LiViNG - Georgia Straight
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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CONTENTS >><br />
06> RAISING THE BAR<br />
To drink like Humphrey Bogart, look to these glass acts<br />
10 >> TRASH TURNS TO TREASURE<br />
Tyler Vreeling repurposes everything from old skis to scrap metal<br />
13 >> FURNITURE BY DESIGN<br />
Four solo woodworkers are showing how it’s done on the East Side<br />
15 >> EXTREME MAKE-OVER STORY<br />
A local townhouse gets a reno that’s as sustainable as it is wildly artistic<br />
24 >> GOING BACK TO THE FUTURE<br />
Build a retro fantasy kitchen around ‘50s-style appliances<br />
26 >> A FOOT IN THE DOOR?<br />
Does the buyer’s market give new hope to the single house hunter?<br />
30 >> THE ART OF COMPOSTING<br />
Insiders share tricks on how apartment dwellers can get worms working<br />
33 >> BIRDS OF A FEATHER<br />
A Bambi’s forest full of critters dances across Track and Field’s soft furnishings<br />
22<br />
DUTCH<br />
OVENS<br />
29<br />
TURNING<br />
JAPANESE<br />
ON THE COVER> COFFEE TABLE AND ENTERTAINMENT UNIT IN WALNUT AND ORANGE GLASS, AND MIRRORED<br />
STORAGE UNITS, CHRISTIAN WOO DESIGN + BUILD AND FRUITION DESIGN PHOTO> TREVOR BRADY<br />
GEORGIA STRAIGHT<br />
<strong>LiViNG</strong><br />
MAGAZINE<br />
34<br />
HOME<br />
BODY<br />
VOLUME 4<br />
NUMBER 15<br />
EDITOR Janet Smith<br />
ART DIRECTOR Gemma Burgess<br />
CREATIVE DIRECTION Mark Pilon / Janet McDonald<br />
NATIONAL SALES DIRECTOR Tony Barnes 604-730-7030<br />
WESTERN CANADIAN ADVERTISING Patrick Ruel 604-730-7027<br />
NATIONAL ADVERTISING (TORONTO) DPS Media Inc. 416-413-9291<br />
PUBLISHER Dan McLeod<br />
<strong>Georgia</strong> <strong>Straight</strong> Living is published four times a year by the Vancouver Free Press Publishing Corp.<br />
Entire contents copyright 2008 Vancouver Free Press Publishing Corp.<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
5<br />
1701 WEST BROADWAY, VANCOUVER, B.C. V6J 1Y3<br />
PHONE: 604-730-7000 FAX: 604-730-7010 E-MAIL: INFO@STRAIGHT.COM
FRONT OF HOUSE>><br />
ARCHITECTURAL ACCENTS<br />
Well-known local architect Peter Cardew is bringing<br />
the sleek, studied contemporary lines of his<br />
buildings to a new furniture collection at 18 Karat<br />
Home Store (3039 Granville Street). Pieces include<br />
almost monastically minimalist benches,<br />
stools, and tables made from slatted oak (see<br />
left); rectangular marble coffee and side tables<br />
that come in white, black, and two shades of<br />
grey (below); and striking, multitextured sofas<br />
that blend leather and felted wool, rectangles<br />
and cylindrical cushions. Prices range from about<br />
$480 for a wood stool to about $2,300 for a sofa.<br />
KID-FRIENDLY<br />
White Rock–based Fu-Shun Baby already<br />
has some celebrity fans: Gwyneth Paltrow<br />
was spotted with one of the line’s chic<br />
diaper bags. Now the company’s designer,<br />
Carli Morrison, is venturing into nursery décor.<br />
Funky deco zoo animals emblazon a set<br />
of four, eight-by-eight-inch natural-canvas<br />
frames ($89). The wall art comes in two mod<br />
printed patterns. There’s also a three-canvas<br />
version bearing A, B, and C ($89). Look for<br />
them at Crocodile (2156 West 4th Avenue),<br />
Langley’s Frogs Hollow (20159 88th Avenue),<br />
South Surrey’s Baby Cheeks (14012 32nd<br />
Avenue), and www.fu-shundesigns.com.<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
6<br />
ISN’T THAT SPECIAL?<br />
Contemporary-design-minded Vancouverites have<br />
a new place to go for inspiration, and it’s located in<br />
the heart of the city’s hippest ‘hood. Opened in April<br />
by UBC architecture and art-history grad Anne Pearson,<br />
Vancouver Special (3612 Main Street) caters to the<br />
aesthetically obsessed with books, furniture, art, and<br />
accessories from Scandinavia, Japan, and the United<br />
States. We’re drooling over the sweet gadgets made<br />
by Boston-based Tivoli Audio and the Jetlag wall clock<br />
from Italy’s Nava Design (shown above; $130). Look for<br />
local goods, too, including Gailan Ngan’s ceramics.<br />
GLOBAL GRAPES<br />
Nobody can say that readers of 1001 Wines You<br />
Must Taste Before You Die (Universe, $39.95) aren’t<br />
ambitious. Those who find pleasure in not just<br />
drinking but chasing down the world’s finest vino<br />
now have a guide. With contributions by global<br />
wine scribes edited by U.K. wine writer Neil Beckett,<br />
the tome reviews a globe’s worth of bottles.<br />
Only two Canadian tipples make the cut—both<br />
B.C. icewines, from Inniskillin and Mission Hill. Not<br />
a drinker? Chomp on 1001 Foods You Must Taste<br />
Before You Die (Universe, $39.95) instead.
