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Spring/Summer 2013<br />

trade<br />

Frontlist & Backlist


“Stunning art books<br />

that are artworks in<br />

themselves…”<br />

Frontlist<br />

Top Titles<br />

—The Huffington Post, New York<br />

The New York Times:<br />

36 Hours. Europe<br />

Harry Benson. The Beatles<br />

Page 116<br />

The Big Book of Magic<br />

Page 98<br />

100 Contemporary Green Buildings<br />

Page 8<br />

Dian Hanson’s<br />

History of Pin-up Magazines<br />

Page 138<br />

Art Now Vol 4<br />

Page 34<br />

Dalí. The Paintings<br />

Page 38<br />

Sebastião Salgado. Genesis<br />

Pages 66 and 132<br />

Playboy Box<br />

Page 146<br />

The Fairy Tales of<br />

Hans Christian Andersen<br />

Page 54<br />

Van Eyck. The Complete Work<br />

Page 42


Dear Bookworms,<br />

2012 was quite a good year for us and now<br />

we are looking forward to the New Year.<br />

2013 may go down in our history as “annus<br />

mirabilis” (that’s how Her Majesty, the<br />

Queen, might put it): a smashing 33 years<br />

jubilee celebration, with a number of landmark<br />

titles in the pipeline. In my opinion<br />

it will be the very best TASCHEN list ever.<br />

And here comes the preview for the first<br />

semester. Please keep your eyes peeled,<br />

some more special titles will be announced<br />

any time soon.<br />

Thank you for your continuous support,<br />

happy holidays, and may your wishes for the<br />

New Year come true.<br />

Peace<br />

Benedikt <strong>Taschen</strong><br />

Photo © Matthias Vriens, 2012


Architecture<br />

“TASCHEN understands<br />

books just as the best architects<br />

understand buildings...”<br />

–Financial Times, London<br />

Back in Print!<br />

Back in Print!<br />

February<br />

February<br />

February<br />

February<br />

Back in Print!<br />

Back<br />

in Print!<br />

Upscaled,<br />

hardcover<br />

edition<br />

February<br />

February<br />

March<br />

April<br />

April<br />

Upscaled,<br />

hardcover<br />

edition<br />

April<br />

April<br />

April<br />

June<br />

— 5 —


February 2013<br />

February 2013<br />

Photo © Julius Shulman<br />

Building genius<br />

The quintessential<br />

California Modernist<br />

The vital fifth installment<br />

The Architecture Now! series is an ongoing project documenting the work of the most<br />

innovative and influential architects across the globe. This special edition of a selection<br />

from Volume 5 features famous names and newcomers alike, and this time<br />

around a number of designers are also included, reflecting the new ways in which<br />

design and architecture are coming together. Since architecture also extends beyond<br />

walls, landscape architecture makes its appearance as well. Easy-to-navigate illustrated<br />

A–Z entries include current and recent projects, biographies, contact information,<br />

and websites.<br />

Architecture Now! Vol. 5<br />

Philip Jodidio<br />

Hardcover, 6.7 x 8.5 in., 320 pp.<br />

978-3-8365-3616-5<br />

$ 14.99 / CAD 16.99<br />

Richard Neutra and his search for modern architecture<br />

Originally from Vienna, Richard Neutra came to America early in his career, settling<br />

in California. His influence on post-war architecture is undisputed, the sunny climate<br />

and rich landscape being particularly suited to his cool, sleek modern style.<br />

Neutra had a keen appreciation for the relationship between people and nature; his<br />

trademark plate glass walls and ceilings which turn into deep overhangs have the<br />

effect of connecting the indoors with the outdoors. His ability to incorporate technology,<br />

aesthetic, science, and nature into his designs brought him to the forefront of<br />

Modernist architecture.<br />

In this volume, all of Neutra’s works (nearly 300 private homes, schools, and public<br />

buildings) are gathered together, illustrated by over 1000 photographs, including<br />

those by Julius Shulman and other prominent photographers.<br />

Back in Print!<br />

Neutra. Complete Works<br />

Julius Shulman (Photos), Barbara<br />

Lamprecht (Text), Peter Gössel (Ed.)<br />

Hardcover, 13.1 x 10.1 in., 464 pp.<br />

978-3-8365-1244-2<br />

$ 69.99 / CAD 79.99<br />

“A feast of inspiration<br />

and ideas.”<br />

Page 4: The Adega Mayor winery in Portugal.<br />

Photo © Duccio Malagamba<br />

“The definitive volume on<br />

the Viennese-born architect.”<br />

— RIBA Journal, London<br />

,!7ID8D6-fdgbgf!<br />

Only $<br />

14.99<br />

—Los Angeles Times, Los Angeles<br />

,!7ID8D6-fbceec!<br />

Only $<br />

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— 6 — — 7 —


February 2013 February 2013<br />

Where the grass really<br />

is greener<br />

Eco-friendly building in the world today<br />

The most exciting new buildings in the world are now almost all environmentally<br />

aware, sustainable, and conceived to consume far less energy than ever before. That<br />

architecture is one of the major sources of greenhouse gases in the world makes this<br />

new trend all the more significant. This book brings together the best examples of<br />

green projects from the Architecture Now! series together with numerous new, neverbefore-seen<br />

projects. Well-known architects like Frank Gehry and Norman Foster<br />

are present right alongside young, up-and-coming creators from Latin America, the<br />

United States, Europe, and Asia. This is not a technical book, nor are its contents limited<br />

to any pre-defined category. Being “green” means being aware of the responsibility<br />

implied in the construction and use of modern buildings, and there are many ways<br />

to express this rising consciousness. Some solutions, the ones generally called “passive,”<br />

are as old as the history of architecture, while others are born of cutting-edge<br />

technologies. Both approaches and many more are included in this ground-breaking<br />

collection of 100 of the world’s most exciting recent eco-friendly buildings.<br />

“Trust TASCHEN to make a fine selection<br />

of new construction from around the world.<br />

Think of each tome as a primer on the<br />

contemporary scene.”<br />

—Wallpaper.com, London<br />

100 Contemporary Green Buildings<br />

Philip Jodidio<br />

Hardcover, 2 vols. in slipcase,<br />

9.4 x 12 in., 696 pp.<br />

978-3-8365-4191-6<br />

$ 59.99 / CAD 64.99<br />

,!7ID8D6-febjbg!<br />

2 Volumes<br />

Only $<br />

59.99<br />

— 8 — — 9 —


February 2013<br />

Autobiographical<br />

homes<br />

The houses architects design for themselves<br />

The greatest challenge in designing homes is negotiating the delicate balance<br />

between aesthetics and the personal desires of the occupants. While it’s important for<br />

the structure to reflect the vision and style of the architect, the client must ultimately<br />

feel at home beneath the roof. It is particularly interesting, therefore, to examine the<br />

homes that architects create for themselves. If houses reflect their owners’ personalities,<br />

then architects’ own homes are like autobiographies. Location, layout, style,<br />

lighting, artwork, furnishings—every detail adds color to the story. Each of these<br />

dwellings, presented A-Z by architect, speaks more about its designer than any other<br />

building possibly could.<br />

Opposite: The house of Alvar Aalto, Helsinki,<br />

1936. Photo © Alvar Aalto Archives<br />

Back in Print!<br />

The Architect’s Home<br />

Gennaro Postiglione<br />

Hardcover, 8.1 x 10.7 in., 480 pp.<br />

978-3-8365-4487-0<br />

$ 39.99 / CAD 49.99<br />

“This is an idea book, best used for page flipping<br />

and sparks of inspiration. Each architect’s interpretation<br />

of space and design will provide fodder<br />

for even the smallest home renovation project...”<br />

–Shelter, New York<br />

— 10 —<br />

,!7ID8D6-feeiha!<br />

Only $<br />

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February 2013<br />

February 2013<br />

Window on the world<br />

Traveling the world with an architect’s eye<br />

Architect Harry Seidler spent more than 50 years traveling the globe, extensively<br />

photographing the peak achievements in architecture from 3000 B.C. to the present<br />

day. Thanks to sound advice given to him early on by his photographer brother<br />

Marcell (“Only use Leica cameras and Kodachrome film, which is archival”),<br />

Seidler’s hobby quickly developed into a passion and, finally, an impressive archive<br />

of world architecture.<br />

Including, of course, many of the world’s most famous architectural structures,<br />

Seidler’s photographs illustrate the history and style—country by country—of architecture<br />

in Europe, the Middle East, Asia, and the Americas. Divided into chapters by<br />

country, each with a brief introduction outlining its architectural history, The Grand<br />

Tour offers armchair travelers, students, architecture buffs, and historians the opportunity<br />

to browse the buildings of the world through one man’s photographs—the fruits<br />

of a passionate, half-century endeavor.<br />

“Whether you take the book with<br />

you on your travels or read it on the sofa,<br />

you couldn’t have a better guide.”<br />

–Good Reading Magazine, Sydney<br />

Back in Print!<br />

The Grand Tour<br />

Harry Seidler<br />

Hardcover, 5.5 x 7.6 in., 576 pp.<br />

978-3-8365-4460-3<br />

$ 19.99 / CAD 23.99<br />

,!7ID8D6-feegad!<br />

Hardcover<br />

Only $<br />

19.99<br />

Natural forms in the technical age<br />

Art Nouveau crafts, architecture, and furniture design<br />

Art Nouveau, whose emergence at the same time as cinema was no mere coincidence,<br />

represents the most remarkable attempt to reconcile the demands of the technical age<br />

with the undying wish for beauty and glorification—or to pit them against each other.<br />

Here the reform movement of the turn of the century is not only dealt with as an<br />

artistic event, but those economic and political interests which inspired, supported,<br />

and handicapped it are also taken into account. In the chapters “Movement,”<br />

“Unrest,” and “Equilibrium,” the historical phenomenon as a whole is characterised<br />

and is also presented with its own distinct local features. The centers of Brussels,<br />

Nancy, Barcelona, Glasgow, Helsinki and Chicago are dealt with in subchapters as are<br />

Munich, Darmstadt and Weimar. Finally, Vienna, that city in which the synthesis<br />

achieved its culmination, is described separately. The outstanding artists are examined<br />

in detail in connection with the respective cities of their greatest activity. The<br />

result is a complex picture of the symbiosis of architecture, furniture design, and<br />

craftsmanship with their corresponding approaches to artistic revitalization.<br />

“A complex picture of architecture,<br />

furniture design and craftsmanship with<br />

their corresponding approaches to<br />

artistic revitalisation.”<br />

—Perspective, Belfast<br />

Back in Print!<br />

Art Nouveau<br />

Klaus-Jürgen Sembach<br />

Hardcover, 9.4 x 11.8 in., 240 pp.<br />

978-3-8228-3006-2<br />

$ 14.99 / CAD 16.99<br />

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— 12 — — 13 —


March 2013<br />

Complex simplicity<br />

The seminal book on Portugal's master architect<br />

Opposite: Fragmented volumetric composition—the<br />

700-square-meter Mallorca House<br />

was built in 2008. Photo © FG+SG fotografia<br />

de arquitectura<br />

When Álvaro Siza, one of the great figures of contemporary architecture, won the<br />

prestigious Pritzker Prize in 1992, the Jury citation described his shapes as “molded<br />

by light, [with] a deceptive simplicity about them; they are honest. They solve design<br />

problems directly…. That simplicity, upon closer examination however, is revealed as<br />

great complexity. There is a subtle mastery underlying what appears to be natural<br />

creations.”<br />

Born in Matosinhos, Portugal, in 1933, Siza created his own practice in Porto in 1954,<br />

and he has been a Professor of Construction at the university there since 1976. He<br />

received the European Community’s Mies van der Rohe Prize in 1988 and the<br />

Praemium Imperiale in Japan in 1997, the 2009 RIBA Gold Medal, and the Golden<br />

Lion for Lifetime Achievement at the 2012 Venice Architecture Biennale.<br />

He has built a large number of projects in Portugal, and worked on the restructuring<br />

of the Chiado area of Lisbon following the devastating 1988 fire. Siza designed both<br />

the Portuguese Pavilion for the 1998 Lisbon World’s Fair and the 2005 Serpentine<br />

Pavilion in London in collaboration with Eduardo Souto de Moura. He completed the<br />

Serralves Foundation (Porto, 1998), and the museum for the Iberê Camargo<br />

Foundation in Porto Alegre, Brazil in 2008.<br />

As for all previous TASCHEN architect’s monographs, this book was realized in close<br />

collaboration with the architect and includes a full catalogue of his work to date.<br />

Álvaro Siza. Complete Works 1952-2012<br />

Philip Jodidio<br />

Hardcover, 12.1 x 15.3 in., 500 pp.<br />

978-3-8365-2171-0<br />

$ 150 / CAD 170<br />

XL<br />

Format<br />

,!7ID8D6-fcbhba!<br />

— 14 —


April 2013<br />

April 2013<br />

Photo © dbox<br />

No place like home<br />

New houses of elegance and distinction from around the world<br />

Lightness in glass and white<br />

On the 50th anniversary of Richard Meier’s firm, a complete retrospective<br />

Beyond the fundamental notion of shelter, what defines a house? The broad-ranging<br />

selection of extraordinary dwellings in the Architecture Now! Houses series shows<br />

the concept to be infinitely malleable: one house seems to hover above the ground,<br />

another is embedded in it; some have stark minimal lines, others have tropical<br />

gardens; some are palatial, others monastic—all of them displaying remarkable<br />

structural and aesthetic mastery. Here is a connoisseur’s choice of the world’s most<br />

remarkable new houses.<br />

Architecture Now! Houses features architects and practices including:<br />

3LHD Architects, Ábalos & Herreros, Ricardo Bak Gordon, Shigeru Ban, Blank<br />

Studio, Gianni Botsford, Nancy Copley, Correia/Ragazzi Arquitectos, Durbach<br />

Block, Eastern Design Office, Fuhrimann & Hächler, Terunobu Fujimori, Sou<br />

Fujimoto Architects, Kotaro Ide, Carlos Jiménez, Jouin Manku, Kamayachi +<br />

Harigai, Mathias Klotz, Kengo Kuma, Leven Betts Studio, MOS, Mount Fuji<br />

Architects Studio, Plasma Studio, Antoine Predock, Laurent Savioz, Shim + Sutcliffe,<br />

Álvaro Siza Vieira, Philippe Stuebi, Zhang Lei, René van Zuuk and many others.<br />

Architecture Now! Houses<br />

Vol. 1<br />

Philip Jodidio<br />

Hardcover, 6.7 x 8.5 in., 320 pp.<br />

978-3-8365-4348-4<br />

$ 14.99 / CAD 16.99<br />

From his early days as one of the “New York Five,” Richard Meier has been a central<br />

figure in contemporary architecture; this updated 2013 trade edition of the XL<br />

version is published in the occasion of the firm’s 50th anniversary. With the Getty<br />

Center and more recent buildings such as the Jubilee Church in Rome, Meier has<br />

established a reputation for expanding the horizons of contemporary American<br />

architecture while maintaining his rigorously rational approach to design and detailing.<br />

Known for carefully conceived grid plans and frequent use of white, Meier is a<br />

master of light, space, and volume, able to adapt his style to very different circumstances<br />

and locations.<br />

The complete overview of Meier’s work, newly updated for this edition, is included in<br />

this exceptional volume, created in close collaboration with the architect, the author,<br />

and the eminent graphic designer Massimo Vignelli. This spectacular monograph<br />

displays Meier’s work in unprecedented size and brilliance, and features a preface by<br />

the noted Spanish architect Alberto Campo Baeza.<br />

Richard Meier<br />

Philip Jodidio<br />

Hardcover, 8.9 x 11.3 in., 568 pp.<br />

978-3-8365-4323-1<br />

$ 49.99 / CAD 59.99<br />

,!7ID8D6-fedeie!<br />

Only $<br />

14.99<br />

“The most up-to-date catalog of<br />

Meier’s work, this titanic tome is heavy<br />

in glossy pictures of the New York<br />

architect’s lesser-known designs.”<br />

—The New York Times, New York<br />

,!7ID8D6-fedcdb!<br />

Only $<br />

49.99<br />

— 16 — — 17 —


April 2013<br />

Opposite: Ryue Nishizawa, Garden and House,<br />

Tokyo, 2010–11. Photo © Iwan Baan<br />

Open house<br />

Tour the world's most exceptional recent homes<br />

The third installment in our popular Architecture Now! Houses series includes 60 of<br />

the most dramatic new residences around the world. See the extraordinary House<br />

Turtle designed by the artists Carten Holler and Marcel Odenbach in Biriwa, Ghana;<br />

visit Tadao Ando’s dramatic House in Monterrey, Mexico, or take off to see the Flight<br />

of Birds House in the Azores by Bernardo Rodrigues. More than any magazine or<br />

website, this new book allows you to explore the most beautiful and spectacular<br />

houses, both inside and out. These private worlds, designed by some of the most talented<br />

architects of the moment, suddenly open their doors to you for a private tour.<br />

As in all the Architecture Now! books, the houses are presented with photos and<br />

drawings, but so too are the architects, with their project lists and their addresses for<br />

those who may be tempted to ask Shigeru Ban to design an 800-square-meter house<br />

on a cliff in Sri Lanka for them (Villa Vista). But even if the budget for such extravagance<br />

is lacking, curiosity will surely motivate you to plunge into Architecture Now!<br />

Houses 3.<br />

Upscaled,<br />

hardcover edition<br />

Architecture Now! Houses. Vol. 3<br />

Philip Jodidio<br />

Hardcover, 8.5 x 10.8 in., 416 pp.<br />

978-3-8365-3591-5<br />

$ 59.99 / CAD 64.99<br />

“Cheerful anthologies<br />

of virtual journeys.”<br />

—Neue Zürcher Zeitung, Zurich<br />

,!7ID8D6-fdfjbf!<br />

— 18 —


April 2013<br />

April 2013<br />

Utilitarian simplicity<br />

and graceful beauty<br />

Design’s dynamic duo<br />

The illustrious career of Charles and Ray Eames<br />

The inspirational vision of Jean Prouvé<br />

French architect and designer Jean Prouvé (1901–1984) was one of the most important<br />

constructors of the 20th century. Prouvé’s design innovations included cleverlyshaped<br />

metal parts for building prefabricated structures; he designed buildings and<br />

furniture that could be produced with economy of labor and material and are efficient<br />

in use, while maintaining high technical standards and quality materials. His simple<br />

and elegant style, while born from the desire for inexpensive production, has become<br />

an imitable aesthetic and has earned him a position as one of the century’s most influential<br />

designers.<br />

This introduction to Prouvé’s work gives a profound insight into the variety of his<br />

œuvre and the progressiveness of his inspirational vision.<br />

Nothing says modernist perfection like an Eames design. Though they are best known<br />

to the general public for their furniture, the husband and wife duo of Charles and Ray<br />

Eames (1907–78 and 1912–88, respectively) were also forerunners in the fields of<br />

architecture, industrial design, photography, and film. This book covers all the<br />

aspects of their illustrious career, from the earliest furniture experiments and molded<br />

plywood designs to the Case Study Houses to their work for Herman Miller and films<br />

such as the seminal short, Powers of Ten.<br />

“… of a remarkably<br />

high standard at a very<br />

modest price.”<br />

Prouvé<br />

Peter Gössel (Ed.), Nils Peters<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4543-3<br />

$ 14.99 / CAD 16.99<br />

“Back to visual basics.”<br />

—International Herald Tribune, Paris<br />

Eames<br />

Peter Gössel (Ed.), Gloria Koenig<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4536-5<br />

$ 14.99 / CAD 16.99<br />

—Architects’ Journal, London<br />

,!7ID8D6-fefedd!<br />

Only $<br />

14.99<br />

,!7ID8D6-fefdgf!<br />

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— 20 — — 21 —


June 2013<br />

Opposite: Go Hasegawa, House in Komazawa,<br />

Tokyo, 2010–11. Photo © Iwan Baan<br />

Living material<br />

You’ll be amazed what wood can do<br />

As soon as the first men bravely moved out of their protective caves, they surely built<br />

protective structures out of wood. The ultimate renewable resource for architecture<br />

is thus the oldest, but also the most modern of materials. Thanks to computer-driven<br />

design and manufacturing techniques, wood can be cut and carved in the most astonishing<br />

new ways. Such innovative contributors to the work published in this volume<br />

as the German professor Achim Menges are showing the way to the creation of complex,<br />

almost living wood structures. Others like the young architects from WMR, who<br />

are based in Santiago, Chile, show just how it is possible to build a dramatic two-story<br />

wood cabin overlooking the Pacific for just $750. Or imagine how an innovative polyurethane-coated<br />

wood canopy can cover and renew a whole area of the historic city of<br />

Seville (Metropol Parasol by Jürgen Mayer H.). Just as it can be simple and evocative,<br />

wood can be part of sophisticated structures like Snohetta’s Norwegian Wild<br />

Reindeer Pavilion, with its CNC-milled timber wall. Economical, ecological, and<br />

fundamentally warm, wood architecture is as contemporary as it gets.<br />

Upscaled,<br />

hardcover edition<br />

Wood Architecture Now! Vol. 2<br />

Philip Jodidio<br />

Hardcover, 8.5 x 10.8 in., 416 pp.<br />

978-3-8365-3593-9<br />

$ 59.99 / CAD 64.99<br />

“A fundamental reference for<br />

intellectual trends and developments<br />

in 21st century architecture.”<br />

—Baublatt, Zurich<br />

,!7ID8D6-fdfjdj!<br />

— 22 —


Back in Print!<br />

Art<br />

December 2012<br />

January<br />

“The name TASCHEN signifies<br />

beauty, culture and modernity.<br />

Each of their books is an object of<br />

desire and a world event.”<br />

—Madame Figaro, Paris<br />

Back in Print!<br />

Back in Print!<br />

January January January<br />

February<br />

Back<br />

in Print!<br />

Upscaled,<br />

hardcover<br />

edition<br />

Warhol<br />

Cover<br />

under<br />

construction<br />

February<br />

March<br />

March March March<br />

Back in Print!<br />

April<br />

April<br />

May<br />

— 25 —


December 2012<br />

February 2013<br />

Land of expression<br />

Savage caricatures<br />

The earth as canvas<br />

In the mid-60s, artists in the USA and Europe began planning works for sites outside<br />

the narrow boundaries of galleries and museums. It began with ephemeral enhancements<br />

or traces left in desolate landscapes, in the deserts of America, or in the moors<br />

of Scotland. Following this were spectacular earthen sculptures of gigantic proportions,<br />

some of which are still in the process of completion today. One distinguishing<br />

feature of Land Art is its critical preoccupation with the tradition of sculpture.<br />

