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Download PDF - Asian Art Museum | Education

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Edo Society<br />

As mentioned in the Generalizations section, the Edo government divided society into different<br />

classes—samurai, farmer, artisan, and merchant, each with proscribed roles and limitations.<br />

The members of the imperial family and the nobility were exempt from this system.<br />

They retained trappings of privilege, but were quite powerless, living a marginalized existence.<br />

Buddhist clergy were also outside of the system, as were prostitutes and other outcasts<br />

such as butchers and leather workers (considered untouchable because of their occupation).<br />

Historian Osamu Wakita has also conceived of the status divisions being drawn between<br />

warrior-proprietor, peasant, and townsperson. (Hall, p. 123) It is also helpful to consider the<br />

traditional environments for each: warrior-proprietors oversaw their domains throughout<br />

the country from castle towns of varying sizes; peasants living in villages worked the land<br />

and paid taxes that supported the samurai class; townspeople including artisans and merchants<br />

provided services and goods to the growing urban centers. <strong>Art</strong>isans, among them carpenters,<br />

potters, basket makers, lacquer artists, woodblock print designers and carvers, and<br />

screen painters, were busy outfitting samurai residences and wealthy merchant homes. Merchants<br />

sold the products of others, such as foodstuffs, storage jars, and books. Although<br />

their trade stimulated the Edo economy, neo-Confucian scholars placed merchants at the<br />

bottom of social hierarchy because of the perception that they did not actually produce anything<br />

useful to society.<br />

<strong>Asian</strong> <strong>Art</strong> <strong>Museum</strong> <strong>Education</strong> Department

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