Prismatik UniPack Technique Manual - Glidewell Dental Labs
Prismatik UniPack Technique Manual - Glidewell Dental Labs
Prismatik UniPack Technique Manual - Glidewell Dental Labs
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<strong>Dental</strong> Technology<br />
Reference Guide<br />
CLINICAL AND LABORATORY PRODUCTS<br />
888-303-6470 • www.glidewelldirect.com
<strong>Dental</strong> Technology<br />
Reference Guide<br />
<strong>Prismatik</strong> <strong>UniPack</strong> Ceramic<br />
<strong>Technique</strong> <strong>Manual</strong><br />
Written support material for video training programs.<br />
<strong>Prismatik</strong> <strong>Dental</strong>craft, Inc. is not responsible for any damages or other liabilities (including attorney fees) resulting, or<br />
claimed to result in whole or in part, from actual or alleged problems arising out of the use of this information. The<br />
techniques, procedures and theories presented herein are provided in good faith and believed to be correct as of the<br />
date hereof. Any dental professional viewing this presentation must make his or her own decisions about the use of<br />
the materials and techniques for specific situations.<br />
No representations as to the completeness or accuracy of this information is given, and no representations or warranties,<br />
either express or implied, of merchantability, fitness for a particular purpose or of any other nature are made<br />
hereunder with respect to the information or the product to which information refers.<br />
Copyright © 2006, <strong>Prismatik</strong> <strong>Dental</strong>craft, Inc.
TABLE OF CONTENTS<br />
Chapter 1 – Beneficial Properties of the <strong>Prismatik</strong> Ceramic System<br />
Opalescent Properties........................................................................................ 1<br />
Color and Shading Properties ........................................................................... 1<br />
Coefficient of Thermal Expansion (CTE) Data ................................................. 2<br />
Wear and Opposing Compatibility Factors....................................................... 3<br />
Time and Temperature/Optical and Physical Characteristics .......................... 3<br />
<strong>Prismatik</strong> Firing Chart........................................................................................ 5<br />
<strong>Prismatik</strong> Shade Indicator ................................................................................. 6<br />
Chapter 2 – Understanding the <strong>Prismatik</strong> Ceramic System<br />
The <strong>UniPack</strong> System .......................................................................................... 7<br />
Opaque Powders................................................................................................ 7<br />
Margin Powders ................................................................................................. 7<br />
Opaceous Dentin Powders ................................................................................ 8<br />
Pre-blended Dentin & Incisal Powders............................................................. 8<br />
Opal Incisal Powders......................................................................................... 8<br />
Add-On Powders................................................................................................ 9<br />
Stain and Glaze Powders................................................................................... 9<br />
Universal Stain & Glaze Liquids........................................................................ 9<br />
Universal Build-up and Opaque Liquids .......................................................... 9<br />
Chapter 3 – <strong>UniPack</strong> <strong>Technique</strong>s<br />
Posterior Opaque <strong>Technique</strong> ........................................................................... 10<br />
Posterior Build-up <strong>Technique</strong>.......................................................................... 13<br />
Posterior Stain & Glaze <strong>Technique</strong>s ................................................................ 15<br />