Sculpture can now be an earthwork excavation, a field of metal poles, a buried hut, a<br />

trace in the grass, or even a book. Another of the movement’s special characteristics is<br />

its emphasis on site-specific, outdoor works intended to lastingly alter our perception<br />

of places, and to set new parameters in art production and reception.<br />

Artists included:<br />

Carl Andre, Alice Aycock, Herbert Bayer, Christo & Jeanne Claude, Walter De<br />

Maria, Agnes Denes, Jan Dibbets, Hamish Fulton, Andy Goldsworthy, Michael<br />

Heizer, Nancy Holt, Peter Hutchinson, Patricia Johanson, Dani Karavan, Richard<br />

Long, Mary Miss, Robert Morris, Dennis Oppenheim, Charles Ross, Robert<br />

Smithson, Alan Sonfist, James Turrell<br />

Back in Print!<br />

Land Art<br />

Michael Lailach<br />

Softcover with flaps, 7.3 x 9.1 in., 96 pp.<br />

978-3-8228-5613-0<br />

$ 9.99 / CAD 11.99<br />

Acerbic painting as social commentary<br />

George Grosz was one of the most important exponents of Dadaism, and therefore of<br />

political painting in general. He not only condemned both militarism and bourgeois<br />

culture, but also set himself in opposition to traditional forms of art. The decisive element<br />

in Grosz’s paintings is their content: in them he pointed out defects in the political<br />

and social conditions, literally arraigning them before the public. For Grosz,<br />

painting served as a political instrument: “I drew and painted from a sense of contradiction<br />

and through my work tried to convince the world that it was ugly, sick, and<br />

phony.” Fascinated by the metropolis, Grosz depicted the wild and<br />

dissolute life in the bars and nightclubs of the Weimar Republic in the 1920s. He<br />

directed his attention to the shady side of life and filled his canvas with caricatures<br />

of distorted figures. Grosz never permitted human beings to emerge as individuals,<br />

but instead always portrayed types, as representatives of a social level or class. After<br />

the publication of his candidly drawn “pornographic illustrations,” Grosz fell under<br />

strong criticism in the 1920s. The Nazis castigated his works as “degenerate art.”<br />

Back in Print!<br />

Grosz<br />

Ivo Kranzfelder<br />

Softcover with flaps, 7.3 x 9.1 in., 96 pp.<br />

978-3-8228-0891-7<br />

$ 9.99 / CAD 11.99<br />

“Art, architecture, design, fashion,<br />

photography, cinema—the appetite of this<br />

visionary publisher is all-embracing.”<br />

—AD, Paris<br />

Page 24: Beatriz Milhazes, Gamboa, 2010,<br />

mobile. Photo © def image<br />

,!7ID8C2-ifgbda!<br />

Only $<br />

9.99<br />

“TASCHEN are respected for bringing<br />

an independent sensibility to a commercial<br />

publishing outfit. The books are bright,<br />

well designed and puzzlingly inexpensive.”<br />

— Specifier Magazine, Sydney<br />

,!7ID8C2-iaijbh!<br />

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— 26 — — 27 —


January 2013<br />

January 2013<br />

Capturing fleeting moments<br />

Degas’s mastery in the depiction of movement<br />

A Frenchman in Tahiti<br />

Gauguin’s search for pristine originality and unadulterated nature<br />

In terms of both theme and technique, the key to understanding the early work of<br />

Edgar Degas is classical painting. Although he was eventually associated with the<br />

Impressionists and even participated in their joint exhibitions, Degas never adopted a<br />

purely Impressionist approach.<br />

Degas’s work, reflecting an extremely personal and psychological perspective, emphasizes<br />

the scenic or concentrates on the detail. Thus, Degas’s painting is often discussed<br />

with reference to the rise of short-exposure photography. Thematically,<br />

nature proved less interesting to the artist than the life and inhabitants of the modern<br />

metropolis. Degas primarily sought his motifs at the race track or circus, in bedrooms,<br />

or in ballet salons—and dancers always remained his favorite theme.<br />

After starting a career as a bank broker, Paul Gauguin turned to painting only at age<br />

twenty-five. After initial successes within the Impressionist circle, he broke with<br />

Vincent van Gogh and subsequently—when private difficulties caused him to become<br />

restless—embarked on a peripatetic life, wandering first through Europe and finally,<br />

in the search for pristine originality and unadulterated nature, to Tahiti.<br />

The paintings created from this time to his death in 1903 brought him posthumous<br />

fame. In pictures devoid of any attempt at romantically disguising the life style of the<br />

primitive island peoples, Gauguin was able to convey the magical effect that both the<br />

landscapes and life of the natives—their body language, charm and beauty—had on<br />

him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to<br />

return to France, but died of syphilis on the Marquis Islands before his departure.<br />

Degas<br />

Bernd Growe<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4339-2<br />

$ 14.99 / CAD 16.99<br />

Gauguin<br />

Ingo F. Walther<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4343-9<br />

$ 14.99 / CAD 16.99<br />

The most successful art book series<br />

in the world. Almost 100 titles available<br />

in over 20 languages!<br />

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Only $<br />

14.99<br />

“Whatever the subject–and the price–<br />

TASCHEN books are always beautifully<br />

produced, layed out and packaged.”<br />

—Photo District News, New York<br />

,!7ID8D6-fededj!<br />

Only $<br />

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— 28 — — 29 —


January 2013<br />

January 2013<br />

Happy land<br />

Painting as a concept<br />

The cheerful art of street culture's most famous proponent<br />

By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was<br />

already a wildly successful and popular artist. Haring’s original and instantly recognizable<br />

style, full of thick black lines, bold colors, and graffiti-inspired cartoon-like<br />

figures, won him the appreciation of both the art world and the general public; his<br />

work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986,<br />

Haring founded Pop Shop, a boutique in New York’s SoHo selling Haring-designed<br />

memorabilia, to benefit charities and help bring his work closer to the public and<br />

especially street kids, with whom he never lost contact.<br />

Back in Print!<br />

The oft-misunderstood work of a brilliant artist<br />

A tragic icon of Abstract Expressionism, Jackson Pollock (1912-1956) took influences<br />

from Picasso and Mexican surrealism and developed his own way of seeing,<br />

interpreting, and expressing. Though his name inevitably conjures up images of the<br />

drip paintings for which he is most famous, this technique was only developed midway<br />

through his career. The progression from his earlier work to his final “action”<br />

paintings —a veritable revolution of painting as a concept—reveals the genius of this<br />

tortured artist whom many call the greatest modern American painter.<br />

Back in Print!<br />

“TASCHEN publications are vital<br />

source books for art students<br />

as well as being interesting for the<br />

general reader.”<br />

Haring<br />

Alexandra Kolossa<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-1256-5<br />

$ 14.99 / CAD 16.99<br />

“Shaking up the often conservative<br />

standards of traditional publishing,<br />

TASCHEN squashes prices and<br />

has a lot of fun doing it.”<br />

Pollock<br />

Leonhard Emmerling<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-1276-3<br />

$ 14.99 / CAD 16.99<br />

–Flash Art, Milan<br />

,!7ID8D6-fbcfgf!<br />

Only $<br />

14.99<br />

—Elle Decoration, Paris<br />

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— 30 — — 31 —


February 2013<br />

Fuzzy bunnies, big-eyed girls,<br />

meat, magic, and mystery<br />

Mark Ryden’s carnival of curiosities<br />

“The godfather of Pop Surrealism.” –Interview, New York<br />

XL<br />

Format<br />

Blending themes of pop culture with techniques reminiscent of the Old Masters,<br />

Mark Ryden has created a singular style that blurs the traditional boundaries<br />

between high and low art. His work first garnered attention in the 1990s when he ushered<br />

in a new genre of painting, “Pop Surrealism,” dragging a host of followers in his<br />

wake. He has trumped the initial surrealist strategies by choosing subject matter<br />

loaded with cultural connotation.<br />

Ryden’s vocabulary ranges from cryptic to cute, treading a fine line between nostalgic<br />

cliché and disturbing archetype. Seduced by his infinitely detailed and meticulously<br />

glazed surfaces, the viewer is confronted with the juxtaposition of the childhood<br />

innocence and the mysterious recesses of the soul. A subtle disquiet inhabits his<br />

paintings; the work is achingly beautiful as it hints at darker psychic stuff beneath the<br />

surface of cultural kitsch. In Ryden’s world cherubic girls rub elbows with strange<br />

and mysterious figures. Ornately carved frames lend the paintings a baroque exuberance<br />

that adds gravity to their enigmatic themes. Complex in its arcane and idiosyncratic<br />

subject matter, Ryden’s work can leave no viewer unmoved.<br />

Pinxit, whose title refers to the Latin term meaning “painted by,” is organized according<br />

to the themes of Ryden’s major exhibitions—The Meat Show, Bunnies & Bees,<br />

The Tree Show, and so on—and includes collected essays by Yoshitomo Nara, Carlo<br />

McCormick, and others, and a new essay by culture critic Kristine McKenna. This<br />

sweeping retrospective brings together nearly two decades’ worth of Mark Ryden’s<br />

paintings and works on paper, broadening the horizons of his uncanny universe and<br />

bringing it to the world, one page at a time.<br />

First published in TASCHEN’s limited edition series—now available in this unlimited<br />

popular edition!<br />

Mark Ryden. Pinxit<br />

Hardcover, 11 x 14.7 in., 360 pp.<br />

978-3-8365-4160-2<br />

$ 69.99 / CAD 79.99<br />

Opposite: The Tree of Life (detail).<br />

Oil on canvas, 2006.<br />

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69.99<br />

— 32 —


March 2013<br />

Opposite: Glenn Brown, Nigger of the World<br />

(detail) 2011. Courtesy the artist and Galerie<br />

Max Hetzler, Berlin.<br />

Stay in touch<br />

The ongoing catalog of contemporary art, now in its fourth volume<br />

Think of this tome as a global go-round of the world’s most influential galleries: if it’s<br />

hot in the art world today, it’s in this book. Emerging artists are featured alongside<br />

established greats like David Hockney, Chuck Close, and Brice Marden. A to Z<br />

entries include images of important recent work, short biographies, exhibition history,<br />

and bibliographical information. The illustrated appendix includes names and<br />

contact information for the galleries representing the artists featured, as well as primary<br />

market prices and examples of auction results.<br />

Upscaled,<br />

hardcover edition<br />

Bonus: a special section focusing on the art boom in Eastern Asia, featuring conversations<br />

with curators Sunjung Kim of Korea and Kataoka Mami of Japan, an essay by<br />

Colin Chinnery entitled “China Japan Korea—The Eastern Front,” and Karen Smith’s<br />

essay on contemporary art in China.<br />

Art Now Vol 4<br />

Hans Werner Holzwarth<br />

Hardcover, 8.5 x 10.8 in., 576 pp.<br />

978-3-8365-2816-0<br />

$ 59.99 / CAD 64.99<br />

“The definitive<br />

guide to modern art.”<br />

- ARENA, London<br />

,!7ID8D6-fcibga!<br />

— 34 —


March 2013<br />

March 2013<br />

Art as anti-art<br />

An enigma to art historians and a great source of inspiration to other artists<br />

Pop star<br />

The artist who elevated popular culture into high art<br />

Someone else may have invented the wheel, but Marcel Duchamp invented the<br />

ready-made. A bottle dryer may be a bottle dryer, but signed by Duchamp it is also<br />

one of the major works of 20th century art.<br />

Duchamp has been an enigma to art historians and a great source of inspiration to<br />

other artists. This study addresses the myth and reveals the compelling charisma<br />

of Marcel Duchamp.<br />

“TASCHEN books are<br />

beautiful objects,<br />

well-designed and lucid.”<br />

—Le Monde, Paris<br />

Duchamp<br />

Janis Mink<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4393-4<br />

$ 14.99 / CAD 16.99<br />

Andy Warhol is recognized today as the most important exponent of the Pop Art<br />

movement. He overturned the traditional understanding of art and placed in its stead<br />

a concept that retracts the individuality of the artist.<br />

Warhol was a critical observer of American society, exposing his compatriots’ consumerism<br />

in his paintings (Campbell and Brillo series), as well as their fascination for<br />

sensational journalism. In 1963 Warhol founded his Factory in New York, literally a<br />

manufactory of ideas and work, which influenced film in the 1960s, published the<br />

influential magazine Interview in the late 1970s, and also produced Warhol’s own artwork:<br />

Warhol conceived the idea, and a worker in his factory carried it out.<br />

The work remained (consciously) unsigned—a fact which nevertheless did nothing to<br />

diminish Warhol’s reputation. He once complained that rich New Yorkers would willingly<br />

hang his Electric Chain in their living rooms—as long as its colours co-ordinated<br />

with the wallpaper and draperies.<br />

“TASCHEN:<br />

wonderful publisher<br />

of sumptuous tomes.”<br />

Warhol<br />

Cover<br />

under<br />

construction<br />

Warhol<br />

Klaus Honnef<br />

Hardcover, 9.4 x 11.8 in., 96 pp.<br />

978-3-8365-4389-7<br />

$ 14.99 / CAD 16.99<br />

—The Times, London<br />

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Only $<br />

14.99<br />

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— 36 — — 37 —


February 2013<br />

April 2013<br />

Tarot Universal Dalí, courtesy of Naipes Comas / Cartamundi, B-Turnhout<br />

The seminal Surrealist<br />

Exploring Dalí’s grandiose and grotesque œuvre<br />

Dalí’s magical mystery cards<br />

A most rare and unusual Tarot deck<br />

Picasso called Dalí “an outboard motor that’s always running.” Dalí thought himself a<br />

genius with a right to indulge in whatever lunacy popped into his head. Painter, sculptor,<br />

writer, and filmmaker, Salvador Dalí was one of the century’s greatest exhibitionists<br />

and eccentrics—and was rewarded with fierce controversy wherever he went. He<br />

was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the<br />

art of painting, approaching the subconscious with extraordinary<br />

sensitivity and imagination.<br />

This publication presents the entire painted oeuvre of Salvador Dalí. After many<br />

years of research, Robert Descharnes and Gilles Néret finally located all the paintings<br />

of this highly prolific artist. Many of the works had been inaccessible for years—in<br />

fact so many that almost half the illustrations in this book had rarely been seen.<br />

Dalí. The Paintings<br />

Robert Descharnes, Gilles Néret<br />

Hardcover, 5.9 x 7.6 in., 780 pp.<br />

978-3-8365-4492-4<br />

$ 19.99 / CAD 23.99<br />

Legend has it that when preparing props for the James Bond film Live or Let Die, producer<br />

Albert Brocoli commissioned Salvador Dalí to create a custom deck of Tarot<br />

cards; the Spanish surrealist painter is said to have started work on the project, and<br />

when the contractual deal fell through, continued the work on his own. Dating back<br />

to the Renaissance era, Tarot—thought by some as an interpretation of dreams or a<br />

foretelling the future—had seen a new surge of popularity during the 1970s hippie<br />

movement. Dalí’s set, the first known deck completed by a well known painter, was<br />

published in a limited art edition in 1984 in Spain. Now, TASCHEN resurrects this<br />

rare work, consisting of 78 cards (56 Minor Arcana color cards and 22 Major Arcana<br />

trump cards) and featuring such characters as the Magician, the Lovers, the Moon,<br />

Death, High Priest, and the Empress. A booklet by renowned German Tarot author<br />

Johannes Fiebig accompanies the re-edition of the deck.<br />

Dalí. Tarot<br />

Johannes Fiebig<br />

Set of 78 cards and booklet in box,<br />

3.1 x 5.1 in.<br />

978-3-8365-4387-3<br />

$ 29.99 / CAD 32.99<br />

“Bound to become<br />

the standard reference<br />

work...”<br />

—Le Figaro, Paris<br />

,!7ID8D6-feejce!<br />

Hardcover<br />

Only $<br />

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— 38 — — 39 —<br />

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April 2013<br />

Fantastic menagerie<br />

The sinister majesty of Walton Ford’s wildlife<br />

At first glance, Walton Ford’s large-scale, highly-detailed watercolors of animals may<br />

recall the prints of 19th century illustrators John James Audubon and Edward Lear,<br />

and others of the colonial era. But a closer look reveals a complex and disturbingly<br />

anthropomorphic universe, full of symbols, sly jokes, and allusions to the ‘operatic’<br />

nature of traditional natural history themes. The beasts and birds populating this<br />

contemporary artist’s life-size paintings are never mere objects, but dynamic actors<br />

in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of<br />

monkeys wreak havoc on a formal dinner table, an American buffalo is surrounded by<br />

bloodied white wolves. The book’s title derives from The Pancha Tantra, an ancient<br />

Indian book of animal tales considered the precursor to Aesop’s Fables.<br />

This large-format edition includes an in-depth exploration of Walton Ford’s oeuvre,<br />

a complete biography, and excerpts from his textual inspirations: Vietnamese folktales<br />

and the letters of Benjamin Franklin, the Autobiography of Benvenuto Cellini<br />

and Audubon’s Ornithological Biography.<br />

First published in TASCHEN’s limited collector’s edition — now available again in<br />

this popular hardcover edition!<br />

Opposite: Au Revoir Zaire, 1998. © Courtesy<br />

Walton Ford and Paul Kasmin Gallery, New York<br />

Back in Print!<br />

XL<br />

Format<br />

“Walton Ford’s draftsmanship has<br />

Dürer’s woodcut muscularity, and his<br />

ambitious compositions have the<br />

sweep of Delacroix or Géricault.”<br />

—Men’s Vogue, New York Only $<br />

,!7ID8C2-ifcdhi!<br />

— 40 —<br />

Walton Ford. Pancha Tantra<br />

Bill Buford<br />

Hardcover, 11 x 14.7 in., 320 pp.<br />

978-3-8228-5237-8<br />

$ 69.99 / CAD 79.99<br />

69.99


May 2013<br />

Medieval realist<br />

Van Eyck under the magnifying glass<br />

After our sumptuous, XL monographs on Leonardo, Michelangelo, Caravaggio, and<br />

Klimt, TASCHEN now puts Jan van Eyck in the spotlight. Leader of the Early<br />

Netherlandish School and arguably the most important painter of the Early<br />

Renaissance, van Eyck (c. 1390–1441) completely revolutionized the use of oil paints,<br />

allowing for great intensity and depth of color; his own contemporaries were<br />

astounded by the detailed realism of his style and the luminosity of his palette. With<br />

its unprecedented precision (down to the most minute details reflected in the background<br />

mirror), The Arnolfini Portrait is one of the most famous and beloved paintings<br />

of all time. The Ghent Altarpiece is itself a milestone in the history of art; in it,<br />

for the first time, pictorial conventions of the Middle Ages were replaced by a visual<br />

language that is still current today. In his religious paintings in particular, Jan van<br />

Eyck’s ground-breaking realism is married with a symbolism that allowed the artist to<br />

illustrate even the most complex theological concepts in a highly accessible way.<br />

This volume explores van Eyck’s complete life and work in large-scale illustrations—<br />

featuring many enlarged details—setting the cultural and historical scene for the revolutionary<br />

painting and life story of this enigmatic artist. The result is a richly faceted<br />

panorama that looks not just at the content and artistic interpretation of van Eyck’s<br />

paintings, but also at the patrons who commissioned them and the original functions<br />

they were designed to fulfill. Analysis also extends to the production of his assistants,<br />

whose workshop paintings are here presented to a broader public for the first time.<br />

This comprehensive tome is rounded off by a catalogue raisonné of all the currently<br />

known works by Jan van Eyck and his workshop, together with a detailed inventory of<br />

lost works which has been reconstructed on the basis of the literature or later copies.<br />

Opposite and pages 44-45:<br />

Arnolfini Double Portrait (detail), 1434. Photo<br />

© The National Gallery, London/Scala, Florence<br />

Van Eyck. The Complete Work<br />

Till-Holger Borchert<br />

Hardcover, 11.4 x 15.5 in., 306 pp.<br />

978-3-8228-5280-4<br />

$ 150 / CAD 170<br />

XL<br />

Format<br />

,!7ID8C2-ifciae!<br />

— 42 —


Classics<br />

“TASCHEN books are almost<br />

designed to be collectible.<br />

It’s very common for them to<br />

gain value almost instantly.”<br />

—Richard David, Abebooks, the world’s<br />

most popular platform for antiquarian books<br />

December 2012<br />

Back in Print!<br />

Volkamer<br />

Cover<br />

under<br />

construction<br />

February<br />

February<br />

April<br />

Back in Print!<br />

April<br />

May<br />

May<br />

— 47 —


February 2013<br />

Flower power<br />

A stunning achievement in botanical illustration<br />

“This is a feast for the eyes and a treasure for your coffee table.” —Vogue, London<br />

Page 46: In this fiery 1924 Art Deco-inspired<br />

illustration, celebrated Danish artist Kay Nielsen<br />

portrays the tender love story of two toys in<br />

Hans Christian Andersen’s tale “The Tin Soldier.”<br />

Opposite: The Quadrangular Passion-Flower.<br />

Robert Thornton, Temple of Flora, pl. 19<br />

XL<br />

Format<br />

More than two centuries have passed since the publication of Robert John<br />

Thornton’s The Temple of Flora in 1799, but its charm remains unsullied. Although<br />

trained as a medical doctor, Thornton passionately devoted himself to botany. Only a<br />

few decades earlier, Carl Linnaeus had established his revolutionary new system of<br />

classification, which today continues to form the backbone of such natural sciences<br />

as botany and zoology. Thornton greatly honored the ingenious Swedish scientist and<br />

wished his own prodigious undertaking to serve as an ultimate monument to the<br />

great botanist.<br />

Today, Thornton’s large-format plates with their stunning floral portraits number<br />

among the supreme achievements of botanical illustration. Thornton engaged the<br />

most renowned flower painters of his age and spared no cost in the creation of this<br />

unique work. Surviving complete editions of the Temple are today among the great<br />

treasures of only a few libraries; meanwhile, the individual plates have become<br />

sought-after and extremely expensive collectors’ items, whose particular allure lies in<br />

their unusual combination of monumental, at times exotic plants with highly romantic<br />

background landscapes. More than any other floral painting, the bewitchingly illuminated<br />

blossoms of the Night-Blooming Cereus, posed before darkened ruins,<br />

expresses the late 18th-century sentiment that in the following decades found its<br />

characteristic expression in European Romantic literature and painting.<br />

Including all the plates of the Temple of Flora, this edition represents a consummate<br />

reprint of the work. In addition to the botanical and cultural historical explanations<br />

of the individual plate illustrations, the volume narrates the history of the origin of<br />

the work and the life of its author. This resplendent reprint has been made from one<br />

of the finest complete original copies, belonging to the Missouri Botanical Garden in<br />

