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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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CONTENTS >><br />

06> RAISING THE BAR<br />

To drink like Humphrey Bogart, look to these glass acts<br />

10 >> TRASH TURNS TO TREASURE<br />

Tyler Vreeling repurposes everything from old skis to scrap metal<br />

13 >> FURNITURE BY DESIGN<br />

Four solo woodworkers are showing how it’s done on the East Side<br />

15 >> EXTREME MAKE-OVER STORY<br />

A local townhouse gets a reno that’s as sustainable as it is wildly artistic<br />

24 >> GOING BACK TO THE FUTURE<br />

Build a retro fantasy kitchen around ‘50s-style appliances<br />

26 >> A FOOT IN THE DOOR?<br />

Does the buyer’s market give new hope to the single house hunter?<br />

30 >> THE ART OF COMPOSTING<br />

Insiders share tricks on how apartment dwellers can get worms working<br />

33 >> BIRDS OF A FEATHER<br />

A Bambi’s forest full of critters dances across Track and Field’s soft furnishings<br />

22<br />

DUTCH<br />

OVENS<br />

29<br />

TURNING<br />

JAPANESE<br />

ON THE COVER> COFFEE TABLE AND ENTERTAINMENT UNIT IN WALNUT AND ORANGE GLASS, AND MIRRORED<br />

STORAGE UNITS, CHRISTIAN WOO DESIGN + BUILD AND FRUITION DESIGN PHOTO> TREVOR BRADY<br />

GEORGIA STRAIGHT<br />

<strong>LiViNG</strong><br />

MAGAZINE<br />

34<br />

HOME<br />

BODY<br />

VOLUME 4<br />

NUMBER 15<br />

EDITOR Janet Smith<br />

ART DIRECTOR Gemma Burgess<br />

CREATIVE DIRECTION Mark Pilon / Janet McDonald<br />

NATIONAL SALES DIRECTOR Tony Barnes 604-730-7030<br />

WESTERN CANADIAN ADVERTISING Patrick Ruel 604-730-7027<br />

NATIONAL ADVERTISING (TORONTO) DPS Media Inc. 416-413-9291<br />

PUBLISHER Dan McLeod<br />

<strong>Georgia</strong> <strong>Straight</strong> Living is published four times a year by the Vancouver Free Press Publishing Corp.<br />

Entire contents copyright 2008 Vancouver Free Press Publishing Corp.<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

5<br />

1701 WEST BROADWAY, VANCOUVER, B.C. V6J 1Y3<br />

PHONE: 604-730-7000 FAX: 604-730-7010 E-MAIL: INFO@STRAIGHT.COM


FRONT OF HOUSE>><br />

ARCHITECTURAL ACCENTS<br />

Well-known local architect Peter Cardew is bringing<br />

the sleek, studied contemporary lines of his<br />

buildings to a new furniture collection at 18 Karat<br />

Home Store (3039 Granville Street). Pieces include<br />

almost monastically minimalist benches,<br />

stools, and tables made from slatted oak (see<br />

left); rectangular marble coffee and side tables<br />

that come in white, black, and two shades of<br />

grey (below); and striking, multitextured sofas<br />

that blend leather and felted wool, rectangles<br />

and cylindrical cushions. Prices range from about<br />

$480 for a wood stool to about $2,300 for a sofa.<br />

KID-FRIENDLY<br />

White Rock–based Fu-Shun Baby already<br />

has some celebrity fans: Gwyneth Paltrow<br />

was spotted with one of the line’s chic<br />

diaper bags. Now the company’s designer,<br />

Carli Morrison, is venturing into nursery décor.<br />

Funky deco zoo animals emblazon a set<br />

of four, eight-by-eight-inch natural-canvas<br />

frames ($89). The wall art comes in two mod<br />

printed patterns. There’s also a three-canvas<br />

version bearing A, B, and C ($89). Look for<br />

them at Crocodile (2156 West 4th Avenue),<br />

Langley’s Frogs Hollow (20159 88th Avenue),<br />

South Surrey’s Baby Cheeks (14012 32nd<br />

Avenue), and www.fu-shundesigns.com.<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

6<br />

ISN’T THAT SPECIAL?<br />

Contemporary-design-minded Vancouverites have<br />

a new place to go for inspiration, and it’s located in<br />

the heart of the city’s hippest ‘hood. Opened in April<br />

by UBC architecture and art-history grad Anne Pearson,<br />

Vancouver Special (3612 Main Street) caters to the<br />

aesthetically obsessed with books, furniture, art, and<br />

accessories from Scandinavia, Japan, and the United<br />

States. We’re drooling over the sweet gadgets made<br />

by Boston-based Tivoli Audio and the Jetlag wall clock<br />

from Italy’s Nava Design (shown above; $130). Look for<br />

local goods, too, including Gailan Ngan’s ceramics.<br />

GLOBAL GRAPES<br />

Nobody can say that readers of 1001 Wines You<br />

Must Taste Before You Die (Universe, $39.95) aren’t<br />

ambitious. Those who find pleasure in not just<br />

drinking but chasing down the world’s finest vino<br />

now have a guide. With contributions by global<br />

wine scribes edited by U.K. wine writer Neil Beckett,<br />

the tome reviews a globe’s worth of bottles.<br />

Only two Canadian tipples make the cut—both<br />

B.C. icewines, from Inniskillin and Mission Hill. Not<br />

a drinker? Chomp on 1001 Foods You Must Taste<br />

Before You Die (Universe, $39.95) instead.


Hike, Bike and Raft in Patagonia. Take a walking<br />

tour in Bordeaux. Ride an Elephant in Thailand.<br />

Choose your own way to get around.<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

SEE THE NEW 18KARAT COLLECTION OF FURNITURE DESIGNED BY<br />

PETER CARDEW ARCHITECTS 3039 GRANVILLE STREET AT 14TH<br />

VANCOUVER, BC WWW.EIGHTEENKARAT.COM 604.742.1880<br />

A Health Clinic Designed with You in Mind<br />

Bring this<br />

ad with you<br />

and receive a<br />

FREE<br />

laser or skin<br />

consultation.<br />

www.integrativespa.ca<br />

At Integrative Healing Arts we are dedicated to the science of<br />

understanding and seeking therapies that will allow our patients<br />

to “look and feel their best” through every phase of their life.<br />

4 Naturopathic Physicians<br />

Medical Physician<br />

Chiropractor<br />

Traditional Chinese Medicine<br />

Rolfi ng & Massage Therapy<br />

Natural Dispensary<br />

Lab & I.V. Therapies<br />

Age Management & Life Enhancement<br />

Thermography Breast and Body Exams<br />

Effective Weight Loss Program<br />

Medical Spa with Full Laser Services<br />

Enjoy our beautiful facility with a supportive and understanding<br />

team. Phone and book a consultation with one of our health care<br />

professionals. Visit our website www.integrative.ca for more<br />

information or phone (604) 738-1012 to book your appointment.<br />

Integrative Healing Arts<br />

Suite #730-1285 W. Broadway<br />

Vancouver, B.C. V6H 3X8<br />

www.integrative.ca<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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24th ANNIVERSARY SALE!<br />