Anterior Opaque <strong>Technique</strong> ............................................................................ 17<br />
Anterior Build-Up <strong>Technique</strong> .......................................................................... 20<br />
Anterior Stain and Glaze <strong>Technique</strong>s.............................................................. 22<br />
Anterior Shoulder Butt Margin <strong>Technique</strong>...................................................... 24<br />
Opaceous Dentin <strong>Technique</strong> ........................................................................... 28<br />
Multiple-Unit Restorations ............................................................................... 29<br />
<strong>Prismatik</strong> Ceramic Kits .............................................................................................30<br />
Troubleshooting Guide....................................................................................................31
Chapter 1 – Beneficial Properties of the<br />
<strong>Prismatik</strong> Ceramic System<br />
Welcome to the world of <strong>Prismatik</strong> TM Ceramics. <strong>Glidewell</strong> Laboratories Research<br />
and Development has developed three new prismatically blended high-strength<br />
ceramics in the form of <strong>Prismatik</strong> <strong>UniPack</strong> TM , <strong>Prismatik</strong> NetPress TM and <strong>Prismatik</strong><br />
ThinPress TM . These ceramics have incisal pre-blended with dentin that will save<br />
valuable production time and improve upon the shade fidelity of your ceramic<br />
restorations. <strong>Prismatik</strong> Ceramics eliminate the need for layering of multiple powders<br />
to achieve accurate shades and natural-looking esthetics. This exciting new<br />
system has proven very successful in laboratory production with over 100,000<br />
restorations for more than a two-year period.<br />
Opalescent Properties<br />
The Opal Incisal ceramic contains opalescent particles<br />
that match the patient’s natural teeth when<br />
exposed to a variety of light sources. The particles<br />
refract, reflect and scatter light that results in<br />
an opalescence that appears orange in light transmission<br />
and blue when it reflects light. This property<br />
results in a restoration that reflects, absorbs<br />
and blends like natural dentition.<br />
Color and Shading Properties<br />
<strong>Prismatik</strong> Ceramics have been spectrophotometrically<br />
designed to ensure that the shades<br />
provide predictable hue, value and chroma<br />
consistent with the Vita Classic Shade Guide.<br />
<strong>Prismatik</strong> Ceramic Powders have been formulated<br />
according to translucency/opacity ratios.<br />
This results in the ability to eliminate incisal<br />
cutback procedures, saving valuable time during<br />
the fabrication process. If increased incisal<br />
translucency is indicated or desired, normal<br />
incisal cutback and translucent layering techniques<br />
lend themselves readily to this technique.<br />
1
Normal staining and glazing procedures are applied after final contour and contact<br />
adjustment of the restoration is completed.<br />
Coefficient of Thermal Expansion (CTE) Data<br />
Coefficient of Thermal Expansion data varies considerably with the same ceramic<br />
material regardless of the manufacturer. This is due to time and temperature conditions<br />
when sintering any material. Therefore all CTEs reflect a coefficient range<br />
rather than one set coefficient parameter. (See Figure 1 – <strong>Prismatik</strong> CTE Data<br />
Chart.)<br />
<strong>Prismatik</strong> <strong>UniPack</strong><br />
Figure 1 – <strong>Prismatik</strong> CTE Data Chart<br />
Delta-L(evaluated) [µm]<br />
Delta-L(evaluated)[pu61705M]<br />
Linear Expansion<br />
Alpha-tech[pu61705M]<br />
Coefficient of Thermal Expansion<br />
500.0°C 12.82E-6/K<br />
20 40 60 80 100 120 140 160 180 200 220 240 260 280 300 320 340 360 380 400 420 440 460 480 500 520<br />
Temperature(smoothed) [C°]<br />
Figure 1 reflects the variance of CTE time and temperature tests conducted with<br />
<strong>Prismatik</strong> Ceramic materials.<br />
2
We may conclude from these tests that <strong>Prismatik</strong> Ceramic powders are compatible<br />
