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Download PDF - Asian Art Museum | Education

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Slides 4 and 5<br />

left<br />

Kano Tanyu (1602–1674)<br />

Mount Fuji and The Shore at the Pine Forest of Miho<br />

Dated 1666<br />

Pair of six–fold screens; ink, colors, and gold on paper<br />

65 7/16 x 144 1/4 inch each screen<br />

The Avery Brundage Collection, B63 D7A+ (left), B63 D7B+ (right)<br />

right<br />

Who was the artist?<br />

Kano Tanyu was a prolific and important member of the great Kano school of painters.<br />

Established by Kano Masanobu (1434–1530), the Kano artists traditionally served elite<br />

patrons from the imperial family and the shogunate. They were perhaps Japan’s most influential<br />

school of painting, since most artists who underwent traditional training began their<br />

studies with a Kano master. They are associated with kanga or “Chinese painting” style,<br />

although Tanyu was known for his mastery of various styles. This painting, compared with<br />

Nanga paintings in this packet appears to be more yamato-e (Japanese) than kanga (Chinese)<br />

in style. Painting styles are discussed in the <strong>Art</strong>ists and Patrons section, and distinctions<br />

between Japanese and Chinese styles will be explored further in Activity 2.<br />

Tanyu was recognized as a great painter in his day. At the young age of 16, he was already a<br />

<strong>Asian</strong> <strong>Art</strong> <strong>Museum</strong> <strong>Education</strong> Department

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