Hike, Bike and Raft in Patagonia. Take a walking<br />
tour in Bordeaux. Ride an Elephant in Thailand.<br />
Choose your own way to get around.<br />
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Integrative Healing Arts<br />
Suite #730-1285 W. Broadway<br />
Vancouver, B.C. V6H 3X8<br />
www.integrative.ca<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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24th ANNIVERSARY SALE!<br />
20-40% off!<br />
LARGE SELECTION<br />
OF IN STORE SPECIALS<br />
AND QUALITY<br />
DISCONTINUED ITEMS!<br />
extension dining table<br />
299.<br />
www.moblerfurniture.com<br />
NOW IS THE TIME FOR BIG SAVINGS!<br />
<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
8<br />
VISIT OUR IN-STORE<br />
CLEARANCE<br />
CENTRE<br />
Store hours: Mon. - Friday 10 AM till 9 PM,<br />
Sat. & Sun. 10 AM till 6 PM<br />
599.<br />
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3351 SWEDEN WAY, RICHMOND TEL: 604 270-3535
Affordable<br />
Luxury<br />
DESIGN>><br />
DESIGNER TYLER<br />
VREELING EXPLAINS<br />
HIS UPCYLING IDEAS<br />
AT THE VANCOUVER<br />
HOME + INTERIOR<br />
DESIGN SHOW.<br />
TRASH TURNS TO TREASURE<br />
BY JOHN LUCAS<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
10<br />
Find That “Wow” Factor<br />
“You will not find better<br />
consignment stores in London,<br />
New York, or Paris…<br />
we promise!<br />
the Carriage House<br />
High Quality Home Furniture & Accessories<br />
505 Railway Street,<br />
Vancouver, BC V6A 1A7<br />
phone & fax 604-215-0187<br />
www.carriagehouse@telus.net<br />
www.carriagehouse505.com<br />
Tyler Vreeling is a relative newcomer to the<br />
design world—he graduated from the University<br />
of Alberta’s industrial-design program just<br />
last year—but he already has change on his<br />
agenda. “There seems to be this disconnect with not<br />
only public perception but designers’ perception of<br />
what design is,” he says on the line from his Edmonton<br />
office. “And we seem to get caught up in just making<br />
things look pretty. Even in an industrial-design sense;<br />
even though we’re designing something that has a<br />
function, we seem to want to just dress it up and make<br />
it look good, and that is considered ‘design’. I have a<br />
huge, huge problem with that.”<br />
Vreeling, who founded Fat Crow Design upon graduation<br />
and made a major splash last summer with his<br />
White Moose line of Canadiana-themed furniture and<br />
home accessories, figures he has a responsibility to<br />
use his talents to make people’s lives better. Toward<br />
that end, he intends Fat Crow’s future projects to focus<br />
on universal design (“making everything accessible to<br />
everybody,” is how he explains it), and the creation of<br />
products for people with specific disabilities.<br />
In the meantime, Vreeling has become one of the<br />
country’s most visible advocates of “upcycling”, a<br />
vocation he took up this spring, when the Edmonton<br />
Home and Garden Show asked for his help with<br />
a project called Re-Use. “They wanted me to create<br />
some objects out of garbage to promote reuse,” he<br />
says simply. The idea was to encourage the public to<br />
repurpose old furniture and scrap materials by turning<br />
them into something new rather than sending them to<br />
the landfill. “We’re promoting several different things<br />
through this, although reuse is probably the most<br />
prominent—repurposing something that was meant<br />
to do a specific job or fill a function, and making it do<br />
something new using as little energy and waste as<br />
possible.” Hence upcycling as opposed to recycling;<br />
the latter requires the reprocessing of materials, often<br />
through chemical treatment, and is therefore not always<br />
as “green” as we would like to believe.<br />
For the Re-Use project, Fat Crow came up with a<br />
number of one-of-a-kind objects. These include a coat<br />
rack constructed from skis, with a car’s brake rotor as<br />
a base; stylish hanging lamps formed from scraps of
SCRAPS OF SHEET<br />
METAL FIND MOD<br />
NEW FORM IN<br />
THESE DRADER<br />
LAMPS ($350 FOR<br />
THE SET).<br />
sheet metal; and a room-dividing<br />
screen made from old closet doors<br />
held together with hinges.<br />
Vreeling credits his background as<br />
an Alberta farm boy with giving him<br />
an ingrained affinity for upcycling.<br />
“I think farmers really get this and<br />
have embraced it in their lives,” he<br />
insists. “Growing up, we would use<br />
old cans in the shop, or old jugs to<br />
use as shelving compartments for<br />
different screws and nails and things.<br />
We would always have a bunch of<br />
scrap metal beside the shop. We<br />
were quite far north, so it was hard to<br />
get parts, but if a piece of equipment<br />
broke down, we could just chop up<br />
some metal and weld it together and<br />
create our own new part.”<br />
It’s a way of living that our big-city<br />
culture could learn something from,<br />
and Vreeling notes that designsavvy<br />
urbanites are just as prone to<br />
the throwaway mentality as everyone<br />
else—if not more so. “With the<br />
modern/minimalist aesthetic that<br />
most people seem to embrace in<br />
magazines and in our visual culture<br />
through publications like Dwell,<br />
they think that having a room full<br />
of scrap stuff is somehow ungodly,<br />
that it doesn’t serve a purpose in<br />
their life, or that they’re above that,”<br />
he says. “They’ll just buy something<br />
new. Well, granted, they may have<br />
the money to do so, but is it worth<br />
doing that, in raping the environment<br />
more?”<br />
Vreeling will offer more compelling<br />
food for thought when he<br />
discusses Re-Use at the Vancouver<br />
Home + Interior Design Show,<br />
which runs October 16 to 19 at B.C.<br />
Place. See www.bchomeandgardenshow.com<br />
for details. -<br />
FAT CROW DESIGN’S<br />
CACTUS COAT RACK<br />
($500) PUTS OLD<br />
SKIS TO NEW USE.<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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FURNITURE BY DESIGN<br />
FROM THEIR EAST SIDE STUDIOS, FOUR NEW TALENTS ARE PUTTING FRESH<br />
SPINS ON WOOD. LOOK FOR THEM NEXT MONTH ON THE CULTURE CRAWL<br />
BY JANET SMITH / TREVOR BRADY PHOTO<br />
KURT DEXEL >><br />
DEXEL MODERN CRAFTED FURNITURE<br />
WWW.DEXELMODERN.COM<br />
Kurt Dexel comes to furniture design from<br />
the world of engineering, or, as he puts it,<br />
“Woodworking was a hobby—a hobby<br />
gone bad, or good, I guess.” Just over<br />
two years ago he turned to his passion full-time,<br />
launching a line of bold one-of-a-kind and custom<br />
pieces that celebrate refi ned form as much as the<br />
beauty of wood. Dexel’s biggest infl uences are<br />
midcentury and Danish modern, with a little spaceage<br />