with a wide variety of frequently used alloys with the thermal expansion ratios<br />
covering a broad range from 13.6 ppm to 14.8 ppm (25-500ºC). Due to the vast<br />
number of ceramic alloys on the market today it is impossible to recommend compatible<br />
alloys that can be successfully employed in partnership with the <strong>Prismatik</strong><br />
Ceramic System. Please contact your alloy manufacturer’s technical department for<br />
a list of CTE compatible alloys in accordance with the CTE data chart.<br />
Wear and Opposing Compatibility Factors<br />
One of the prime considerations when selecting a ceramic material has to be the<br />
wear factor of the material and how it affects the opposing dentition. <strong>Prismatik</strong><br />
Ceramic exhibits much less wear loss compared to conventional porcelain-fusedto-metal<br />
restorations because of the small leucite crystals. Many dental patients<br />
with <strong>Prismatik</strong> restorations in place are already benefiting from its superior kindness<br />
to opposing dentition and low ceramic wear.<br />
Time and Temperature/Optical and Physical Characteristics<br />
Most of the desired esthetics in ceramic materials is established during the first<br />
body bake. (See Figure 2 - <strong>Prismatik</strong> <strong>UniPack</strong> Firing Parameters.) The firing chart<br />
is provided to give you a recommended starting point in order to achieve the<br />
proper high sintering temperature in your furnace. To achieve a natural glaze on<br />
the restoration if desired and to ensure proper sintering of the porcelain mass it is<br />
always better to err on the higher end of the ideal sintering temperature rather<br />
than the lower end. Overfusion reduces porosity but it also lowers value. Repeated<br />
firings at the high end of the proper sintering phase will also lower the coefficient<br />
of thermal expansion of the porcelain.<br />
Under-fusion results in more opacity of the material and it lowers chroma. It also<br />
produces higher value restorations. Underfiring produces a weak restoration<br />
3
ecause it doesn’t reduce porosity in the porcelain mass. This could lead to fractures<br />
or a poor bond. An underfired restoration after the first bisque bake will also<br />
make natural glazing very difficult. An excellent standard when determining proper<br />
time and temperature sintering parameters for a first firing is to compare it to the<br />
glaze on a shade tab. If it is too dull or too shiny after the first bake adjust your<br />
furnace up or down to compensate until you achieve the desired shade tab gloss.<br />
Overfired Underfired Perfect<br />
To compensate for variances in furnace firings for opaque, dentin and stain and<br />
glaze bakes, raise the final temperature either up or down in increments of 41°F<br />
(5°C) until a visual match of the shade guide surface texture is achieved.<br />
4
Figure 2 – <strong>Prismatik</strong> <strong>UniPack</strong> Firing Parameters<br />
1st Opaque 2nd Opaque Margin 1st Bake 2nd Bake Glaze Add-On<br />
Low Temp.<br />
538°C<br />
1000°F<br />
538°C<br />
1000°F<br />
482°C<br />
900°F<br />
380°C<br />
716°F<br />
380°C<br />
716°F<br />
482°C<br />
900°F<br />
482°C<br />
900°F<br />
Pre-Dry Time 6 min. 6 min. 4 min. 6 min. 6 min. 6 min. 6 min.<br />
Heat Rate<br />
55°C/min.<br />
100°F/min.<br />
55°C/min.<br />
100°F/min.<br />
39°C/min.<br />
70°F/min.<br />
55°C/min.<br />
100°F/min.<br />
55°C/min.<br />
100°F/min.<br />
55°C/min.<br />
100°F/min.<br />
55°C/min.<br />
100°F/min.<br />
Vac. Level Full Full Full Full Full Full Full<br />
Vac. Start<br />
538°C<br />
1000°F<br />
538°C<br />
1000°F<br />
538°C<br />
1000°F<br />
570°C<br />
1058°F<br />
570°C<br />
1058°F<br />
N/A<br />
538°C<br />
1000°F<br />
Vac. Release<br />
1070°C<br />
1958°F<br />
965°C<br />
1769°F<br />
959°C<br />
1758°F<br />
870°C<br />
1598°F<br />
865°C<br />
1589°F<br />
N/A<br />
774°C<br />
1425°F<br />
High Temp.<br />
1070°C<br />
1958°F<br />
1020°C<br />
1868°F<br />
960°C<br />
1760°F<br />
870°C<br />
1598°F<br />
865°C<br />
1589°F<br />
860°C<br />
1580°F<br />
815°C<br />
1499°F<br />
Hold Time 0 0 1 min. 0 0 0 0<br />
Cool Time 3 min. 3 min. 1 min. 1 min. 1 min. 1 min. 1 min.