20-40% off!<br />

LARGE SELECTION<br />

OF IN STORE SPECIALS<br />

AND QUALITY<br />

DISCONTINUED ITEMS!<br />

extension dining table<br />

299.<br />

www.moblerfurniture.com<br />

NOW IS THE TIME FOR BIG SAVINGS!<br />

<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

8<br />

VISIT OUR IN-STORE<br />

CLEARANCE<br />

CENTRE<br />

Store hours: Mon. - Friday 10 AM till 9 PM,<br />

Sat. & Sun. 10 AM till 6 PM<br />

599.<br />

<br />

<br />

<br />

<br />

3351 SWEDEN WAY, RICHMOND TEL: 604 270-3535


Affordable<br />

Luxury<br />

DESIGN>><br />

DESIGNER TYLER<br />

VREELING EXPLAINS<br />

HIS UPCYLING IDEAS<br />

AT THE VANCOUVER<br />

HOME + INTERIOR<br />

DESIGN SHOW.<br />

TRASH TURNS TO TREASURE<br />

BY JOHN LUCAS<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

10<br />

Find That “Wow” Factor<br />

“You will not find better<br />

consignment stores in London,<br />

New York, or Paris…<br />

we promise!<br />

the Carriage House<br />

High Quality Home Furniture & Accessories<br />

505 Railway Street,<br />

Vancouver, BC V6A 1A7<br />

phone & fax 604-215-0187<br />

www.carriagehouse@telus.net<br />

www.carriagehouse505.com<br />

Tyler Vreeling is a relative newcomer to the<br />

design world—he graduated from the University<br />

of Alberta’s industrial-design program just<br />

last year—but he already has change on his<br />

agenda. “There seems to be this disconnect with not<br />

only public perception but designers’ perception of<br />

what design is,” he says on the line from his Edmonton<br />

office. “And we seem to get caught up in just making<br />

things look pretty. Even in an industrial-design sense;<br />

even though we’re designing something that has a<br />

function, we seem to want to just dress it up and make<br />

it look good, and that is considered ‘design’. I have a<br />

huge, huge problem with that.”<br />

Vreeling, who founded Fat Crow Design upon graduation<br />

and made a major splash last summer with his<br />

White Moose line of Canadiana-themed furniture and<br />

home accessories, figures he has a responsibility to<br />

use his talents to make people’s lives better. Toward<br />

that end, he intends Fat Crow’s future projects to focus<br />

on universal design (“making everything accessible to<br />

everybody,” is how he explains it), and the creation of<br />

products for people with specific disabilities.<br />

In the meantime, Vreeling has become one of the<br />

country’s most visible advocates of “upcycling”, a<br />

vocation he took up this spring, when the Edmonton<br />

Home and Garden Show asked for his help with<br />

a project called Re-Use. “They wanted me to create<br />

some objects out of garbage to promote reuse,” he<br />

says simply. The idea was to encourage the public to<br />

repurpose old furniture and scrap materials by turning<br />

them into something new rather than sending them to<br />

the landfill. “We’re promoting several different things<br />

through this, although reuse is probably the most<br />

prominent—repurposing something that was meant<br />

to do a specific job or fill a function, and making it do<br />

something new using as little energy and waste as<br />

possible.” Hence upcycling as opposed to recycling;<br />

the latter requires the reprocessing of materials, often<br />

through chemical treatment, and is therefore not always<br />

as “green” as we would like to believe.<br />

For the Re-Use project, Fat Crow came up with a<br />

number of one-of-a-kind objects. These include a coat<br />

rack constructed from skis, with a car’s brake rotor as<br />

a base; stylish hanging lamps formed from scraps of


SCRAPS OF SHEET<br />

METAL FIND MOD<br />

NEW FORM IN<br />

THESE DRADER<br />

LAMPS ($350 FOR<br />

THE SET).<br />

sheet metal; and a room-dividing<br />

screen made from old closet doors<br />

held together with hinges.<br />

Vreeling credits his background as<br />

an Alberta farm boy with giving him<br />

an ingrained affinity for upcycling.<br />

“I think farmers really get this and<br />

have embraced it in their lives,” he<br />

insists. “Growing up, we would use<br />

old cans in the shop, or old jugs to<br />

use as shelving compartments for<br />

different screws and nails and things.<br />

We would always have a bunch of<br />

scrap metal beside the shop. We<br />

were quite far north, so it was hard to<br />

get parts, but if a piece of equipment<br />

broke down, we could just chop up<br />

some metal and weld it together and<br />

create our own new part.”<br />

It’s a way of living that our big-city<br />

culture could learn something from,<br />

and Vreeling notes that designsavvy<br />

urbanites are just as prone to<br />

the throwaway mentality as everyone<br />

else—if not more so. “With the<br />

modern/minimalist aesthetic that<br />

most people seem to embrace in<br />

magazines and in our visual culture<br />

through publications like Dwell,<br />

they think that having a room full<br />

of scrap stuff is somehow ungodly,<br />

that it doesn’t serve a purpose in<br />

their life, or that they’re above that,”<br />

he says. “They’ll just buy something<br />

new. Well, granted, they may have<br />

the money to do so, but is it worth<br />

doing that, in raping the environment<br />

more?”<br />

Vreeling will offer more compelling<br />

food for thought when he<br />

discusses Re-Use at the Vancouver<br />

Home + Interior Design Show,<br />

which runs October 16 to 19 at B.C.<br />

Place. See www.bchomeandgardenshow.com<br />

for details. -<br />

FAT CROW DESIGN’S<br />

CACTUS COAT RACK<br />

($500) PUTS OLD<br />

SKIS TO NEW USE.<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

12


FURNITURE BY DESIGN<br />

FROM THEIR EAST SIDE STUDIOS, FOUR NEW TALENTS ARE PUTTING FRESH<br />

SPINS ON WOOD. LOOK FOR THEM NEXT MONTH ON THE CULTURE CRAWL<br />

BY JANET SMITH / TREVOR BRADY PHOTO<br />

KURT DEXEL >><br />

DEXEL MODERN CRAFTED FURNITURE<br />

WWW.DEXELMODERN.COM<br />

Kurt Dexel comes to furniture design from<br />

the world of engineering, or, as he puts it,<br />

“Woodworking was a hobby—a hobby<br />

gone bad, or good, I guess.” Just over<br />

two years ago he turned to his passion full-time,<br />

launching a line of bold one-of-a-kind and custom<br />

pieces that celebrate refi ned form as much as the<br />

beauty of wood. Dexel’s biggest infl uences are<br />

midcentury and Danish modern, with a little spaceage<br />

thrown in: “Somebody said to me the other<br />

day that I must have liked The Jetsons.…With my<br />

work, you get this really natural material with this<br />

modern look.” Dexel’s engineering background<br />

seems to play out most in his process: he executes<br />

sketch after sketch, prototype after prototype, until<br />

he gets the design right. Signature pieces include<br />

the Boomerang chair and ottoman (shown here),<br />

a marvel of sharp lines and angles, crafted from<br />

black walnut, eastern maple, and leather (about<br />

$3,800); and the Parallam table, two tiers of salvaged<br />

Parallam construction wood that seem to<br />

fl oat over a smaller oak support underneath (about<br />

$1,500). Dexel’s work also sells at Granville Island’s<br />

Wood Co-op (1592 Johnston Street).<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

