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time + place temps + lieu - CSLA :: AAPC

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ESSAIE<br />

It is in how a <strong>place</strong> is<br />

experienced that continuity<br />

and change can intersect<br />

in fruitful ways.<br />

apart from the setting within which it had<br />

been built.<br />

Once the curtains were removed to allow<br />

our inspection, the quality of both the house<br />

and the landscape was irrevocably altered.<br />

The curtains never went back. A new Governor<br />

General was just settling in, and during her<br />

tenure the relationship between the house<br />

and the grounds became the basis for all<br />

major planning decisions. The visitor centre<br />

was built at the centre of the landscape,<br />

within the residential compound, looking out<br />

rather than looking in. The landscape also<br />

became a productive part of the estate, with<br />

replanted vegetable gardens and orchards.<br />

And the original design intentions were easily<br />

translated into a new sustainable design<br />

approach: a design that considered natural and<br />

cultural resource conservation simultaneously.<br />

The new interventions were contemporary,<br />

but the spirit was in keeping with the site’s<br />

long history.<br />

http://blog.willowbank.ca/author/julian-smith<br />

THE STORY + IMAGES FIRST APPEARED IN<br />

“GROUNDED – THE WORK OF PHILLIPS FAREVAAG<br />

SMALLENBERG.” 1 WITH KIND PERMISSION OF<br />

THE CANADIAN AERIAL PHOTO CORPORATION<br />

(MURRAY MOSHER) 2-3-4 HEAWON CHON | COURTESY<br />

OF PFS | L’ARTICLE ET LES ILLUSTRATIONS ONT<br />

D’ABORD PARU DANS « GROUNDED : THE WORK<br />

OF PHILLIPS FAREVAAG SMALLENBERG ». 1 AVEC<br />

L’AIMABLE AUTORISATION DE LA CANADIAN<br />

AERIAL PHOTO CORPORATION (MURRAY MOSHER)<br />

2-3-4 HEAWON CHON | GRACIEUSETÉ DE PFS<br />

FALL AUTOMNE 2012 23

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