Figure 3 – <strong>Prismatik</strong> <strong>UniPack</strong> Shade Indicator
Chapter 2 – Understanding the <strong>UniPack</strong> Ceramic System<br />
The <strong>Prismatik</strong> <strong>UniPack</strong> System<br />
<strong>Prismatik</strong> <strong>UniPack</strong> Ceramic is a high-strength (>110 mpa flexural strength) ceramic<br />
powder in 19 shades (refer to Fig. 3) that are conventionally wet layered upon<br />
metal copings. The dentin powders are pre-blended with incisal to eliminate cutbacks<br />
and layering. This unique blending saves time, improves esthetic value,<br />
maintains shade integrity and consistency.<br />
Opaque Powders<br />
Opaque powder is available in 18 shades that<br />
correspond to the shades available in the Vita<br />
Classic Shade Guide. <strong>UniPack</strong> opaques lend<br />
themselves well with spray opaque techniques<br />
as well as conventional application techniques.<br />
Two bleached opaques are also provided for<br />
use with three Bleach Shades. The opaques are<br />
coordinated in hue, value and chroma to lend<br />
shade integrity with its corresponding body<br />
shade. The opaques, when properly fired, should exhibit a slightly shiny eggshell<br />
appearance.<br />
Margin Powders<br />
Margin powder is available in five hues to match<br />
all 19 shades. This ceramic material fuses at a<br />
temperature slightly lower than the opaque temperature<br />
ensuring stability and thus resisting<br />
shrinkage, slumping and deformation during<br />
subsequent body bakes.<br />
7
Opaceous Dentin Powders<br />
In cases where insufficient reduction at the gingival<br />
will result in an opaque halo or a “dead<br />
looking” restoration, or in cases where short<br />
clinical preps are present, application of<br />
<strong>Prismatik</strong> <strong>UniPack</strong> Opaceous Dentin Powders<br />
will correct the situation. The powders are color<br />
matched to blend between the opaque and body<br />
porcelains with no line of demarcation. The<br />
powders are available in 13 shades of A, B, C, D,<br />
Modifier White and Bleach hues to complement the <strong>Prismatik</strong> <strong>UniPack</strong> Margin<br />
Porcelain. They may also be blended with <strong>Prismatik</strong> <strong>UniPack</strong> Powders to create<br />
custom shades if desired.<br />
Pre-blended Dentin & Incisal Powders<br />
Opal Incisal Powders<br />
Opal powders are available in Clear, Light, White,<br />
Blue White, Blue and Ivory. These powders are<br />
made available in the event that the technician<br />
determines that more translucency is required<br />
above the translucency that the pre-blended<br />
shades offer.<br />
Pre-blended powders are available in all shades<br />
contained in the Vita Classic Shade Guide and<br />
three Vita Bleach Shades. The powders are preblended<br />
with dentin and incisal according to<br />
degrees of opacity and translucency designed<br />
specially for each shade. This makes it possible to<br />
build a restoration utilizing a wet layering technique<br />
without the time-consuming procedure of<br />
cutback and application of incisal materials.<br />
8
Add-On Powders<br />
Add-On powders in Body and Incisal Light are<br />
intended for use when minor corrections<br />
become necessary and an additional body bake<br />
is not desired. They may also be used successfully<br />
with the <strong>Prismatik</strong> NetPress System and are<br />
available separately. If the correction is a minor<br />
add-on the case can be fired without vacuum<br />
and completed during the stain and glaze cycles.<br />
It is recommended that if large corrections are<br />
indicated the restoration should be fired under full vacuum to eliminate porosity.<br />
Stain and Glaze Powders<br />
<strong>Prismatik</strong> Stain and Glaze Powders are provided<br />
in A, B, C, D, Blue, White, Crème, Violet, Pink,<br />
Dark Brown and Yellow/Orange hues. The fine<br />
particle size of the stain powders mix to a<br />
smooth consistency, ensuring easy application<br />
without streaking. The <strong>Prismatik</strong> Glaze Powder<br />
is a universal glaze allowing coefficient compatibility<br />
