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Gui de - Taranaki Arts Festival Trust

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Amparo Sánchez (Spain)<br />

After 11 years with her influential band Amparanoia, vivacious and powerful<br />

singer Amparo Sánchez has embarked on a striking solo project - a new<br />

album. Expanding on her exuberant roots-reggae-Cuban style, she called the<br />

album Tucson-Habana - highly appropriate, consi<strong>de</strong>ring the dry Americana<br />

influence of her collaborators Joey Burns and John Convertino of Calexico.<br />

Fri, 7.15pm, Shell Gables Stage, 1 of 2 • Sat, 3pm, Nova Energy Taste the World<br />

Sat, 8.15pm, Todd Brooklands Stage, 2 of 2 • Sun, 2pm, Chimney Stage, W/S<br />

Aotearoa National<br />

Māori Choir with<br />

The Yoots (NZ/Aotearoa)<br />

The iconic National Māori Choir is<br />

reforming especially for WOMAD.<br />

Featuring 80 voices from around<br />

New Zealand, Māori waiata we all<br />

love, and accompanied by WOMAD<br />

2012 crowd favourites, The Yoots,<br />

get ready for what must surely<br />

be New Zealand’s biggest singalong.<br />

See page 52 for lyrics.<br />

Sun, 6.30pm, TSB Bowl Stage, 1 of 1<br />

Ayarkhaan (Russia)<br />

Ayarkhaan is preserving and<br />

revitalising the music of the<br />

Yakuts, the indigenous people of<br />

the Sakha Republic in Siberia.<br />

The three women’s ethereal vocals,<br />

combined with khomus (Jew’s harp,<br />

an instrument that legend says<br />

was ma<strong>de</strong> by the gods) create an<br />

amazing sound that bor<strong>de</strong>rs on<br />

the realms of electronica.<br />

Sat, 12pm, Todd Brooklands Stage, 1 of 2<br />

Sun, 7.30pm, Dell Stage, 2 of 2<br />

Barnaby Gibbons presents:<br />

Charlie O’Taney,<br />

The Brooklyn<br />

Healer (UK)<br />

After receiving the healing gift<br />

from a dying Chinese oracle, Charlie<br />

O’Taney has transformed himself<br />

from a Brooklyn Mafia hit-man into<br />

a mystic healer. Charlie’s fourdoor<br />

saloon trawls festival sites<br />

presenting his Medicine Man Show,<br />

proffering authentic and somewhat<br />

bizarre remedies for a world<br />

<strong>de</strong>sperately in need of miracles.<br />

consultations<br />

Fri, 6.15pm - 8.15pm<br />

Sat, 1pm - 3pm, and 5pm - 7pm<br />

Sun, 1pm - 3pm, and 5pm - 7pm<br />

Antibalas (USA)<br />

This sensational Brooklyn-based<br />

12-piece has mastered the insistent,<br />

distinctive rhythms that propel<br />

Afrobeat. Conceived in 1998 by<br />

baritone saxophonist Martín Perna as<br />

a cross between the New York Latin<br />

funk grooves of Eddie Palmieri,<br />

Harvey Averne and Mandrill with<br />

the Afrobeat jams of the late Fela<br />

Kuti, Antibalas gradually shifted<br />

towards Fela’s seminal Africa 70<br />

band. It qualified Antibalas as<br />

pioneers in the second wave of<br />

Afrobeat, <strong>de</strong>fined by blazing horns<br />

and unrelenting bass and percussion.<br />

By arrangement with<br />

Billions Australia.<br />

Sun, 2pm, TSB Bowl Stage, 1 of 1<br />

Bassekou Kouyaté<br />

and Ngoni Ba (Mali)<br />

One of the true masters of the ngoni, a stringed<br />

instrument found throughout West Africa, Bassekou<br />

Kouyaté has performed with artists such as Taj Mahal<br />

and the late Ali Farka Touré and is now making his own<br />

distinct musical waves with his band Ngoni Ba. Taught<br />

to play ngoni by his father, Bassekou won fame as a<br />

backing musician for star female griot singers in the<br />

mid-1980s. He soon crossed paths with extraordinary<br />

kora player Toumani Diabate and eventually joined his<br />

landmark Symmetric Orchestra. Accommodating elements of<br />

western harmony and jazz, Bassekou ad<strong>de</strong>d three additional<br />

strings to his ngoni to provi<strong>de</strong> a wi<strong>de</strong>r melodic range.<br />

Fri, 8.15pm, Nova Energy Taste the World • Sat, 1pm, Chimney Stage, W/S<br />

Sat, 8.15pm, Shell Gables Stage, 1 of 2 • Sun, 7.30pm, Todd Brooklands Stage, 2 of 2<br />

10 11

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