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YAPP<br />

VOL 16 NO 3............................................. MAY-JUNE 2007<br />

The Official Newsletter of the W .A . Craft Bookbinders Guild Inc<br />

The aim of the Guild is to promote and exhibit the art of the hand-bound book ,<br />

maintaining the traditional craft bookbinding skills .<br />

Aesthetics of Book Conservation<br />

By Gary Frost<br />

“At its best, craftsmanship in conservation is not simply<br />

a skillful use of tools and materials, but a knowledge and<br />

sympathy for the volume and the period of its<br />

production.” Familiarity must breed the opposite of<br />

contempt in the book conservator. The book conservator<br />

meets each book with an expectation of some message.<br />

The Bonefolder: an e-journal for the bookbinder<br />

and book artist Volume 3, Number 1, Fall 2006<br />

http://www.philobiblon.com/bonefolder/vol3no1contents.htm<br />

DANGER BEWARE DANGER<br />

JUNE MEETING AT NEW VENUE, TUESDAY 26 JUNE 2007<br />

See Pages 3 and 7 for details


Minutes of the WA Craft<br />

Bookbinders’ meeting held on<br />

Monday 30th April 2007<br />

The Meeting was opened at<br />

7.05 pm. with an attendance 19<br />

members and two visitors.<br />

Apologies. Gavin Rankine;<br />

Claudia Kurowski; Shirley<br />

Withers.<br />

The minutes for February and<br />

March were printed in “Yapp”<br />

and taken as read.<br />

Sub-editor of YAPP, Mervyn<br />

Bond, was thanked for a well<br />

produced “Yapp” and Shirley<br />

Withers thanked for doing the<br />

March minutes at very short<br />

notice.<br />

The Treasurer reported little<br />

change from the March<br />

meeting.<br />

General business.<br />

Designer Binders Announce<br />

their competition for 2009 on<br />

the theme of water, with very<br />

big prizes to be won.<br />

George Ross spoke of his<br />

advanced bookbinding course<br />

from May 1st which will<br />

concentrate on sewing and<br />

finishing with three books to be<br />

produced.<br />

Peter Foss was asked to explain<br />

“geocaching”, a word not<br />

known by any member present.<br />

A game involving hiding<br />

something and leaving complex<br />

clues on the internet for others<br />

to interpret and find the object.<br />

David Millhouse showed a<br />

sample print of selected letters<br />

from various type faces to<br />

show the progress made in<br />

sorting the Guild’s collection.<br />

Agenda for May is tentatively<br />

Paper conservator Sylvia Bass,<br />

who is overseas till the 1st.<br />

week in May. To be<br />

confirmed.<br />

George Ross, as guest speaker,<br />

demonstrated the techniques of<br />

floating off end papers from<br />

cover boards and lifting book<br />

labels etc.<br />

Minutes of the WA Craft<br />

Bookbinders’ meeting held on<br />

Monday 28th May 2007.<br />

The meeting opened at 7.00 pm<br />

with an attendance of 21.<br />

Apologies were received from<br />

Shirley Withers, Geoff & Joan<br />

Dimock, Judith Montgomerie<br />

and Kay Fisher. Expressions of<br />

regret were made for Joan and<br />

Kay who were seriously<br />

unwell.<br />

A quorum of Officers was not<br />

filled, so no resolutions were<br />

passed, but the Treasurer was<br />

strongly in favour of the July<br />

meeting to be the end of our<br />

fiscal year and the AGM to be<br />

held in September, allowing<br />

time for a full audit of the<br />

books. Officers present agreed.<br />

The President spoke briefly on<br />

our pending removal of<br />

premises and where we expect<br />

to go. Most members were<br />

quite concerned about this<br />

matter. David, Frances, Bob<br />

and Gavin had already<br />

inspected the hall with Jan<br />

Stroud and everything was<br />

fully explained.<br />

2<br />

The existing premises are to be<br />

vacated on Wednesday 30th<br />

May and David Millhouse, Bob<br />

Crowe, Gavin Rankine, Neville<br />

Duckett and Peter Foss will<br />

remove all of our belongings to<br />

Gavin’s premises for storage.<br />

The Secretary expressed<br />

concern that of 54 persons<br />

contacted, only 21 turned up at<br />

this vital meeting.<br />

The Secretary also stated that<br />

Cockerells Marbled Paper (the<br />

famous English Bookbinders)<br />

seemed to be out of contact.<br />

With the expansion of more<br />

skilled binders, a higher quality<br />

of PVA glue is to be stocked,<br />

but it is twice the present price.<br />

Normal PVA will still be<br />

available.<br />

Doug Firth gave a lengthy talk<br />

(with his usual enthusiasm) on<br />

paper as a material and<br />

techniques to preserve and<br />

repair it. He spoke about<br />

Reemay (random spunbonded<br />

Polyester cloth), Mylar,<br />

washing, rinsing, wet Bibles,<br />

flood and fire damage. He<br />

showed a book; ‘Papermaking’<br />

by Dard Hunter as an excellent<br />

reference. He mentioned the<br />

use of atomizers to keep paper<br />

damp, metal fragments causing<br />

‘foxing’, freezing a wet book<br />

until sufficient time is available<br />

to properly repair it and many<br />

other items of great need and<br />

interest in this endeavour.<br />

The course that George Ross<br />

was running on advanced<br />

finishing was extremely<br />

valuable and a further course<br />

would be run on July 17th,<br />

24th, 31st & August 7th at his<br />

Bullsbrook Bindery.<br />

The meeting closed at 10.30pm<br />

with an attendance of 15.