with all components of the <strong>Prismatik</strong><br />
Ceramic System.<br />
Universal Stain & Glaze Liquid<br />
Universal Build-Up<br />
& Opaque Liquids<br />
<strong>Prismatik</strong> Universal Stain and<br />
Glaze Liquid is available in a<br />
60ml. quantity.<br />
This liquid is available for<br />
purchase in 60ml., 8 oz. or<br />
16 oz. bottles.<br />
9
Chapter 3 – <strong>UniPack</strong> <strong>Technique</strong>s<br />
Posterior Opaque <strong>Technique</strong>s<br />
Finish the metal substructure according<br />
to the manufacturer’s instructions.<br />
Sandblast with aluminum oxide and steam<br />
clean or ultrasonic clean the substructure.<br />
Degas the metal substructure to form oxides for<br />
a better bond to opaque, also to get rid of gases<br />
and contaminants on the metal.<br />
10
Mix opaque powder with universal build-up<br />
liquid. Opaque powder has light reflective properties<br />
and opacity to mask metal substructure.<br />
Apply a thin coat of opaque to the metal<br />
substructure for the first firing.<br />
1st Opaque Firing Parameters<br />
Low Temp.<br />
538ºC<br />
1000°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
1070ºC<br />
1958ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
1070ºC<br />
1958ºF<br />
Cool Time<br />
3 min.<br />
Apply another coat of opaque in a paste-like<br />
consistency, making sure its not too thick.<br />
11
2nd Opaque Firing Parameters<br />
Low Temp.<br />
538ºC<br />
1000°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
1020ºC<br />
1868ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min<br />
Vac. Release<br />
965ºC<br />
1769ºF<br />
Cool Time<br />
3 min.<br />
Final result of opaque should have a slight<br />
eggshell sheen, and should achieve good metal<br />
coverage not thicker than 0.1mm - 0.2mm.<br />
Alternate spray opaque technique<br />
<strong>UniPack</strong> opaque powder<br />
is mixed with a spray<br />
opaque liquid then placed<br />
into sprayer.<br />
Spray opaque allows for<br />
an even and consistent<br />
coat.<br />
12
Posterior Build-up <strong>Technique</strong><br />
Mix pre-blended powder with universal build-up<br />
liquid. Pre-blended Dentin & Incisal allow for<br />
better light diffusion and vitality throughout the<br />
restoration.<br />
Proceed with application of porcelain,<br />
building to occlusion.<br />
Overbuild the porcelain to<br />
compensate for shrinkage.<br />
13
Keep internal aspect of crown<br />
clean and fire the restoration.<br />
1st Bake Firing Parameters<br />
Low Temp.<br />
380ºC<br />
716°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
870ºC<br />
1598ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
570ºC<br />
1058ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
870ºC<br />
1598ºF<br />
Cool Time<br />
1 min.<br />
After firing, adjust the restoration to final anatomical contour and fit.<br />
14
Posterior Stain & Glaze <strong>Technique</strong>s<br />
Increased Depth<br />
Stains are great tools for individualizing ceramic<br />
teeth and adding character to a restoration.<br />
Increased Height<br />
Not Stained<br />
Stained<br />
Stains are mixed to help achieve an ideal final<br />
shade. Staining liquid is used to mix the stain<br />
powder into a thin, brushable form. The mixture<br />
should be free of bubbles.<br />
The mixture must be the correct consistency.<br />
If it is too thin it will puddle during application.<br />
And if it is too thick it will be hard to<br />
apply, and will puddle as it melts.<br />
Stain Dark<br />
Brown<br />
Stain White<br />
<strong>UniPack</strong> Powder<br />
A2<br />
Stain Blue<br />
Stain<br />
A<br />
To give the illusion of depth add Dark Brown<br />
stain to the grooves.<br />
To achieve the effect of translucency add Blue<br />
stain to the cusps, and White stain to mimic<br />
decalcification.<br />
Add the corresponding stain A, B, C or D at<br />
the gingival if increased chroma is desired.<br />
15
Always use the shade tab to check your color<br />
before you do your final glaze bake.<br />
Glaze Firing Temperatures<br />
Low Temp.<br />
482ºC<br />
900°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
860ºC<br />
1580ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