St. Louis.<br />

Robert John Thornton. The Temple of Flora<br />

Werner Dressendörfer<br />

Hardcover, 13.3 x 16.5 in., 104 pp.<br />

978-3-8365-3633-2<br />

$ 59.99 / CAD 64.99<br />

,!7ID8D6-fdgddc!<br />

Only $<br />

59.99<br />

— 48 —


February 2013<br />

May 2013<br />

Albertus Seba’s curious creatures<br />

A most unusual collection of natural specimens<br />

Albertus Seba’s Cabinet of Natural Curiosities is one of the 18th century’s greatest<br />

natural history achievements and remains one of the most prized natural history<br />

books of all time. Though scientists of his era often collected natural specimens for<br />

research purposes, Amsterdam-based pharmacist Albertus Seba was unrivaled in his<br />

passion. His amazing collection of animals, plants and insects from all around the<br />

world gained international fame during his lifetime. In 1731, after decades of collecting,<br />

Seba commissioned illustrations of every specimen and arranged the publication<br />

of a four-volume catalog–from strange and exotic plants to snakes, frogs, crocodiles,<br />

shellfish, corals, birds, and butterflies, as well as fantastic beasts, such as a hydra and<br />

a dragon.<br />

Seba’s scenic illustrations, often mixing plants and animals in a single plate, were<br />

unusual even for the time. The more peculiar creatures from the collection–some of<br />

them now extinct–were as curious in Seba’s day as they are today.<br />

This reproduction is taken from a rare, hand-colored original. The introduction<br />

supplies background information about the fascinating tradition to which Seba’s<br />

curiosities belonged.<br />

Back in Print!<br />

Albertus Seba.<br />

Cabinet of Natural Curiosities<br />

Hardcover, 9.4 x 13.1 in., 416 pp.<br />

978-3-8365-1583-2<br />

$ 39.99 / CAD 49.99<br />

Trees of paradise<br />

All known genera of the palm family in 240 exquisite illustrations<br />

On 15 December 1868, Carl Friedrich Philipp von Martius, Professor of Botany at the<br />

University of Munich and director of the Royal Botanic Garden, was carried to his<br />

grave in a coffin covered with fresh palm leaves. These were a reference to his groundbreaking<br />

Historia naturalis palmarum: opus tripartitum (Natural History of Palms: a<br />

work in three volumes), published between 1823–1853. At the time, this encyclopedic<br />

treasury contained the sum of human knowledge on the topic, and included 240<br />

exquisite chromolithographic illustrations, including landscape views of palm habitats<br />

and botanical dissections.<br />

This epic folio was based on Martius’s expedition to Brazil and Peru with zoologist<br />

Johann Baptist von Spix, sponsored by King Maximilian I of Bavaria, to investigate<br />

natural history and tribal Indians. From 1817 to 1820 the pair travelled over 2,250 km<br />

(1,400 miles) throughout the Amazon Basin, the most species-rich palm region in the<br />

world, collecting and sketching specimens. On their return both men were awarded<br />

knighthoods and lifetime pensions.<br />

In his epic work, Martius outlined the modern classification of palm, produced the<br />

first maps of palm biogeography, described all the palms of Brazil, and collated the<br />

sum of all known genera of the palm family. For apart from his own collection of specimens<br />

and notes, Martius also wrote about the findings of others. Martius’s folio is<br />

unusual in its inclusion of cross-sectioned diagrams, conveying the architecture of<br />

these mighty trees, which central Europeans would have found hard to imagine accurately.<br />

Equally remarkable are the color landscapes showing various palms – often<br />

standing alone – which have a simple and elegant beauty. This famous work is an<br />

unrivaled landmark in botanic illustration and taxonomy.<br />

Back in Print!<br />

Carl Friedrich Philipp von Martius.<br />

The Book of Palms<br />

Hardcover, 12.3 x 17.1 in., 442 pp.<br />

978-3-8365-1779-9<br />

$ 150 / CAD 170<br />

XL<br />

Format<br />

,!7ID8D6-fbfidc!<br />

Only $<br />

39.99<br />

,!7ID8D6-fbhhjj!<br />

— 50 — — 51 —


April 2013<br />

Time tunnel<br />

to the 15th century<br />

1493’s must-have history book and city guide by Hartmann Schedel<br />

Opposite: “Das drit alter”. Moses and the<br />

burning bush.<br />

Hartmann Schedel’s Weltchronik, or Chronicle of the World (better known today<br />

as the Nuremberg Chronicle, after the German city in which it was created), was a<br />

groundbreaking encyclopedic work and at the time the most lavishly illustrated book<br />

ever printed in Europe.<br />

Both a historical reference work and a contemporary inventory of urban culture at<br />

the end of the 15th century, the Chronicle was to have a remarkable influence on the<br />

cultural, ecclesiastical and intellectual history of the Middle Ages. It was particularly<br />

notable for its vast quantity of woodcut illustrations (more than 1,800) depicting<br />

events from the Bible, human monstrosities, portraits of kings, queens, saints and<br />

martyrs, and allegorical pictures of miracles, as well as views of a great number of<br />

“modern” cities, many of which had never been documented before.<br />

Today, copies of the Chronicle sell for up to 600,000 Euros; we’ve procured a rare<br />

hand-colored copy, true to the original in every respect, and created a complete<br />

facsimile of utmost quality. In case you don’t read Middle High German, the comprehensive<br />

annex, with summaries of the book’s main stories, provides a user-friendly<br />

way to explore this amazing historical masterpiece.<br />

Hartmann Schedel.<br />

Chronicle of the World – 1493<br />

Stephan Füssel<br />

Hardcover with booklet in slipcase,<br />

8 x 11.4 in., 680 pp.<br />

978-3-8365-4449-8<br />

$ 59.99 / CAD 64.99<br />

“An extraordinary facsimile<br />

at a remarkably reasonable price.”<br />

— United Press International, US<br />

— 52 —<br />

,!7ID8D6-feeeji!<br />

Only $<br />

59.99


May 2013<br />

A cornerstone<br />

of modern fantasy…<br />

An exciting new compilation of Hans Christian Andersen’s world-famous fairy tales<br />

The Fairy Tales of Hans Christian Andersen presents the most famous Andersen stories,<br />

including classics such as The Little Mermaid, The Ugly Duckling, The Princess<br />

and the Pea, The Little Match Girl, and The Snow Queen, in a highly esteemed 1942<br />

translation by Jean Hersholt with illustrations by outstanding artists of their eras.<br />

The book contains a sparkling and unexpected selection of beautiful artwork from<br />

the 1900s to the 1980s by legends of fantasy — the deeply influential Kay Nielsen and<br />

beloved Arthur Rackham, the distinctive talents of Swedish light Einar Nerman and<br />

Ukranian avant-gardist Georgy Narbut, the revered Czech visionary Josef Paleček,<br />

the eccentric Tom Seidmann-Freud (niece of Sigmund Freud), and the groundbreaking<br />

film animator Lotte Reiniger, as well as exciting discoveries. It also features historic<br />

and contemporary silhouettes throughout the book, which enrich the presentation<br />

of Andersen’s tales in a one-of-a-kind format and make this a fresh addition to<br />

children’s libraries as well as adult art book collections. In addition to the tales and<br />

illustrations, the book also contains an introduction to Andersen’s legacy, brief historical<br />

introductions to each fairy tale, and extended artists’ biographies in the<br />

appendix. For adults and children alike, this lovingly researched and designed edition<br />

shares the eternal magic of Andersen’s tales, celebrating these tender, heartfelt stories<br />

that have entered both our collective imagination and literary canon.<br />

• Brings together the most famous Hans Christian Andersen tales in a<br />

one-of-a-kind design<br />

• Features illustrations by famous artists from Austria, Britain, the Czech<br />

Republic, Denmark, Germany, Sweden, the Ukraine, and the United States<br />

in a unique format pairing one tale with one artist<br />

• Includes a highly-esteemed translation by Jean Hersholt accessible<br />

to readers of all ages<br />

• Contains dozens of all-new silhouettes specially commissioned for the book<br />

as well as vintage gems by fine artists<br />

The Fairy Tales of Hans Christian Andersen<br />

Noel Daniel<br />

Hardcover, clothbound, 8 x 10 in., 320 pp.<br />

978-3-8365-2675-3<br />

$ 39.99 / CAD 49.99<br />

Opposite: Friendly fish help Thumbelina by<br />

British artist Eleanor Vere Boyle, 1872.<br />

Pages 56-57: A dog with enormous eyes<br />

guards a treasure chest in “The Tinderbox” by<br />

German artist Heinrich Strub, 1956.<br />

,!7ID8D6-fcghfd!<br />

— 54 —


Collector’s Editions<br />

“TASCHEN creates books so<br />

sensual and lavish that when you<br />

are finished reading them you<br />

feel, whether you are married or<br />

not, as though you had just<br />

cheated on your spouse.”<br />

—Variety, Los Angeles<br />

December 2012<br />

Volkamer<br />

Cover<br />

under<br />

construction<br />

December 2012<br />

February<br />

April<br />

April<br />

— 59 —


December 2012<br />

Scrolling through history<br />

A facsimile of the exquisitely illuminated 1746 Hanover Scroll of The Book of Esther<br />

The use of scrolls dates back to ancient times, and one of the best known examples in<br />

history is the Esther scroll, or Hebrew megillah, which is devoted solely to the story<br />

of Queen Esther and is read on the feast of Purim. An uninhibitedly joyful festival,<br />

Purim celebrates the salvation of the Jews in the Persian empire of the 5th century<br />

under the rule of King Xerxes I. The word Purim is derived from the Hebrew “pur,”<br />

meaning “lot,” and refers to the fact that the Persian minister Haman determined by<br />

lot the time that all Jews should be destroyed. This circumstance, related in the<br />

Hebrew Bible’s Book of Esther, is publicly read out from the megillah in the synagogue<br />

at Purim.<br />

TASCHEN’s facsimile of the Esther scroll is a major achievement in publishing history.<br />

It is produced from a very fine and rare example of the scroll held by the<br />

Gottfried Wilhelm Leibniz Library in Hanover, dated 1746 and measuring 6.5 meters<br />

long; this particular megillah is unique not only in terms of its lavish illuminations<br />

but also because it contains a contemporary German translation of the story of<br />

Esther. For many centuries, the creator of the Hanover scroll was unknown. Piecing<br />

together information from various sources, and performing his own stylistic analysis<br />

of this and other works of art from the period, author Falk Wiesemann recently made<br />

an enthralling discovery: the artist of the Hanover scroll was Wolf Leib Katz Poppers,<br />

a Jewish scribe and illustrator from Hildesheim.<br />

• Limited edition facsimile scroll of 1,746 copies<br />

• Richly illustrated, continuous text, 6.5 m (over 21 ft) long, unfurls to the left<br />

from a leather-bound cylinder<br />

• Companion volume in a protective slipcase contains the biblical text of the<br />

Book of Esther in four languages and a fold-out sheet with an overview of all<br />

the illustrations<br />

The Esther Scroll<br />

Companion volume by Falk Wiesemann<br />

Manuscript scroll (252.7 x 13.1 in.) in wooden<br />

display with book (13.1 x 8.6 in.), 184 pp.<br />

978-3-8365-1778-2<br />

$ 700 / CAD 800<br />

Page 58: Villa Contarini dei Leoni in Mira with<br />

Limon Rosolino.<br />

,!7ID8D6-fbhhic!<br />

— 60 —<br />

— 61 —


December 2012<br />

The Tillmans portfolio<br />

Life as Wolfgang sees it<br />

Limited edition of 500 numbered and signed copies<br />

Over a period of more than two decades, Wolfgang Tillmans has explored the medium<br />

of photo-imaging with greater range than any other artist of his generation. From<br />

snapshots of his friends to abstract images made in a darkroom without a camera or<br />

works made with a photocopier, he has pushed the photographic process to its outer<br />

limits in myriad ways. For this project, Tillmans turned away from the self-reflexive<br />

exploration of the photography medium that had occupied him for several years by<br />

focusing his lens on the outside world—from London and Nottingham to Tierra del<br />

Fuego, Tasmania, Saudi Arabia, and Papua New Guinea. He describes this new phase<br />

simply as “trying out what the camera can do for me, what I can do for it.” The<br />

result is a powerful and singular view of life today in diverse parts of the world, seen<br />

from many angles. Says Tillmans, “My travels are aimless as such, not looking for<br />

predetermined results, but hoping to find subject matter that in some way or other<br />

speaks about the time I’m in.”<br />

XXL<br />

Format<br />

This Art Edition consists of 72 photos printed on 24 folded sheets, delivered in a<br />

signed and numbered portfolio. Tillmans selected photographs from the book edition<br />

and recontextualised them on 24 large format folded sheets, each sheet becoming<br />

a large picture object with front, centerfold, and back. On some, the front and<br />

back form a whole picture when unfolded. The artist also chose some details which<br />

he enlarged to the full potential of information and detail available. Says Tillmans,<br />

“This is the first time I’m doing an oversized publication; in this case, the sheets are<br />

not bound—instead they stay light and it is almost like handling actual prints of<br />

mine.”<br />

This Art Edition includes some of the content of the corresponding book, as well as<br />

some new photographs not featured in the book.<br />

Wolfgang Tillmans. Neue Welt<br />

Art Edition<br />

Portfolio (72 photos on 24 folded sheets,<br />

printed on 200 gsm natural woodfree paper<br />

from the Italian paper mill Cordenons),<br />

13.7 x 18.1 in.<br />

978-3-8365-4221-0<br />

$ 700 / CAD 800<br />

,!7ID8D6-feccba!<br />

— 62 —


February 2013<br />

The making of Elvis,<br />

behind the scenes<br />

The King of Rock’n’Roll is born<br />

Opposite: Elvis on his Harley outside the<br />

family home, 1956.<br />

“Elvis who?” was photographer Alfred Wertheimer’s response when, in early 1956, an<br />

RCA Victor publicist asked him to shoot an up-and-coming crooner from Memphis.<br />

Little did Wertheimer know that this would be the job of his life: just 21 years old,<br />

Elvis Presley was—as we now know—about to become a legend. Trailing him like a<br />

shadow, Wertheimer was given unlimited access to get up close and personal with<br />

Elvis; even as the singer was seducing young women in dark hallways, he allowed the<br />

photographer to record his every move. Wertheimer took nearly 3,000 photographs<br />

of Presley that year, creating a penetrating portrait of a man poised on the brink of<br />

superstardom. Extraordinary in its intimacy and unparalleled in its scope,<br />

Wertheimer’s Elvis project immortalized a young man in the very process of making<br />

history. (Just a month after he shot Elvis recording the “Don’t Be Cruel”/”Hound<br />

Dog” record, it became the first ever to top all three Billboard charts.)<br />

XL<br />

Format<br />

Limited to 1,706 numbered copies signed by Wertheimer, this Collector’s Edition<br />

brings together his most remarkable Elvis shots from 1956, along with a selection<br />

from his historic pictures of the star in 1958 as he was being shipped off to an army<br />

base in Germany. Though many of Wertheimer’s photos of Elvis are among the best<br />

known, nearly half of the photographs in this book have never been published before.<br />

Each chapter is illustrated with an original poster created for this book by Hatch<br />

Show Print, one of the oldest letterpress print shops in America. In business since<br />

1879, Hatch printed posters for vaudeville, circuses, and entertainers on world tours<br />

in the early 20th century; and created many of the powerful woodblock images to<br />

help define the look of country music in the 1940s, Rock’n’Roll (including many early<br />

Elvis posters) in the 1950s. Fans of photojournalism, portraiture, and, of course, the<br />

King himself will covet this collector’s volume.<br />

Alfred Wertheimer.<br />

Elvis and the Birth of Rock and Roll<br />

Chris Murray, Robert Santelli<br />

Hardcover in clamshell box,<br />

12.2 x 17.3 in., 418 pp.<br />

978-3-8365-3423-9<br />

$ 700 / CAD 800<br />

,!7ID8D6-fdecdj!<br />

— 65 —


April 2013<br />

This Collector’s<br />

Edition is limited<br />

to 2,500 copies,<br />

signed and numbered<br />

by the artist.<br />

XXL<br />

Format<br />

Nature and Humanities<br />

Epic journeys to the ends of the earth: Salgado’s opus on our planet in its natural state<br />

“I have been searching for what is purest on this planet.” —Sebastião Salgado<br />

Of the myriad works Sebastião Salgado has produced in his acclaimed photography<br />

career, three long-term projects stand out: Workers (1993), documenting the vanishing<br />

way of life of manual laborers across the world, Migrations (2000), a tribute to mass<br />

migration driven by hunger, natural disasters, environmental degradation and demographic<br />

pressure, and this new opus, Genesis, the result of an epic eight-year expedition<br />

to rediscover the mountains, deserts and oceans, the animals and peoples that have so<br />

far escaped the imprint of modern society—the land and life of a still-pristine planet.<br />

On over 32 trips—traveled on foot, by light aircraft, seagoing vessels, canoes, and even<br />

balloons, through extreme heat and cold and in sometimes dangerous conditions—<br />

Salgado created a collection of images showing us nature, animals, and indigenous<br />

peoples in such shocking and intense beauty as to take our breath away. In Genesis,<br />

one discovers the ancient animal species and volcanoes of the Galápagos; penguins,<br />

sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators<br />

and jaguars; African lions, leopards, and elephants; the isolated Zoé tribe deep<br />

in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka<br />

cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle;<br />

Mentawai jungle communities on islands west of Sumatra; the icebergs of the<br />

Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan<br />

deserts; the Negro and Juruá rivers in the Amazon; the ravines of the Grand Canyon;<br />

the glaciers of Alaska... and more.<br />

The Collectors Edition, designed and edited by Salgado’s wife and partner Lélia<br />

Wanick Salgado, features exquisitely reproduced large-format images arranged not by<br />

theme or region but conceived as a portfolio that takes beholders on a journey around<br />

the globe, immersing them in Salgado’s vision, allowing him to see the world as he does.<br />

Sebastião Salgado. Genesis<br />

Lélia Wanick Salgado (Ed.)<br />

Hardcover, 2 vols. with bookholder,<br />

18.4 x 27.5 in., 704 pp.<br />

978-3-8365-4372-9<br />

For more information please check<br />

www.taschen.com.<br />

Pages 68-69: Mursi and Surma women are the<br />

last women in the world to wear lip plates,<br />

Mago National Park, near Jinka, Ethiopia, 2007<br />

,!7ID8D6-fedhcj!<br />

— 66 —


April 2013<br />

Uncommon fruits<br />

A horticultural extravaganza that stuns with playful surrealism à la Magritte<br />

Opposite: Villa Cortusi in Malcesine<br />

with citrus fruit.<br />

Limited Edition of 995 numbered copies bound in ultra-smooth full calf leather<br />

and featuring woodfree felt-marked paper from the Gmund paper mill.<br />

Have you ever thought of citrus fruits as celestial bodies, angelically and heroically<br />

suspended in the sky above? Perhaps not, but J. C. Volkamer did—commissioning an<br />

extravagant and breathtaking series of large-sized copperplates representing citrons,<br />

lemons, and bitter oranges; in these surreal scenes, the fruits appear in the sky, majestic<br />

and life-size, floating like planets above vedute of villas, gardens, or landscapes far<br />

below. Before they were imported from Italy in the 16th century, citrus trees were<br />

largely unknown north of the Alps; over the next two centuries the exotic and fragrant<br />

specimens gained much popularity in gardens throughout the region. One amateur<br />

horticulturist in particular, the Nuremberg merchant J. C. Volkamer, positively<br />

devoted himself to the citrus. Ordering plants mostly from Italy and Northern Africa,<br />

he became so obsessed that he commissioned a team of artists and engravers to create<br />

251 plates of 174 different citrus species to illustrate his two-volume treatise on the<br />

citrus. The first volume appeared in 1708, impressively titled The Nuremberg<br />

Hesperides, or Thorough Description of the Noble Citron, Lemon and Bitter Orange<br />

Fruits: How They may be Properly Planted, Cultivated, Tended and Raised in This and<br />

Neighbouring Regions.<br />

This TASCHEN reprint is based on the two hand-colored volumes belonging to the<br />

Stadtarchiv and Stadtmuseum, Schloss Burgfarrnbach in Fürth—one of the very few<br />

colored sets known to exist. The publication includes also 56 additional illustrations —<br />

discovered only recently—which the author intended to publish in a third volume. As a<br />

printed work of enormous botanical, cultural, and historical significance, Volkamer’s<br />

Hesperides provides intriguing insights into the rich horticultural praxis of his time.<br />

It is also a curious precursor to surrealist artworks created centuries later by the likes<br />

of Salvador Dalí or Réné Magritte. Lovers of art, horticulture, and curiosities will all<br />

agree that this collection of plates is both unprecedented and thoroughly delightful.<br />

Volkamer<br />

Cover<br />

under<br />

construction<br />

Johann Christoph Volkamer.<br />

Citrus fruits<br />

Hardcover with booklet in slipcase<br />

10.1 x 16.5 in., 600 pp.<br />

978-3-8365-3525-0<br />

$ 1,000 / CAD 1,200<br />

,!7ID8D6-fdfcfa!<br />

XL<br />

Format<br />

— 70 —


Design & Fashion<br />

“Benedikt <strong>Taschen</strong><br />

is publishing’s last bourgeois<br />

revolutionary.”<br />

—Monopol, Berlin<br />

Back<br />

in Print!<br />

December 2012 December 2012 February<br />

February<br />

Back in Print!<br />

February<br />

February<br />

February<br />

April<br />

April<br />

May<br />

— 73 —


December 2012<br />

December 2012<br />

Excellence in visual thinking<br />

Celebrating 50 years of outstanding creativity in design and art direction<br />

Plastic culture<br />

The story of a company that made plastic an enduring attraction<br />

The annual Awards honor outstanding creativity, originality, technical excellence,<br />

and innovation in design and advertising. Every year, thousands of entrants submit a<br />

host of crazy, beautiful, thought-provoking, sublime and, occasionally, winning<br />

entries. Panels of rigorous judges debate, sometimes for days on end, to decide on the<br />

best work, which all appears in the annual book; the best of the best get nominations,<br />

favorites receive a Yellow Pencil, and sometimes but not always, there is an entry that<br />

is so incredible that it receives the highest accolade: a Black Pencil.<br />

For this special anniversary volume, each of the last 50 years is represented by a<br />

