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foundation annual report 2009–10 - National Gallery of Australia

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William Barak<br />

Wurundjeri people<br />

<strong>Australia</strong> 1824–1903<br />

Corroboree 1895<br />

charcoal and natural earth pigments over pencil on linen<br />

image 60 x 76.4 cm<br />

support 60 x 76.4 cm<br />

acquired with the Founding Donors 2010 Fund, 2009<br />

This is one <strong>of</strong> the largest and most impressive drawings<br />

produced by William Barak as a way <strong>of</strong> passing on his<br />

knowledge <strong>of</strong> traditional culture. In the top half <strong>of</strong> the<br />

composition, six Aboriginal men with traditional body painting<br />

perform a dance. The lower half <strong>of</strong> the drawing shows a<br />

group <strong>of</strong> people in elaborately decorated possum-skin cloaks<br />

sitting and clapping. A lone man standing at the centre <strong>of</strong> the<br />

composition is the focus <strong>of</strong> their attention as he dictates the<br />

rhythm for the dance by clapping together two boomerangs.<br />

During his lifetime, Barak experienced enormous cultural<br />

change. He was a child when Europeans began to make<br />

pastoral incursions into the Port Phillip district <strong>of</strong> Victoria in<br />

the mid 1830s. In 1863, he was one <strong>of</strong> the first people who<br />

resettled at the Aboriginal Station at Coranderrk, outside<br />

Melbourne. Barak had hereditary status as clan elder <strong>of</strong> his<br />

people (the Wurundjeri) and was one <strong>of</strong> the leaders <strong>of</strong> the<br />

Coranderrk community. He lived at Coranderrk until his death<br />

in 1903, by which time he was one <strong>of</strong> the few people in Victoria<br />

with a firsthand knowledge <strong>of</strong> the traditional language, songs<br />

and religious law <strong>of</strong> the original inhabitants <strong>of</strong> the Yarra Valley.<br />

FOUNDATION ANNUAL REPORT 2009–10 5

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