N/A<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
N/A<br />
Cool Time<br />
1 min.<br />
The finished <strong>UniPack</strong> restoration<br />
after firing.<br />
16
Anterior Opaque <strong>Technique</strong><br />
Finish and sandblast the metal according to<br />
the alloy manufacturer’s instructions.<br />
Oxidize according to the<br />
alloy manufacturer’s instructions.<br />
Mix opaque powder with universal build-up<br />
liquid. Opaque powder has light reflective properties<br />
and opacity to mask metal substructure.<br />
Apply a thin wash of<br />
opaque for the first opaque firing.<br />
17
1st Opaque Firing Parameters<br />
Low Temp.<br />
538ºC<br />
1000°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
1070ºC<br />
1958ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
1070ºC<br />
1958ºF<br />
Cool Time<br />
3 min.<br />
The wash coat opaque after<br />
the first opaque firing.<br />
Apply a second opaque layer utilizing the<br />
desired opaque application technique.<br />
18
2nd Opaque Firing Parameters<br />
Low Temp.<br />
538ºC<br />
1000°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
1020ºC<br />
1868ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
965ºC<br />
1769ºF<br />
Cool Time<br />
3 min.<br />
<strong>Prismatik</strong> <strong>UniPack</strong> Opaque should have a slight<br />
eggshell sheen when properly sintered.<br />
Alternate spray opaque technique<br />
<strong>UniPack</strong> opaque powder is mixed with a spray opaque<br />
liquid then placed into a sprayer. Spray opaque allows<br />
for an even and consistent coat.<br />
19
Anterior Build-up <strong>Technique</strong><br />
Proceed with normal application of the Preblended<br />
Dentin & Incisal powder.<br />
Completed dentin application overbuilt to<br />
compensate for normal shrinkage after firing.<br />
<strong>UniPack</strong> powders are pre-blended, therefore, no<br />
incisal cutback is required unless more translucency<br />
is desired. If more translucency is needed<br />
you may cut back and add opal incisal powder.<br />
Opal incisal powders were selected to match a<br />
variety of <strong>Prismatik</strong> Ceramics.<br />
Opal Incisal<br />
CLEAR LIGHT WHITE<br />
BLUE/<br />
WHITE IVORY BLUE<br />
20
1st Bake Firing Parameters<br />
Low Temp.<br />
380ºC<br />
716°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
870ºC<br />
1598ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
570ºC<br />
1058ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
870ºC<br />
1598ºF<br />
Cool Time<br />
1 min.<br />
After firing, the <strong>UniPack</strong> should<br />
exhibit a shade tab gloss.<br />
Fit and adjust the restoration’s<br />
anatomical contour.<br />
21
Anterior Stain and Glaze <strong>Technique</strong>s<br />
Stains are great tools for individualizing ceramic<br />
teeth and adding character to a restoration.<br />
Stains may be mixed to achieve ideal final shade.<br />
Staining liquid is used to mix the powder into a<br />
thin, brushable form. The mixture should be free<br />
of bubbles. It is important for the mixture to be<br />
the correct consistency. If too thin it will puddle<br />
during application. If too thick it will be hard to<br />
apply and will puddle as it melts.<br />
Add blue stain to the incisal edge to give t<br />
the appearance of translucency.<br />
22
Add chroma stains A, B, C, D at the<br />
gingival if increased chroma is desired.<br />
Always use the shade tab to check your color<br />
before you do your final glazing bake.<br />
Fire according to stain<br />
and glaze parameters.<br />
Glaze Firing Parameters<br />
Low Temp.<br />
482ºC<br />
900°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
860ºC<br />
1580ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
N/A<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
N/A<br />
Cool Time<br />
1 min.<br />
23
The finished <strong>UniPack</strong> restoration<br />
after firing.<br />
Anterior Shoulder Butt Margin <strong>Technique</strong><br />
Prepare the coping to receive shoulder materials<br />
as you normally would .<br />
Apply separator to the areas that will<br />
receive the <strong>Prismatik</strong> Margin material.<br />