D&AD president, board member, or judge who shares his or her favorites from the<br />

year. Interspersed stories, biographies, and a timeline document the history of D&AD<br />

and the development of the industry, through the experiences of creative individuals<br />

who have been most involved with its evolution. From the birth of TV advertising in<br />

the sixties to the digital revolution of the 2000s, D&AD has lived through it all and<br />

helped to shape what it is today. This is the chance to explore the best from the world<br />

of creative communications over the past five decades.<br />

D&AD 50<br />

Softcover with jacket, 9.8 x 12.4 in., 360 pp.<br />

978-3-8365-3936-4<br />

$ 59.99 / CAD 64.99<br />

The Italian company Kartell is famous around the world for having invented the culture<br />

of plastic furniture and interior fittings. Kartell was founded in 1949 by Giulio<br />

Castelli, a chemical engineer with a vision to create something good from plastics, a<br />

material whose applications were still relatively unexplored. A fruitful collaboration<br />

with the great designer Gino Colombini started, who won the firm its first Compasso<br />

d’Oro award in 1955. Particularly since the plastic-loving era of the 1960s and 70s,<br />

Kartell has become an enduring household name; from the famous designs of Anna<br />

Castelli Ferrieri and Joe Colombo in the 1960s to more recent hits such as Philippe<br />

Starck’s Ghost Chairs or Ron Arad’s Bookworm shelves, Kartell has consistently<br />

chosen to work with the world’s most talented designers while reinventing plastic as<br />

a quality material for the new age.<br />

This survey covers the entire history of the company, decade by decade, exploring all<br />

aspects of its evolution as well as the social and technological qualities of Kartell<br />

products. Also included is an interview with Claudio Luti, owner and president of<br />

Kartell for more than 20 years and architect of the new boom. But most of all the<br />

objects themselves—in historical shots, ads, displays, and many photos especially<br />

made for this publication, with detailed captions on the technological innovations<br />

behind the design—tell the story of a company that brought us the culture of plastics.<br />

Kartell<br />

Hans Werner Holzwarth<br />

Hardcover, 9.8 x 12.4 in., 400 pp.<br />

978-3-8365-3085-9<br />

$ 69.99 / CAD 79.99<br />

Page 72: One-piece swimsuit with whalebone<br />

bustier and draping culottes. Spring/<br />

Summer 1956 Collection.<br />

© Emilio Pucci Archive, Florence<br />

,!7ID8D6-fdjdge!<br />

,!7ID8D6-fdaifj!<br />

— 74 — — 75 —


February 2013<br />

February 2013<br />

Postwar boom decor<br />

Design trends and styles of the 1950s<br />

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was<br />

dedicated to the latest trends in architecture, interiors, furniture, lighting, glassware,<br />

textiles, metalware, and ceramics. Since the publications went out of print, the now<br />

hard-to-find yearbooks have become highly prized by collectors and dealers.<br />

TASCHEN’s Decorative Art 50s explores the spirit of optimism and the fervent consumerism<br />

of the decade. Technology and construction had been enervated by<br />

research during the war and these discoveries could now be applied in peacetime. The<br />

popularization of plastics, fiberglass, and latex literally shaped the decade. Rising<br />

incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing<br />

boom in both the suburbs and inner cities, and these new homes reflected the new<br />

style. While European design was extraordinarily inventive, American design was<br />

looking to an idealized vision of the future—between them a modern idiom was developed<br />

that can be seen vividly on these pages. This overview of the decade includes the<br />

work of such famous innovators as Charles and Ray Eames, George Nelson, Hans<br />

Wegner, and Gio Ponti.<br />

Back in Print!<br />

Decorative Art 50s<br />

Charlotte & Peter Fiell<br />

Hardcover, 5.9 x 7.6 in., 576 pp.<br />

978-3-8365-4458-0<br />

$ 19.99 / CAD 23.99<br />

Scandtastic!<br />

The best of design from Northern Europe<br />

Scandinavians are exceptionally gifted in design. They are world-famous for their<br />

inimitable, democratic designs which bridge the gap between crafts and industrial<br />

production. The marriage of beautiful, organic forms with everyday functionality is<br />

one of the primary strengths of Scandinavian design and one of the reasons why<br />

Scandinavian creations are so cherished and sought after.<br />

This all-you-need guide includes a detailed look at Scandinavian furniture, glass,<br />

ceramics, textiles, jewelry, metalware and industrial design from 1900 to the present<br />

day, with in-depth entries on over 200 designers and design-led companies, plus<br />

essays on the similarities and differences in approach between Norway, Sweden,<br />

Finland, Iceland, and Denmark. Also included is a list of important design-related<br />

places to visit for readers planning to travel to Scandinavia.<br />

Scandinavian Design<br />

Charlotte & Peter Fiell<br />

Hardcover, 5.9 x 7.6 in., 704 pp.<br />

978-3-8365-4452-8<br />

$ 19.99 / CAD 23.99<br />

“Precious reference tools for antique<br />

specialists, designers, historians, or<br />

curious minds longing to capture the<br />

spirit of an age.”<br />

–Azure magazine, US<br />

,!7ID8D6-feefia!<br />

Hardcover<br />

“The definitive book<br />

on the subject.”<br />

— The Observer Magazine, London<br />

Only $ Only $<br />

,!7ID8D6-feefci!<br />

19.99 19.99<br />

— 76 — — 77 —<br />

Hardcover


February 2013<br />

March 2013<br />

The prince of prints<br />

The way we wore<br />

Pucci's vision and legacy<br />

Emilio Pucci had a passion for women, a visionary sense of style, and an eye for color<br />

and design. With these talents he created a fashion house unlike any other. By the early<br />

‘50s his boutique on the isle of Capri was catering to wealthy sophisticates, heiresses<br />

and movie stars buying his “Capri pants”, silk scarves and lightweight separates. By the<br />

end of the decade, Jacqueline Kennedy and Marilyn Monroe were wearing his dresses,<br />

and by the mid-60s the label was synonymous with the gilded lifestyle of an international<br />

jetset. Today, the house remains as vibrant as ever–Victoria Beckham, Elizabeth<br />

Hurley, and Kylie Minogue are adherents–and recently celebrated its 60th anniversary.<br />

The Pucci story is a modern epic with its roots in Renaissance Italy: the brand’s founder,<br />

the Marchese Emilio Pucci di Barsento, was a charismatic aristocrat whose lineage<br />

extends back to the 14th century. It is a story of evolution: how a family company grew<br />

from one tiny store to an international brand with 50 boutiques worldwide (and a<br />

presence in 300 more). And finally, it is a tale of innovation: Pucci was one of the first<br />

brands to bear a logo, and a pioneer of diversification into interiors, athletic wear and<br />

accessories. It introduced free-moving, lightweight fabrics, pop art prints, and a new<br />

color palette into womenswear, and constantly pushed fabric and printing technologies.<br />

Featuring hundreds of photographs, drawings, and candid shots from the archive<br />

of the Emilio Pucci Foundation, this tome captures the breathtaking elegance and<br />

drama of a unique brand. Vanessa Friedman’s text places Emilio’s achievements in<br />

the context of fashion history, and provides insight into the remarkable Pucci dynasty.<br />

First published in TASCHEN’s limited edition—now available in this unlimited<br />

popular edition.<br />

“Style on paper ... This history of the house of<br />

Pucci is an explosion of kaleidoscopic splendour.”<br />

–Harper’s Bazaar, London<br />

4 DiFFErent<br />

CoVEr Designs<br />

Emilio Pucci<br />

Vanessa Friedman, Alessandra Arezzi Boza,<br />

Armando Chitolina<br />

Hardcover, 11.8 x 11.8 in., 416 pp.<br />

978-3-8365-3620-2<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fdgcac!<br />

HarDCoVEr<br />

Only $<br />

69.99<br />

The story of modern fashion—from couture to mass market<br />

The 20th century saw fashion evolve from an exclusive Parisian salon business catering<br />

to a wealthy elite, into a global industry employing millions, with new trends<br />

whisked into stores before the last model has left the catwalk. Along the way, the signature<br />

feminine silhouettes of each era evolved beyond recognition: House of Worth<br />

crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea<br />

Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made<br />

suits signaled the demise of bespoke tailoring, long before Hawaiian shirts, skinny<br />

ties or baggy pants entered the fore.<br />

20th Century Fashion offers a stylish retrospective of the last hundred years, via 400<br />

fashion advertisements from the Jim Heimann Collection. Using imagery culled from<br />

a century of advertising, this book documents the unrelenting pace of fashion as it<br />

was adopted into the mass culture, decade by decade. An in-depth introduction, chapter<br />

text, and illustrated timeline detail the style-makers and trend-setters, from couture<br />

to the mass market; and how the historic events, design houses, retailers, films,<br />

magazines, and celebrities shaped the way we dressed—then and now.<br />

“Once again TASCHEN presents the ultimate historical<br />

guide to fashion... A wonderfully nostalgic<br />

read for those who might not have been around when<br />

some styles first emerged, but can view them all here,<br />

the ads of yesteryear, along with timelines of styles,<br />

that rocked and shocked the fashion world.”<br />

— Shelf Life, Ontario<br />

BACk in PriNT!<br />

20th Century Fashion:<br />

100 Years of Apparel Ads<br />

Alison A. Nieder, Jim Heimann<br />

Hardcover, 9.3 x 11.8 in., 464 pp.<br />

978-3-8365-1461-3<br />

$ 39.99 / CAD 49.99<br />

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— 78 — — 79 —


February 2013<br />

Signs of our times<br />

A monumental logo compilation<br />

Opposite: Design: H5 (Ludovic Houplain,<br />

Matthieu Lelièvre), 3D design: Denis Assor,<br />

2012<br />

The 2009 Academy Award-winning animated short Logorama, focusing on the use of<br />

logos and brands, became a point of reference for corporate culture. Conceived by H5<br />

design studio in Paris, the movie tells the story of our times through the products and<br />

services that surround us on a daily basis. Ludovic Houplain, studio director and codirector<br />

of the film, conducted an extensive year-long research project, collecting<br />

over 40,000 symbols and trademarks that represent our world today.<br />

The monumental archive Houplain amassed is the foundation of this ultimate<br />

logo reference guide, featuring approximately 7,000 specimens organized alphabetically,<br />

with information about the designers, year of creation, country, brand,<br />

and company. Moreover, the book includes an extensive critical essay on brand culture<br />

by French philosopher Gilles Lipovetsky, and an introduction by Ludovic<br />

Houplain explaining the creation process of the film Logorama, from its inception to<br />

its finalization.<br />

Logobook is a must-have for any designer, student, or marketing professional, and<br />

will be equally fascinating to anyone interested in contemporary culture.<br />

Logobook<br />

Ludovic Houplain<br />

Flexicover with thumb index,<br />

6.6 x 9.4 in., 768 pp.<br />

978-3-8365-3413-0<br />

$ 59.99 / CAD 64.99<br />

“... perfect for graphic artists, creative professionals<br />

and illustration students, as well as anyone with an<br />

appreciation for draftsmanship and visual language.”<br />

—ParkaBlog.com, New York<br />

,!7ID8D6-fdebda!<br />

— 80 — — 81 —


April 2013<br />

Bringing sleek to the streets<br />

Raf Simons’ youth-culture-inspired, elegant tailoring<br />

Poetic, elegant, and free-thinking, Raf Simons is one of the most exciting designers<br />

working in fashion today. His passion for music, art, and contemporary culture infiltrates<br />

everything he does. A former industrial designer, Simons first burst on to the<br />

scene in 1995 with the launch of his menswear label. His trademark slim tailoring and<br />

penchant for street-casting his models went on to shape an entire generation and<br />

cemented his position as one of the most revolutionary contemporary menswear<br />

designers. Simons was appointed creative director of Jil Sander in 2005; during his<br />

six-year tenure he repositioned the brand at the height of the luxury market, not only<br />

satisfying the German label’s loyal fanbase, but also recruiting a legion of new fans.<br />

Simons’ appointment as artistic director of Dior in 2012 caused frissons of excitement<br />

in the fashion industry and marked the beginning of a momentous new chapter<br />

for the Belgian designer. In this stunning photographic book, i-D celebrates Raf<br />

Simons’ own menswear label, his work for Jil Sander, and his new appointment at<br />

Dior. Simons’ first two highly anticipated collections for the Parisian house, together<br />

with an exclusive interview, are also included.<br />

Delving deep into the i-D archive, the large format 120 page portfolio includes stunning<br />

imagery from photographers including Willy Vanderperre, Sølve Sundsbø and<br />

Alasdair McLellan, together with interviews by Terry and Tricia Jones, Holly<br />

Shackleton, Jo-Ann Furniss, and James Anderson.<br />

Raf Simons<br />

Terry Jones (Ed.)<br />

Hardcover, quarter-bound,<br />

11.6 x 16.5 in., 120 pp.<br />

978-3-8365-3895-4<br />

$ 39.99 / CAD 49.99<br />

XL<br />

Format<br />

Opposite: Photography Collier Schorr, styling<br />

Hannes Hetta, model Craig Rathgebur, i-D,<br />

The Role Model Issue, No. 321, Fall 2012<br />

,!7ID8D6-fdijfe!<br />

— 82 —


April 2013<br />

Glunge guru<br />

Glamour meets grunge in the dark, dramatic world of Rick Owens<br />

There are few other designers like Rick Owens, whose work is so instantly recognizable<br />

by cut and bias alone. Born in California, Rick Owens launched his eponymous<br />

label in 1994. His draped, dark, and perfectly cut aesthetic is the antithesis of the sunshine-saturated,<br />

bleached-teeth image of LA, and in many ways has been integral to<br />

his success.<br />

Owens relocated to Paris in 2003, where his goth meets grunge aesthetic—affectionately<br />

known as “glunge”—continues to grow from season and season. Today, Owens is<br />

a much loved and respected fixture on the international fashion scene. His vision<br />

stretches beyond fashion to include furniture, jewelry, and fur. As well as four fashion<br />

collections a year, Owens also designs Lilies, a successful diffusion line that offers a<br />

more playful take on the designer’s signature style, a bespoke line of furniture that<br />

incorporates everything from antlers to stone and wood, and his own fur collection<br />

entitled Palais Royal.<br />

This stunning large format photographic portfolio looks back over i-D’s archives to<br />

offer a rare insight into Rick Owens’ all-encompassing world. Highlights include cutting<br />

edge imagery from photographers like Corinne Day, Sølve Sundsbø and Hans<br />

Feurer, and insightful interviews by Terry Jones, Holly Shackleton, Jo-Ann Furniss<br />

and Ben Reardon.<br />

XL<br />

Format<br />

Rick Owens<br />

Terry Jones (Ed.)<br />

Hardcover, quarter-bound,<br />

11.6 x 16.5 in., 120 pp.<br />

978-3-8365-3893-0<br />

$ 39.99 / CAD 49.99<br />

Opposite: Photography Walter Pfeiffer,<br />

talent Terry-Ann Frencken, i-D, The Lights,<br />

Camera, Action Issue, No. 319, Summer 2012<br />

,!7ID8D6-fdijda!<br />

— 84 —


May 2013<br />

Know your type<br />

A visual history of fonts and graphic styles: 1628–1938<br />

This book offers a connoisseur’s overview of typeface design, exploring the most elegant<br />

fonts from the history of publishing. Taken from a distinguished Dutch collection,<br />

this exuberant two-volume edition traces the evolution of the printed letter via<br />

exquisitely designed catalogs, showing type specimens in roman, italic, bold, semibold,<br />

narrow, and broad fonts. Borders, ornaments, initial letters and decorations are<br />

also included, along with lithographic examples, letters by signwriters, inscription<br />

carvers, and calligraphers.<br />

Featuring works by type designers including: William Caslon, Fritz Helmuth<br />

Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan<br />

Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.<br />

In order to accommodate a vast amount of material, we have divided this text into<br />

two volumes. The first volume covers pre–20th century typeface specimens, with<br />

texts by editor Cees de Jong and collector Jan Tholenaar. The second volume covers<br />

the period from 1900 to the mid-20th century, and contains a historical outline by<br />

Alston W. Purvis.<br />

“A generous selection of pages from some of the<br />

most historically significant and largely forgotten<br />

typeface volumes ... this is a ‘visual’ confection<br />

devoted to milestones that defined the typographic<br />

language of the times.”<br />

—The New York Times, New York<br />

Type. A Visual History of<br />

Typefaces & Graphic Styles<br />

Cees W. de Jong, Alston W. Purvis,<br />

Jan Tholenaar<br />

Softcover, 2 vols. in slipcase,<br />

9.4 x 12 in., 720 pp.<br />

978-3-8365-4480-1<br />

$ 59.99 / CAD 64.99<br />

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— 86 — — 87 —


“TASCHEN projects are<br />

like thousand-dollar fanzines:<br />

obsessive, exhaustive,<br />

and compulsively readable.”<br />

Film &<br />

Pop Culture<br />

—Graphis, New York<br />

Back in Print!<br />

Back in Print!<br />

January<br />

February<br />

February<br />

February February April<br />

100 All-Time<br />

Favorite<br />

Film Noirs<br />

Cover<br />

under<br />

construction<br />

April<br />

May<br />

May<br />

May<br />

— 89 —


Five volumes of<br />

Pow! Biff!! Smash!!!<br />

The complete history of the legendary comics publisher<br />

“The best present you<br />

could buy a comics buff !”<br />

—The Hollywood Reporter, Los Angeles<br />

TM & © DC Comics. (s13)<br />

January May May Fall Fall


January 2013<br />

This is how it all began<br />

From the Man of Steel to Batman and Wonder Woman: the super hero is born<br />

Opposite: The Spirit No. 491, original cover art,<br />

Will Eisner, October 23, 1949.<br />

© Will Eisner Studios, Inc.<br />

In June of 1938, Action Comics debuted with a new kind of comic book character on<br />

its cover: A costumed man with two identities, who possessed extraordinary strength<br />

and powers, a man able to protect the public when ordinary measures would not do.<br />

He was not the first super hero, but the Man of Steel would become the prototype for<br />

all super heroes thereafter. Superman’s story, and those of Batman, Wonder Woman,<br />

and hundreds of other DC Comics characters, are all told in The Golden Age of DC<br />

Comics. The single most comprehensive book on the subject, this volume traces the<br />

company’s first decades, from its pulp origins up to the comic book burnings of the<br />

McCarthy ‘50s in more than 400 pages bursting with comics, art, comics, photographs,<br />

and more comics. Plus an exclusive interview with legendary artist Joe<br />

Kubert!<br />

About the series: TASCHEN’s series on DC Comics explores the origins of comics’<br />

most enduring legends and the behind-the-scenes stories of the men and women who<br />

created them, era by era. Expanded from the Eisner Award–winning XL book, 75<br />

Years of DC Comics, this new series hits the shelf at a reader-friendly size with essays<br />

updated by author Paul Levitz and more than 1,000 new images across five volumes.<br />

Thousands of covers and interiors, original illustrations, photographs, film stills, and<br />

collectibles have been reproduced to bring the story lines, the characters, and their<br />

creators to vibrant life, making this an invaluable reference for comics fans.<br />

The Golden Age of DC Comics<br />

Paul Levitz<br />

Hardcover, 9.3 x 12.7 in., 416 pp.<br />

978-3-8365-3573-1<br />

$ 59.99 / CAD 64.99<br />

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— 92 —


February 2013<br />

February 2013<br />

The greatest show on earth<br />

The Circus - now accessible for everyone, at a freakishly good price<br />

During its heyday, the American circus was the largest show-biz industry the world<br />

had ever seen. From the mid-1800s to mid-1900s, traveling American circuses performed<br />

for audiences of up to 14,000 per show and crisscrossed the country on<br />

20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils<br />

and strapping super heroes gripped the American imagination, outshining theater,<br />

comedy, and minstrel shows of the day, and ultimately paving the way for film<br />

and television. The circus offered young Americans the dream of adventure and<br />

reinvention.<br />

This book brings to life the grit and glamour of the circus phenomenon. Images<br />

include photographic gems by early circus photographers Frederick Whitman Glasier<br />

and Edward Kelty, many of the earliest color photographs ever taken of the circus<br />

from the 1940s and 1950s, iconic circus photographs by Mathew Brady or Cornell<br />

Capa, and little-known circus images by Stanley Kubrick and Charles and Ray<br />

Eames. For the first time, contemporary readers can experience the legend of the<br />

American circus in all its glory.<br />

“A gee-whiz spectacle of a book,<br />

a three-ring extravaganza as bright<br />

as a pinball machine.”<br />

—The New York Times Book Review, New York<br />

Back in Print!<br />

The Circus. 1870s–1950s<br />

Noel Daniel (Ed.)<br />

Hardcover in slipcase, 9.9 x 15 in., 544 pp.<br />

978-3-8365-2025-6<br />

$ 69.99 / CAD 79.99<br />

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Mad for ads<br />

Advertising for the Space Age—zoom back in time to the 50s and 60s!<br />

Gleaned from thousands of images, this companion set of books offers the best of<br />

American print advertising in the age of the “Big Idea.” At the height of American<br />

consumerism magazines were flooded with clever campaigns selling everything from<br />

girdles to guns. These optimistic indicators paint a fascinating picture of the colorful<br />

capitalism that dominated the spirit of the 1950s and 60s, as concerns about the Cold<br />

War gave way to the carefree booze-and-cigarettes Mad Men era. Also included is a<br />

wide range of significant advertising campaigns from both eras, giving insight into the<br />

zeitgeist of the period. Bursting with fresh, crisp colors, these ads have been digitally<br />

mastered to look as bright and new as the day they first hit newsstands.<br />

“If you’re a graphic design nerd,<br />

a marketing guru, or just a lover of<br />

pop Americana, trust us, you<br />

want this for your collection.”<br />

—Huffingtonpost.com, New York<br />

Back in Print!<br />

Mid-Century Ads<br />

Jim Heimann, Steven Heller<br />

Hardcover, 2 vols. in slipcase,<br />

9.4 x 13.2 in., 720 pp.<br />

978-3-8365-2834-4<br />

$ 59.99 / CAD 64.99<br />

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— 94 — — 95 —


February 2013<br />

February 2013<br />

Ringmaster of dreams<br />

Step into Fellini’s world<br />

Icon of the Nouvelle Vague<br />

Truffaut’s rejection of traditional cinema<br />

“All my films turn upon this idea— there is an effort to show a world without<br />

love, characters full of selfishness, people exploiting one another, and, in the midst<br />

of it all, there is always—and especially in the films with Giulietta—a little<br />

creature who wants to give love and who lives for love.”<br />

—Federico Fellini<br />

Forever a circus ringmaster at heart, Federico Fellini is remembered as one of cinema’s<br />

greatest storytellers. From bittersweet, heart wrenching tales (La Strada and<br />