thrown in: “Somebody said to me the other<br />
day that I must have liked The Jetsons.…With my<br />
work, you get this really natural material with this<br />
modern look.” Dexel’s engineering background<br />
seems to play out most in his process: he executes<br />
sketch after sketch, prototype after prototype, until<br />
he gets the design right. Signature pieces include<br />
the Boomerang chair and ottoman (shown here),<br />
a marvel of sharp lines and angles, crafted from<br />
black walnut, eastern maple, and leather (about<br />
$3,800); and the Parallam table, two tiers of salvaged<br />
Parallam construction wood that seem to<br />
fl oat over a smaller oak support underneath (about<br />
$1,500). Dexel’s work also sells at Granville Island’s<br />
Wood Co-op (1592 Johnston Street).<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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CHRISTIAN WOO >><br />
CHRISTIAN WOO DESIGN + BUILD<br />
WWW.CHRISTIANWOO.COM<br />
Woodworker Christian Woo likes to<br />
keep his designs minimalist, but with<br />
his materials, it’s a different story.<br />
He celebrates the grains of woods<br />
like ash, walnut, and European birch, and recently,<br />
he played coloured glass off dark wood in a funky<br />
black-and-orange stereo cabinet he designed for<br />
a client. “I like the detail to be pared back to simple<br />
lines and how the piece fi ts in an overall environment,”<br />
says Woo. “If a piece doesn’t stand out,<br />
that’s a good thing.” Woo’s gift for integrating his<br />
sleek cabinetry, tables, bureaus, and benches into<br />
an interior may stem from an earlier stint in landscape<br />
architecture and the fact that he shares his<br />
current studio space with an architect. For his threeyear-old<br />
line of mostly custom work, he also draws<br />
on an apprenticeship in European cabinetmaking<br />
and the inspiration of Japanese and Scandinavian<br />
designs. Prices range from about $2,000 for a coffee<br />
table to about $4,500 for a large dining table—all<br />
handmade. “The stuff I build is the stuff I love,” he<br />
says of both his premade and custom work. “If<br />
somebody wants a Shaker-style kitchen, well, I’ll<br />
gladly refer them to someone else.”<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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SANDRA CORBETT >><br />
WWW3.TELUS.NET/SANCORDESIGNS<br />
Cabinetmaker Sandra Corbett’s pieces<br />
are all about style on the outside but<br />
practicality on the inside. The designer’s<br />
signature zebrano-veneer Cellarette<br />
end table (shown here) opens up to reveal six<br />
handy slots for wine bottles; a drop-down door<br />
even becomes a holder for two wineglasses. “I<br />
really try to put storage in the piece,” says Corbett,<br />
who’s worked in the fi eld for a decade but broke<br />
out on her own two years ago. “I hope they’ll be<br />
art pieces, but also very functional—not to sit in a<br />
corner that nobody touches.” Corbett’s practical<br />
approach often extends to her materials, as well:<br />
the dark, charismatic zebrano was all scrap that a<br />
shopmate was going to chuck; another end table<br />
was crafted out of an old, white-oak pew no longer<br />
wanted by a Marpole church. “I don’t waste a lot<br />
of wood because I have a real hard time throwing<br />
stuff out,” admits Corbett. The designer concentrates<br />
on wall units, shelving, cabinets, and even<br />
closet organizers, but her streamlined freestanding<br />
pieces (with prices that can run from $500 to $1,500)<br />
encompass everything from attractive storage<br />
boxes to fl ip-open card tables.<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
15
BEN BURNETT >><br />
ZILLION DESIGN<br />
WWW.ZILLIONDESIGN.COM<br />
Ben Burnett’s background in sculpture infl u-<br />
ences much more than the form his wood<br />
furnishings take. Sure, his bold Monolith<br />
lamp, an avant-garde pillar of wood cut<br />
through with a slice of fl uorescent light, is as much<br />
a striking work of art as a functional piece. But the<br />
fact that it’s made from reclaimed fi r and aluminum<br />
speaks to his years as a visual artist, too: “I had no<br />
money and I was always scrounging materials. So it<br />
was more economic,” he explains. Salvaged wood<br />
also fi nds its way into his other expressive pieces,<br />
whether it’s the fi r on a Pendant Turbine lamp or the<br />
reclaimed ebony that mixes with African mahogany<br />
and Brazilian cherry on his streamlined, multifunctional<br />
Slide table (shown here). Still, for Burnett<br />
(whose prices range from as low as $50 for wallmounted<br />
coat racks to $6,000 for a high-impact dining<br />
table), it’s his sculptural spin on tables, cabinets,<br />
lamps, and shelving that makes his work unique<br />
and so unexpected. He’s inspired by the modernist<br />
style, a few years spent in Japan, and the fact that<br />
he shares his studio space with veteran woodworker<br />
Peter Pierobon. “But in my work, function usually<br />
follows form,” he says. -<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
16
Thank You Vancouver<br />
for voting us the<br />
Best Antique/Reproduction<br />
furniture store<br />
Classic Chinese Interiors<br />
for Modern Living<br />
PEKING LOUNGE 83 E. PENDER ST.<br />
VANCOUVER 604.844.1559<br />
WWW.PEKINGLOUNGE.COM<br />
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2 bedroom homes priced from $390,600<br />
Every once in a while life offers an opportunity that surpasses all<br />
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views set the mood night and day. Imagine the convenience of having<br />
shops, restaurants, and a private fitness spa an elevator ride away<br />
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1801 Rosser Avenue, Burnaby BC<br />
Open noon to 5PM daily<br />
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www.motifatciti.com<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
17
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
1<br />
INspiration…<br />
World Class Furnishings,<br />
Down to Earth Prices<br />
Celebrating their sixth anniversary this year, INspiration continues to be the premier and fastest growing home and office furniture<br />
showroom in Vancouver. With the addition of Bo Concept Urban Design two years ago and the newly revamped Natuzzi Gallery showcasing<br />
an extensive collection of sleek, contemporary Italian seating and accessories, INspiration has reestablished it’s<br />
ongoing commitment to aesthetically beautiful modern furniture at a great value, all in one convenient location.<br />
INspiration is also confident that their in-house designers and sales staff can help you achieve a stunning home with an<br />
everyday low-price guarantee that assures you the utmost value for your money. Come visit us soon and see for yourself.
