rocker the woman’s free
Page 66 and 67: DS 8.20 Quickstep (112) 8.20.01 The
Page 68 and 69: 8.26.08 The character of the dance
Page 70 and 71: DS 8.29 Free Dance Technical Limita
Page 72 and 73: DS 8.33 • Is the structure of the
Page 74 and 75: SD 9.00 General 9. SOLO DANCE 9.00.
Page 76 and 77: CF 10.00 10. COMBINED FIGURE AND FR
Page 78 and 79: PR 11.02 Scoring Precision 11.02.01
Page 80 and 81: SS 12.00 General 12. SHOW SKATING 1
Page 82 and 83: 12.04.02 Two marks will be awarded.
Page 84 and 85: 13. INLINE SKATING IS 13.00 General
Page 86 and 87: 14. GLOSSARY OF SKATING TERMS A ACC
Page 88 and 89: CHOCTAW A two-foot turn from a forw
Page 90 and 91: DIAGRAM DIRECTION a) a drawn or pri
Page 92 and 93: JUMP LANDING LEADING LEADING PARTNE
Page 94 and 95: OFFICIAL OPEN OPTIONAL OPENING STEP
Page 96 and 97: ROLL a) REGULAR - a natural movemen
Page 98 and 99:
SPLIT STAG STANCE START STARTING ST
Page 100 and 101:
TRACE TRACING TRACKING TRANSITION T
Page 102 and 103:
APPENDIX 1 - FIGURE DIAGRAMS DESCRI
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IMPERIAL TANGO Beats of Music Step
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ROCKER FOXTROT By Eva Keats and Eri
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CIPA RULE BOOK 2013 108
Page 110 and 111:
FLIRTATION WALTZ Beats of Music Ste
Page 112 and 113:
FOURTEEN STEP By Franz Scholler Mus
Page 114 and 115:
Page 116 and 117:
HARRIS TANGO Beats of Music Step Ho
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THE DENCH BLUES By Robert Dench and
Page 120 and 121:
Page 122 and 123:
THE 14 STEP PLUS for Solo Dance Ori
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Page 126 and 127:
WESTMINSTER WALTZ Step Hold Beats o
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VIENNESE WALTZ By Erik Van der Weyd
Page 130 and 131:
Page 132 and 133:
STARLIGHT WALTZ Beats of Music Step
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STARLIGHT WALTZ (Small Pattern used
Page 136 and 137:
ITALIAN FOXTROT by Odoardo Castella
Page 138 and 139:
Page 140 and 141:
ICELAND TANGO Beats of Music Step H
Page 142 and 143:
Page 144 and 145:
THE QUICKSTEP Beats of Music Step H
Page 146 and 147:
PASO DOBLE By Reginald Wilkie and D
Page 148 and 149:
THE PASO DOBLE Beats of Music Step
Page 150 and 151:
THE ARGENTINE TANGO By Reginald Wil
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Page 154 and 155:
THE CASTEL MARCH By Odoardo Castell
Page 156 and 157:
Page 158 and 159:
Step 20 starts as a RFI cross behin
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(see notes) 18 RFO-swing- twizzle 4
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DANCE POSITION Hand in Hand Positio
Page 164 and 165:
Kilian Position: Partners face in t
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5a bi 1 Tbo 2 Salchow 5b bi 2 Tbo 4
Page 168 and 169:
APPENDIX 4 - FOOTWORK SEQUENCES FOR
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Axel Loop Lutz Flip Salchow Toe Wal
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“B” MARK Owing to the unusual f
Page 174 and 175:
Another key aspect of artistic impr
Page 176 and 177:
Straight Line Patterns - Short and
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E. Cartwheel 1. T position 2. T pos
Page 180 and 181:
Around the Back Lift. The starting
Page 182 and 183:
Kick Over Flip Lift The lift begins
Page 184 and 185:
Press Lift(two-handed, layout posit
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Cartwheel (T position) Accomplished
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Militano Lift (one-handed and no-ha
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B. Hazel spin C. Lay Over Camel 1.
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SPIN DESCRIPTIONS Hand in Hand Upri
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Face to Face Inner Back Sit Spin Us
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leg in a straight line from head to
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4. lift not fully extended; 5.sitti
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*Lift must carry the floor (not spi
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DEATH SPIRAL 1. entrance should sta
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DEATH SPIRAL Score from 0.5 to 1.2.
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Class A - Score from 1.0 to 1.2 1.
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Page 210 and 211:
3. Distance should be no more than
Page 212 and 213:
APPENDIX 8 - TURN/LOOP FIGURE ANALY
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APPENDIX 9 - CIPA DEDUCTIONS FIGURE
Page 216 and 217:
4. Each combination jumps performed
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