Nights of Cabiria) to semi-autobiographical classics (La Dolce Vita and the muchimitated<br />

8 1/2) to ambitious period-pieces (Satyricon and Casanova) to dreamlike<br />

pseudo-documentaries (The Clowns, Roma, and Intervista), Fellini brought his inner<br />

world to the silver screen in a profoundly original and innovative way. Among his<br />

many gifts to the world of cinema are the roles he created for his wife, the unforgettable<br />

Giulietta Masina.<br />

Federico Fellini<br />

Paul Duncan, Christopher Wiegand<br />

Hardcover, 9.4 x 11.8 in., 192 pp.<br />

978-3-8365-3470-3<br />

$ 14.99 / CAD 16.99<br />

“Ideas are less interesting than the human beings who have them.”<br />

—François Truffaut<br />

From The 400 Blows to Jules and Jim to The Last Metro, François Truffaut practically<br />

defined the French cinema of his era and was one of the founders of the New<br />

Wave which took the industry by storm in the late 1950s. His endlessly touching and<br />

romantic films—always tinged by a touch of reflective sadness—made him one of<br />

France’s favorite and most successful directors. This book traces Truffaut’s career<br />

and includes rare images drawn from his archives.<br />

François Truffaut<br />

Paul Duncan, Robert Ingram<br />

Hardcover, 9.4 x 11.8 in., 192 pp.<br />

978-3-8365-3479-6<br />

$ 14.99 / CAD 16.99<br />

“...crammed with stunning<br />

visuals of iconic images<br />

and behind-the-scenes moments.”<br />

“A gorgeous and informative<br />

tribute to an outright giant of<br />

World Cinema.”<br />

–EMPIRE, London<br />

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–The Times, London<br />

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— 96 — — 97 —


April 2013<br />

Illusion, enchantment,<br />

and wonder<br />

The world’s greatest magicians from the Middle Ages through the 1950s<br />

Opposite: Young Howard Thurston is tutored<br />

by demons and goblins, 1916. George and<br />

Sandy Daily Collection, New Cumberland.<br />

Pages 100-101: Samri S. and Miss Kittie<br />

Baldwin’s innovative question-and-answer act,<br />

c. 1890. Christian Fechner Collection, Paris.<br />

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and<br />

amazement. Once persecuted as heretics and sorcerers, magicians have always been<br />

conduits to a parallel universe of limitless possibility—whether invoking spirits, reading<br />

minds, or inverting the laws of nature by sleight of hand. Long before science fiction,<br />

virtual realities, video games and the internet, the craft of magic was the most<br />

powerful fantasy world man had ever known. As the pioneers of special effects<br />

throughout history, magicians have never ceased to mystify us by making the impossible<br />

possible.<br />

This book celebrates more than 500 years of the dazzling visual culture of the world’s<br />

greatest magicians. Featuring more than 1,000 rarely seen vintage posters, photographs,<br />

handbills, and engravings as well as paintings by Hieronymus Bosch and<br />

Caravaggio, among others, Magic traces the history of magic as a performing art from<br />

the 1400s to the 1950s. Combining sensational images with incisive text, the book<br />

explores the evolution of the magician’s craft, from medieval street performers to the<br />

brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s<br />

Golden Age of Magic to groundbreaking daredevils like Houdini and the early<br />

20th century’s vaudevillians.<br />

“...capturing the world’s greatest magicians in<br />

more than 1,000 rarely seen posters, photographs<br />

and engravings. Predictably, it is disappearing<br />

from bookshelves across the world.”<br />

–The Sunday Times Magazine, London<br />

The Big Book of Magic<br />

Noel Daniel (Ed.)<br />

Hardcover in slipcase, 9.9 x 15 in., 544 pp.<br />

978-3-8365-2807-8<br />

$ 69.99 / CAD 79.99<br />

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— 98 — — 99 —


April 2013<br />

Into the shadows<br />

Noir in the spotlight<br />

“By 1949 American movies were in the throes of their deepest and most creative<br />

funk. Never before had films dared to take such a harsh uncomplimentary look at<br />

American life.” —Paul Schrader, “Notes on Film Noir”<br />

Enter a world populated by private eyes, gangsters, psychopaths, and femme fatales,<br />

where deception, lust, and betrayal run rampant.... If your heart rate just increased a<br />

bit, you’ll covet this book—the first film-by-film photography book on film noir and<br />

neo-noir. Beginning with silent, German, and French films that were early influences<br />

on the genre, through to seminal works such as Double Indemnity, The Postman<br />

Always Rings Twice, and Vertigo, you’ll make your way to the present day via<br />

Chinatown, Pulp Fiction, Heat, Memento, and the recent cult favorite Drive. Entries<br />

include posters, tons of rare stills, cast/crew details, quotes from the films and from<br />

critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver<br />

screenwriter Paul Schrader provides the introduction to this feast of noir worship.<br />

Populated by the genre’s most revered directors like Hitchcock, Wilder, Welles,<br />

Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces such as<br />

those of Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson,<br />

Pacino, and so many more.<br />

Opposite: On the set of You Only Live Once<br />

(1937). Photo © The Kobal Collection, London/<br />

New York<br />

100 All-<br />

Time Favorite<br />

Film Noirs<br />

Cover<br />

under<br />

construction<br />

100 All-Time Favorite Film Noirs<br />

Paul Duncan (Ed.)<br />

Hardcover, 2 vols. in slipcase,<br />

9.4 x 12 in., 760 pp.<br />

978-3-8365-4356-9<br />

$ 59.99 / CAD 64.99<br />

“Film Noir sumptuously deconstructs and<br />

demystifies each element of the movement from it’s<br />

emergence in the early forties, right up to Pulp<br />

Fiction, Seven and beyond. A fascinating read that<br />

will have you scurrying to your nearest bookseller<br />

and, perhaps unwisely, a fedora shop.”<br />

— Shortlist, London<br />

— 102 —<br />

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May 2013<br />

May 2013<br />

Flash forward<br />

The super hero in the Space Age<br />

With super heroes nearly extinct at the start of the 1950s, DC Comics reignited the<br />

fire that would make them central to modern popular culture by infusing them with<br />

science fiction elements. To circumvent the limitations of the self-censoring Comics<br />

Code Authority, DC’s writers and editors spun ever-more fantastic tales, bringing<br />

super heroes and Bob Hope alike into the realm of sci-fi. The results were transformative,<br />

delivering the first-ever “reboot” of Golden Age greats with the Flash, Green<br />

Lantern, and Hawkman as well as the hit TV show Batman. The Silver Age of DC<br />

Comics chronicles it all, right down to the wacky shenanigans of television’s Batman,<br />

which made him the embodiment of the camp sensibility of the ‘60s and further<br />

immortalized the Dark Knight as a pop culture icon for generations to come. Plus a<br />

new exclusive interview with Green Lantern/Batman artist Neal Adams!<br />

Comics grow up<br />

The humanized super hero<br />

On December 15, 1978, the dreams of generations of American children finally came<br />

true. “You’ll believe a man can fly,” read the posters and billboards for the blockbuster<br />

film Superman. With an undeniable mass appeal, it cemented the role of the super<br />

hero as America’s most enduring archetype, and the comic book as one of the country’s<br />

most significant native art forms. That art form, however, was already moving in<br />

a new direction. Influenced by the emergence of underground comics and shifting<br />

political tides, DC’s line of comics was increasingly aimed at adults, and sold in comic<br />

book shops, rather than on newsstands. Socially relevant subjects such as drug addiction,<br />

racism, and women’s rights had entered the mainstream, and comics weren’t just<br />

for kids anymore. The Bronze Age of DC Comics includes an original interview with<br />

Green Lantern/Green Arrow writer Denny O’Neil.<br />

The Silver Age of DC Comics<br />

Paul Levitz<br />

Hardcover, 9.3 x 12.7 in., 400 pp.<br />

978-3-8365-3576-2<br />

$ 59.99 / CAD 64.99<br />

The Bronze Age of DC Comics<br />

Paul Levitz<br />

Hardcover, 9.3 x 12.7 in., 400 pp.<br />

978-3-8365-3579-3<br />

$ 59.99 / CAD 64.99<br />

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Hardcover<br />

Hardcover<br />

Only $ Only $<br />

59.99<br />

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59.99<br />

— 104 — — 105 —


May 2013<br />

Swing in the city<br />

Big bands and big sounds in the New York jazz scene of the 1920s<br />

“Rarely does one hold in one’s hands a book whose design is so artistically<br />

accomplished and esthetically pleasing which also tackles its subject, in this case<br />

the Jazz Age, so stylishly.” —Frankfurter Allgemeine Zeitung, Frankfurt<br />

“A feast for the connoisseur, an appetizer for the beginner.”<br />

—DIE ZEIT, Hamburg<br />

“The lovingly designed visuals and entertaining texts combine to make a<br />

fascinating piece of work with none of the deadly-serious erudition so often<br />

associated with jazz.” —Süddeutsche Zeitung, Munich<br />

It’s the roaring twenties, and New York is exploding with jazz fever. People flock to<br />

the night clubs and dance halls in Harlem to see the likes of Louis Armstrong with the<br />

Fletcher Henderson Orchestra playing at the Kentucky Club, or Duke Ellington at<br />

the Roseland Ballroom or the world-famous Cotton Club. Jazz critic Hans-Jürgen<br />

Schaal and illustrator Robert Nippoldt have teamed together to pay homage to this<br />

exceptional era, via an entertaining blend of illustrations, facts, and amusing anecdotes<br />

presenting 24 leading lights of New York’s jazz scene of the 1920s, complete<br />

with an accompanying CD containing some of their best tunes. Schaal’s text gives a<br />

vivid account of the club scene and the “band battles,” as well as legendary recording<br />

sessions and a complete list of the big band musicians involved. A splendid read, an<br />

enjoyable CD—and not strictly for jazz fans only!<br />

Jazz in New York: The Roaring Twenties<br />

Robert Nippoldt, Hans-Jürgen Schaal<br />

Hardcover with CD, 8.6 x 13.5 in., 144 pp.<br />

978-3-8365-4501-3<br />

$ 49.99 / CAD 59.99<br />

“Books on the Jazz Age don’t get any better<br />

than this. A treat for eyes and ears.”<br />

—Roger Willemsen<br />

,!7ID8D6-fefabd!<br />

— 106 —


Back in Print!<br />

Photography<br />

Already published<br />

“It’s exactly this daring quirkiness that makes<br />

TASCHEN so unique, so willing to stand by<br />

the philosophy that their excellent reputation<br />

owes itself to the artists they feature.”<br />

—Picture, New York<br />

December 2012 December 2012<br />

February February February<br />

February February February February February<br />

Back in Print!<br />

April<br />

April<br />

April<br />

April<br />

— 109 —


December 2012<br />

Beauty of the beasts<br />

Frans Lanting’s vibrant tribute to Old Africa revisited on its<br />

20th anniversary<br />

Opposite: Too young to know fear, two lion<br />

cubs left by a mother doing double-duty spend<br />

a vulnerable night on top of a termite mound.<br />

“Botswana, many say, represents the last of Old Africa. And in the heart of this arid<br />

land lies a place as inspiring and as incongruous as the snow-capped summit of<br />

Kilimanjaro rising on the equator: that is the Okavango, one of the greatest wetlands<br />

on earth, whose very existence in the middle of a desert is nothing short of<br />

miraculous.” —Frans Lanting<br />

For a year, Frans Lanting roamed the wetlands and deserts of northern Botswana, living<br />

by the rhythms of the water and the movements of the animals as he captured<br />

them on film. The National Geographic had sent him there on assignment, but what<br />

he would take away was much more than a magazine story; it was a seminal and<br />

unparalleled collection of photographs depicting an epic world of wilderness and<br />

wildlife. As Lanting wrote, “To many who have seen the fate of other wild areas in<br />

Africa and elsewhere in the world, the very notion that such a place as Okavango still<br />

exists is like a dream.” Living out of vehicles and canvas tents, gliding through swamps,<br />

following lions by night—Lanting, armed with his cameras, got up close and personal<br />

with some of the planet’s most formidable creatures.<br />

The book he published a few years later, Okavango, was a testament not only to the<br />

wondrous wildlife of the region, but also to Lanting’s extraordinary courage, skill,<br />

and photographic vision. After many publications of Lanting’s work, including<br />

Life, Jungles, Eye to Eye, and Penguin, TASCHEN now revisits his original classic,<br />

which drew critical praise worldwide, with this updated and expanded edition of<br />

Okavango, further enhanced with all new reproductions and dozens of previously<br />

unpublished photos, as well as a new preface by Lanting.<br />

Frans Lanting. Okavango<br />

Christine Eckstrom (Ed.)<br />

Hardcover, 10.3 x 12.9 in., 252 pp.<br />

978-3-8365-3415-4<br />

$ 39.99 / CAD 49.99<br />

Page 108: The Ramsey Lewis Trio on Michigan<br />

Avenue. © William Claxton<br />

,!7ID8D6-fdebfe!<br />

— 110 —


December 2012<br />

Let the ladies shine<br />

From Newton's formative years to his rise to the top<br />

Opposite: Queen, Venice, 1966.<br />

© Helmut Newton<br />

Taken between the mid-1960s and early 1980s, this selection of Newton fashion<br />

editorials—one of the first books he ever published—is accompanied by journal<br />

entry-style texts by Newton providing anecdotes and describing the circumstances<br />

of each shoot. On every page is evidence of Newton’s groundbreaking vision that<br />

transformed fashion photography—an influence that can still be seen today on the<br />

pages of the greatest fashion magazines.<br />

“Hasn’t just about everyone tried to copy<br />

Newton, but only the ‘master’ himself<br />

managed to handle sex and elegance in such<br />

a casual, yet cool and calculated way.”<br />

Helmut Newton. World without Men<br />

Hardcover, 9.4 x 12.7 in., 192 pp.<br />

978-3-8365-4512-9<br />

$ 59.99 / CAD 64.99<br />

—Stern, Hamburg<br />

,!7ID8D6-fefbcj!<br />

— 112 —


April 2013<br />

Already published!<br />

The spirit of Berlin<br />

A photographic journey into the city’s history<br />

Berlin has survived two world wars, was divided by a wall during the Cold War, and<br />

after the fall of the Wall was re-united. The city emerged as a center of European<br />

power and culture. From 1860 to the present day, this book presents the story of<br />

Berlin in photographs, portraits, maps, and aerial views. More than a tribute to the<br />

city and its civic, social, and photographic history, this book especially pays homage to<br />

Berlin’s inhabitants: full of hope and strength, their faces reflect Berlin’s undying<br />

soul.<br />

“Perfect, pure TASCHEN style.<br />

Big, heavy, and intensely interesting.<br />

The photographs in this monstrous<br />

volume are nothing short of incredible;<br />

the information presented: stunning.”<br />

—EdgeBoston.com, Boston<br />

Above: Alois Bankhardt, Children playing<br />

air-lift, 1948. Photo © Landesarchiv Berlin<br />

Back in Print!<br />

Berlin. Portrait of a City<br />

Hans Christian Adam<br />

Hardcover, 9.8 x 13.3 in., 672 pp.<br />

978-3-8228-1445-1<br />

$ 69.99 / CAD 79.99<br />

,!7ID8C2-ibeefb!<br />

Super Mario does marvelous Rio<br />

Inspired by the boys and girls from Copacabana<br />

“Captures the city at its sexiest. It’s like a holiday in hardback (if you go on the<br />

sort of holiday where thongs are worn all day). It’s got plenty of Carnival and<br />

Copacabana, as well as a more serious side; a thought-provoking tour of the city’s<br />

favela slums.” —Sunday Times Travel Magazine, London<br />

Mario Testino is one of the world’s most successful fashion and portrait photographers,<br />

whose images are noted for their freshness and intimacy. Peruvian by birth,<br />

Testino has been fascinated by Rio de Janeiro since his earliest summer vacations.<br />

“When I was 14, on holiday, and going from my house to the beach and seeing everyone<br />

walk everywhere in their tiny bathing suits—the girls and boys were so sexy and<br />

carefree and wild—I just could not believe it.” This easy sensuality, sexual freedom<br />

and lust for life left a deep impression; Testino has been going back ever since, for<br />

work and fun, passion and inspiration. Featuring candid shots of exquisite cariocas<br />

baring nubile flesh, including supermodel Gisele Bündchen, MaRIO DE JANEIRO<br />

Testino captures the essence of this incomparably seductive city and its sultry citizens.<br />

From its breathtaking sunset panoramas, to the throbbing chaos of its worldfamous<br />

carnival, this is Testino’s love poem to the Brazilian metropolis that captured<br />

his teenage heart, and never let go.<br />

Features include:<br />

• Foreword by songwriter and singer Caetano Veloso<br />

• Introduction by actress/TV personality Regina Casé<br />

• Essay by supermodel Gisele Bündchen<br />

• Softcover with plastic jacket—for beach reading—available in<br />

yellow, orange or red, inspired by Rio’s glorious sunsets!<br />

Back in Print!<br />

MaRIO DE JANEIRO Testino<br />

Softcover with jacket, 9.8 x 13.6 in., 200 pp.<br />

978-3-8365-1858-1<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fbifib!<br />

— 114 — — 115 —


February 2013<br />

The Fab Five<br />

Behind Beatlemania<br />

Opposite: Arriving at JFK Airport with Benson<br />

right behind The Beatles, February 7, 1964.<br />

Photo © Harry Benson<br />

“These photos convey a really happy period for them and for me. It all comes<br />

down to music, they were without a doubt the greatest band of the 20th century,<br />

and that’s why these photographs are so important.” —Harry Benson<br />

XL<br />

Format<br />

In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa,<br />

when he got a call from the photo editor of London newspaper The Daily Express. He<br />

was now going with The Beatles to Paris to document French Beatlemania and what<br />

followed was the biggest (ticket to) ride of his life.<br />

Benson was warmly welcomed into The Beatles’ inner sanctum, resulting in some of<br />

the most intimate photographs ever taken of the band, then on the cusp of world domination.<br />

In Paris, he took the famous photograph of the Fab Four having a pillow fight<br />

at the George V Hotel; he shot their groundbreaking first visit to the United States,<br />

the full impact of New York hysteria, their famous appearance on The Ed Sullivan<br />

show, the band in Florida, including their surprising encounter with Cassius Clay; as<br />

well as on the set of A Hard Day’s Night. The relationship continued in 1966, including<br />

George’s honeymoon in Barbados and their notorious US tour, under the shadow<br />

cast by Lennon’s comment that the Beatles were “bigger than Jesus Christ.”<br />

Benson’s luminous black-and-white photographs show at close quarters The Beatles<br />

composing, performing, encountering their fans, relaxing, and engaging with each<br />

other, while trying to cope with their increasingly isolating fame. In addition to<br />

hundreds of photographs, many previously unseen, there is an introductory essay<br />

by Benson as well as quotes and newspaper clippings from the period.<br />

First published in TASCHEN’s limited edition—now available in this unlimited<br />

popular edition.<br />

Harry Benson. The Beatles<br />

Hardcover, 10.4 x 14.7 in., 272 pp.<br />

978-3-8365-3322-5<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fddccf!<br />

Only $<br />

69.99<br />

— 116 —


February 2013<br />

Visions of American jazz<br />

Claxton's photographs of legendary jazz musicians<br />

In 1960, photographer William Claxton and noted German musicologist Joachim<br />

Berendt traveled the United States hot on the trail of jazz music. The result of their<br />

collaboration was an amazing collection of photographs and recordings of legendary<br />

artists as well as unknown street musicians.<br />

The book Jazzlife, the original fruit of their labors, has become a collector’s item<br />

that is highly treasured among jazz and photography fans. In 2003, TASCHEN<br />

began reassembling this important collection of material— along with many neverbefore-seen<br />

color images from those trips. They are brought together in this updated<br />

volume, which includes a foreword by William Claxton tracing his travels with<br />

Berendt and his love affair with jazz music in general. Jazz fans will be delighted to<br />

be able to take a jazz-trip through time, seeing the music as Claxton and Berendt<br />

originally experienced it.<br />

Featuring photographs of Charlie Parker, Count Basie, Duke Ellington, Muddy<br />

Waters, Gabor Szabo, Dave Brubeck, Stan Getz, Billie Holiday, Ella Fitzgerald, Miles<br />

Davis, Charlie Mingus, Thelonious Monk, John Coltrane, and many more.<br />

William Claxton. Jazzlife<br />

Joachim E. Berendt<br />

Hardcover, 7.6 x 10.7 in., 552 pp.<br />

978-3-8365-4468-9<br />

$ 39.99 / CAD 49.99<br />

“... surely the most thorough and<br />

imaginative visual record of<br />

American jazz at mid-century that<br />

we’ll ever see.”<br />

—Newsweek, New York<br />

Opposite: Art Pepper climbing the<br />

hill on Fargo Street in Los Angeles.<br />

Photo © William Claxton<br />

,!7ID8D6-feegij!<br />

Only $<br />

39.99<br />

— 119 —


February 2013<br />

You talkin’ to me?<br />

Previously unseen photographs from Scorsese’s masterpiece<br />

Taxi Driver has long been regarded as a cinematic milestone, and Robert DeNiro’s<br />

portrait of a trigger-happy psychopath with a mohawk is widely believed to be one of<br />

the greatest performances ever filmed. Time magazine includes the film in its list of<br />

100 Greatest Movies, saying: “The power of Scorsese’s filmmaking grows ever more<br />

punishing with the passage of time.”<br />

Steve Schapiro—whose photographs were featured in TASCHEN’s Godfather Family<br />

Album—was the special photographer on the set of Taxi Driver, capturing the film’s<br />

most intense and violent moments from behind the scenes. This book—more than a<br />

film-still book but a pure photo book on its own—features hundreds of unseen images<br />

selected from Schapiro’s archives, painting a chilling portrait of a deranged gunman<br />

in the angry climate of the post-Vietnam era.<br />

With a foreword by Martin Scorsese!<br />

First published in TASCHEN’s limited edition—now available in this unlimited<br />

popular edition.<br />

XL<br />

Format<br />

“The next best thing to actually<br />

travelling back in time to the film<br />

shoot in New York in 1975.”<br />

—Cinema Retro, London<br />

Steve Schapiro. Taxi Driver<br />

Paul Duncan (Ed.)<br />

Hardcover, 9.6 x 14.7 in., 400 pp.<br />

978-3-8365-4198-5<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-febjif!<br />

Only $<br />

69.99<br />

— 120 —


February 2013<br />

Two artists, one vision<br />

Opposite: Kate Moss, Yves Saint Laurent<br />

Campaign, 2008.<br />

The enigmatic and genre-defying work of Inez van Lamsweerde and Vinoodh Matadin<br />