RENOVATIONS>><br />
EXTREME<br />
MAKE-OVER<br />
STORY<br />
AN ARTIST, A LIGHTING<br />
DESIGNER, AND A FURNITURE<br />
MAKER TRANSFORM A TOWNHOUSE<br />
BY PATTY JONES<br />
NEOPOLITAN BAMBOO CABINETS<br />
SET OFF ULTRAMODERN<br />
APPLIANCES, A WHITE CORIAN<br />
COUNTER, AND EXPANSES OF<br />
BAMBOO FLOORING THE<br />
COLOUR OF DARK COFFEE.<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
20<br />
Last winter, before retreating to its current<br />
corner in the dining room of artist Marianna<br />
Gartner and lighting designer Gabor Csakany’s<br />
newly renovated condominium, the<br />
antique aluminum prosthetic leg with the wooden<br />
foot was busy being a prop.<br />
Gartner was using it for a painting, inspired<br />
by a 1934 work by French artist Alfred Courmes,<br />
that soon sold in Berlin. But the prosthetic,<br />
scooped from a Vancouver antique shop, hasn’t<br />
got a leg to stand on among all the other curios<br />
in Gartner and Csakany’s Fairview Slopes<br />
townhouse. Pistol-packing Hungarian wooden<br />
rabbit? Check. Spanish gargoyle? Check. “A lot<br />
of things are from our travels,” Gartner says in<br />
an interview at their home.<br />
These things reside in an airy 1,440-squarefoot,<br />
three-storey abode that is one bathroom<br />
short of completing its 11-month-long transformation.<br />
There is a sunlit atrium with an 18-foot<br />
ceiling, a kitchen where stripy Neopolitan bamboo<br />
cabinetry flanks ultramodern appliances,<br />
and expanses of bamboo flooring the colour of<br />
dark coffee. But this is now. There was a “then”.<br />
“I called it a wormhole,” says Gartner, describing<br />
the 1983-built townhouse when they first<br />
stepped inside last fall. “It was very dated, very<br />
dingy. It had dirty wall-to-wall carpeting; dingy<br />
paint; dated, dingy kitchen and bathrooms.”<br />
“I liked the architectural details, but otherwise<br />
I wouldn’t buy it,” Csakany says. “I knew Gabor<br />
could fix anything,” says Gartner.<br />
They soon had keys to “anything” and were<br />
ripping out its carpets and gutting its kitchen of<br />
pesky datedness.<br />
They went four months kitchenless. Renovating<br />
can make grown people weep, but if anyone<br />
cried, they’re not saying. “You hear horror stories,”<br />
says Gartner. “We’re not angels, but we get along<br />
really well renovating.”<br />
Csakany and their aged Saab made trips to<br />
environmentally friendly GreenWorks Building<br />
Supply. “He’s proud of the lugging that old<br />
Saab can do,” Gartner says. The Saab lugged<br />
coffee-coloured and Neopolitan bamboo. It<br />
lugged PaperStone countertop. It lugged a<br />
lean, brushed-metal fridge and a deep, chic<br />
Quebec-made bathtub. Csakany and Gartner<br />
lugged things up and down staircases.<br />
“We were a team,” Gartner says, “but Gabor<br />
does most of it.” “Most of it” meant laying bamboo<br />
flooring almost entirely himself, including on<br />
wraparound stairs. It meant setting Italian-ceramic<br />
tile around a fireplace, in an entranceway, and in<br />
a bathroom. He installed radiant heating under<br />
floors. He put in a German stovetop, designing<br />
and installing the hood and backsplash. He added<br />
aluminum ledges and wood-chip beams that share<br />
a warm, zebra sensibility with the kitchen cabinetry.<br />
“There has to be a kind of flow,” says Csakany.<br />
Csakany is a man who lights up a place. “We<br />
hoped there would be enough light. We knew<br />
there would be if we did this,” Gartner says.<br />
“This” was removing a floor from the glassblocked<br />
atrium’s top level. Light flooded into<br />
what they envisioned would be the artist’s studio<br />
below. Now, she is working, painting surreal, often<br />
macabre twists on Victorian-style portraiture.<br />
Gartner shows mainly at Berlin’s Galerie Michael<br />
Haas and Galerie Haas & Fuchs. (The couple just<br />
spent six months away while she painted in Berlin,<br />
putting a halt to renovations.) In November,<br />
she’ll show solo at New York’s Max Lang Gallery.<br />
“I’m doing a few extra paintings, little heads on<br />
wood panels,” she says.<br />
Gartner chipped out tile and transformed<br />
walls from hospital greens, burgundies, and<br />
“bad” yellows to pale greys and off-whites. In<br />
the kitchen, Csakany installed monopoints and<br />
German-made halogens. He reconfigured an<br />
aluminum dining-room chandelier into something<br />
they now aptly call “the bird’s nest”.<br />
He is a man to whom people give lights<br />
that won’t work. In the living room upstairs, he<br />
strung 1910-style light bulbs he calls “pigtails”<br />
along a thin cable. Blue LED lights Csakany installed<br />
down the staircase make it feel like an<br />
ultracool airport runway.<br />
“I put in my two cents,” Gartner says. At least one<br />
of those cents went into the kitchen. They couldn’t
decide on the countertops. And there<br />
were other questions. At GreenWorks,<br />
they’d heard about Utility Furniture’s<br />
Derek Morton, a Vancouver designer<br />
and installer of furniture and, notably,<br />
kitchens. “We looked at a table he’d<br />
made and we hired him,” Gartner says.<br />
“You know how it goes with renos.<br />
They were conflicting,” Morton says,<br />
laughing, on the line from Brunswick<br />
Beach. He is working on his “biggest<br />
job yet”: bathrooms, a home office,<br />
and millwork on a beachfront house<br />
for West Coast–modern design firm<br />
BattersbyHowat. “It’s a lot nicer than<br />
my windowless shop.”<br />
His shop is at artisan-central 1000<br />
Parker Street. From making furniture on<br />
his balcony “for fun”, he now designs and<br />
installs full-time for everyone from private<br />
clients to the Diane Farris Gallery to<br />
Café Medina. His style, he says, is “urbancontemporary<br />
natural. I love the city, but I<br />
also love nature. I try to combine that into<br />
something usable but interesting.” He<br />
also likes interesting clients.<br />
“Gabor and Marianna are great,<br />
very artistic and creative,” says Morton.<br />
“You’ve seen his lighting and her paintings—they<br />
have unique art everywhere.<br />
What makes the house is their incredible<br />
style.” What Gartner didn’t think was her<br />
style was the white Corian countertop<br />
Morton suggested for the kitchen.<br />
But she reconsidered. “Our ideas met<br />
and Derek got Marianna’s approval,”<br />
Csakany says, smiling. Morton designed<br />
and built stunning, deep-drawered<br />
Neopolitan bamboo cabinets, topping<br />
them with striking white Corian countertops.<br />
“Derek was right,” Gartner says,<br />
adding, “It looks cool, contemporary. It<br />
really lifts up the whole kitchen.”<br />
Morton got the bathroom-cabinetry<br />
gig too. Csakany hand-plastered clay<br />
