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CElEbRAtiNG LEGAciES - St. Pius X Catholic High School

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Campus News and Information...<br />

Feeney and Guyton Bring Recognition<br />

to SPX Language Arts Program<br />

Last year, <strong>St</strong>. <strong>Pius</strong> X was recognized in the January 2009 edition<br />

of Atlanta Magazine as one of the top 10 high schools in Georgia<br />

for its language arts program! The article highlighted our school’s<br />

success rate for AP language and literature tests as well as our history<br />

for winning state and national awards.<br />

This year, our students are once again bringing recognition to our<br />

school through their tremendous accomplishments, which serve<br />

to reiterate the praise from the aforementioned Atlanta Magazine<br />

article. Seniors Ryan Feeney and Diana Guyton have won top recognition<br />

in the 2009 National Council of Teachers of English (NCTE)<br />

Achievement Awards in Writing. Each submitted an impromptu<br />

essay and a sample of their best work to be judged. All submissions<br />

were read and evaluated by one high school teacher and one college<br />

English teacher. From 1,783 students nominated, 544 were chosen<br />

as the nation’s outstanding writers. Eleven students were chosen<br />

from the state of Georgia, with Guyton and Feeney being two of<br />

those 11. We congratulate them for their achievements!<br />

In addition to being recognized by the NCTE, Guyton was published<br />

in the Wayfarer’s Diary, a literary journal for Atlanta-area high<br />

school students (printed by The Wren’s Nest Publishing Company).<br />

Her short story, “Wordless Discourse,” was one of 29 works picked<br />

to be included in this special publication. Her work is reproduced<br />

below, in its entirety, with her permission.<br />

Wordless Discourse<br />

As Jacob noticed the distance between her eyebrows shrinking, he chuckled at the thought of her greatest asset and most<br />

frequent traitor. Even in silence, she managed to inform him of her growing frustration, of her internal struggles, by manipulating her<br />

slender eyebrows. The subtlety of her unspoken pleas for attention surprised Jacob; he had never considered her one who handled<br />

reticence well. Yet there she sat, allowing the tension to escalate without even tilting her head in his direction.<br />

Jacob stood and shifted his gaze to the stage, desperate to end their wordless discourse. Soon enough she would grow<br />

impatient of his insensitivity, sigh dramatically, and wait only a beat before bombarding him with shallowly sentimental ramblings:<br />

She would miss him. She did not want him to graduate. She could not imagine a better friend and did not know what she would do<br />

without him. As always, she would be charming, affected, rehearsed.<br />

By this time, the orchestra had only thirty-two measures to play before reaching the cue for her appearance on stage. Knowing<br />

that their silence together in the wings would soon transition into animosity between their voluble characters, Jacob exhaled,<br />

relieved by the prospect of suspending reality.<br />

***<br />

A sigh! So he, too, swallowed the words piling heavily upon his tongue. He, too, recognized that they would never again<br />

wait in the wings — together. Usually, Cecilia depended entirely upon her reserve of icebreakers, her arsenal of anecdotes, and her<br />

roster of automated responses; she struggled with silence. She had only managed to keep quiet for this long because for once she had<br />

no idea what to say. What can one say to prevent the inevitable from occurring? What can one say to resolve three years of hostility<br />

before thirty measures of music are played? What can one say to the reason for most of her regrets?<br />

Nothing. Words failed her. Cecilia longed to hear her cue and bury her current frustration in the past. She drew her eyebrows<br />

together and wondered how he would react if she were to cry. She decided he would dismiss it as another of her performances, readymade<br />

to get her what she wanted. Of what exactly she wanted, however, she was not sure.<br />

Cecilia jumped abruptly from her seat, ramming the chair into the table behind it — loudly — and thus causing the actor<br />

on stage to drop his line. Eager to distract herself from the commotion, Cecilia fiddled alternately with her costume and her wig<br />

and thought about her character’s motivation. The question of her own motivation, however, soon elbowed its way to the forefront<br />

of Cecilia’s mind. She acknowledged that she could not make him love her, and probably could not even manage to make him her<br />

friend. But only fifteen measures remained before Cecilia’s character would swallow her whole.<br />

***<br />

Jacob marveled at the relative length of a mere thirty-two measures, painfully extending his time in close proximity to her.<br />

Five-hour rehearsals were shorter than this! He angled himself away from her and crossed his arms in an attempt to end the obligation<br />

she apparently felt to shower him with meaningless platitudes. But the scarcity of distance between them made even her unseen<br />

actions noticeable; he felt her sidle up beside him and hesitate before gingerly touching his arm.<br />

Jacob stared at her, wordlessly pleading that she would make no effort to break their silence in the wings. He knew she<br />

would. As he watched her eyebrows rise in dramatic preparation, Jacob knew the delivery of her inane monologue was imminent.<br />

He had no interest in her empty words. He had never understood her perpetual pretense. He had no patience for her insincere —<br />

Hug?<br />

26

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