13


CHRISTIAN WOO >><br />

CHRISTIAN WOO DESIGN + BUILD<br />

WWW.CHRISTIANWOO.COM<br />

Woodworker Christian Woo likes to<br />

keep his designs minimalist, but with<br />

his materials, it’s a different story.<br />

He celebrates the grains of woods<br />

like ash, walnut, and European birch, and recently,<br />

he played coloured glass off dark wood in a funky<br />

black-and-orange stereo cabinet he designed for<br />

a client. “I like the detail to be pared back to simple<br />

lines and how the piece fi ts in an overall environment,”<br />

says Woo. “If a piece doesn’t stand out,<br />

that’s a good thing.” Woo’s gift for integrating his<br />

sleek cabinetry, tables, bureaus, and benches into<br />

an interior may stem from an earlier stint in landscape<br />

architecture and the fact that he shares his<br />

current studio space with an architect. For his threeyear-old<br />

line of mostly custom work, he also draws<br />

on an apprenticeship in European cabinetmaking<br />

and the inspiration of Japanese and Scandinavian<br />

designs. Prices range from about $2,000 for a coffee<br />

table to about $4,500 for a large dining table—all<br />

handmade. “The stuff I build is the stuff I love,” he<br />

says of both his premade and custom work. “If<br />

somebody wants a Shaker-style kitchen, well, I’ll<br />

gladly refer them to someone else.”<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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SANDRA CORBETT >><br />

WWW3.TELUS.NET/SANCORDESIGNS<br />

Cabinetmaker Sandra Corbett’s pieces<br />

are all about style on the outside but<br />

practicality on the inside. The designer’s<br />

signature zebrano-veneer Cellarette<br />

end table (shown here) opens up to reveal six<br />

handy slots for wine bottles; a drop-down door<br />

even becomes a holder for two wineglasses. “I<br />

really try to put storage in the piece,” says Corbett,<br />

who’s worked in the fi eld for a decade but broke<br />

out on her own two years ago. “I hope they’ll be<br />

art pieces, but also very functional—not to sit in a<br />

corner that nobody touches.” Corbett’s practical<br />

approach often extends to her materials, as well:<br />

the dark, charismatic zebrano was all scrap that a<br />

shopmate was going to chuck; another end table<br />

was crafted out of an old, white-oak pew no longer<br />

wanted by a Marpole church. “I don’t waste a lot<br />

of wood because I have a real hard time throwing<br />

stuff out,” admits Corbett. The designer concentrates<br />

on wall units, shelving, cabinets, and even<br />

closet organizers, but her streamlined freestanding<br />

pieces (with prices that can run from $500 to $1,500)<br />

encompass everything from attractive storage<br />

boxes to fl ip-open card tables.<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

15


BEN BURNETT >><br />

ZILLION DESIGN<br />

WWW.ZILLIONDESIGN.COM<br />

Ben Burnett’s background in sculpture infl u-<br />

ences much more than the form his wood<br />

furnishings take. Sure, his bold Monolith<br />

lamp, an avant-garde pillar of wood cut<br />

through with a slice of fl uorescent light, is as much<br />

a striking work of art as a functional piece. But the<br />

fact that it’s made from reclaimed fi r and aluminum<br />

speaks to his years as a visual artist, too: “I had no<br />

money and I was always scrounging materials. So it<br />

was more economic,” he explains. Salvaged wood<br />

also fi nds its way into his other expressive pieces,<br />

whether it’s the fi r on a Pendant Turbine lamp or the<br />

reclaimed ebony that mixes with African mahogany<br />

and Brazilian cherry on his streamlined, multifunctional<br />

Slide table (shown here). Still, for Burnett<br />

(whose prices range from as low as $50 for wallmounted<br />

coat racks to $6,000 for a high-impact dining<br />

table), it’s his sculptural spin on tables, cabinets,<br />

lamps, and shelving that makes his work unique<br />

and so unexpected. He’s inspired by the modernist<br />

style, a few years spent in Japan, and the fact that<br />

he shares his studio space with veteran woodworker<br />

Peter Pierobon. “But in my work, function usually<br />

follows form,” he says. -<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

16


Thank You Vancouver<br />

for voting us the<br />

Best Antique/Reproduction<br />

furniture store<br />

Classic Chinese Interiors<br />

for Modern Living<br />

PEKING LOUNGE 83 E. PENDER ST.<br />

VANCOUVER 604.844.1559<br />

WWW.PEKINGLOUNGE.COM<br />

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2 bedroom homes priced from $390,600<br />

Every once in a while life offers an opportunity that surpasses all<br />

expectations. Motif is a spacious urban retreat centrally located<br />

in Burnaby’s vibrant Brentwood community. Interiors are a sleek,<br />

sophisticated blend of wood, glass and stainless steel, and stunning<br />

views set the mood night and day. Imagine the convenience of having<br />

shops, restaurants, and a private fitness spa an elevator ride away<br />

– and being just 15 minutes from downtown by Skytrain. A home<br />

at Motif will shape the quality of your future. Seize the moment.<br />

Your Defining Moment<br />

SALES OFFICE<br />

1801 Rosser Avenue, Burnaby BC<br />

Open noon to 5PM daily<br />

(closed Fridays)<br />

604.298.8800<br />

www.motifatciti.com<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

17


| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

1<br />

INspiration…<br />

World Class Furnishings,<br />

Down to Earth Prices<br />

Celebrating their sixth anniversary this year, INspiration continues to be the premier and fastest growing home and office furniture<br />

showroom in Vancouver. With the addition of Bo Concept Urban Design two years ago and the newly revamped Natuzzi Gallery showcasing<br />

an extensive collection of sleek, contemporary Italian seating and accessories, INspiration has reestablished it’s<br />

ongoing commitment to aesthetically beautiful modern furniture at a great value, all in one convenient location.<br />

INspiration is also confident that their in-house designers and sales staff can help you achieve a stunning home with an<br />

everyday low-price guarantee that assures you the utmost value for your money. Come visit us soon and see for yourself.