walls. Waiting were a dual-flush toilet,<br />
modern above-counter sinks, and Csakany’s<br />
rare, art deco hood ornament from<br />
an old Australian Holden car—a reclining<br />
naked lady who will prop up toilet-paper<br />
rolls. Morton framed the massive existing<br />
mirror in bamboo. Ready for the countertop<br />
was the black PaperStone, made of<br />
ground, recycled-paper pellets, resined<br />
and compressed. “I’d always wanted<br />
to work with it,” says Morton. “And it’s<br />
green,” he says, not meaning the colour.<br />
Gartner’s and Csakany’s tastes and<br />
creations are everywhere in the townhouse.<br />
A cool, black church pew enjoys<br />
a rebirth as dining-room seating. “It was<br />
10 feet long. I cut it down to seven,” says<br />
Csakany. A 1950s airplane lamp sits in a<br />
corner, a witty ceramic urn by Canadian<br />
artist Kirsten Abrahamson in the stairwell.<br />
Everywhere, too, are Gartner’s arresting<br />
paintings. On the dining-room<br />
wall is her Diablo Baby, plump and<br />
jolly. It has devil and skeleton tattoos.<br />
Horns curl from its forehead. Gartner<br />
jokes that she is always promising paintings<br />
to Csakany, “and then I end up putting<br />
them in the show”. “It’s not fair,”<br />
Csakany says, laughing. “It’s totally not<br />
fair.” But clearly, they like their collaboration<br />
very much. -<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
21
HOMEWARES>><br />
BABY, IT’S COLD OUTSIDE<br />
DUTCH OVENS GET STEWS AND KITCHEN DECOR COOKING<br />
BY CAROLYN ALI<br />
As we hunker down for months of drizzle, it’s time<br />
to turn on the oven—and keep it on. On a cold,<br />
damp day, a bubbling stew simmering slowly<br />
in the oven defines the hearth of the house.<br />
And there’s something especially primal about preparing<br />
and serving food in a timeless, earthy vessel.<br />
For centuries, people worldwide have cooked food<br />
slowly in heavy pots with tight-fitting lids. In local stores,<br />
such pots are often labelled Dutch or French ovens.<br />
They’re usually made of cast iron or ceramic.<br />
Restaurateur Laurent Devin of Kitsilano’s Bistrot Bistro<br />
explains that enamelled cast-iron cookware is perfect for<br />
braising. “It’s a staple in every French family—you have<br />
COLOURFUL POTS LIKE<br />
LE CREUSET’S ARE STAPLES<br />
IN FRENCH HOUSEHOLDS.<br />
one piece minimum,” he says. “My grandmother used<br />
to use it, my parents got rid of it, and my generation is<br />
going back to it.”<br />
That’s because the cast iron retains heat, allowing<br />
slow, moist, even cooking. “It’s very durable,” he says,<br />
adding that although good-quality pieces are expensive,<br />
they last a lifetime. He has experimented with<br />
cheaper varieties but says the enamel gets chipped<br />
and the cast iron isn’t as thick, concluding that “the<br />
price you pay is what you get”.<br />
Whichever cooking vessel you choose, bring it to the<br />
table with pride. Part of the pleasure is enjoying the burst<br />
of colour these pieces inject into a dreary day. -<br />
WHAT’S HOT IN POTS<br />
Le Creuset 6.4-litre oval<br />
$349 at Cookworks<br />
(1548 West Broadway;<br />
377 Howe Street)<br />
Le Creuset remains the<br />
classic—and most expensive—of<br />
the enamelled<br />
cast-iron genre. Made in France, the company’s<br />
pieces come in a rainbow of colours, from flame to<br />
kiwi to cobalt blue. They’re stovetop-safe, so you<br />
can brown and braise in the same pot.<br />
IKEA Senior 3.0-litre casserole<br />
$39.99 at IKEA (3200<br />
Sweden Way, Richmond;<br />
1000 Lougheed Highway,<br />
Coquitlam) You can’t beat<br />
the price of IKEA’s Senior<br />
line of enamelled cast-iron<br />
cookware. This brilliant-blue casserole is oven-safe<br />
and good for all cooktops, including induction.<br />
Emile Henry 3.2-litre braiser<br />
$149.98 at Ming Wo<br />
(various locations)<br />
Emile Henry’s ceramic<br />
FLAME line is designed<br />
for slow cooking in the<br />
oven or on most stovetops. Pieces, in black or red,<br />
range from mini stewpots to Asian-style clay pots.<br />
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PRICING<br />
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floorplans still available makes Legacy an opportunity you can’t afford to miss.<br />
Visit Legacy’s two display suites today and see how easy living large can be.<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
22<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
23
RENOVATIONS>><br />
A FOCAL POINT<br />
FOR A RETRO<br />
KITCHEN,<br />
NORTHSTAR<br />
APPLIANCES<br />
WOULD MAKE<br />
JUNE CLEAVER<br />
GO MINT GREEN<br />
WITH ENVY.<br />
GOING<br />
BACK<br />
TO THE<br />
FUTURE<br />
THE CLASSIC 1950S<br />
KITCHEN NEVER SEEMS<br />
TO GO OUT OF STYLE<br />
BY MIKE USINGER<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
24<br />
B<br />
ecause classic looks never go out of style,<br />
Elmira Stove Works knew it had a hit with its<br />
Northstar retro appliances as soon as the<br />
first refrigerator rolled off the assembly<br />
line. But launching the collection—which today features<br />
fridges, stoves, and range hoods in colours<br />
inspired by the era that gave us ’57 Chevys, Leave<br />
It to Beaver, and the birth of rock ’n’ roll—took a<br />
leap of faith. Basically, the Ontario-based company<br />
hoped that if you build it, they will come.<br />
“We’ve always believed that there’s limited value<br />
in doing market research on something like this, because<br />
consumers have no idea they want it until they<br />
actually see it,” says Tony Dowling, business development<br />
manager for Elmira Stove Works. “If you went<br />
out and said ‘Would you buy a retro refrigerator?’<br />
most people would say ‘What for?’ The nature of our<br />
product is that it was designed to look spectacular.<br />
When people see it, it becomes a have-to-have.”<br />
Offered in nine Elvis-period colours, including<br />
buttercup yellow, robin’s-egg blue, mint green,<br />
and flamingo pink, Northstar’s appliances are, as<br />
advertised, indeed spectacular. Add space-age<br />
chrome detailing and you’ve got something every<br />
bit as covetable as a restored Chevy TriFive. Their<br />
instant must-have appeal is somehow fitting, considering<br />
they seem like artifacts from a time when<br />
Americans were being convinced that they needed<br />
to consume like they’d never consumed before. And
clearly that message got rammed home, which explains<br />
why ’50s-style reproductions are big business today, and<br />
why vintage Arborite tables and other accessories from<br />
the era command premium prices at antique stores.<br />
According to Rob Gray, who won a Genie for his<br />
set design for 2006’s critically acclaimed (and cleverly<br />