24
Apply the <strong>Prismatik</strong> Margin material<br />
where indicated.<br />
Lightly tap to bring excess<br />
moisture to the surface.<br />
Remove the excess<br />
moisture with a tissue.<br />
Lightly brush excess margin<br />
powder from the first application.<br />
25
The margin material should not be overbuilt. It<br />
should blend into the opaqued coping for the<br />
first firing.<br />
Margin Firing Parameters<br />
Low Temp.<br />
482ºC<br />
900°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
960ºC<br />
1760ºF<br />
Pre-Dry Time<br />
4 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
1 min.<br />
Heat Rate<br />
39ºC/min.<br />
70ºF/min.<br />
Vac. Release<br />
959ºC<br />
1758ºF<br />
Cool Time<br />
1 min.<br />
After firing, areas to receive additional<br />
margin material will be evident.<br />
26
Apply a thin layer of porcelain separator prior to<br />
the second application of margin material.<br />
Add a second layer of margin<br />
material to open areas. Do not over build.<br />
Remove excess moisture with a tissue.<br />
Brush away any loose particles.<br />
Remove from the die and fire.<br />
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Margin Firing Parameters<br />
Low Temp.<br />
482ºC<br />
900°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
960ºC<br />
1760ºF<br />
Pre-Dry Time<br />
4 min.<br />
Vac. Start<br />
538ºC<br />
1000ºF<br />
Hold Time<br />
1 min.<br />
Heat Rate<br />
39ºC/min.<br />
70ºF/min.<br />
Vac. Release<br />
959ºC<br />
1758ºF<br />
Cool Time<br />
1 min.<br />
Check for open or insufficient margins.<br />
Add and re-fire if necessary.<br />
Opaceous Dentin <strong>Technique</strong><br />
In cases where insufficient tooth structure results in increased and unwanted<br />
translucency, <strong>Prismatik</strong> Opaceous Dentin is used to build-out the dentin-form of<br />
the restoration.<br />
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Opaceous Dentin Firing Parameters<br />
Low Temp.<br />
380ºC<br />
716°F<br />
Vac. Level<br />
Full<br />
High Temp.<br />
870ºC<br />
1598ºF<br />
Pre-Dry Time<br />
6 min.<br />
Vac. Start<br />
570ºC<br />
1058ºF<br />
Hold Time<br />
0<br />
Heat Rate<br />
55ºC/min.<br />
100ºF/min.<br />
Vac. Release<br />
870ºC<br />
1598ºF<br />
Cool Time<br />
1 min.<br />
Multiple-Unit Restorations<br />
The <strong>Prismatik</strong> <strong>UniPack</strong> technique provides the technician the benefit of building<br />
multiple-unit bridges or multiple single-unit restorations without having to spend<br />
valuable production time cutting back and adding incisal powders.<br />
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<strong>Prismatik</strong> Ceramic Kits<br />
Starter Kit<br />
Trial Kit<br />
5 - 50g <strong>UniPack</strong> Powders (A2, A3, B1, C2, D3)<br />
5 - 50g Opaque Powders (A2, A3, B1, C2, D3)<br />
1 - 60ml Stain & Glaze Liquid<br />
1 - 60ml Build-Up & Opaque Liquid<br />
1 - 10g Add-On Body Light<br />
1 - 10g Add-On Incisal Light<br />
5 - 4g Stain Powder (A, B, C, D and Blue)<br />
1 - 4g Glaze Powder<br />
1 - <strong>Technique</strong> <strong>Manual</strong><br />
1 - 50g <strong>UniPack</strong> Powder (A2)<br />
1 - 50g Opaque Powder (A2)<br />
1 - 60ml Stain & Glaze Liquid<br />
1 - 60ml Build-Up & Opaque Liquid<br />
1 - 10g Add-On Body Light<br />
1 - 10g Add-On Incisal Light<br />
1 - 4g Glaze Powder<br />
1 - 4g Stain Powders (A, Blue)<br />
1 - <strong>Technique</strong> <strong>Manual</strong><br />
Stain Kit<br />
11 - 4g Stain Powders (Blue, White, Créme,<br />
Violet, Pink, Dark Brown, Yellow/Orange,<br />
Stain A, Stain B, Stain C, Stain D)<br />
Opaceous Dentin Kit<br />
15 - 10g Opaceous Dentin Powders (A1,<br />
A2, A3, A3.5, B1, B2, B3, C1, C2, C3,<br />
D2, D3, D4, Modifier White, Bleach)<br />
Opal Incisal Kit<br />
6 - 10g Opal Incisal Powders (Clear, Light,<br />
White, Blue White, Ivory, Blue)<br />
Margin Kit<br />
5 - 10g Margin Powders (A1, A3, C1, C3,<br />
White)<br />
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Troubleshooting Guide<br />
PROBLEM KNOWN CAUSES SOLUTIONS<br />
Opaque is separating off Under-fired opaque The opaque should have<br />
the metal substructure<br />