RENOVATIONS>><br />

EXTREME<br />

MAKE-OVER<br />

STORY<br />

AN ARTIST, A LIGHTING<br />

DESIGNER, AND A FURNITURE<br />

MAKER TRANSFORM A TOWNHOUSE<br />

BY PATTY JONES<br />

NEOPOLITAN BAMBOO CABINETS<br />

SET OFF ULTRAMODERN<br />

APPLIANCES, A WHITE CORIAN<br />

COUNTER, AND EXPANSES OF<br />

BAMBOO FLOORING THE<br />

COLOUR OF DARK COFFEE.<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

20<br />

Last winter, before retreating to its current<br />

corner in the dining room of artist Marianna<br />

Gartner and lighting designer Gabor Csakany’s<br />

newly renovated condominium, the<br />

antique aluminum prosthetic leg with the wooden<br />

foot was busy being a prop.<br />

Gartner was using it for a painting, inspired<br />

by a 1934 work by French artist Alfred Courmes,<br />

that soon sold in Berlin. But the prosthetic,<br />

scooped from a Vancouver antique shop, hasn’t<br />

got a leg to stand on among all the other curios<br />

in Gartner and Csakany’s Fairview Slopes<br />

townhouse. Pistol-packing Hungarian wooden<br />

rabbit? Check. Spanish gargoyle? Check. “A lot<br />

of things are from our travels,” Gartner says in<br />

an interview at their home.<br />

These things reside in an airy 1,440-squarefoot,<br />

three-storey abode that is one bathroom<br />

short of completing its 11-month-long transformation.<br />

There is a sunlit atrium with an 18-foot<br />

ceiling, a kitchen where stripy Neopolitan bamboo<br />

cabinetry flanks ultramodern appliances,<br />

and expanses of bamboo flooring the colour of<br />

dark coffee. But this is now. There was a “then”.<br />

“I called it a wormhole,” says Gartner, describing<br />

the 1983-built townhouse when they first<br />

stepped inside last fall. “It was very dated, very<br />

dingy. It had dirty wall-to-wall carpeting; dingy<br />

paint; dated, dingy kitchen and bathrooms.”<br />

“I liked the architectural details, but otherwise<br />

I wouldn’t buy it,” Csakany says. “I knew Gabor<br />

could fix anything,” says Gartner.<br />

They soon had keys to “anything” and were<br />

ripping out its carpets and gutting its kitchen of<br />

pesky datedness.<br />

They went four months kitchenless. Renovating<br />

can make grown people weep, but if anyone<br />

cried, they’re not saying. “You hear horror stories,”<br />

says Gartner. “We’re not angels, but we get along<br />

really well renovating.”<br />

Csakany and their aged Saab made trips to<br />

environmentally friendly GreenWorks Building<br />

Supply. “He’s proud of the lugging that old<br />

Saab can do,” Gartner says. The Saab lugged<br />

coffee-coloured and Neopolitan bamboo. It<br />

lugged PaperStone countertop. It lugged a<br />

lean, brushed-metal fridge and a deep, chic<br />

Quebec-made bathtub. Csakany and Gartner<br />

lugged things up and down staircases.<br />

“We were a team,” Gartner says, “but Gabor<br />

does most of it.” “Most of it” meant laying bamboo<br />

flooring almost entirely himself, including on<br />

wraparound stairs. It meant setting Italian-ceramic<br />

tile around a fireplace, in an entranceway, and in<br />

a bathroom. He installed radiant heating under<br />

floors. He put in a German stovetop, designing<br />

and installing the hood and backsplash. He added<br />

aluminum ledges and wood-chip beams that share<br />

a warm, zebra sensibility with the kitchen cabinetry.<br />

“There has to be a kind of flow,” says Csakany.<br />

Csakany is a man who lights up a place. “We<br />

hoped there would be enough light. We knew<br />

there would be if we did this,” Gartner says.<br />

“This” was removing a floor from the glassblocked<br />

atrium’s top level. Light flooded into<br />

what they envisioned would be the artist’s studio<br />

below. Now, she is working, painting surreal, often<br />

macabre twists on Victorian-style portraiture.<br />

Gartner shows mainly at Berlin’s Galerie Michael<br />

Haas and Galerie Haas & Fuchs. (The couple just<br />

spent six months away while she painted in Berlin,<br />

putting a halt to renovations.) In November,<br />

she’ll show solo at New York’s Max Lang Gallery.<br />

“I’m doing a few extra paintings, little heads on<br />

wood panels,” she says.<br />

Gartner chipped out tile and transformed<br />

walls from hospital greens, burgundies, and<br />

“bad” yellows to pale greys and off-whites. In<br />

the kitchen, Csakany installed monopoints and<br />

German-made halogens. He reconfigured an<br />

aluminum dining-room chandelier into something<br />

they now aptly call “the bird’s nest”.<br />

He is a man to whom people give lights<br />

that won’t work. In the living room upstairs, he<br />

strung 1910-style light bulbs he calls “pigtails”<br />

along a thin cable. Blue LED lights Csakany installed<br />

down the staircase make it feel like an<br />

ultracool airport runway.<br />

“I put in my two cents,” Gartner says. At least one<br />

of those cents went into the kitchen. They couldn’t


decide on the countertops. And there<br />

were other questions. At GreenWorks,<br />

they’d heard about Utility Furniture’s<br />

Derek Morton, a Vancouver designer<br />

and installer of furniture and, notably,<br />

kitchens. “We looked at a table he’d<br />

made and we hired him,” Gartner says.<br />

“You know how it goes with renos.<br />

They were conflicting,” Morton says,<br />

laughing, on the line from Brunswick<br />

Beach. He is working on his “biggest<br />

job yet”: bathrooms, a home office,<br />

and millwork on a beachfront house<br />

for West Coast–modern design firm<br />

BattersbyHowat. “It’s a lot nicer than<br />

my windowless shop.”<br />

His shop is at artisan-central 1000<br />

Parker Street. From making furniture on<br />