subversive) ’50s zombie comedy Fido, it was in post–<br />
Second World War America that advertising truly became<br />
the powerful tool it remains today.<br />
“Advertising was really a propaganda tool used<br />
after the war to convince people that everything was<br />
okay,” he says. “ ‘We’re the good guys, we won the battle<br />
and came out on top, there’s a chicken in every pot,<br />
and everyone drives a nice car.’ So you had colour advertising<br />
for really beautiful cars and ranges that were<br />
so beautiful that you drool.”<br />
While it might have been the job of the man to<br />
bring home the bacon for the wife and 2.2 kids, it was<br />
the job of appliance manufacturers to get women excited<br />
about being in the kitchen.<br />
“It was the woman’s domain—they got to rule that<br />
roost,” Gray notes. “So the use of colours that were really<br />
interesting started to appear—soft blues and pinks<br />
and turquoises, whereas before that everything was<br />
much more reliant upon primary colours.<br />
“I think the aesthetic of all that was to mask the horrors<br />
of a lot of things that had happened,” he continues.<br />
“People love to surround themselves with things of<br />
beauty, with things that make them feel good. I mean,<br />
you can never imagine going in and painting your kitchen<br />
black. Even if you’re a goth rocker, that sucks, man.”<br />
As much as the colours of the day were a key concern<br />
for Elmira Stove Works, Dowling is careful to point out<br />
that Northstar appliances—introduced in 2002—weren’t<br />
conceived as new-millennium carbon copies of classic<br />
Viking ranges or Frigidaire refrigerators.<br />
“We often say it’s more reminiscent than reproduction,”<br />
he says. “It’s almost like the PT Cruiser. There<br />
was never a vehicle like that back in the ’50s, but everybody<br />
thinks there should have been.”<br />
So let’s say that you’ve decided to spring for a selfcleaning<br />
Northstar 1955 range (around $4,200) in robin’segg<br />
blue, which also gets you features (sealed burners,<br />
dual halogen oven lights) that your great-grandparents<br />
never even dreamed of. You accessorize that with a<br />
Northstar 1950 fridge (around $4,000; line available locally<br />
via R.E. MacDonald Stoves & Stones Ltd. at 3711<br />
248th Street in Aldergrove, 604-856-1551), which comes<br />
loaded with glass shelving, adjustable door bins, and<br />
sliding freezer baskets. Having got a head start on your<br />
’50s dream kitchen, it only seems sensible to make sure<br />
everything’s as perfect as Father Knows Best with a<br />
Northstar 1953 microwave (around $749), 1957 chromehandled<br />
dishwasher panel (around $399), and 1959<br />
range hood (around $1,100), all available in the same<br />
nine retro colours as the fridges and stoves.<br />
From there, turning your kitchen into something that<br />
June Cleaver would trade her pearl necklace and high<br />
heels for is easier than it might seem. On the vintage front,<br />
Attic Treasures (944 Commercial Drive) wasn’t named<br />
best antique store in the <strong>Georgia</strong> <strong>Straight</strong>’s recent Best<br />
of Vancouver issue for nothing. Current ’50s finds there<br />
include a butter-yellow Arborite table with two grey<br />
chrome chairs ($499) and a grey Arborite number ($445,<br />
including four chairs). Of course, going that route might<br />
require you to rethink the colour of your appliances.<br />
For those who long ago accepted that no kitchen<br />
make-over is ever cheap, there’s also the option of going<br />
the custom-built cabinets. Nostalgia & Co. (www.<br />
nostalgiaco.com) in Cambridge, Ontario, specializes in<br />
retro ’50s décor, from diner booths ($995 to $2,595) to<br />
made-to-order chrome dinette sets to whatever kind<br />
of kitchen cabinets your Arthur Fonzarelli–fixated mind<br />
might be able to dream up.<br />
“We specialize in decorating restaurants and nightclubs,”<br />
says Tim Sykes, a representative at Nostalgia &<br />
Co., which ships across Canada. “We’re just doing a local<br />
burger place right now where all the interior is in retro<br />
’50s diner style. So we can pretty much do anything that<br />
you can dream up.”<br />
For those who prefer a more do-it-yourself approach,<br />
set designer Gray suggests that dreaming up the perfect<br />
’50s kitchen isn’t as daunting a task as it might seem.<br />
“I did it,” he says with a laugh. “There are repros of<br />
pretty much everything. The original stuff is harder to<br />
find, but there’s a lot of quality stuff on eBay.”<br />
As for getting that perfect Fido feel, it’s possible if<br />
you put in the time.<br />
“You start with design books—I’ve probably got<br />
about 40 of them from the 1950s,” Gray says. “A lot of my<br />
research came from advertising from the ’50s.”<br />
Once he’d done his research, it was a simple matter of<br />
assembling the pieces.<br />
“That’s when you put the tiles and the colour palettes<br />
together to build your aesthetic.”<br />
Gray notes that—as Fido emphasized—behind closed<br />
doors people 50 years ago were as secretly messed up<br />
as they are today. But that doesn’t change the fact that the<br />
era had a look that today stands up as classic.<br />
“Perhaps we forget the stuff that was ugly, but there<br />
was a certain amount of style that was associated with<br />
a car or an appliance,” he says. “I’d have no problem<br />
driving a Porsche Boxster, but would I pay $140,000?<br />
No—that’s silly. But if I had a 1957 Caddy? With those<br />
big lights on the back, you’ll feel like a million bucks.<br />
That shows up way better than a 2008 BMW.” -<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
25
REAL ESTATE>><br />
A FOOT<br />
IN THE<br />
DOOR?<br />
BUYER’S MARKET BECKONS<br />
SINGLE HOUSE HUNTERS<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
26<br />
WITH REAL-ESTATE<br />
PRICES TURNING<br />
DOWN, SINGLES<br />
MIGHT BE ABLE<br />
TO HOLD ON TO<br />
THEIR DREAMS.<br />
TYLER STALMAN<br />
PHOTO.<br />
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<br />
BY SARAH ROWLAND<br />
We take the groceries in by ourselves. We<br />
cover mat leaves. We spend Valentine’s<br />
Day with our mothers. We are the working-class<br />
single people of Vancouver<br />
and we usually get the short end of the stick in all areas<br />
of life, including real estate.<br />
But there’s some good news for those solo fliers who<br />
don’t have trust funds, prosperous grow-ops, or fat ICBC<br />
settlements: we are no longer condemned to a life of<br />
renting. Buying Vancouver real estate just got a little bit<br />
easier. In fact, Lower Mainland prices have come down<br />
approximately 10 percent in the last year. But as realtor<br />
Orville Sam (orvillesam.com) points out, some sellers<br />
are still in denial.<br />