“It is typical of the photographic art of van Lamsweerde and Matadin that they<br />

urge their image making to de-stabilise the pristine surfaces expected of consumer<br />

culture; to this end they make use, in turn, of the Gothic, inscrutability, androgyny,<br />

comedy, eroticism, surrealism, fantasy, montage, cinema, replication, image<br />

manipulation, Pop art, fetishism and art historical nuance.” —Michael Bracewell<br />

Inez van Lamsweerde and Vinoodh Matadin’s work has graced the walls and pages of<br />

some of the world’s finest galleries and fashion magazines, and if it is surprising that<br />

their photographs easily float between these worlds, it is by virtue of their ease in creating<br />

imagery that seeks homes in both culturally elite and mainstream outlets. For<br />

some of their photographs, such as their portrait of Björk or campaign for Givenchy,<br />

van Lamsweerde and Matadin have worked in collaboration with the art directors<br />

M/M (Paris), who have also designed this sumptuous retrospective that looks back at<br />

“pretty much everything” that the photographers have been working on for over two<br />

decades and has brought them to the forefront in the fields of both art and fashion.<br />

First published in TASCHEN’s limited edition - now available in this unlimited<br />

popular edition.<br />

Inez van Lamsweerde/Vinoodh Matadin.<br />

Pretty Much Everything<br />

Glenn O'Brien<br />

Hardcover, 10.6 x 10.6 in., 720 pp.<br />

978-3-8365-2793-4<br />

$ 69.99 / CAD 79.99<br />

“Truly a collection for art historians<br />

to indulge ... a piece of collectible and<br />

rare art in itself.”<br />

—Dreaminggenius.com<br />

,!7ID8D6-fchjde!<br />

Only $<br />

69.99<br />

— 122 —


February 2013<br />

February 2013<br />

Capturing the perfect wave<br />

Tapping into the archives of America’s most important surf photographer<br />

of the ‘60s and ‘70s<br />

Pioneers in photography<br />

as an art form<br />

The complete photos from Stieglitz’s legendary journal (1903–1917)<br />

At a time when surfing is more popular than ever, it’s fitting to look back at the years<br />

that brought the sport into the mainstream. Developed by Hawaiian islanders over<br />

five centuries ago, surfing began to peak on the mainland in the 1950s—becoming not<br />

just a sport, but a way of life, admired and exported across the globe. One of the key<br />

image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing<br />

the scene in California and Hawaii in the longboard era of the early 1960s.<br />

This edition showcases Grannis’s most vibrant work—from the bliss of catching the<br />

perfect wave at San Onofre to dramatic wipeouts at Oahu’s famed North Shore. An<br />

innovator in the field, Grannis suction-cupped a waterproof box to his board,<br />

enabling him to change film in the water and stay closer to the action than other photographers<br />

of the time. He also covered the emerging surf lifestyle, from “surfer<br />

stomps” and hoards of fans at surf contests to board-laden woody station wagons<br />

along the Pacific Coast Highway. It is in these iconic images that a sport still in its<br />

adolescence embodied the free-spirited nature of an era—a time before shortboards<br />

and celebrity endorsements, when surfing was at its bronzed best.<br />

“...a time capsule, bringing back an era<br />

that continues to resonate for us in shades<br />

of Technicolor and black-and-white.”<br />

— Los Angeles Times, Book Review<br />

LeRoy Grannis. Surf Photography<br />

of the 1960s and 1970s<br />

Steve Barilotti, Jim Heimann<br />

Hardcover, 8.9 x 11.8 in., 192 pp.<br />

978-3-8365-4547-1<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fefehb!<br />

Photographer, writer, publisher, and curator Alfred Stieglitz (1864–1946) was a<br />

visionary far ahead of his time. Around the turn of the 20th century, he founded the<br />

Photo-Secession, a progressive movement concerned with advancing the creative<br />

possibilities of photography, and by 1903 began publishing Camera Work, an avantgarde<br />

magazine devoted to voicing the ideas, both in images and words, of the Photo-<br />

Secession. Camera Work was the first photo journal whose focus was visual, rather<br />

than technical, and its illustrations were of the highest quality hand-pulled photogravure<br />

printed on Japanese tissue. This book brings together the the complete collection<br />

of photos from the journal’s 50 issues.<br />

“This has to be the ‘must buy’ book of<br />

the decade—no photographic library will<br />

be complete without it.”<br />

— mono, UK<br />

Only $ Only $<br />

,!7ID8D6-feeahi!<br />

— 124 — — 125 —<br />

Alfred Stieglitz. Camera Work<br />

Hardcover, 5.5 x 7.6 in., 552 pp.<br />

978-3-8365-4407-8<br />

$ 19.99 / CAD 23.99<br />

14.99 19.99


February 2013<br />

February 2013<br />

Les petits miracles de la vie<br />

One of the great chroniclers of Parisian life in the 20th century<br />

“Ronis helped develop a visual vocabulary that is perhaps the strongest single<br />

influence on modern photojournalism: the striking angle, the foregrounded frame<br />

which is only half-noticed.” —London Review of Books, London<br />

Produced in close cooperation with Willy Ronis and featuring images from his<br />

archives, this book traces the career of one of France’s most remarkable photographers,<br />

to whom, along with Doisneau, Cartier-Bresson, and Brassaï, we owe our<br />

romantic vision of France. In Ronis’s photos of Paris, the city is inseparable from the<br />

working-class men, women, and children who inhabit its streets and cafés. He once<br />

described his approach to photography in five words: “patience, thinking, chance,<br />

form, and time.” Working with available light, Ronis sought to capture the fleeting<br />

moments of everyday life, and his body of work documents, with timeless beauty and<br />

grace, the feel of French life in the 20th century.<br />

Willy Ronis<br />

Jean Claude Gautrand<br />

Hardcover, 9.4 x 11.8 in., 192 pp.<br />

978-3-8365-3104-7<br />

$ 14.99 / CAD 16.99<br />

Uncompromising passion<br />

The life and art of Edward Weston<br />

“This is a most fulfilling book and (perhaps unusually) made the more<br />

so by the introductory essay. It is informative, interesting and accessible.”<br />

—mono, UK<br />

Few photographers have created such a legacy as Edward Weston. After a decade<br />

of successfully making photographs with painterly soft-focus techniques, Weston<br />

became the key pioneer of the school of precise and sharp presentation, dubbed<br />

“Straight Photography.” Through the 1920s, ‘30s, and ‘40s, Weston was a major<br />

force in pushing forward the art of photography. His photographs are monuments<br />

of sensual realism, perfectly composed images of stillness that sear with passion and<br />

intensity. Whatever the subject, be it a vegetable, landscape, shell, or naked body,<br />

Weston’s lens captures the essence of its life force, the fundamentals of its form.<br />

Edward Weston<br />

Manfred Heiting, Terence Pitts<br />

Hardcover, 9.4 x 11.8 in., 224 pp.<br />

978-3-8365-4402-3<br />

$ 14.99 / CAD 16.99<br />

“This retrospective of Ronis’<br />

work is well worth reading and<br />

deserves high praise.”<br />

— PHOTOGRAPHIE, Hamburg<br />

,!7ID8D6-fdbaeh!<br />

“An extremely well made book<br />

that should be in every photography<br />

library.”<br />

—Fotomagazin, Hamburg<br />

Only $ Only $<br />

,!7ID8D6-feeacd!<br />

14.99 14.99<br />

— 126 — — 127 —


April 2013<br />

Opposite: Peter Beard, Aberdare Moorlands,<br />

Kenya 1966<br />

Wild life<br />

A stunning journey into the world of Peter Beard<br />

“This extravagant and magnificent book is a work of art in itself.”<br />

— L’EXPRESS, Paris<br />

Photographer, collector, diarist, and writer of books, Peter Beard has fashioned his<br />

life into a work of art; the illustrated diaries he kept from a young age evolved into a<br />

serious career as an artist and earned him a central position in the international art<br />

world. He was painted by Francis Bacon, painted on by Salvador Dalí, and made diaries<br />

with Andy Warhol; he toured with Truman Capote and the Rolling Stones, created<br />

books with Jacqueline Onassis and Mick Jagger, all of whom are brought to life,<br />

literally and figuratively, in his work. As a fashion photographer, he took Vogue stars<br />

like Veruschka to Africa and brought new ones—most notably Iman—back to the U.S.<br />

with him.<br />

After spending time in Kenya and befriending the author Isak Dinesen (Karen<br />

Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the<br />

dawn of Kenya’s population explosion, which challenged finite resources and stressed<br />

animal populations—including the starving elephants of Tsavo, dying by the tens of<br />

thousands in a wasteland of eaten trees. So he documented what he saw—with diaries,<br />

photographs, and collages. He went against the wind in publishing unique and sometimes<br />

shocking books of these works. The corpses were laid bare; the facts were carefully<br />

written down, sometimes in type, often by hand, occasionally with blood.<br />

Peter Beard’s most important collages are included, along with hundreds of smallerscale<br />

works and diaries, magnified to show every detail—from Beard’s meticulous<br />

handwriting and Old-Masters-inspired drawings to stones and bones and bits of animals<br />

pasted to the page.<br />

First published in two volumes as a TASCHEN limited collector’s edition — now<br />

available in a new one-volume popular hardcover edition!<br />

Peter Beard<br />

Steven M. L. Aronson, Owen Edwards,<br />

Nejma Beard<br />

Hardcover, 9.2 x 13.3 in., 706 pp.<br />

978-3-8365-3088-0<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fdaiia!<br />

Only $<br />

69.99<br />

— 129 —


April 2013<br />

Take your pick<br />

– or pick them all ...<br />

... the Piccolos © are<br />

coming to town!<br />

Our popular Portrait of a City series is<br />

now available in the new “Piccolo © ” format—<br />

192 pages distilling the best of the originals<br />

into pocket-sized books that won’t put a<br />

dent in your wallet.<br />

Portrait of a City series ...<br />

Flexicover,<br />

4.6 x 6.5 in., 192 pp.<br />

each Piccolo ©<br />

$ 9.99 / CAD 11.99<br />

Only $<br />

9.99<br />

Paris<br />

978-3-8365-3217-4<br />

,!7ID8D6-fdcbhe!<br />

Los Angeles<br />

978-3-8365-4515-0<br />

,!7ID8D6-fefbfa!<br />

Berlin<br />

978-3-8365-3218-1<br />

,!7ID8D6-fdcbib!<br />

New York<br />

978-3-8365-3216-7<br />

,!7ID8D6-fdcbgh!<br />

London<br />

978-3-8365-4516-7<br />

,!7ID8D6-fefbgh!<br />

— 130 — — 131 —


April 2013<br />

Salgado’s magnum opus<br />

To the ends of the world in black and white – a landmark publication on our planet in its natural state<br />

Unlike the Collector’s Edition, which is conceived as a large-format portfolio that<br />

meanders across the planet, the trade edition presents a different selection of photographs<br />

arranged geographically in five chapters: Planet South, Sanctuaries, Africa,<br />

Northern Spaces, Amazonia and Pantanal. Though they are drawn from the same<br />

body of work, the two books are radically different in their approach. Nevertheless,<br />

both books pay homage to Salgado’s triumphant and unparalleled Genesis project.<br />

The exhibition “Genesis” will be shown at the following venues:<br />

• Natural History Museum, London, April 11 through September 8, 2013<br />

• Jardim Botânico, Rio de Janeiro, May through August 2013<br />

• Ara Pacis Museum, Rome, May 9 through September 3, 2013<br />

• Royal Ontario Museum, Toronto, May 1 through August 25, 2013<br />

• Maison Européenne de la Photographie, Paris, September 25, 2013,<br />

through January 5, 2014<br />

• SESC Belenzinho, São Paulo, September through November 2013<br />

• Musée de l’Elysée, Lausanne, September 20, 2013, through January 12, 2014<br />

• National Museum of Singapore, April through July 2014<br />

• International Center of Photography, New York, May through September 2014<br />

• Fotografiska, Swedish Museum of Photography, Stockholm,<br />

May through September 2014<br />

• Foton Montreal, June through September 2014<br />

Sebastião Salgado. Genesis<br />

Lélia Wanick Salgado<br />

Hardcover with 26 fold-outs,<br />

9.5 x 13.9 in., 520 pp.<br />

978-3-8365-3872-5<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fdihcf!<br />

Known in English as the Angel Falls,<br />

the Salto Ángel is the world’s tallest<br />

waterfall, Venezuela, 2006.<br />

Pages 134-135: This photograph was<br />

taken on Steeple Jason Island, home<br />

to more than 500,000 couples of<br />

black-browed albatrosses, the largest<br />

colony in the world. Falkland Islands,<br />

2009.<br />

— 133 —


Sexy Books<br />

Adults only!<br />

Adults only!<br />

February February February<br />

Adults only!<br />

April<br />

May<br />

“When it comes to something<br />

tastefully smutty to slip under your<br />

coffee table, TASCHEN takes<br />

the proverbial coconut cream.”<br />

–Attitude, London<br />

— 137 —


February 2013<br />

“If there is an eye for human flesh<br />

that one should trust, it should be Hanson’s.”<br />

—Art Review, London<br />

Page 136: © 2012 Richard Kern<br />

Birth of the newsstand pin-up<br />

The definitive annotated and illustrated history of pin-up magazines<br />

Open your notebooks, sharpen your pencils, and get ready for a history lesson like<br />

none you’ve ever experienced. You’re about to learn everything you could ever want to<br />

know about the world history of men’s magazines—not magazines about sports, not<br />

fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those<br />

titillating periodicals embracing the subject dearest to all heterosexual men’s hearts<br />

and other body parts: the undraped female form.<br />

Editor Dian Hanson traces the fascinating development of the genre from 1900 to<br />

1969 in three compact, informative volumes. In Volume 1 you’ll learn about the first<br />

magazines that appeared around 1900 in France, Germany, and the U.S., and follow<br />

the development of the genre through the First and Second World Wars. Covered are<br />

men’s magazines masquerading as movie magazines, humor magazines, art magazines,<br />

nudist magazines, and “spicy” fiction. Volume 2 documents the proliferation of<br />

pin-up magazines following World War II, most notably a little item called<br />

Playboy that debuted in December 1953 and spawned dozens of imitators. This volume<br />

also charts the emergence of English men’s magazines, fetish magazines, and the<br />

top five covergirls of the 1950s. Volume 3 begins with an explosion of new American<br />

pin-up magazines following the loosening of U.S. obscenity laws, and continues with<br />

French titles in decline, England going pervy, nudists going hippy, and Germany going<br />

pervy, hippy and political.<br />

“Dian Hanson has a connoisseur’s eye for<br />

the elegant covers that glossily encased the pulp<br />

content of the men’s mag in its glory days.”<br />

—The Times, London<br />

Dian Hanson’s History of Pin-up Magazines<br />

Hardcover, 3 vols. in slipcase,<br />

6.5 x 8.5 in., 816 pp.<br />

978-3-8365-3970-8<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdjhai!<br />

3 Volumes<br />

Only $<br />

39.99<br />

— 138 — — 139 —


February 2013<br />

You can’t spell TASCHEN<br />

without T & A!<br />

The world’s finest contemporary erotic photographers<br />

Imagine walking into a room filled with the world’s finest contemporary erotic photographers,<br />

each with a portfolio of his or her best work. As you browse the photographs<br />

they discuss inspiration, censorship, how to find models, and how to make a<br />

living capturing beautiful women on film and in pixels.<br />

The New Erotic Photography is the room, and dozens of photographers from various<br />

countries are the hosts of this intimate gathering. In this 320 page volume you will<br />

meet Ralph Gibson, Jan Saudek, Terry Richardson, Natacha Merritt, Petter Hegre,<br />

Richard Kern, and the many fresh new talents currently redefining eroticism. Playful,<br />

provocative and exuberantly sexy, these aren’t your granddad’s art nudes—this is The<br />

New Erotic Photography.<br />

Adults only!<br />

The New Erotic Photography Vol. 1<br />

Dian Hanson, Eric Kroll<br />

Hardcover, 6.1 x 8.5 in., 320 pp.<br />

978-3-8365-4403-0<br />

$ 14.99 / CAD 16.99<br />

“The ultimate collection of<br />

contemporary erotic photography.”<br />

—British Journal of Photography, London<br />

Opposite: Photo © Ludovic Goubet<br />

,!7ID8D6-feeada!<br />

Only $<br />

14.99<br />

— 141 —


February 2013<br />

Kern goes continental<br />

Real girls in real settings around the world<br />

The internet video site VBS, launched by the ironic and ultra-cool American magazine<br />

Vice, features original content on a wide range of subjects dear to the hipster<br />

heart. One of the first, and still the most popular, ongoing series was “Shot by Kern,” a<br />

concept dreamed up by then editor-in-chief Jesse Pierson to roust photographer<br />

Richard Kern from his New York environs and have him shoot women Kern-style<br />

around the world. In the last seven years Kern has traveled to Belgium, Brazil,<br />

Bulgaria, Canada, the Czech Republic, Denmark, France, Germany, Italy, Mexico,<br />

New Zealand, Poland, Russia, Spain, Sweden, Switzerland, the United Kingdom, and<br />

the United States with a Vice video crew. Fans follow his adventures on Vice.com,<br />

from interviewing the real women who dream of being New York Girls, through styling<br />

and shooting. What they don’t see, what no one has ever seen, are the photos that<br />

result from these video sessions.<br />

Shot By Kern presents some 300 of these photographs for the first time. For those<br />

who’ve followed Kern’s adventures on VBS this is the book they’ve been asking for,<br />

but all fans will enjoy these fresh-scrubbed amateurs in their first time before the<br />

camera. Some are shy, some are brazen, but all have that quirky cuteness Kern seeks<br />

in his subjects.<br />

The book includes several photo series. As Richard travels the world he’s noticed cultural<br />

similarities between his models, and themes have emerged, from the universality<br />

of prescription drugs, to a love of technology, to lying in bed, and peering up skirts.<br />

And because Kern has always been fascinated by what women do behind the bathroom<br />

door, there is lots of intimate personal grooming.<br />

As with Kern’s last TASCHEN book, Action, Shot By Kern comes with an hour long<br />

video, shot and edited by Kern, with original video by Sonic Youth’s Thurston Moore,<br />

because, like Kern’s models, the modern world is always in motion.<br />

Adults only!<br />

Shot By Kern<br />

Dian Hanson<br />

Hardcover with DVD,<br />

8.8 x 11.8 in., 288 pp.<br />

978-3-8365-3569-4<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdfgje!<br />

— 142 —


April 2013<br />

So much for so little!<br />

Big endowments + small package = major savings<br />

“Who wants a 2-ton<br />

pussy book being ‘exposed’<br />

for the mailman…?”<br />

–Amazon Reader<br />

Adults only!<br />

The Little Book Of ...<br />

Dian Hanson (Ed.)<br />

Flexicover,<br />

4.6 x 6.5 in., 192 pp.<br />

each Piccolo ©<br />

$ 9.99 / CAD 11.99<br />

Only $<br />

9.99<br />

Legs<br />

978-3-8365-4518-1<br />

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Butts<br />

978-3-8365-4519-8<br />

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Pussy<br />

978-3-8365-4517-4<br />

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Big Breasts<br />

978-3-8365-3214-3<br />

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Big Penis<br />

978-3-8365-3215-0<br />

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— 144 —<br />

— 145 —


May 2013<br />

“It is a story of someone who undoubtedly<br />

changed the world. A Renaissance man in the<br />

fullest sense of the word - and the brilliant<br />

autobiography confirms this. It is the best history<br />

book the 21st century has so far produced.”<br />

— The Independent, London<br />

6 Volumes<br />

Only $<br />

150<br />

The life and times<br />

of Hugh M. Hefner<br />

An illustrated autobiography with highlights from Playboy’s first 25 years<br />

Hugh M. Hefner presents an illustrated autobiography with chronological highlights<br />

from Playboy’s first 25 years. His personal life and career—from cartoon-drawing<br />

childhood to astonishing success with Playboy—are revealed in the most intimate<br />

portrait ever.<br />

This sumptuous six-volume anthology celebrates the decadence, sophistication and<br />

wit of the original men’s magazine and its creator. Hugh Hefner’s Playboy highlights<br />

the extraordinary years from 1953 to 1979, with a selection of each era’s spiciest centerfolds<br />

and writing by literary icons Gore Vidal, Norman Mailer, Jack Kerouac and<br />

Ray Bradbury, as well as some of the most important Playboy interviews, including<br />

Martin Luther King, John Lennon, Richard Nixon, and Roman Polanski. A wealth of<br />

never-before-seen ephemera from Hefner’s personal archives includes original artwork,<br />

cartoons and correspondence, and a long autobiographical text about his youth,<br />

military service, early career as a cartoonist, numerous girlfriends and eventual success<br />

with Playboy. A vast selection of personal photos—many previously unseen—<br />

include behind-the-scenes shots from the Playboy Mansion, Playboy Clubs, and the<br />

Big Bunny jet. This is the definitive history of Playboy and its legendary founder.<br />

First published in TASCHEN’s limited edition series—now available in this unlimited<br />

popular edition!<br />

Playboy Box: The First 25 Years<br />

Hugh M. Hefner<br />

Hardcover with 25 fold-outs, 6 vols.<br />

in slipcase, 6.9 x 9.7 in., 1,830 pp.<br />

978-3-8365-3087-3<br />

$ 150 / CAD 170<br />

,!7ID8D6-fdaihd!<br />

— 146 — — 147 —


“TASCHEN’s new six volume<br />

Playboy compendium offers new<br />

insight into the creation myth<br />

of a magazine that ignited the<br />

sexual revolution.”<br />

— New York Times Style Magazine, New York<br />

• Six volumes totaling 1,910 pages<br />

• Features 25 of the hottest<br />

Centerfolds and all 312 covers<br />

from the magazine’s first 25 years<br />

1953–1979<br />

• Comprehensive overview of artwork<br />

and pictorials by all of the important Playboy<br />

artists and photographers<br />

• Includes Hefner’s illustrated autobiography<br />

• Hefner’s text in English with German,<br />

French and Spanish translations


Style & Travel<br />

“<strong>Taschen</strong> has a highly original, almost<br />

iconoclastic reputation in the world of art book<br />

and illustrated book publishing.”<br />

—Christine Albanel, Former French Culture Minister<br />

January<br />

Back in Print!<br />

January January April<br />

Upscaled,<br />

hardcover<br />

edition<br />

100<br />

Getaways<br />

Cover<br />

under<br />

construction<br />

April<br />

May<br />

June<br />

— 151 —


January 2013<br />

Weekends on the road<br />

The ultimate travel guides to the USA and Canada<br />

“A go-to guide for<br />

quick and inspired<br />

getaways.”<br />

— Martha Stewart’s Whole Living, New York<br />

The New York Times.<br />

36 Hours: USA & Canada<br />

Barbara Ireland<br />

Flexicover, 6.6 x 9.4 in.,<br />

128–200 pp.<br />

each $ 14.99 / CAD 16.99<br />

Only $<br />

14.99<br />

Midwest & Great Lakes<br />

128 pp. / 978-3-8365-4200-5<br />

,!7ID8D6-fecaaf!<br />

Northeast<br />

168 pp. / 978-3-8365-4201-2<br />

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West Coast<br />

200 pp. / 978-3-8365-4204-3<br />

,!7ID8D6-fecaed!<br />

Southwest & Rocky Mountains<br />

128 pp. / 978-3-8365-4203-6<br />

,!7ID8D6-fecadg!<br />

Southeast<br />

168 pp. / 978-3-8365-4202-9<br />

,!7ID8D6-fecacj!<br />

Page 150: The charm of Lisbon’s past.<br />

Photo © João Pina.