his balcony “for fun”, he now designs and<br />

installs full-time for everyone from private<br />

clients to the Diane Farris Gallery to<br />

Café Medina. His style, he says, is “urbancontemporary<br />

natural. I love the city, but I<br />

also love nature. I try to combine that into<br />

something usable but interesting.” He<br />

also likes interesting clients.<br />

“Gabor and Marianna are great,<br />

very artistic and creative,” says Morton.<br />

“You’ve seen his lighting and her paintings—they<br />

have unique art everywhere.<br />

What makes the house is their incredible<br />

style.” What Gartner didn’t think was her<br />

style was the white Corian countertop<br />

Morton suggested for the kitchen.<br />

But she reconsidered. “Our ideas met<br />

and Derek got Marianna’s approval,”<br />

Csakany says, smiling. Morton designed<br />

and built stunning, deep-drawered<br />

Neopolitan bamboo cabinets, topping<br />

them with striking white Corian countertops.<br />

“Derek was right,” Gartner says,<br />

adding, “It looks cool, contemporary. It<br />

really lifts up the whole kitchen.”<br />

Morton got the bathroom-cabinetry<br />

gig too. Csakany hand-plastered clay<br />

walls. Waiting were a dual-flush toilet,<br />

modern above-counter sinks, and Csakany’s<br />

rare, art deco hood ornament from<br />

an old Australian Holden car—a reclining<br />

naked lady who will prop up toilet-paper<br />

rolls. Morton framed the massive existing<br />

mirror in bamboo. Ready for the countertop<br />

was the black PaperStone, made of<br />

ground, recycled-paper pellets, resined<br />

and compressed. “I’d always wanted<br />

to work with it,” says Morton. “And it’s<br />

green,” he says, not meaning the colour.<br />

Gartner’s and Csakany’s tastes and<br />

creations are everywhere in the townhouse.<br />

A cool, black church pew enjoys<br />

a rebirth as dining-room seating. “It was<br />

10 feet long. I cut it down to seven,” says<br />

Csakany. A 1950s airplane lamp sits in a<br />

corner, a witty ceramic urn by Canadian<br />

artist Kirsten Abrahamson in the stairwell.<br />

Everywhere, too, are Gartner’s arresting<br />

paintings. On the dining-room<br />

wall is her Diablo Baby, plump and<br />

jolly. It has devil and skeleton tattoos.<br />

Horns curl from its forehead. Gartner<br />

jokes that she is always promising paintings<br />

to Csakany, “and then I end up putting<br />

them in the show”. “It’s not fair,”<br />

Csakany says, laughing. “It’s totally not<br />

fair.” But clearly, they like their collaboration<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

21


HOMEWARES>><br />

BABY, IT’S COLD OUTSIDE<br />

DUTCH OVENS GET STEWS AND KITCHEN DECOR COOKING<br />

BY CAROLYN ALI<br />

As we hunker down for months of drizzle, it’s time<br />

to turn on the oven—and keep it on. On a cold,<br />

damp day, a bubbling stew simmering slowly<br />

in the oven defines the hearth of the house.<br />

And there’s something especially primal about preparing<br />

and serving food in a timeless, earthy vessel.<br />

For centuries, people worldwide have cooked food<br />

slowly in heavy pots with tight-fitting lids. In local stores,<br />

such pots are often labelled Dutch or French ovens.<br />

They’re usually made of cast iron or ceramic.<br />

Restaurateur Laurent Devin of Kitsilano’s Bistrot Bistro<br />

explains that enamelled cast-iron cookware is perfect for<br />

braising. “It’s a staple in every French family—you have<br />

COLOURFUL POTS LIKE<br />

LE CREUSET’S ARE STAPLES<br />

IN FRENCH HOUSEHOLDS.<br />

one piece minimum,” he says. “My grandmother used<br />

to use it, my parents got rid of it, and my generation is<br />

going back to it.”<br />

That’s because the cast iron retains heat, allowing<br />

slow, moist, even cooking. “It’s very durable,” he says,<br />

adding that although good-quality pieces are expensive,<br />

they last a lifetime. He has experimented with<br />

cheaper varieties but says the enamel gets chipped<br />

and the cast iron isn’t as thick, concluding that “the<br />

price you pay is what you get”.<br />

Whichever cooking vessel you choose, bring it to the<br />

table with pride. Part of the pleasure is enjoying the burst<br />

of colour these pieces inject into a dreary day. -<br />

WHAT’S HOT IN POTS<br />

Le Creuset 6.4-litre oval<br />

$349 at Cookworks<br />

(1548 West Broadway;<br />

377 Howe Street)<br />

Le Creuset remains the<br />

classic—and most expensive—of<br />

the enamelled<br />

cast-iron genre. Made in France, the company’s<br />

pieces come in a rainbow of colours, from flame to<br />

kiwi to cobalt blue. They’re stovetop-safe, so you<br />

can brown and braise in the same pot.<br />

IKEA Senior 3.0-litre casserole<br />

$39.99 at IKEA (3200<br />

Sweden Way, Richmond;<br />

1000 Lougheed Highway,<br />

Coquitlam) You can’t beat<br />

the price of IKEA’s Senior<br />

line of enamelled cast-iron<br />

cookware. This brilliant-blue casserole is oven-safe<br />

and good for all cooktops, including induction.<br />

Emile Henry 3.2-litre braiser<br />

$149.98 at Ming Wo<br />

(various locations)<br />

Emile Henry’s ceramic<br />

FLAME line is designed<br />

for slow cooking in the<br />

oven or on most stovetops. Pieces, in black or red,<br />

range from mini stewpots to Asian-style clay pots.<br />

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PRICING<br />

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floorplans still available makes Legacy an opportunity you can’t afford to miss.<br />

Visit Legacy’s two display suites today and see how easy living large can be.<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