MONTHLY MEETING<br />

JUNE TUESDAY 26, 2007<br />

7.00 pm<br />

Alexander Park Craft House<br />

Clyde Road<br />

Menora<br />

SEE PAGE 7<br />

AGM<br />

Explore the venue<br />

Show and Tell<br />

MONTHLY MEETING<br />

JULY TUESDAY 31, 2007<br />

7.00 pm<br />

Alexander Park Craft House<br />

Clyde Road<br />

Menora<br />

Speaker/Activity<br />

to be advised<br />

Show and Tell<br />

.<br />

FROM<br />

THE<br />

PEN OF THE<br />

PRESIDENT<br />

The news from the Red Cross Library that they<br />

would have to move due to Hollywood Hospital<br />

redevelopment came as quite a shock. The<br />

unexpected move has happened twice before in my<br />

time with the Guild. But this time there is no<br />

room for us to go on with the Red Cross.<br />

The following week was a long one. Even so it was<br />

just a week later that, following a tip from Mervyn<br />

Bond, Frances and I were looking at an alternative<br />

venue; Alexander Park Craft House, Clyde Rd.<br />

Menora. The following day Bob Crowe and Gavin<br />

Rankine also went to assess the venue. We all<br />

agreed the venue had what we need to make a new<br />

home.<br />

At the last meeting in the Red Cross Library, 28th.<br />

May, the probability that we may have to meet on<br />

a different evening to our usual last Monday of<br />

each month was discussed with lively interest.<br />

The last Tuesday of each Month was<br />

overwhelmingly popular, mainly because the<br />

alternative, Friday, was much too busy with traffic<br />

for most members coming from distance.<br />

My Thanks to Gavin Rankine. Bob Crowe, Neville<br />

Duckett, and Peter Foss who volunteered help to<br />

move out of the Red Cross rooms on Wednesday<br />

30th. Additional thanks to Gavin Rankine who<br />

also provided the space to store our materials and<br />

equipment until we can move to a new home.<br />

The application for membership of the Alexander<br />

Park Craft House has been made. We will not<br />

know the outcome until later in June , but all<br />

members will be notified before the June meeting<br />

is due.<br />

Happy Binding<br />

David Millhouse.<br />

3


FLOATING OFF ENDPAPERS<br />

A demonstration by George Ross<br />

Materials required<br />

• Tray to hold water with a length and breadth<br />

sufficient to fit in the boards being processed. A<br />

Kitty Litter tray accommodates A4 pages.<br />

Sometimes the glue softens at different rates so<br />

an area might stick. Carefully lay the lifted area<br />

of the endpaper back down and return to the<br />

moistening procedure.<br />

When the endpaper is remove put it in the tray of<br />

water face down and check the back for glue.<br />

Gently rinse/lift off the glue.<br />

Lay the rinsed endpaper face up on the laminex<br />

surface making sure there are no wrinkles. Cover<br />

with a clean dry piece of blotting paper and lay<br />

the glass over the blotting paper.<br />

Boards soaking in water in tray<br />

• Blotting paper - lots.<br />

• Plate glass about 260 mm x 350 mm or a<br />

plain tempered glass kitchen cutting 'board' of<br />

about the same size (available from kitchen area<br />

of supermarkets for about $5)..<br />

• Smooth clean laminex table top or a board<br />

covered with laminex or such and about the same<br />

size as the plate glass.<br />

• Spatula or bone folder.<br />

• Boards from a book.<br />

Procedure<br />

If the board is to be used again later then lay the<br />

board on the laminex surface with the endpaper<br />

face up. Dampen a clean cloth or dip a sheet of<br />

blotting paper in the tray of water and lay over<br />

the endpaper.<br />

The time required to sufficiently moisten the<br />

endpaper to allow it to be lifted off will vary from<br />

twenty minutes to several hours. During this<br />

time maintain the dampness of the cloth or<br />

blotting paper.<br />

Wrinkled blotting paper<br />

When the blotting shows signs of wrinkling<br />