an eggshell sheen after<br />
firing. Increase the temperature<br />
until this is<br />
achieved. Verify the accuracy<br />
of the oven and<br />
calibrate as necessary.<br />
Opaque is bubbling Insufficient dry time Use at least 6 min.<br />
for powder opaque and<br />
at least 6-8 min. for<br />
paste opaque.<br />
Heat rate is too high<br />
Heat rate should be<br />
55°C/min. (100°F/min.)<br />
If this does not work,<br />
continue to lower the<br />
rate as necessary.<br />
Opaque is pooling at Incompatible opaque The high temperature of<br />
the margin area of the<br />
the porcelain is likely to<br />
coping/framework<br />
be too high and the<br />
opaque is “running.”<br />
Double check the firing<br />
schedule and what<br />
opaque was used. Verify<br />
the accuracy of the<br />
oven and calibrate as<br />
necessary.<br />
During build-up, Too much moisture Dry the porcelain more<br />
porcelain tends to<br />
before applying it. If<br />
“slump” or “lose<br />
using water, try build-up<br />
its shape”<br />
liquid instead.<br />
31
PROBLEM KNOWN CAUSES SOLUTIONS<br />
Bubbles in porcelain Metal finishing was not Follow the manufacturer<br />
done correctly. There is recommendations for<br />
likely to be trapped air in properly preparing the<br />
the metal surface<br />
frameworks.<br />
Trapped air during<br />
build-up<br />
If the bubbles do not<br />
show metal, this means<br />
air was trapped during<br />
build-up. Build-up was<br />
done too quickly or in<br />
too large of chunks.<br />
Green/Gray Framework alloys with Check the manufacturer<br />
Discoloration of too high a content of specs on the alloy you<br />
Porcelain silver and/or copper can are using. There should<br />
lead to discoloration not be higher than a<br />
5% content of silver or<br />
copper.<br />
After firing, the Over-fired porcelain Verify that our recomporcelain<br />
is losing its<br />
mended firing temperashape/is<br />
slumping/has<br />
tures were used for the<br />
an overly shiny<br />
first bake. Decrease the<br />
appearance<br />
high temperature as necessary<br />
until the proper<br />
appearance is achieved.<br />
If necessary, decrease<br />
hold time. Verify the<br />
accuracy of the oven and<br />
calibrate as necessary.<br />
“Tearing of porcelain” Dry time is too short Dry time should be 6<br />
min. as a minimum<br />
32
PROBLEM KNOWN CAUSES SOLUTIONS<br />
Milky Appearance Too much moisture Dry the porcelain<br />
during build-up<br />
mixture more before<br />
adding to the build-up.<br />
Follow the proper set-<br />
tings on our firing chart.<br />
Try releasing the vacuum<br />
1°C below the high<br />
temperature.<br />
Vacuum was released too<br />
early OR applied too<br />
soon<br />
Re-wetting dried porcelain<br />
with more build-up liquid<br />
Only distilled water<br />
should be used for rewetting<br />
dried porcelain.<br />
An underglazed or dull/ First bake was under-fired Verify that our recomrough<br />
surface is present<br />
mended firing temperaafter<br />
the glazing cycle<br />
tures were used for the<br />
first bake. Increase the<br />
high temperature as necessary<br />
until the proper<br />
appearance is achieved.<br />
If necessary, increase<br />
hold time. Verify the<br />
accuracy of the oven and<br />
calibrate as necessary.<br />
Separation of add-on Insufficient dry time Dry time should be 6<br />
porcelains from<br />
min. as a minimum.<br />
underlying porcelain<br />
33
PROBLEM KNOWN CAUSES SOLUTIONS<br />
Cracks/Fractures in Sharp edges in coping In framework design,<br />
Porcelain<br />
never have sharp<br />
edges/corners.<br />
Double check the appro-<br />
priate data on the CTE<br />
of the alloy you are<br />
using for your substructures.<br />
Try to use alloys<br />
that are at the most 1.0<br />
higher than the listed<br />
CTE value for <strong>Prismatik</strong><br />
<strong>UniPack</strong>.<br />
Insufficient metal support<br />
CTE incompatibility<br />
between porcelain<br />
and alloy<br />
Have at least 1mm. of<br />
space beyond opaqued<br />
alloy in all areas. Try not<br />
to go beyond 3 mm. of<br />
porcelain in any areas.<br />
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01-1507-0106