22<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

23


RENOVATIONS>><br />

A FOCAL POINT<br />

FOR A RETRO<br />

KITCHEN,<br />

NORTHSTAR<br />

APPLIANCES<br />

WOULD MAKE<br />

JUNE CLEAVER<br />

GO MINT GREEN<br />

WITH ENVY.<br />

GOING<br />

BACK<br />

TO THE<br />

FUTURE<br />

THE CLASSIC 1950S<br />

KITCHEN NEVER SEEMS<br />

TO GO OUT OF STYLE<br />

BY MIKE USINGER<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

24<br />

B<br />

ecause classic looks never go out of style,<br />

Elmira Stove Works knew it had a hit with its<br />

Northstar retro appliances as soon as the<br />

first refrigerator rolled off the assembly<br />

line. But launching the collection—which today features<br />

fridges, stoves, and range hoods in colours<br />

inspired by the era that gave us ’57 Chevys, Leave<br />

It to Beaver, and the birth of rock ’n’ roll—took a<br />

leap of faith. Basically, the Ontario-based company<br />

hoped that if you build it, they will come.<br />

“We’ve always believed that there’s limited value<br />

in doing market research on something like this, because<br />

consumers have no idea they want it until they<br />

actually see it,” says Tony Dowling, business development<br />

manager for Elmira Stove Works. “If you went<br />

out and said ‘Would you buy a retro refrigerator?’<br />

most people would say ‘What for?’ The nature of our<br />

product is that it was designed to look spectacular.<br />

When people see it, it becomes a have-to-have.”<br />

Offered in nine Elvis-period colours, including<br />

buttercup yellow, robin’s-egg blue, mint green,<br />

and flamingo pink, Northstar’s appliances are, as<br />

advertised, indeed spectacular. Add space-age<br />

chrome detailing and you’ve got something every<br />

bit as covetable as a restored Chevy TriFive. Their<br />

instant must-have appeal is somehow fitting, considering<br />

they seem like artifacts from a time when<br />

Americans were being convinced that they needed<br />

to consume like they’d never consumed before. And


clearly that message got rammed home, which explains<br />

why ’50s-style reproductions are big business today, and<br />

why vintage Arborite tables and other accessories from<br />

the era command premium prices at antique stores.<br />

According to Rob Gray, who won a Genie for his<br />

set design for 2006’s critically acclaimed (and cleverly<br />

subversive) ’50s zombie comedy Fido, it was in post–<br />

Second World War America that advertising truly became<br />

the powerful tool it remains today.<br />

“Advertising was really a propaganda tool used<br />

after the war to convince people that everything was<br />

okay,” he says. “ ‘We’re the good guys, we won the battle<br />

and came out on top, there’s a chicken in every pot,<br />

and everyone drives a nice car.’ So you had colour advertising<br />

for really beautiful cars and ranges that were<br />

so beautiful that you drool.”<br />

While it might have been the job of the man to<br />

bring home the bacon for the wife and 2.2 kids, it was<br />

the job of appliance manufacturers to get women excited<br />

about being in the kitchen.<br />

“It was the woman’s domain—they got to rule that<br />

roost,” Gray notes. “So the use of colours that were really<br />

interesting started to appear—soft blues and pinks<br />

and turquoises, whereas before that everything was<br />

much more reliant upon primary colours.<br />

“I think the aesthetic of all that was to mask the horrors<br />

of a lot of things that had happened,” he continues.<br />

“People love to surround themselves with things of<br />

beauty, with things that make them feel good. I mean,<br />

you can never imagine going in and painting your kitchen<br />

black. Even if you’re a goth rocker, that sucks, man.”<br />

As much as the colours of the day were a key concern<br />

for Elmira Stove Works, Dowling is careful to point out<br />

that Northstar appliances—introduced in 2002—weren’t<br />

conceived as new-millennium carbon copies of classic<br />

Viking ranges or Frigidaire refrigerators.<br />

“We often say it’s more reminiscent than reproduction,”<br />

he says. “It’s almost like the PT Cruiser. There<br />

was never a vehicle like that back in the ’50s, but everybody<br />

thinks there should have been.”<br />

So let’s say that you’ve decided to spring for a selfcleaning<br />

Northstar 1955 range (around $4,200) in robin’segg<br />

blue, which also gets you features (sealed burners,<br />

dual halogen oven lights) that your great-grandparents<br />

never even dreamed of. You accessorize that with a<br />

Northstar 1950 fridge (around $4,000; line available locally<br />

via R.E. MacDonald Stoves & Stones Ltd. at 3711<br />

248th Street in Aldergrove, 604-856-1551), which comes<br />

loaded with glass shelving, adjustable door bins, and<br />

sliding freezer baskets. Having got a head start on your<br />

’50s dream kitchen, it only seems sensible to make sure<br />

everything’s as perfect as Father Knows Best with a<br />

Northstar 1953 microwave (around $749), 1957 chromehandled<br />

dishwasher panel (around $399), and 1959<br />

range hood (around $1,100), all available in the same<br />

nine retro colours as the fridges and stoves.<br />

From there, turning your kitchen into something that<br />

June Cleaver would trade her pearl necklace and high<br />

heels for is easier than it might seem. On the vintage front,<br />

Attic Treasures (944 Commercial Drive) wasn’t named<br />

best antique store in the <strong>Georgia</strong> <strong>Straight</strong>’s recent Best<br />

of Vancouver issue for nothing. Current ’50s finds there<br />

include a butter-yellow Arborite table with two grey<br />

chrome chairs ($499) and a grey Arborite number ($445,<br />

including four chairs). Of course, going that route might<br />

require you to rethink the colour of your appliances.<br />

For those who long ago accepted that no kitchen<br />

make-over is ever cheap, there’s also the option of going<br />

the custom-built cabinets. Nostalgia & Co. (www.<br />

nostalgiaco.com) in Cambridge, Ontario, specializes in<br />

retro ’50s décor, from diner booths ($995 to $2,595) to<br />

made-to-order chrome dinette sets to whatever kind<br />

of kitchen cabinets your Arthur Fonzarelli–fixated mind<br />

might be able to dream up.<br />

“We specialize in decorating restaurants and nightclubs,”<br />

says Tim Sykes, a representative at Nostalgia &<br />

Co., which ships across Canada. “We’re just doing a local<br />

burger place right now where all the interior is in retro<br />

’50s diner style. So we can pretty much do anything that<br />

you can dream up.”<br />

For those who prefer a more do-it-yourself approach,<br />

set designer Gray suggests that dreaming up the perfect<br />

’50s kitchen isn’t as daunting a task as it might seem.<br />

“I did it,” he says with a laugh. “There are repros of<br />

pretty much everything. The original stuff is harder to<br />

find, but there’s a lot of quality stuff on eBay.”<br />

As for getting that perfect Fido feel, it’s possible if<br />

you put in the time.<br />

“You start with design books—I’ve probably got<br />

about 40 of them from the 1950s,” Gray says. “A lot of my<br />

research came from advertising from the ’50s.”<br />

Once he’d done his research, it was a simple matter of<br />

assembling the pieces.<br />

“That’s when you put the tiles and the colour palettes<br />

together to build your aesthetic.”<br />

Gray notes that—as Fido emphasized—behind closed<br />

doors people 50 years ago were as secretly messed up<br />

as they are today. But that doesn’t change the fact that the<br />

era had a look that today stands up as classic.<br />

“Perhaps we forget the stuff that was ugly, but there<br />

was a certain amount of style that was associated with<br />

a car or an appliance,” he says. “I’d have no problem<br />

driving a Porsche Boxster, but would I pay $140,000?<br />

No—that’s silly. But if I had a 1957 Caddy? With those<br />

big lights on the back, you’ll feel like a million bucks.<br />

That shows up way better than a 2008 BMW.” -<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

