Download PDF - Asian Art Museum | Education
Download PDF - Asian Art Museum | Education
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Slides 4 and 5<br />
left<br />
Kano Tanyu (1602–1674)<br />
Mount Fuji and The Shore at the Pine Forest of Miho<br />
Dated 1666<br />
Pair of six–fold screens; ink, colors, and gold on paper<br />
65 7/16 x 144 1/4 inch each screen<br />
The Avery Brundage Collection, B63 D7A+ (left), B63 D7B+ (right)<br />
right<br />
Who was the artist?<br />
Kano Tanyu was a prolific and important member of the great Kano school of painters.<br />
Established by Kano Masanobu (1434–1530), the Kano artists traditionally served elite<br />
patrons from the imperial family and the shogunate. They were perhaps Japan’s most influential<br />
school of painting, since most artists who underwent traditional training began their<br />
studies with a Kano master. They are associated with kanga or “Chinese painting” style,<br />
although Tanyu was known for his mastery of various styles. This painting, compared with<br />
Nanga paintings in this packet appears to be more yamato-e (Japanese) than kanga (Chinese)<br />
in style. Painting styles are discussed in the <strong>Art</strong>ists and Patrons section, and distinctions<br />
between Japanese and Chinese styles will be explored further in Activity 2.<br />
Tanyu was recognized as a great painter in his day. At the young age of 16, he was already a<br />
<strong>Asian</strong> <strong>Art</strong> <strong>Museum</strong> <strong>Education</strong> Department