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MIKE ADRAO<br />
In an age enamored with installation, conceptual, or performance<br />
art, does good old drawing still have a chance to be recognized?<br />
Artists like Mike Adrao show that draughtsmanship still matters<br />
and that drawing remains a dynamic and unexhausted field.<br />
His large, charcoal canvases depicting anthropomorphic and<br />
biological forms show control, rigor and imagination. These<br />
images—each one teeming with intricate detail—are first born in<br />
his trusted sketchbook. On a large canvas inside his tiny studio<br />
above an Internet cafe, the mild-mannered Adrao lays them<br />
out and pieces them together in a slow, deliberate, physically<br />
demanding but sometimes meditative process.<br />
For this show, his ruminations on the sinister qualities of the city—<br />
the decadence, the corruption, the environmental negligence, the<br />
temptations of wealth and power—yield a charcoal, chiaroscuro<br />
work that is an allegory of life in the Philippine capital. It shows<br />
how little by little one is consumed by the grip of its structures and<br />
systems. Integrating Philippine currency vignettes and lacework,<br />
exploding manunggol jars and reptilian elements, the work can<br />
be turned upside-down, mimicking the topsy-turvy manner of<br />
existence in a desperately dense and chaotic setting.