25


REAL ESTATE>><br />

A FOOT<br />

IN THE<br />

DOOR?<br />

BUYER’S MARKET BECKONS<br />

SINGLE HOUSE HUNTERS<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

26<br />

WITH REAL-ESTATE<br />

PRICES TURNING<br />

DOWN, SINGLES<br />

MIGHT BE ABLE<br />

TO HOLD ON TO<br />

THEIR DREAMS.<br />

TYLER STALMAN<br />

PHOTO.<br />

<br />

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<br />

BY SARAH ROWLAND<br />

We take the groceries in by ourselves. We<br />

cover mat leaves. We spend Valentine’s<br />

Day with our mothers. We are the working-class<br />

single people of Vancouver<br />

and we usually get the short end of the stick in all areas<br />

of life, including real estate.<br />

But there’s some good news for those solo fliers who<br />

don’t have trust funds, prosperous grow-ops, or fat ICBC<br />

settlements: we are no longer condemned to a life of<br />

renting. Buying Vancouver real estate just got a little bit<br />

easier. In fact, Lower Mainland prices have come down<br />

approximately 10 percent in the last year. But as realtor<br />

Orville Sam (orvillesam.com) points out, some sellers<br />

are still in denial.<br />

“All sellers believe their home is the best home on the<br />

planet, so sometimes it’s really tough to get them to bring<br />

their numbers down,” says Sam, who recently had to terminate<br />

two listings because the clients simply wouldn’t<br />

budge. “Usually, though, after a couple of weeks of seeing<br />

what’s taking place in the market…and showing them<br />

the actual statistics relating to their area, then they get a<br />

pretty good idea that prices are starting to change.”<br />

First-time buyers shouldn’t get too excited quite yet.<br />

Their square-footage options haven’t changed much<br />

since last year. For example, if you could only afford<br />

a $300,000 one-bedroom in Mount Pleasant last year,<br />

it’s not as if you can go out and score a two-bedroom<br />

in Kits now.<br />

It would take at least a 25-percent decrease in housing<br />

prices for you to take that same $300,000 and get a twobedroom<br />

in Van proper. But many experts are predicting<br />

that reduction will happen within the next 18 months. In the<br />

meantime, if you want something more spacious for the<br />

same price, get to know the SkyTrain schedule, because<br />

you’re moving to Whalley.<br />

“I think Surrey is going to be a really great market—as<br />

&


long as you don’t mind the<br />

commute,” says Sam, who<br />

works for Sutton Group –<br />

West Coast Realty. “The<br />

numbers are great—you<br />

can get a brand-spankingnew<br />

home in a nice neighbourhood<br />

for $200,000.”<br />

Many $400,000 pads are<br />

also staying on the market<br />

longer and eventually dropping<br />

10 percent. Interestingly,<br />

though, we’re not seeing<br />

a whole lot of movement in<br />

$500,000 listings.<br />

There are other challenges<br />

for single-income<br />

newbies. The industry<br />

maximum of a 40-year<br />

amortization period has<br />

also dropped. If you buy<br />

right now, you’re probably<br />

looking at a 35-year mortgage,<br />

but most experts expect<br />

that to go as low as 30<br />

in the near future. And having<br />

to dole out more cash<br />

per month in a shorter period<br />

means it’s going to be<br />

tougher for a single person<br />

to obtain a mortgage. Under<br />

those circumstances,<br />

lenders would prefer two<br />

peeps on the title. But overall,<br />

the consensus seems to<br />

be it’s a great time to get<br />

into the market.<br />

“I think everybody got a<br />

really nice ride,” say Sam<br />

of sellers and realtors who<br />

made a killing with the skyrocketing<br />

prices of yesteryear.<br />

“But the numbers are<br />

going back to where I think<br />

they typically should have<br />

been in the fi rst place.”<br />

And as for waiting for<br />

marriage before taking<br />

on a mortgage, Sam feels<br />

that’s just not the best fi nancial<br />

decision to be making.<br />

“That used to be an<br />

order of things,” says<br />

Sam before adding: “But<br />

not anymore.” -<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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DEALERS<br />

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Abbotsford/Chilliwack<br />

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Burnaby<br />

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Coquitlam<br />

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Delta<br />

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Langley/Cloverdale<br />

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Maple Ridge/Pitt Meadows<br />

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Mission<br />

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North Vancouver<br />

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<br />

Pemberton<br />

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Port Moody<br />

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Richmond<br />

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Squamish<br />

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Surrey/White Rock<br />

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Vancouver<br />

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West Vancouver<br />

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Whistler<br />

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Castlegar<br />

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Kamloops<br />

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Kelowna/Westbank<br />

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Penticton<br />

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Salmon Arm<br />

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Vernon


PJ<br />

CRAFTY CANINE Kawaii means cuteness in Japanese. And<br />

the best kawaii in the adorable-hip Abbott Street J-pop shop<br />

Occupied (221 Abbott Street) is Hakoinu, or “Box Dog”. Hakoinu is<br />

mysterious: Occupied owner Jenelle Pratt thinks the story of the<br />

charming cardboard doggie and its quest to find the boy who left it<br />

behind originated in the 1960s. The pup, and its likeness on products<br />

galore, is near impossible to find outside Japan. But Pratt has<br />

scored goodies: postcards ($3); an irresistible wooden Hakoinu on<br />

a swing ($42); a beguiling DVD set ($38). The 30-minute stop-motion<br />

video tells the tender, funny tale of the dog “traveling to find the<br />

boy”; plus, you get everything to construct your own Hakoinu. > PJ<br />

GUYS AND DOLLS Anime meets tradition in the adorably funky<br />

figurines at EQ3 Furniture (2301 Granville Street and 1039 Hamilton<br />

Street; $9.99 and up). Our favourites are the blue-eyed Ninja, the fanfluttering<br />

geisha, and the sumo bunny. They’re a cool compliment to<br />

the curvy, acid-yellow vases and neon-dotted rugs amid the store’s<br />

ode to all things Japanese this fall. Cherry-blossom-bedecked bed<br />

sheets and water-crane-emblazoned pillows will also have you<br />

hankering for Harajuku. > Janet Smith<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

