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a variety of genres. It’s simply the way the<br />
profession is headed! The uses of these<br />
skills include having fun with friends who<br />
play a little jazz all the way up to making<br />
arrangements for a chamber music gig<br />
- all different ways to make your career<br />
more fulfilling and visible. There are so<br />
many occasions where having knowledge<br />
beyond playing the notes the composer<br />
wrote can be useful. Your imagination<br />
finds the creative space within the markings<br />
on the page - you can still be faithful<br />
to the music and make decisions for how<br />
to execute it.<br />
You can be so much more creative and<br />
interesting as an artist if you free your<br />
imagination with other kinds of activities.<br />
If you can find 10 minutes a day, play<br />
along to your favorite song on the radio,<br />
learn a fiddle tune, write your own<br />
piece (even if you’re too embarrassed<br />
to ever play it for anyone). Find time to<br />
be outside the box, not thinking about<br />
perfect straight bow, intonation, playing<br />
the right notes, every day. That’s just as<br />
important to your daily practice session<br />
as all that Sevcik and trying to master the<br />
Tchaikovsky. I find that these days, some<br />
people are totally on the bandwagon<br />
while others are absolutely not. The world<br />
is shifting and there’s a much greater<br />
percentage of players and teachers who<br />
are open and even encouraging students<br />
to explore beyond the classical and how<br />
that can positively impact your straight<br />
classical playing. There are still some<br />
people to whom that’s a very novel idea.<br />
It’s important to spread the word. ■<br />
SUMMER 2014 NEXT LEVEL VIOLINIST 23