“All sellers believe their home is the best home on the<br />
planet, so sometimes it’s really tough to get them to bring<br />
their numbers down,” says Sam, who recently had to terminate<br />
two listings because the clients simply wouldn’t<br />
budge. “Usually, though, after a couple of weeks of seeing<br />
what’s taking place in the market…and showing them<br />
the actual statistics relating to their area, then they get a<br />
pretty good idea that prices are starting to change.”<br />
First-time buyers shouldn’t get too excited quite yet.<br />
Their square-footage options haven’t changed much<br />
since last year. For example, if you could only afford<br />
a $300,000 one-bedroom in Mount Pleasant last year,<br />
it’s not as if you can go out and score a two-bedroom<br />
in Kits now.<br />
It would take at least a 25-percent decrease in housing<br />
prices for you to take that same $300,000 and get a twobedroom<br />
in Van proper. But many experts are predicting<br />
that reduction will happen within the next 18 months. In the<br />
meantime, if you want something more spacious for the<br />
same price, get to know the SkyTrain schedule, because<br />
you’re moving to Whalley.<br />
“I think Surrey is going to be a really great market—as<br />
&
long as you don’t mind the<br />
commute,” says Sam, who<br />
works for Sutton Group –<br />
West Coast Realty. “The<br />
numbers are great—you<br />
can get a brand-spankingnew<br />
home in a nice neighbourhood<br />
for $200,000.”<br />
Many $400,000 pads are<br />
also staying on the market<br />
longer and eventually dropping<br />
10 percent. Interestingly,<br />
though, we’re not seeing<br />
a whole lot of movement in<br />
$500,000 listings.<br />
There are other challenges<br />
for single-income<br />
newbies. The industry<br />
maximum of a 40-year<br />
amortization period has<br />
also dropped. If you buy<br />
right now, you’re probably<br />
looking at a 35-year mortgage,<br />
but most experts expect<br />
that to go as low as 30<br />
in the near future. And having<br />
to dole out more cash<br />
per month in a shorter period<br />
means it’s going to be<br />
tougher for a single person<br />
to obtain a mortgage. Under<br />
those circumstances,<br />
lenders would prefer two<br />
peeps on the title. But overall,<br />
the consensus seems to<br />
be it’s a great time to get<br />
into the market.<br />
“I think everybody got a<br />
really nice ride,” say Sam<br />
of sellers and realtors who<br />
made a killing with the skyrocketing<br />
prices of yesteryear.<br />
“But the numbers are<br />
going back to where I think<br />
they typically should have<br />
been in the fi rst place.”<br />
And as for waiting for<br />
marriage before taking<br />
on a mortgage, Sam feels<br />
that’s just not the best fi nancial<br />
decision to be making.<br />
“That used to be an<br />
order of things,” says<br />
Sam before adding: “But<br />
not anymore.” -<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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Coquitlam<br />
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Delta<br />
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Langley/Cloverdale<br />
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Maple Ridge/Pitt Meadows<br />
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Mission<br />
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North Vancouver<br />
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Pemberton<br />
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Port Moody<br />
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Richmond<br />
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Squamish<br />
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Surrey/White Rock<br />
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West Vancouver<br />
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Whistler<br />
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Castlegar<br />
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Kelowna/Westbank<br />
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Vernon
PJ<br />
CRAFTY CANINE Kawaii means cuteness in Japanese. And<br />
the best kawaii in the adorable-hip Abbott Street J-pop shop<br />
Occupied (221 Abbott Street) is Hakoinu, or “Box Dog”. Hakoinu is<br />
mysterious: Occupied owner Jenelle Pratt thinks the story of the<br />
charming cardboard doggie and its quest to find the boy who left it<br />
behind originated in the 1960s. The pup, and its likeness on products<br />
galore, is near impossible to find outside Japan. But Pratt has<br />
scored goodies: postcards ($3); an irresistible wooden Hakoinu on<br />
a swing ($42); a beguiling DVD set ($38). The 30-minute stop-motion<br />
video tells the tender, funny tale of the dog “traveling to find the<br />
boy”; plus, you get everything to construct your own Hakoinu. > PJ<br />
GUYS AND DOLLS Anime meets tradition in the adorably funky<br />
figurines at EQ3 Furniture (2301 Granville Street and 1039 Hamilton<br />
Street; $9.99 and up). Our favourites are the blue-eyed Ninja, the fanfluttering<br />
geisha, and the sumo bunny. They’re a cool compliment to<br />
the curvy, acid-yellow vases and neon-dotted rugs amid the store’s<br />
ode to all things Japanese this fall. Cherry-blossom-bedecked bed<br />
sheets and water-crane-emblazoned pillows will also have you<br />
hankering for Harajuku. > Janet Smith<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
29
SUSTAINABILITY>><br />
FARHAT KHAN USES<br />
A WORM BIN TO<br />
MAKE COMPOST SHE<br />
TRADES FOR PRODUCE.<br />
MICHAEL LEVENSTON<br />
PHOTO. OPPOSITE<br />
PAGE: JASON MAEHL<br />
PHOTO.<br />
ART OF COMPOSTING<br />
YOU DON’T NEED A BACK YARD TO TURN FOOD<br />
SCRAPS INTO FERTILE SOIL<br />
BY CARLITO PABLO<br />
Friendship can grow from just<br />
about every imaginable place<br />
and situation. For Farhat Khan,<br />
one blossomed out of the compost<br />
she creates in an indoor bin.<br />
A few years ago, while Khan was volunteering<br />
for City Farmer, a Kitsilano-based<br />
group that teaches urban farming to Vancouver<br />
residents, a woman approached<br />
her and asked if she knew anyone who<br />
could give her some compost. The woman<br />
had a plot at a nearby community garden<br />
but didn’t have a composter.<br />
“So I said I could do that, and that’s<br />
how I met her,” Khan says.<br />
Since then, she’s been giving the woman<br />
compost she makes, and in return, the<br />
community gardener shares her produce.<br />
“We have a really nice exchange,” Khan<br />
says. “It’s wonderful, and I made a wonderful<br />
friend that way.”<br />
For more than three years now, Khan,<br />
who manages a call centre for a venturecapital<br />
company, has been teaching people<br />
how to turn raw food scraps into fertile<br />