29


SUSTAINABILITY>><br />

FARHAT KHAN USES<br />

A WORM BIN TO<br />

MAKE COMPOST SHE<br />

TRADES FOR PRODUCE.<br />

MICHAEL LEVENSTON<br />

PHOTO. OPPOSITE<br />

PAGE: JASON MAEHL<br />

PHOTO.<br />

ART OF COMPOSTING<br />

YOU DON’T NEED A BACK YARD TO TURN FOOD<br />

SCRAPS INTO FERTILE SOIL<br />

BY CARLITO PABLO<br />

Friendship can grow from just<br />

about every imaginable place<br />

and situation. For Farhat Khan,<br />

one blossomed out of the compost<br />

she creates in an indoor bin.<br />

A few years ago, while Khan was volunteering<br />

for City Farmer, a Kitsilano-based<br />

group that teaches urban farming to Vancouver<br />

residents, a woman approached<br />

her and asked if she knew anyone who<br />

could give her some compost. The woman<br />

had a plot at a nearby community garden<br />

but didn’t have a composter.<br />

“So I said I could do that, and that’s<br />

how I met her,” Khan says.<br />

Since then, she’s been giving the woman<br />

compost she makes, and in return, the<br />

community gardener shares her produce.<br />

“We have a really nice exchange,” Khan<br />

says. “It’s wonderful, and I made a wonderful<br />

friend that way.”<br />

For more than three years now, Khan,<br />

who manages a call centre for a venturecapital<br />

company, has been teaching people<br />

how to turn raw food scraps into fertile<br />

soil right in their homes. Like many people,<br />

she doesn’t have a back yard. She used to<br />

live in an apartment and recently moved<br />

into a condo. In these small spaces, she<br />

has grown plants like geraniums and roses<br />

using the compost she makes.<br />

For composting, she uses the worm<br />

bin that Vancouver residents can get<br />

from City Farmer (2150 Maple Street)<br />

for $25. Measuring 85 centimetres at the<br />

base and 85 centimetres high, the bin<br />

comes with a one-hour course on composting,<br />

an instructional book, and 500<br />

wriggler worms.<br />

Khan’s raw fruit and vegetable<br />

scraps, eggshells, coffee grounds, and<br />

tea bags all go into this bin. But won’t<br />

this stuff give out a rotten smell and<br />

foul up a smaller apartment or condo?<br />

Not so, says City Farmer executive<br />

director Michael Levenston. When composting<br />

is done properly, Levenston<br />

explains, “it should be a nice smell, the<br />

same smell you get in the forest.”<br />

So far this year, City Farmer has taught<br />

500 Vancouverites how to compost<br />

food scraps that otherwise would have<br />

ended up in the garbage and ultimately<br />

the landfill.<br />

The group teaches residents how to<br />

manage their indoor bins, particularly<br />

AUC ION<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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how to deal with fruit flies.<br />

Here’s how it’s done. In a<br />

container, combine half<br />

a cup of fruit juice, two<br />

drops of vinegar, and two<br />

drops of liquid dish soap.<br />

Place the container on top<br />

of the compost bedding<br />

inside the bin. According<br />

to Levenston, the solution<br />

traps and kills the fruit flies<br />

that are attracted to it, but<br />

he recommends that bins<br />

be placed on balconies<br />

if possible.<br />

A step-by-step guide<br />

to using a worm bin is on<br />

the City Farmer Web site<br />

(www.cityfarmer.org). The<br />

30-year-old organization<br />

also maintains a composting<br />

hot line (604-736-2250).<br />

People using indoor bins<br />

can collect their compost<br />

every three to four months.<br />

After separating the wriggler<br />

worms from the new<br />

soil, they can start all over<br />

again. Those who don’t<br />

have plants of their own can<br />

donate the compost to the<br />

landscaping of their apartment<br />

building or to nearby<br />

community gardens. They<br />

might even meet some<br />

new friends. -<br />

TURNING A NEW LEAF<br />

Leaves—and plenty of them—are a back-yard<br />

compost maker’s most valuable resource, according<br />

to local urban-farming advocate Michael<br />

Levenston. Leaves are the primary ingredient in<br />

back-yard composting, the executive director of<br />

City Farmer explains.<br />

“All year long, you want to compost some of<br />

your fruit and vegetable scraps…and in order to<br />

compost that waste properly, each time you put<br />

that waste into your bin, you want to put handfuls<br />

of leaves on top of your waste,” Levenston says.<br />

That’s why fall is an important season for gardeners<br />

like him. “So we tell people now, rake,<br />

collect, put in plastic bags—as many bags as you<br />

feel you’re going to need, six to 12—store them,<br />

and use those all during the year,” he says. “They’ll<br />

need it for the winter, spring, and summer.”<br />

Leaves serve as the first layer in back-yard composting<br />

bins that Vancouver residents can purchase<br />

for $25 from the city’s waste transfer station (377 West<br />

Kent Avenue North). City Farmer provides a guide<br />

on how to do back-yard composting on its Web site<br />

(www.cityfarmer.org).<br />

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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

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HOMEBODY>><br />

HOME IS WHERE<br />

THE HARP IS<br />

MUSICIAN HEIDI KRUTZEN HITS<br />

NOTES OF CASUAL SIMPLICITY<br />

BY JESSICA WERB / WILLIAM TING PHOTO<br />

Principal harpist with the Vancouver Opera Orchestra<br />

and the CBC Radio Orchestra, Heidi<br />

Krutzen is also a member of Trio Verlaine, the<br />

Krutzen/McGhee Duo, and the Turning Point<br />

Ensemble. This month she’s joining the Vancouver Symphony<br />

Orchestra on its Asia-Pacific tour. We caught up<br />

with her and her harps in her Kitsilano apartment, which<br />

doubles as her teaching studio and private oasis.<br />

Where do you practise?<br />

I have two bedrooms, and the harps get the smaller<br />

one. I kind of use that as a little mini studio.<br />

Do your neighbours ever comment on your playing?<br />

I’ve been really fortunate. One of the reasons I picked<br />

this building is that it’s concrete.…I’ve only ever had<br />

one comment and that was from one of my neighbours,<br />

and she said, “I wish you played more often.”<br />

How would you describe your home style?<br />

Most of my furniture is European and it’s casual but<br />

elegant, comfortable, simple. I like simplicity a lot.<br />

Where do you entertain?<br />

My place has got a really open layout and the kitchen<br />

and the living room are all one space. If I’m cooking,<br />

I have a little bar area and people tend to hang out<br />

right there. If not, we’re usually in the living room.<br />

What’s your favourite place to cocoon?<br />

My living room. It’s got circular windows. I love the light<br />

that comes through here. It’s always different in the different<br />

seasons but also during different times of day.<br />

What’s your most treasured possession?<br />

My grandmother grew up in Africa, and I have two of her<br />

wood carvings from there, which I love. She grew up in<br />

Abyssinia, which is Ethiopia, and Tanzania, and later in<br />

her life lived in Senegal and French Somalia as well. Two<br />

of her pieces have been given to me, and I love those.<br />

But I should probably say my harps, too, right?<br />

| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

34<br />

What’s on your walls?<br />

I’ve got some African baskets and I have some African<br />

batiks, and I have a painting by one of my aunts that<br />

I love. I also have a painting by my friend Janine and<br />

a couple of Monets from when I lived in Paris—just<br />

prints!<br />

Who are your favourite artists?<br />

I’m a huge fan of Charles Forsberg and of course Tiko<br />

Kerr, and my friend Janine Johnston.<br />

What’s always in your fridge?<br />

Cheese and wine. I’m a cheese-aholic. Les Amis du<br />

Fromage is much too close to where I live.<br />

Flowers or potted plants?<br />

I love fl owers. I don’t have them all that often but I<br />

have some on my decks that I plant and I get cut fl owers<br />

when I can. -


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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />

36

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