January 2013<br />

January 2013<br />

Great walls in China<br />

Splendid and traditional homes in the People’s Republic<br />

Dating back more than six thousand years, China is the world’s oldest civilization and<br />

most populous nation. With its remarkable history, rich culture, and diversity of ethnic<br />

groups, China is an endlessly fascinating country. Sneaking a peek at an array of<br />

different homes, from ancient to modern, Living in China brings you to places that<br />

most will never have a chance to visit. Whether it’s the Bamboo Wall by Kengo Kuma,<br />

a 600-year-old round earth house in Fujian, the artsy Shanghai apartment of a celebrated<br />

but banned Chinese writer, the Hong Kong residence of the owner of the<br />

China Clubs and Shanghai Tan, or an artist’s studio and home in the largest art community<br />

in the world, all of the interiors featured here capture intriguing facets of life<br />

in China today.<br />

Nippon nests<br />

Today's most exceptional Japanese homes<br />

So rich and unique is traditional Japanese architecture that it’s hard to improve upon.<br />

Yet contemporary Japanese designers and architects keep finding new ways to refurbish<br />

and take inspiration from the ways of old. Whether it’s a pristinely preserved traditional<br />

house or a cutting-edge apartment, the best Japanese homes share a love of<br />

cleverly designed spaces and warm materials such as wood, bricks, and bamboo. From<br />

a thatched roof farmhouse occupied by a Zen priest to Tadao Ando’s experimental<br />

4x4 House, Shigeru Ban’s conceptual Shutter House, and a beautiful homage to bamboo<br />

in the form of a home, this book traverses the multifaceted landscape of Japanese<br />

living today. Also included is a list of addresses and a glossary of terms, such as tatami.<br />

Living in China<br />

Reto Guntli (Photos), Angelika <strong>Taschen</strong> (Ed.)<br />

Hardcover, 8.5 x 9.8 in., 200 pp.<br />

978-3-8365-3498-7<br />

$ 14.99 / CAD 16.99<br />

Living in Japan<br />

Reto Guntli (Photos), Angelika <strong>Taschen</strong> (Ed.)<br />

Hardcover, 8.5 x 9.8 in., 200 pp.<br />

978-3-8365-3500-7<br />

$ 14.99 / CAD 16.99<br />

“… a magical mystery tour of the<br />

world’s most ancient civilization, one<br />

rich in cultural and ethnic diversity.”<br />

–Image Interiors, Dublin<br />

,!7ID8D6-fdejih!<br />

“The photographs alone are enough<br />

to keep readers entranced for hours, but<br />

tear your eyes away and the text is<br />

equally enthralling.”<br />

–Living & Homes, Sydney<br />

Only $ Only $<br />

,!7ID8D6-fdfaah!<br />

14.99 14.99<br />

— 154 — — 155 —


February 2013<br />

April 2013<br />

La bell’Italia è per sempre<br />

Legendary hotels full of atmosphere<br />

To travel through Italy is as close as one gets to being in paradise. For centuries, writers,<br />

artists, architects and merchants have been drawn here, inspired by the beauty of<br />

Venice, Florence, Naples and Rome. Countless books, paintings, poems and sculptures<br />

are evidence of its undying appeal, and over the past 60 years, the country has<br />

become one of the world’s top travel and holiday destinations. The loveliness of<br />

Italy—its architecture, landscapes, culture and food (some of the world’s finest!) — if<br />

not eternal, is certainly enduring, and the easy-going and relaxed Italian lifestyle, il<br />

dolce far niente, is still unrivaled.<br />

Here, some of Italy’s most amazing landscapes are brought to life, like Lake Como<br />

(residence of George Clooney), Venice, Florence and Tuscany, the Amalfi Coast, and<br />

no less magical, the Aeolian Islands off the coast of Sicily. In these mythical surroundings<br />

are legendary hotels full of atmosphere, where novels are set, movies are made,<br />

weddings are celebrated and famous love stories consummated: Villa d’Este on Lake<br />

Como, the Hotel Splendido in Portofino, the Il San Pietro on the Amalfi Coast and<br />

the Villa Cimbrone in Ravello—to name just a few. But in Great Escapes Italy,<br />

<strong>Taschen</strong> also reveals where to find more secret and hidden jewels—from the<br />

Locanda Cipriani, a romantic hideaway on the island of Torcello, to the atmospheric<br />

Castello di Vicarello in Tuscany.<br />

Back in Print!<br />

Great Escapes Italy<br />

Angelika <strong>Taschen</strong> (Ed.), Christiane Reiter<br />

Hardcover, 9.3 x 11.8 in., 300 pp.<br />

978-3-8365-1581-8<br />

$ 39.99 / CAD 49.99<br />

Holistic Hatha holidays<br />

Sublime locations, acclaimed Yoga masters, restorative retreats<br />

Looking for a tranquil vacation that leaves you relaxed, restored and uplifted? Then<br />

try a Yoga retreat. Even if enlightenment is not your aim, you’ll definitely achieve a<br />

luminous glow. Yogis understand the positive influence of natural surroundings and<br />

feng shui on the body, mind and soul, while the healthy organic food (almost always<br />

vegetarian) served at most retreats leaves you feeling lighter and purified. Whether<br />

you go by yourself, with a friend or partner, or even in a group, you will always find<br />

friendly company. TASCHEN has found the most exquisite and inspirational Yoga<br />

retreats around the world: choose from an exotic luxury hotel in Bhutan, a spiritual<br />

ashram in India, a farmhouse in Tuscany or a beach resort in Mexico. But be warned–<br />

Yoga can easily become a way of life. You might find yourself planning your days and<br />

even holidays around Yoga practice.<br />

Highlights include the Parmarth Niketan Ashram in Rishikesh, the birthplace of<br />

Yoga, one of the holy cities of the Ganges and a renowned pilgrimage site, where the<br />

Beatles attended the Maharishi’s ashram in 1968; Yogamagic, an eco-retreat in Goa<br />

on the gentle Indian Ocean. Italy is not just a destination for the cultural and culinary<br />

traveler but also for the dedicated Yogi: Il Convento in Tuscany and Santa Maria del<br />

Sole in Puglia strike a balance between Yoga and the sensual Italian lifestyle. The<br />

Esalen Institute in Big Sur is a legendary New Age destination, offering Yoga and<br />

much more, with over 500 spiritual and physical workshops; while Amansala’s Bikini<br />

Boot Camp in Tulum, Mexico, combines beach life with Yoga classes.<br />

Great Yoga Retreats<br />

Angelika <strong>Taschen</strong><br />

Hardcover, 8.5 x 10.8 in., 320 pp.<br />

978-3-8365-3488-8<br />

$ 19.99 / CAD 23.99<br />

“Filled with beautiful photographs... The layouts<br />

alone will transport you before you’ve even grabbed<br />

your passports and pyjamas.”<br />

–Men’s Style, Sydney<br />

,!7ID8D6-fbfibi!<br />

“Escapist alternative guide-books<br />

for winter armchair travellers and visually<br />

impressive source books.”<br />

–House & Garden, London<br />

,!7ID8D6-fdeiii!<br />

Only $<br />

19.99<br />

— 156 —<br />

— 157 —


May 2013<br />

Creative living<br />

With each volume, a brand new set of interiors that define<br />

how the style-savvy eat, sleep and entertain today<br />

An interior is the perfect synthesis of personality and zeitgeist; it is a living work of<br />

art, a cultural artifact, and the object of ceaseless curiosity. Highly sensitive to this<br />

phenomenon, our Interiors Now series tracks the constantly evolving and multifaceted<br />

fabric of contemporary interior design around the world. Each new volume—<br />

destined for casual readers and professionals alike—brings together a fresh and<br />

inspiring collection of homes that demonstrates variations on the theme of how to<br />

bring out the best in the space that matters most: your home.<br />

Whether it is photographers Inez van Lamsweerde and Vinoodh Matadin’s New York<br />

loft with its Eames 2.0 walnut expanses and cosy corners, Jacques Grange’s relaxed<br />

romance for Francis Ford Coppola’s splendid palazzo in Southern Italy, or art dealer<br />

Michael Fuchs’ apartment in a 1930s former Jewish Girls’ School in Berlin—all the<br />

interiors have been chosen as expressions of personal visions that together give the<br />

full picture of what really matters in home decoration right now.<br />

• 36 new residences around the world, each telling a story about the place and<br />

the people who live there<br />

• A round-up of the new elite in global interior design who share their secrets on<br />

what really matters when doing a kitchen or lighting a dining space, how to<br />

hang an art collection for best effect, or how to childproof in style<br />

• Includes an illustrated list of contributing photographers as well as profile and<br />

contact details for all featured designers<br />

At home in NY: above, the loft of photographers<br />

Inez van Lamsweerde and Vinoodh Matadin,<br />

at right, drip painted bed- and wall coverings<br />

by Doug Meyer. Photos © Inez and Vinoodh;<br />

© Mark Roskams/Tripod Agency<br />

Upscaled,<br />

hardcover edition<br />

Interiors Now 3<br />

Margit J. Mayer (Ed.), Ian Phillips<br />

Hardcover, 8.6 x 11 in., 360 pp.<br />

978-3-8365-3857-2<br />

$ 59.99 / CAD 64.99<br />

“For a dose of design inspiration, get your hands on the latest Interiors Now<br />

tome ... Packed with exquisite contemporary homes and full of fresh ideas to suit<br />

any taste.” —Grand Designs, London<br />

,!7ID8D6-fdifhc!<br />

— 158 —


June 2013<br />

Take a break<br />

TASCHEN’s collection of 100 heavenly hotels<br />

Modern business travelers, in search of convenience, often prefer hotel rooms of the<br />

same type in London, Paris, or Shanghai. A different set of rules applies when we look<br />

for a place to spend a family holiday, a romantic weekend, or a few days of blissful solitude<br />

with some great books. Suddenly a balcony with postcard-worthy views counts<br />

more than the number of TV channels, a sumptuous bed with a first-class mattress<br />

and hand-ironed linens more than Wi-Fi connection in every nook and cranny of the<br />

hotel building.<br />

That’s where this new collection comes in. Here we present you with two volumes<br />

compiling 100 hotels on all continents, in countries from Argentina to Vietnam, making<br />

it a breeze to choose where to relax next. The gamut runs from dream castles like<br />

Villa Feltrinelli on Lake Garda to the glass-fronted hipster chic of Juvet Hotel in<br />

Norway; from Mediterranean pensiones with nostalgic flair and moderate rates to the<br />

pricy-yet-worthy desert glamour of Amangiri Resort in Utah’s canyon county. Even<br />

proficient web scouts will want to pore over these volumes for the thrill of virtual<br />

traveling; fans of interior design might use them as an inspiring global selection of<br />

splendid sofas, beds, lights, and bathroom features.<br />

• 100 exceptional hotels and guest houses all over the world<br />

• From bed & breakfast basic to six-star luxurious<br />

• Selected by TASCHEN’s style and travel department according to criteria<br />

such as stylistic harmony, location, service, and cost-performance ratio<br />

• Each hotel comes with a reader-friendly chart listing the number of rooms,<br />

current prices, type of cuisine, amenities, plus the all important X-factor:<br />

the feature that makes staying there a truly unique experience<br />

• The full scope of contemporary travel in two neat, coffee table-sized volumes<br />

Views with a room: above, a suite at the<br />

Amangiri in Utah, at right, a private balcony<br />

the Parrot Cay resort in the Caribbean.<br />

Photos © Amanresorts; © Parrot Cay by COMO<br />

100<br />

Getaways<br />

Cover<br />

under<br />

con-<br />

struction<br />

100 Getaways Around the World<br />

Margit J. Mayer (Ed.)<br />

Hardcover, 2 vols. in slipcase<br />

9.4 x 12.4 in., 720 pp.<br />

978-3-8365-4397-2<br />

$ 59.99 / CAD 64.99<br />

Hardcover<br />

Only $<br />

,!7ID8D6-fedjhc!<br />

59.99<br />

— 160 —


“Each day of the<br />

year is marked by its<br />

own stunning picture,<br />

offering a constant<br />

source of inspiration,<br />

and being a gorgeous<br />

work of art in its<br />

own right. Perfect!”<br />

TASCHEN<br />

365 Day-by-Day<br />

— Image Magazine, Dublin<br />

Already published Already published Already published<br />

Fashion Ads of the 20th Century<br />

New York<br />

Pin-Up<br />

April<br />

The<br />

Flower<br />

Garden<br />

Cover<br />

under<br />

construction<br />

The Flower Garden<br />

April<br />

Klimt<br />

April<br />

Movie Icons<br />

Fashion Ads of the 20th Century<br />

978-3-8365-3861-9<br />

New York<br />

978-3-8365-3772-8<br />

Pin-Up<br />

978-3-8365-3953-1<br />

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The Flower Garden<br />

978-3-8365-4409-2<br />

,!7ID8D6-feeajc!<br />

Klimt<br />

978-3-8365-4693-5<br />

,!7ID8D6-fegjdf!<br />

Movie Icons<br />

978-3-8365-3862-6<br />

,!7ID8D6-fdigcg!<br />

TASCHEN<br />

365 Day-by-Day<br />

Hardcover, 6.7 x 8.5 in.,<br />

736 pp.<br />

each $ 29.99 / CAD 32.99<br />

Only $<br />

29.99<br />

— 163 —


Backlist<br />

Top Titles<br />

“There is no stopping TASCHEN.<br />

Wave after wave of simply brilliantly<br />

conceived books just keep rolling<br />

off the presses.”<br />

–Photoicon, London<br />

The James Bond Archives<br />

The New York Times:<br />

36 Hours. USA & Canada<br />

The New York Times:<br />

36 Hours. Europe<br />

Gustav Klimt, Stoclet Frieze (detail). Photo by Luciano Romano.<br />

© Société Compagnie Immobilière SAS et consorts STOCLET, all forms of reproduction are prohibited.<br />

Gustav Klimt.<br />

The Complete Paintings<br />

Information Graphics Her Majesty The Book of Symbols<br />

100 Interiors Around the World London. Portrait of a City 100 Contemporary Houses<br />

— 165 —


All Titles<br />

Architecture<br />

Clear Acrylic<br />

Bookstand<br />

ju 100 Contemporary<br />

Green Buildings. 2 vols.<br />

$ 59.99 / CAD 64.99<br />

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— 167 —


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Complete Works. Vol. 2<br />

1917–1942<br />

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Complete Works. Vol. 3<br />

1943–1959<br />

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— 168 —<br />

— 169 —


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xl Van Eyck. The Complete<br />

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— 170 —<br />

— 171 —


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,!7ID8C2-ifjiad!<br />

ka Bruegel<br />

ka Calder<br />

ka Caravaggio<br />

ka KunstHausWien<br />

kg Land Art<br />

kg Landscape Painting<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifjjbj!<br />

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$ 9.99 / CAD 11.99<br />

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$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifeggc!<br />

ka Cézanne<br />

ka Chagall<br />

kg Conceptual Art<br />

ka Leonardo<br />

ka Lichtenstein<br />

ka Marc<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifgeca!<br />

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$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifgidd!<br />

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,!7ID8C2-ifjhfj!<br />

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kg Egypt Art<br />

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ka Moore<br />

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$ 9.99 / CAD 11.99<br />

,!7ID8C2-ibbdgi!<br />

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ka Ernst<br />

ka M.C. Escher. The Graphic<br />

Work<br />

kg Fantastic Art<br />

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kg Portraits<br />

$ 9.99 / CAD 11.99<br />

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ka Fontana<br />

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ka Friedrich<br />

ka Poussin<br />

kg Realism<br />

ka Rembrandt<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-iejbih!<br />

$ 9.99 / CAD 11.99<br />

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,!7ID8C2-igdcag!<br />

— 172 —<br />

— 173 —


All Titles<br />

All Titles<br />

kg Renaissance<br />

ka Renoir<br />

ka Rivera<br />

xl John Gould. The Family of<br />

Toucans<br />

va Mamerot. Les Passages<br />

d’Outremer. A Chronicle<br />

of the Crusades. 2 vols.<br />

xl Carl Friedrich Philipp von<br />

Martius. The Book of Palms<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifcjgf!<br />

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XL<br />

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$ 150 / CAD 170<br />

,!7ID8D6-fbhhjj!<br />

XL<br />

Format<br />

ka Rockwell<br />

kg Rococo<br />

ka Rodin. Sculptures and<br />

drawings<br />

ju Masterpieces of<br />

Illumination<br />

va Maria Sibylla Merian.<br />

Insects of Surinam<br />

xl Prisse d’Avennes. Arab Art<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-icdaea!<br />

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,!7ID8C2-ifchib!<br />

$ 150 / CAD 170<br />

,!7ID8D6-fbjida!<br />

XL<br />

Format<br />

kg Roman Art<br />

kg Romanesque<br />

ka Rothko<br />

ju Auguste Racinet. The<br />

Complete Costume History.<br />

2 vols.<br />

va Hartmann Schedel.<br />

Chronicle of the World -<br />

1493<br />

ju Albertus Seba. Cabinet of<br />

Natural Curiosities<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-ifefej!<br />

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ka Rousseau<br />

ka Rubens<br />

kg Surrealism<br />

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Temple of Flora<br />

xl Album Vilmorin. The<br />

vegetable garden<br />

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Vegetable Garden<br />

$ 9.99 / CAD 11.99<br />

,!7ID8C2-ibdgef!<br />

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$ 59.99 / CAD 64.99<br />

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mi The Woodbook<br />

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Collector’s Editions<br />

kg Video Art<br />

ka Warhol<br />

ka Watteau<br />

su Araki<br />

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Bondage. 3 vols.<br />

ce Harry Benson. The<br />

Beatles<br />

$ 9.99 / CAD 11.99<br />

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Sketchbooks 1982-2011.<br />

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xl Becker. Decorative Arts<br />

from the Middle Ages to<br />

the Renaissance<br />

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Anatomy and Surgery.<br />

2 vols.<br />

ce The Esther Scroll<br />

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Tantra<br />

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$ 150 / CAD 170<br />

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of the World<br />

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Harmonia Macrocosmica<br />

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ju The Eiffel Tower<br />

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Christian Andersen<br />

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Brothers Grimm<br />

ce Lawrence Schiller.<br />

Marilyn & Me. A Memoir<br />

in Words & Photographs<br />

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XL<br />

Format<br />

— 174 —<br />

— 175 —


All Titles<br />

All Titles<br />

ce Albert Oehlen<br />

ce Hugh Hefner’s Playboy.<br />

6 vols.<br />

ce Neo Rauch<br />

va D&AD. The Copy Book<br />

ko Decorative Art 50s<br />

ko Design of the 20th Century<br />

$ 1,500 / CAD 1,700<br />

,!7ID8C2-iejefd!<br />

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su Mark Ryden. Pinxit<br />

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$ 1,000 / CAD 1,200<br />

,!7ID8D6-fcabdd!<br />

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Genesis. 2 vols.<br />

ce Steve Schapiro. Taxi Driver<br />

ce Alex Steinweiss. The<br />

Inventor of the Modern<br />

Album Cover<br />

mi Illustration Now! 4<br />

mi Illustration Now!<br />

Portraits<br />

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XXL<br />

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ce Wolfgang Tillmans.<br />

Neue Welt. Art Edition<br />

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Design<br />

$ 1,000 / CAD 1,200<br />

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va Letter Fountain<br />

va Logo Design 2<br />

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and the Birth of Rock and<br />

Roll<br />

ce Christopher Wool<br />

va Logobook<br />

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1850–1985<br />

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,!7ID8D6-fdecdj!<br />

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ko 1000 Chairs<br />

mi Advertising Now. TV<br />

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Study Book<br />

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Inventor of the Modern<br />

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va Type. A Visual History<br />

of Typefaces & Graphic<br />

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mi Asian Graphics Now!<br />

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Typography – Manuale<br />

tipografico (1818)<br />

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va Type. A Visual History<br />

of Typefaces & Graphic<br />

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va Type. A Visual History<br />

of Typefaces & Graphic<br />

Styles. 1901–1938<br />

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2 vols.<br />

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ju 20th Century Classic Cars.<br />

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,!7ID8D6-fbjjdj!<br />

Fashion<br />

va D&AD 2011<br />

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Designers. 2 vols.<br />

ju 20th Century Fashion. 100<br />

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— 176 — — 177 —


All Titles<br />

All Titles<br />

ju Fashion. 2 vols.<br />

xl Fashion Designers A-Z<br />

Akris Edition<br />

xl Fashion Designers A-Z<br />

Etro Edition<br />

ju Favorite Movies of the 90s.<br />

2 vols.<br />

gr Federico Fellini<br />

gr Film Noir<br />

$ 59.99 / CAD 64.99<br />

,!7ID8C2-ichgdf!<br />

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xl Fashion Designers A-Z<br />

Diane von Furstenberg<br />

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xl Fashion Designers A-Z<br />

Stella McCartney Edition<br />

xl Fashion Designers A-Z<br />

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va Funk & Soul Covers<br />

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$ 350 / CAD 400<br />

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$ 39.99 / CAD 49.99<br />

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$ 69.99 / CAD 79.99<br />

,!7ID8D6-fbjjfd!<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdefhe!<br />

xl Fashion Designers A-Z<br />

Prada Edition<br />

va Fashion. A Fashion History<br />

of the 20th Century<br />

va Fashion Now!<br />

ju Jazz Covers. 2 vols.<br />

gr Kubrick<br />

fp The Stanley Kubrick<br />

Archives<br />

$ 350 / CAD 400<br />

,!7ID8D6-fedadd!<br />

XL<br />

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$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdgaec!<br />