soil right in their homes. Like many people,<br />
she doesn’t have a back yard. She used to<br />
live in an apartment and recently moved<br />
into a condo. In these small spaces, she<br />
has grown plants like geraniums and roses<br />
using the compost she makes.<br />
For composting, she uses the worm<br />
bin that Vancouver residents can get<br />
from City Farmer (2150 Maple Street)<br />
for $25. Measuring 85 centimetres at the<br />
base and 85 centimetres high, the bin<br />
comes with a one-hour course on composting,<br />
an instructional book, and 500<br />
wriggler worms.<br />
Khan’s raw fruit and vegetable<br />
scraps, eggshells, coffee grounds, and<br />
tea bags all go into this bin. But won’t<br />
this stuff give out a rotten smell and<br />
foul up a smaller apartment or condo?<br />
Not so, says City Farmer executive<br />
director Michael Levenston. When composting<br />
is done properly, Levenston<br />
explains, “it should be a nice smell, the<br />
same smell you get in the forest.”<br />
So far this year, City Farmer has taught<br />
500 Vancouverites how to compost<br />
food scraps that otherwise would have<br />
ended up in the garbage and ultimately<br />
the landfill.<br />
The group teaches residents how to<br />
manage their indoor bins, particularly<br />
AUC ION<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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DETAILS SUBJECT TO ADDITIONS AND DELETIONS
how to deal with fruit flies.<br />
Here’s how it’s done. In a<br />
container, combine half<br />
a cup of fruit juice, two<br />
drops of vinegar, and two<br />
drops of liquid dish soap.<br />
Place the container on top<br />
of the compost bedding<br />
inside the bin. According<br />
to Levenston, the solution<br />
traps and kills the fruit flies<br />
that are attracted to it, but<br />
he recommends that bins<br />
be placed on balconies<br />
if possible.<br />
A step-by-step guide<br />
to using a worm bin is on<br />
the City Farmer Web site<br />
(www.cityfarmer.org). The<br />
30-year-old organization<br />
also maintains a composting<br />
hot line (604-736-2250).<br />
People using indoor bins<br />
can collect their compost<br />
every three to four months.<br />
After separating the wriggler<br />
worms from the new<br />
soil, they can start all over<br />
again. Those who don’t<br />
have plants of their own can<br />
donate the compost to the<br />
landscaping of their apartment<br />
building or to nearby<br />
community gardens. They<br />
might even meet some<br />
new friends. -<br />
TURNING A NEW LEAF<br />
Leaves—and plenty of them—are a back-yard<br />
compost maker’s most valuable resource, according<br />
to local urban-farming advocate Michael<br />
Levenston. Leaves are the primary ingredient in<br />
back-yard composting, the executive director of<br />
City Farmer explains.<br />
“All year long, you want to compost some of<br />
your fruit and vegetable scraps…and in order to<br />
compost that waste properly, each time you put<br />
that waste into your bin, you want to put handfuls<br />
of leaves on top of your waste,” Levenston says.<br />
That’s why fall is an important season for gardeners<br />
like him. “So we tell people now, rake,<br />
collect, put in plastic bags—as many bags as you<br />
feel you’re going to need, six to 12—store them,<br />
and use those all during the year,” he says. “They’ll<br />
need it for the winter, spring, and summer.”<br />
Leaves serve as the first layer in back-yard composting<br />
bins that Vancouver residents can purchase<br />
for $25 from the city’s waste transfer station (377 West<br />
Kent Avenue North). City Farmer provides a guide<br />
on how to do back-yard composting on its Web site<br />
(www.cityfarmer.org).<br />
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| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
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HOME IS WHERE<br />
THE HARP IS<br />
MUSICIAN HEIDI KRUTZEN HITS<br />
NOTES OF CASUAL SIMPLICITY<br />
BY JESSICA WERB / WILLIAM TING PHOTO<br />
Principal harpist with the Vancouver Opera Orchestra<br />
and the CBC Radio Orchestra, Heidi<br />
Krutzen is also a member of Trio Verlaine, the<br />
Krutzen/McGhee Duo, and the Turning Point<br />
Ensemble. This month she’s joining the Vancouver Symphony<br />
Orchestra on its Asia-Pacific tour. We caught up<br />
with her and her harps in her Kitsilano apartment, which<br />
doubles as her teaching studio and private oasis.<br />
Where do you practise?<br />
I have two bedrooms, and the harps get the smaller<br />
one. I kind of use that as a little mini studio.<br />
Do your neighbours ever comment on your playing?<br />
I’ve been really fortunate. One of the reasons I picked<br />
this building is that it’s concrete.…I’ve only ever had<br />
one comment and that was from one of my neighbours,<br />
and she said, “I wish you played more often.”<br />
How would you describe your home style?<br />
Most of my furniture is European and it’s casual but<br />
elegant, comfortable, simple. I like simplicity a lot.<br />
Where do you entertain?<br />
My place has got a really open layout and the kitchen<br />
and the living room are all one space. If I’m cooking,<br />
I have a little bar area and people tend to hang out<br />
right there. If not, we’re usually in the living room.<br />
What’s your favourite place to cocoon?<br />
My living room. It’s got circular windows. I love the light<br />
that comes through here. It’s always different in the different<br />
seasons but also during different times of day.<br />
What’s your most treasured possession?<br />
My grandmother grew up in Africa, and I have two of her<br />
wood carvings from there, which I love. She grew up in<br />
Abyssinia, which is Ethiopia, and Tanzania, and later in<br />
her life lived in Senegal and French Somalia as well. Two<br />
of her pieces have been given to me, and I love those.<br />
But I should probably say my harps, too, right?<br />
| FALL 2008 | | GEORGIA STRAIGHT LIVING |<br />
34<br />
What’s on your walls?<br />
I’ve got some African baskets and I have some African<br />
batiks, and I have a painting by one of my aunts that<br />
I love. I also have a painting by my friend Janine and<br />
a couple of Monets from when I lived in Paris—just<br />
prints!<br />
Who are your favourite artists?<br />
I’m a huge fan of Charles Forsberg and of course Tiko<br />
Kerr, and my friend Janine Johnston.<br />
What’s always in your fridge?<br />
Cheese and wine. I’m a cheese-aholic. Les Amis du<br />
Fromage is much too close to where I live.<br />
Flowers or potted plants?<br />
I love fl owers. I don’t have them all that often but I<br />
have some on my decks that I plant and I get cut fl owers<br />
when I can. -
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