remove the glass, gently remove the blotting<br />

paper, cover the endpaper with a fresh sheet of<br />

blotting paper, replace the glass. Repeat this<br />

process, perhaps four times, until no wrinkles<br />

appear. The endpaper could now be used or kept<br />

flat under light pressure until required.<br />

If the board is not going to be used again then<br />

soak the board in the tray of water. How long the<br />

board should soak will vary as for the first<br />

method. A two hour minimum is very likely and<br />

overnight is possible.<br />

When the endpaper can be lifted proceed as before<br />

rinsing off glue and applying the blotting paper<br />

procedure until dry.<br />

A book plate removed using the<br />

blotter/cloth method<br />

Separating the<br />

endpaper from a<br />

soaked board<br />

Do not hurry the process. Test with the spatula/<br />

bone folder at a corner by gently inserting the<br />

blade or tapered end under the endpaper. If it<br />

lifts readily then attempt to lift the rest of sheet.<br />

4<br />

Report by Mervyn Bond


DOUG FIRTH'S BIBLIO FOLIO REVISITED<br />

by Peter Foss<br />

Biblio Folio<br />

It was like being part of a secret conclave as we all<br />

headed to Doug Firth's BiblioFolio in Fremantle.<br />

By the time I got to High Street, Fremantle, there<br />

was a flood of members heading towards number<br />

15; some emerging from the Villa Roma next door.<br />

Inside, Doug's premises were a wonderland of<br />

accumulated antique bookbinding machinery all<br />

perfect for craft<br />

Ludlow<br />

bookbinding. Doug took us<br />

typecaster<br />

through each one explaining<br />

its use and history and<br />

showing how well each huge<br />

cast iron item performed its<br />

function. We also learned of<br />

the small miracle that had<br />

stopped one over-massive<br />

item crashing through the<br />

floor when it was upstairs.<br />

Among the machines he had<br />

were: 188O’s Furnival<br />

flywheel guillotine, 1912<br />

Krause boardcutter, 1930’s<br />

standing press, two 1860’s<br />

nipping presses and a<br />

McKay No3 blocking press.<br />

admired and who had lectured him - Allan<br />

Stratton. He was painstakingly restoring a book of<br />

Stratton's -The History of Bookbinding. Only a<br />

few were made and they were printed on<br />

newsprint. One of the big problems was getting<br />

the types.<br />

Doug showed us a beautiful paper he was using<br />

called Bird and Pomegranate.<br />

Arab printing press<br />

Then it was time for a<br />

practical demonstration.<br />

Doug has thought his<br />

methodology through and<br />

has some very useful<br />

systems.<br />

He demonstrated repair<br />

with a very dilapidated 17th<br />

Century book he was<br />

repairing. It was a book<br />

from the times when you’d<br />

buy your book as sheets<br />

from a bookseller and take it<br />

to your bookbinder to be<br />

bound.<br />

With any repair he always<br />

first brushes out the spine.<br />

Then he checks the<br />

Press with height<br />

adjustable patten<br />

He has since obtained some more really precious<br />

items: An 1870’s ARAB printing press and a<br />

Ludlow typecaster with 47 fonts. The ARAB is<br />

being restored currently.<br />

He demonstrated his blocking press and told us of<br />

a NSW bookbinding lecturer whom he greatly<br />

pagination and if necessary repaginates. Then he<br />

washes and de-acidifies the paper to be repaired.<br />

Only then does he start the repair. This he does on<br />

Mylar on a light-table. He places Mylar above and<br />

below the page.<br />

Cont page 6<br />

5


Cont from page 5<br />

You can buy Mylar at Historical Society, Zetta<br />

Florence or Inertech. He lays the repair tissue<br />

paper over the Mylar on top of the paper to be<br />

repaired and water cuts it to size. To hold the<br />

water he uses a beaker inside a bowl. With the<br />

paper he was using he would probably only do the<br />