$ 14.99 / CAD 16.99<br />

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,!7ID8D6-fchhfa!<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-faiijg!<br />

ko Fashion Now 2<br />

va Rei Kawakubo<br />

va Rick Owens<br />

ju Stanley Kubrick’s<br />

Napoleon. The Greatest<br />

Movie Never Made<br />

po Bob Marley<br />

mi Movies of the 2000s<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-faddgf!<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdijbg!<br />

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,!7ID8D6-fabjhc!<br />

va Raf Simons<br />

va Vivienne Westwood<br />

va Yohji Yamamoto<br />

mi TASCHEN’s 100 All-Time<br />

Favorite Movies. 2 vols.<br />

ju Steve Schapiro. Taxi Driver<br />

gr François Truffaut<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdijfe!<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdiihj!<br />

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,!7ID8D6-febjif!<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdehjg!<br />

ju i-D covers 1980–2010<br />

mi Pleats Please Issey Miyake<br />

xl Emilio Pucci<br />

ju Billy Wilder’s Some Like It<br />

Hot (DVD Edition)<br />

fo Bob Willoughby. Audrey<br />

Hepburn<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fcbfhe!<br />

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,!7ID8D6-fcfhfg!<br />

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,!7ID8D6-fahdgd!<br />

XL<br />

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,!7ID8D6-fbgidj!<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fchdhi!<br />

va Emilio Pucci<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fdgcac!<br />

Photography<br />

Film / Music<br />

ju 50 Photo Icons. The<br />

Story Behind the<br />

Pictures<br />

$ 29.99 / CAD 32.99<br />

,!7ID8D6-fcgjdh!<br />

gr Atget. Paris<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-faehbd!<br />

fo Peter Beard<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fdaiia!<br />

ju 100 All-Time Favorite Film<br />

Noirs. 2 vols.<br />

ko 1000 Record Covers<br />

xl The Pedro Almodóvar<br />

Archives<br />

fo Peter Beard. 2 vols.<br />

fo Harry Benson. The<br />

Beatles<br />

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$ 59.99 / CAD 64.99<br />

,!7ID8D6-fedfgj!<br />

$ 14.99 / CAD 16.99<br />

,!7ID8C2-ieaifg!<br />

$ 200 / CAD 225<br />

,!7ID8D6-facidc!<br />

XL<br />

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$ 14.99 / CAD 16.99<br />

,!7ID8D6-fadijb!<br />

xl The Ingmar Bergman<br />

Archives<br />

va Best movies of the 70s<br />

va Best movies of the 80s<br />

fo Frédéric Chaubin.<br />

Cosmic Communist<br />

Constructions<br />

Photographed<br />

co William Claxton.<br />

Jazzlife<br />

gr William Claxton. Steve<br />

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$ 200 / CAD 225<br />

,!7ID8D6-faacde!<br />

XL<br />

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,!7ID8D6-fadjbe!<br />

va Best Movies of the 90s<br />

xl The James Bond<br />

Archives<br />

va Extraordinary Records<br />

gr Edward S. Curtis<br />

ko Edward S. Curtis. The<br />

North American Indian<br />

pi Doisneau<br />

$ 14.99 / CAD 16.99<br />

,!7ID8C2-iebbed!<br />

$ 200 / CAD 225<br />

,!7ID8D6-fcbaff!<br />

XL<br />

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$ 9.99 / CAD 11.99<br />

,!7ID8D6-feaadc!<br />

— 178 —<br />

— 179 —


All Titles<br />

All Titles<br />

fo Sante D’Orazio. Barely<br />

Private<br />

ju Early Travel Photography.<br />

The Greatest Traveler of<br />

His Time<br />

fo Ralph Gibson. Nude<br />

pi Los Angeles. Portrait<br />

of a City<br />

fo Los Angeles. Portrait<br />

of a City<br />

pi New York. Portrait of a<br />

City<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fbegag!<br />

$ 29.99 / CAD 32.99<br />

,!7ID8D6-fcbeag!<br />

$ 69.99 / CAD 79.99<br />

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$ 69.99 / CAD 79.99<br />

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$ 9.99 / CAD 11.99<br />

,!7ID8D6-fdcbgh!<br />

xl Greatest of All Time – A<br />

Tribute to Muhammad<br />

Ali<br />

ko A History of Photography<br />

– From 1839 to the present<br />

fo LaChapelle. Heaven to<br />

Hell<br />

fo New York. Portrait of a<br />

City<br />

pi Paris. Portrait of a City<br />

fo Paris. Portrait of a City<br />

$ 150 / CAD 170<br />

,!7ID8D6-fcaghg!<br />

XL<br />

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$ 19.99 / CAD 23.99<br />

,!7ID8D6-feajjf!<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fccieh!<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fafbeh!<br />

$ 9.99 / CAD 11.99<br />

,!7ID8D6-fdcbhe!<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-facjdb!<br />

fo Inez van Lamsweerde/<br />

Vinoodh Matadin. Pretty<br />

Much Everything<br />

fo Frans Lanting. Jungles<br />

fo Frans Lanting. LIFE<br />

fo Bettina Rheims/Serge<br />

Bramly. Rose - c’est Paris<br />

ju Leni Riefenstahl. Africa<br />

gr Willy Ronis<br />

$ 69.99 / CAD 79.99<br />

,!7ID8D6-fchjde!<br />

$ 19.99 / CAD 23.99<br />

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,!7ID8D6-fdbaeh!<br />

fo Frans Lanting. Okavango<br />

fo Frans Lanting. Penguin<br />

fo Neil Leifer. Baseball -<br />

Ballet in the Dirt<br />

fo Sebastião Salgado. Africa<br />

fo Sebastião Salgado.<br />

Genesis<br />

gr Jeanloup Sieff<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fdebfe!<br />

$ 14.99 / CAD 16.99<br />

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The Golden Age of<br />

American Football<br />

ju Norman Mailer. MoonFire.<br />

The Epic Journey of Apollo<br />

11<br />

xl Her Majesty<br />

ko Alfred Stieglitz. Camera<br />

Work<br />

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fo Kate Moss by Mario Testino<br />

$ 49.99 / CAD 59.99<br />

,!7ID8D6-fchigg!<br />

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mi André de Dienes. Marilyn.<br />

2 vols.<br />

ju Norman Mailer/Bert Stern.<br />

Marilyn Monroe<br />

fo Mario Testino. Private<br />

View<br />

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Welt<br />

fo Wolfgang Tillmans. 3 vols.<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdjchc!<br />

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Photographs<br />

ju Eadweard Muybridge.<br />

The Human and Animal<br />

Locomotion Photographs<br />

fo Helmut Newton. Polaroids<br />

fo Ellen von Unwerth.<br />

Fräulein<br />

gr Edward Weston<br />

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,!7ID8D6-fchcig!<br />

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xl Helmut Newton. SUMO.<br />

Revised by June Newton<br />

$ 150 / CAD 170<br />

,!7ID8D6-fbhdaa!<br />

XL<br />

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$ 59.99 / CAD 64.99<br />

,!7ID8C2-ibdcgd!<br />

fo Helmut Newton. World<br />

without Men<br />

$ 59.99 / CAD 64.99<br />

,!7ID8D6-fefbcj!<br />

Pop Culture<br />

gr Uwe Ommer. Black Ladies<br />

va Paris Mon Amour<br />

ju Photographers A-Z<br />

ko 1000 Pin-Up Girls<br />

ko 1000 Tattoos<br />

fp The Big Book of Magic<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fcfgjf!<br />

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ko 20th Century Photography<br />

va The Polaroid Book<br />

pi Berlin. Portrait of a<br />

City<br />

fp The Circus. 1870s–1950s<br />

xl 75 Years of DC Comics.<br />

The Art of Modern<br />

Mythmaking<br />

va The Golden Age of DC<br />

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,!7ID8D6-febacc!<br />

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fo Berlin. Portrait of a City<br />

pi London. Portrait of a<br />

City<br />

fo London. Portrait of a<br />

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va The Silver Age of DC<br />

Comics<br />

va The Bronze Age of DC<br />

Comics<br />

gr Elvgren<br />

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,!7ID8C2-ibeefb!<br />

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,!7ID8D6-fadafb!<br />

— 180 —<br />

— 181 —


All Titles<br />

All Titles<br />

gr LeRoy Grannis. Surf<br />

Photography of the<br />

1960s and 1970s<br />

va It’s a Boy - It’s a Girl<br />

va Jazz in New York. The<br />

Roaring Twenties<br />

pi The Little Book of Big<br />

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pi The Little Book of<br />

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pi The Little Book of Legs<br />

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,!7ID8D6-fefehb!<br />

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,!7ID8D6-fefbib!<br />

ju Mid-Century Ads. 2 vols.<br />

ju The Great American Pin-Up<br />

va Robots - Spaceships and<br />

other Tin Toys<br />

pi The Little Book of<br />

Pussy<br />

ko The Male Nude<br />

rc Motel Fetish<br />

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$ 59.99 / CAD 64.99<br />

,!7ID8D6-fcidee!<br />

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va Titanic<br />

fo The New Erotic<br />

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va The New Erotic<br />

Photography Vol. 1<br />

fo The New Erotic<br />

Photography Vol. 2<br />

$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdaici!<br />

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Sexy Books<br />

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$ 14.99 / CAD 16.99<br />

,!7ID8D6-fdbada!<br />

va Playboy Box. 6 vols.<br />

$ 150 / CAD 170<br />

,!7ID8D6-fdaihd!<br />

rc Tom Poulton. The Secret<br />

Art of an English<br />

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$ 17.99 / CAD 19.99<br />

,!7ID8D6-fdeiea!<br />

ko 1000 Nudes - A History of<br />

Erotic Photography from<br />

1839-1939<br />

ko Araki. Tokyo Lucky Hole<br />

rc Elmer Batters. From the<br />

tip of the toes to the top<br />

of the hose<br />

va Private 1970–1979. 5 vols.<br />

va Private 1980–1989. 5 vols.<br />

va Quaintance<br />

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,!7ID8D6-fahdcf!<br />

fo The Big Book of Breasts<br />

va The Big Book of Breasts 3D<br />

fo The Big Book of Legs<br />

rc Terry Richardson.<br />

Terryworld<br />

fo Santillo. La Petite Mort<br />

va The Art of Eric Stanton.<br />

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place<br />

$ 59.99 / CAD 64.99<br />

,!7ID8C2-iddadc!<br />

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fo The Big Book of Pussy<br />

fo The Big Butt Book<br />

fo The Big Penis Book<br />

fo Roy Stuart. Vol. 5<br />

rc Tom of Finland. The Comics.<br />

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rc Tom of Finland. Bikers.<br />

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$ 59.99 / CAD 64.99<br />

,!7ID8D6-fcbicg!<br />

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fo Bob’s World. The Life and<br />

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va Liz Earls. Days of the<br />

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xl Tom of Finland XXL<br />

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,!7ID8D6-fcggbg!<br />

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,!7ID8C2-icgahc!<br />

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,!7ID8D6-fcbajd!<br />

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$ 14.99 / CAD 16.99<br />

,!7ID8C2-iebaca!<br />

rc Ed Fox. Glamour from the<br />

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,!7ID8D6-fcdjgh!<br />

fo Ed Fox. Vol. 2<br />

$ 39.99 / CAD 49.99<br />

,!7ID8D6-fcgiah!<br />

Style / Travel<br />

va Naomi Harris. America<br />

Swings<br />

va Dian Hanson’s History<br />

of Pin-up Magazines<br />

Vol. 1-3<br />

fo Howard Huang’s Urban<br />

Girls<br />

ju 100 Getaways around<br />

the World. 2 vols.<br />

ju 100 Interiors Around<br />

the World. 2 vols.<br />

va The New York Times. 36<br />

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$ 39.99 / CAD 49.99<br />

,!7ID8D6-fcccib!<br />

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,!7ID8D6-fcjiie!<br />

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,!7ID8D6-fcgeab!<br />

rc Richard Kern. Action<br />

fo Shot By Kern<br />

pi The Little Book of Big<br />

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va The New York Times. 36<br />

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va The NY Times. 36 Hours USA<br />

& Canada. Midwest & Great<br />

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,!7ID8D6-fcdjfa!<br />

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,!7ID8D6-fecaaf!<br />

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,!7ID8D6-fecabc!<br />

— 182 —<br />

— 183 —


All Titles<br />

All Titles<br />

va The NY Times. 36 Hours USA<br />

& Canada. Southeast<br />

va The NY Times. 36 Hours USA<br />

& Canada. Southwest &<br />

Rocky Mountains<br />

va The NY Times. 36 Hours USA<br />

& Canada. West Coast<br />

va TASCHEN 365 Day-by-Day.<br />

Movie Icons<br />

va TASCHEN 365 Day-by-Day.<br />

New York<br />

va TASCHEN 365 Day-by-Day.<br />

Pin Up<br />

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ju Great Escapes Italy<br />

Back in Print!<br />

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Mediterranean<br />

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TASCHEN Specials<br />

ju Great Yoga Retreats<br />

ju Inside Havana<br />

ju New New York Interiors<br />

va Keel’s Simple Diary<br />

Volume One (brown)<br />

va Keel’s Simple Diary<br />

Volume One (lime green)<br />

va Keel’s Simple Diary<br />

Volume One (orange)<br />

$ 19.99 / CAD 23.99<br />

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mi Interiors Now! 1<br />

mi Interiors Now! 2<br />

va Keel’s Simple Diary<br />

Volume One (red)<br />

va Keel’s Simple Diary<br />

Volume One (royal<br />

blue)<br />

va Keel’s Simple Diary<br />

Volume One (yellow)<br />

$ 39.99 / CAD 49.99<br />

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mi Interiors Now! 3<br />

va Living in Bali<br />

va Living in China<br />

va Keel’s Simple Diary<br />

Volume Two (black)<br />

va Keel’s Simple Diary<br />

Volume Two (dark red)<br />

va Keel’s Simple Diary<br />

Volume Two (light blue)<br />

$ 59.99 / CAD 64.99<br />

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va Living in Greece<br />

va Living in Japan<br />

va Living in Mexico<br />

va Keel’s Simple Diary<br />

Volume Two (olive<br />

green)<br />

va Keel’s Simple Diary<br />

Volume Two (pink)<br />

va Keel’s Simple Diary<br />

Volume Two (vintage<br />

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$ 14.99 / CAD 16.99<br />

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va Living in Morocco<br />

va Living in Provence<br />

va Living in Tuscany<br />

dp Keel’s Simple Diary<br />

Volume one – Display<br />

dp Keel’s Simple Diary<br />

Volume Two – display<br />

dp Acrylic display KA/PO<br />

$ 14.99 / CAD 16.99<br />

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va TASCHEN 4 Cities. 12 vols.<br />

ju TASCHEN’s London<br />

ju TASCHEN’s New York<br />

$ 59.99 / CAD 64.99<br />

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mi TASCHEN’s Favourite<br />

Hotels<br />

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TASCHEN 365 Day-by-Day<br />

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— 184 —<br />

— 185 —


“Bite-sized pieces of philosophy<br />

and wisdom, which are sure to inspire<br />

you on your darker days.”<br />

—Zink Magazine, New York<br />

This is Volume Two for you!<br />

The all-new installment of TASCHEN’s Bestseller<br />

completed<br />

with red-nails<br />

finesse by<br />

Dita von Teese<br />

Dear Reader,<br />

This instant classic is filled with refreshing philosophy and original wisdom.<br />

Keel’s Simple Diary entertains, helps you focus and keeps you company.<br />

There are three reasons why most people, although they have tried, won’t keep a diary:<br />

1. Not every day is very eventful.<br />

2. It actually takes a lot of discipline to write.<br />

3. In retrospect, many find what they have written embarrassing.<br />

Keel’s Simple Diary offers structure for those who don’t have time to wonder,<br />

making it easy to record life’s moments. It gives the pleasure of a quick response<br />

and the sense that no matter what’s wrong, more is right.<br />

Keel’s Simple Diary Volume Two<br />

Philipp Keel<br />

Flexicover, 4.6 x 6.5 in., 136 pp.<br />

$ 15 / CAD 17<br />

Good luck, and thank you for your time. It’s all yours.<br />

Philipp Keel<br />

Now you can relax.<br />

Also available:<br />

Volume One<br />

— 186 —<br />

— 187 —


<strong>Taschen</strong> America<br />

Distributors<br />

Office<br />

6671 Sunset Boulevard<br />

Los Angeles, CA 90028<br />

Tel: +1.323.463.4441<br />

Fax: +1.323.463.4442<br />

email: contact-us@taschen.com<br />

Sales Director<br />

Debra Schram<br />

Tel: +1.323.463.4936<br />

Fax: +1.323.463.4442<br />

Mobile: +1.323.316.3523<br />

email: d.schram@taschen.com<br />

Customer Service<br />

Elissa Vazquez<br />

Tel: +1.323.463.4441<br />

Fax: +1.323.463.4442<br />

Mobile: +1.323.244.8452<br />

email: e.vazquez@taschen.com<br />

Marketing Director<br />

Creed Poulson<br />

107 Greene Street<br />

New York, NY 10012<br />

Tel: +1.212.226.2048<br />

Fax: +1.212.226.2218<br />

Mobile: +1.347.720.4680<br />

email: c.poulson@taschen.com<br />

Public Relations<br />

Caitlin Rider<br />

107 Greene Street<br />

New York, NY 10012<br />

Tel: +1.212.226.2048<br />

Fax: +1.212.226.2218<br />

Mobile: +1.646.318.8577<br />

email: c.rider@taschen.com<br />

Manager of Finance and<br />

Administration<br />

Meghan Clarke<br />

Tel: +1.323.463.4349<br />

Fax: +1.323.463.4442<br />

email: m.clarke@taschen.com<br />

In-House Sales Representative<br />

Emily Concordia<br />

Tel: +1.323.463.4766<br />

Fax: +1.323.463.4442<br />

Mobile: +1.323.703.9647<br />

email: e.concordia@taschen.com<br />

Sales Representative<br />

South US<br />

Sarah K. Boyd<br />

Tel: +1.323.620.5267<br />

Fax: +1.404.872.7261<br />

Mobile: +1.323.620.5267<br />

email: s.boyd@taschen.com<br />

Sales Representative<br />

West Coast<br />

Colleen M. Medlock<br />

Tel: +1.310.756.4210<br />

Fax: +1.323.463.4442<br />

Mobile: +1.310.756.4210<br />

email: c.medlock@taschen.com<br />

Sales Representative<br />

Mid Atlantic – Mid West<br />

Dawn L. Miller<br />

633 West Rittenhouse Street 1105-A<br />

Philadelphia, PA, 19144<br />

Tel: +1.267.335.2383<br />

Fax: +1.267.335.2425<br />

Mobile: +1.323.206.7900<br />

email: d.miller@taschen.com<br />

Sales Representative<br />

East Coast<br />

Julia Carvalho<br />

107 Greene Street<br />

New York, NY 10012<br />

Tel: +1.917.294.5066<br />

Tel: +1.212.226.2048<br />

Fax: +1.212.226.2218<br />

Mobile: +1.917.294.5066<br />

email: j.carvalho@taschen.com<br />

USA<br />

Ingram Publisher Services<br />

One Ingram Blvd.<br />

P.O. Box 3006<br />

LaVergne, TN 37086-1986<br />

Tel: +1.888-558.2624<br />

Fax: +1.800.838.1149<br />

email:<br />

customer.service@<br />

ingrampublisherservices.com<br />

Canada<br />

Western Provinces<br />

Michael Reynolds and Associations<br />

210 – 30 East 6th Avenue<br />

Vancouver, BC V5T 1J4<br />

Michael Reynolds<br />

Tel: +1.604.688.6918<br />

Fax: +1.604.687.4624<br />

email: pubrep@telus.net<br />

Canada<br />

Eastern Provinces<br />

Hornblower Group Inc.<br />

141 Bernice Cres.<br />

Toronto, ON<br />

M6N 1X3<br />

Roberta Samec<br />

Tel: +1.416.461.7973<br />

Fax: +1.416.461.0365<br />

email: rsamec@hornblowerbooks.com<br />

Need help? Any questions?<br />

Please call Elissa Vazquez at 323.463.4441, e.vazquez@taschen.com,<br />

or Emily Concordia at 323.463.4766, e.concordia@taschen.com<br />

Headquarters Offices IMPRINT<br />

TASCHEN<br />

Hohenzollernring 53<br />

D–50672 Köln<br />

Tel: +49-221-20 18 00<br />

email:<br />

contact@taschen.com<br />

TASCHEN America<br />

6671 Sunset Blvd<br />

Los Angeles<br />

CA 90028, USA<br />

Tel: +1-323-463 4441<br />

email:<br />

contact-us@taschen.com<br />

TASCHEN Berlin<br />

Kurfürstendamm 213<br />

10719 Berlin<br />

Tel: +49-30-8599420<br />

email:<br />

contact@taschen.com<br />

TASCHEN Deutschland<br />

Hohenzollernring 53<br />

D–50672 Köln<br />

Tel: +49-221-20 18 00<br />

email:<br />

contact-d@taschen.com<br />

TASCHEN España<br />

c/ Víctor Hugo<br />

1, 2° dcha.<br />

E–28004 Madrid<br />

Tel: +34-91-360 50 75<br />

email:<br />

contact-e@taschen.com<br />

TASCHEN France<br />

82, rue Mazarine<br />

F–75006 Paris<br />

Tel: +33-1-40 51 70 93<br />

email:<br />

contact-f©taschen.com<br />

TASCHEN Hong Kong<br />

27/F, The Workst@tion<br />

43 Lyndhurst Terrace<br />

HK–Central<br />

Tel: +852-2544 8018<br />

email:<br />

contact-hk@taschen.com<br />

TASCHEN UK<br />

5th Floor, 1 Heathcock<br />

Court, 415 Strand<br />

GB–London WC2R 0NS<br />

Tel: +44-20-7845 8585<br />

email:<br />

contact-uk@taschen.com<br />

Text by Alison Castle<br />

Design: Andy Disl<br />

& Benedikt <strong>Taschen</strong><br />

Coordination: Annick Volk<br />

Production: Claudia Frey,<br />

Daniela Schädlich<br />

Directed and produced<br />

by Benedikt <strong>Taschen</strong><br />

Printed in Germany<br />

GB / TAM


“Underpriced, insanely<br />

great publishing... They must<br />

be communists... or even<br />

worse, commonists! TASCHEN<br />

are children of the revolution.”<br />

—reader comment, taschen.com

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