Gui de - Taranaki Arts Festival Trust
Gui de - Taranaki Arts Festival Trust
Gui de - Taranaki Arts Festival Trust
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Amparo Sánchez (Spain)<br />
After 11 years with her influential band Amparanoia, vivacious and powerful<br />
singer Amparo Sánchez has embarked on a striking solo project - a new<br />
album. Expanding on her exuberant roots-reggae-Cuban style, she called the<br />
album Tucson-Habana - highly appropriate, consi<strong>de</strong>ring the dry Americana<br />
influence of her collaborators Joey Burns and John Convertino of Calexico.<br />
Fri, 7.15pm, Shell Gables Stage, 1 of 2 • Sat, 3pm, Nova Energy Taste the World<br />
Sat, 8.15pm, Todd Brooklands Stage, 2 of 2 • Sun, 2pm, Chimney Stage, W/S<br />
Aotearoa National<br />
Māori Choir with<br />
The Yoots (NZ/Aotearoa)<br />
The iconic National Māori Choir is<br />
reforming especially for WOMAD.<br />
Featuring 80 voices from around<br />
New Zealand, Māori waiata we all<br />
love, and accompanied by WOMAD<br />
2012 crowd favourites, The Yoots,<br />
get ready for what must surely<br />
be New Zealand’s biggest singalong.<br />
See page 52 for lyrics.<br />
Sun, 6.30pm, TSB Bowl Stage, 1 of 1<br />
Ayarkhaan (Russia)<br />
Ayarkhaan is preserving and<br />
revitalising the music of the<br />
Yakuts, the indigenous people of<br />
the Sakha Republic in Siberia.<br />
The three women’s ethereal vocals,<br />
combined with khomus (Jew’s harp,<br />
an instrument that legend says<br />
was ma<strong>de</strong> by the gods) create an<br />
amazing sound that bor<strong>de</strong>rs on<br />
the realms of electronica.<br />
Sat, 12pm, Todd Brooklands Stage, 1 of 2<br />
Sun, 7.30pm, Dell Stage, 2 of 2<br />
Barnaby Gibbons presents:<br />
Charlie O’Taney,<br />
The Brooklyn<br />
Healer (UK)<br />
After receiving the healing gift<br />
from a dying Chinese oracle, Charlie<br />
O’Taney has transformed himself<br />
from a Brooklyn Mafia hit-man into<br />
a mystic healer. Charlie’s fourdoor<br />
saloon trawls festival sites<br />
presenting his Medicine Man Show,<br />
proffering authentic and somewhat<br />
bizarre remedies for a world<br />
<strong>de</strong>sperately in need of miracles.<br />
consultations<br />
Fri, 6.15pm - 8.15pm<br />
Sat, 1pm - 3pm, and 5pm - 7pm<br />
Sun, 1pm - 3pm, and 5pm - 7pm<br />
Antibalas (USA)<br />
This sensational Brooklyn-based<br />
12-piece has mastered the insistent,<br />
distinctive rhythms that propel<br />
Afrobeat. Conceived in 1998 by<br />
baritone saxophonist Martín Perna as<br />
a cross between the New York Latin<br />
funk grooves of Eddie Palmieri,<br />
Harvey Averne and Mandrill with<br />
the Afrobeat jams of the late Fela<br />
Kuti, Antibalas gradually shifted<br />
towards Fela’s seminal Africa 70<br />
band. It qualified Antibalas as<br />
pioneers in the second wave of<br />
Afrobeat, <strong>de</strong>fined by blazing horns<br />
and unrelenting bass and percussion.<br />
By arrangement with<br />
Billions Australia.<br />
Sun, 2pm, TSB Bowl Stage, 1 of 1<br />
Bassekou Kouyaté<br />
and Ngoni Ba (Mali)<br />
One of the true masters of the ngoni, a stringed<br />
instrument found throughout West Africa, Bassekou<br />
Kouyaté has performed with artists such as Taj Mahal<br />
and the late Ali Farka Touré and is now making his own<br />
distinct musical waves with his band Ngoni Ba. Taught<br />
to play ngoni by his father, Bassekou won fame as a<br />
backing musician for star female griot singers in the<br />
mid-1980s. He soon crossed paths with extraordinary<br />
kora player Toumani Diabate and eventually joined his<br />
landmark Symmetric Orchestra. Accommodating elements of<br />
western harmony and jazz, Bassekou ad<strong>de</strong>d three additional<br />
strings to his ngoni to provi<strong>de</strong> a wi<strong>de</strong>r melodic range.<br />
Fri, 8.15pm, Nova Energy Taste the World • Sat, 1pm, Chimney Stage, W/S<br />
Sat, 8.15pm, Shell Gables Stage, 1 of 2 • Sun, 7.30pm, Todd Brooklands Stage, 2 of 2<br />
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