outside of each section and the map. He has even<br />

finer paper if it needs more repair. He only pastes<br />

the toothed side of the paper. For his paste he<br />

uses methyl cellulose. It shouldn't go mouldy - if it<br />

does go mouldy you know your container or your<br />

brush is not sterile. When the paste is dry he<br />

sprays the paper with de-acidified water. Then he<br />

dries it in a sandwich of rag mat-covered<br />

corrugated cardboard; with Re-May for release<br />

paper then blotting paper. During the process,<br />

depending on the needs of the occasion he has the<br />

light table on or off. For fine handling he uses<br />

dental tools and both toothed and untoothed<br />

tweezers to handle strips. If there is text on the<br />

area to be repaired, you tack the other side first.<br />

He can get several uses out of his blotting paper<br />

and when eventually he has to retire it he uses<br />

the old blotter to remove glue on spines.<br />

After more demonstrations we all adjourned for<br />

coffee in the small kitchen at the back and were<br />

entertained by the sound of crashing crockery<br />

from the kitchen next door. Apparently the newly<br />

opened restaurant was having staff problems.<br />

The use of japanese repair tissue was recently demonstrated at one of<br />

our meetings by David Millhouse. The article below, by David, picks up<br />

the key elements of that demonstration<br />

Conservation, this site worth a visit.<br />

http://idp.bl.uk/archives/news29/idpnews_29.a4d<br />

6


THE GEORGE ROSS FIVE DAY WORKSHOP<br />

MAY 2007<br />

GETTING STUCK UP WITH A BETTER QUALITY PVA<br />

Over the past five Tuesdays Peter Foss<br />

and I have enjoyed the privilege of being<br />

taught by George Ross. This is a unique<br />

experience which I encourage as many<br />

members to take part in as can manage.<br />

George begins with basics and takes one<br />

right through all stages of the binding<br />

process. It matters not from what level<br />

one begins.<br />

A major outcome that will affect the<br />

whole guild is the experience of using a<br />

much more suitable PVA glue. In the past<br />

the PVA has dried hard and stiff with<br />

little ability to hold clay impregnated<br />

paper.<br />

I have suggested that the Guild purchase<br />

a quantity of the glue we used at the<br />

workshop. The workshop glue dries with<br />

much more flexibility which enables the<br />

rounding and backing process to be done<br />

with ease.<br />

While being more expensive it may not be<br />

needed for every job. But for that fine job<br />

that needs extra care I would encourage<br />

the best.<br />

David Millhouse<br />

June 3 2007<br />

‡ ‡ ‡ ‡ ‡<br />

‡ ‡ ‡ ‡ ‡ ‡ ‡<br />

DRIVEWAY<br />

HOW TO GET TO OUR NEW VENUE<br />

JUNE MEETING 2007<br />

CRAFT<br />

HOUSE<br />

7


Coming Events<br />

Tuesday 26 June 2007 - the Monthly Guild meeting<br />

AGM<br />

Tuesday 31 July 2007 - the Monthly Guild meeting<br />

George Ross’s July bookbinding courses<br />

6 people or less - will run from 9 am until you drop<br />

Tuesdays July 17, 24, 31 & August 7<br />

Friday 24 August to Sunday 26 August: Craft & Antique & Collector's Fair<br />

Claremont Showgrounds Exhibition Centre<br />

9.30 am to 4.30 pm daily<br />

Perth Royal Show<br />

29 September - 6 October 2007<br />

WA CRAFT<br />

BOOKBINDERS<br />

GUILD INC<br />

Executive<br />

President: David Millhouse 08 9295 2491<br />

V/President Bob Crowe 08 9328 3110<br />

Secretary Gavin Rankine 08 9459 0295<br />

& c/- 44 Austin Avenue<br />

Course convener KENWICK WA 6107<br />

rankinegg@optusnet.com.au<br />

Treasurer Neville Duckett 08 9448 9925<br />

Editor Graham Levey 08 9228 2725<br />

YAPP<br />

Editor Graham Levey 08 9228 2725<br />

Sub-editor Mervyn Bond 08 9330 3310<br />

Contributions:<br />

By Post:<br />

By email:<br />

The Editor<br />

c/- 232 Charles Street<br />

NORTH PERTH WA 6006<br />

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